The Evolution of Babao Arnis
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Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Military Transformation on the Korean Peninsula: Technology Versus Geography
THE UNIVERSITY OF HULL Military Transformation on the Korean Peninsula: Technology Versus Geography Being a Thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy At the University of Hull By Soon Ho Lee BA, Sungkyunkwan University, Republic of Korea, 2004 MA, The University of Birmingham, United Kingdom, 2005 MRes, King’s College London, United Kingdom, 2006 1 Acknowledgement I am the most grateful to my Supervisor Dr. David Lonsdale for his valuable academic advice and support during the long PhD journey. To reach this stage, I have had invaluable support from my family back in Korea and my dear wife Jin Heon. I would also like to thank my family for being so patient while I was researching. During this journey, I have obtained a precious jewel in my daughter, Da Hyeon. I will pray for you all my life. I would like to give special thanks to my late grandfather who gave me the greatest love, and taught me the importance of family. 2 Thesis Summary This thesis provides an explanation of one RMA issue: the effectiveness of contemporary military technology against tough geography, based upon case studies in the Korean peninsula. The originality of the thesis is that it will provide a sound insight for potential foes’ approach to the dominant US military power (superior technology and sustenance of war). The North Korean defence strategy – using their edge in geography and skill – tried to protect themselves from the dominant US power, but it may be impossible to deter or defeat them with technological superiority alone. -
Fma-Special-Issue Kali-Eskrima-Arnis
Publisher Steven K. Dowd Contributing Writers Leo T. Gaje, Jr Nick Papadakis Steven Drape Bot Jocano Contents From the Publishers Desk Kali Kali Means to Scrape Eskrima Arnis: A Question of Origins Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta This is a Special Issue that will raise some eyebrows. It seems that when you talk of Kali, Eskrima, or Arnis, there is controversy on where they came from and what they are about. And when you finally think you have the ultimate understanding then you find little things that add, change, subtract from the overall concept. Well in this Special Issue the FMAdigest obtained permission from the authors to take their explanation, some published years ago. -
Explanatory Note
THIRTEENTH CONGRESS OF THE REPUBLIC ) &$j -5 25 ’LIP ’ OF THE PHILIPPINES 1 Second Regular Session ) SENATE S.NO. 2258 Introduced by Senator Manuel “Lito” M. Lapid EXPLANATORY NOTE The history of “Arnis de Mano” also known as “Kali or Escrima” in the Philippines can be traced way before the arrival of the first Galleon ships in the Archipelago. The first recorded account of the practice of “Arnis” reveals that it is primarily used by natives for tribal combats. It has been called by different names during the time such as kali or kabaroan in Ilocos, pagkalikali in Cagayan, lcalirongan in Pangasinan, kaliradman in Samar and Leyte, and esfocado or esgrima in Bicol. During the Spanish occupation, “Arnis” evolved as a sport coming in three variations: espada y daga ( sword and dagger) which uses a long and short stick; solobaton, or single stick; and sinawali, which uses two sticks and employing movements similar to sawali weave. Some of our national heroes like Jose Rizal, Andres Bonifacio, Antonio Luna, Gregorio del Pilar, and Gregorio Aglipay were known to be practitioners of “Arnis”. Because of the intricate use and danger of “Arnis”, which is one of the main weapons of our forefather2 in the battle of Mactan where Portuguese explorer Ferdinand Magellan was killed, Spanish authorities in 1596 discouraged its practice. All these historical accounts imply that “Arnis” really originated in the Philippines. Renowned encyclopedias refer to “Arnis” as Filipino Martial Arts. Similar native sports in other Asian countries like Korea’s Taekwondo, Thailand’s Muay Thai, and Japan’s Judo, to name a few, have become internationally accepted sports. -
FMA-Vol6 No3.Pdf
Publisher Steven K. Dowd Contributing Writers Marc Lawrence Villasin Balintawak Archives Michael Alegria Patrick Armijo David Calleja Contents From the Publishers Desk Filipino Martial Arts in the United States Life and Times of Grandmaster Alfredo Bandalan Grandmaster Ver Villasin of Balintawak A Devoted, Loyal Practitioner of JENDO A Journey of Experience Learning History and Culture Through Martial Arts Ryan Buot - Music and Balintawak Dinuguan for Brunch FMA Past Events FMAForum FMA Future Events FMA Educational Depot Announcements Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta To start Marc Lawrence brings a bit of history on the Filipino-American Heritage, which actually he put together for his sons, but is sharing with the FMAdigest and you the reader. -
2010 – US Martial Arts Hall of Fame Inductees
Year 2010 – US Martial Arts Hall of Fame Inductees Alaska Annette Hannah……………………………………………...Female Instructor of the year Ms. Hannah is a 2nd degree black belt in Shaolin Kempo. She has also studied Tae kwon do, and is a member of ISSKA. Ms. Hannah has received two appreciation awards from the U.S. Army, and numerous sparring trophies. She is also proud to provide service to help the U.S. soldiers and their families that sacrifice to keep this country safe and risk their lives for all of us. James Grady …………………………………………………………………………….Master Mr. Grady is a member of The Alaska Martial Arts Association and all Japan Karate Do Renbukai. Mr. Grady is a 6th Dan in Renbukan California William Aguon Guinto ………………………………………………………..Grandmaster Mr. Guinto has studied the art for 40 years he is the owner and founder of Brown Dragon Kenpo. He has training in the styles of Aiki do, Kyokoshihkai, tae kwon do, and Kenpo. Mr. Guinto is a 10th Grandmaster in Brown Dragon Kenpo Karate and has received awards in Kenpo International Hall of Fame 2007 and Master Hall of Fame Silver Life. He is a member of U.S.A. Martial Arts Alliance and International Martial Arts Alliance. Steven P. Ross ………………………………………………Master Instructor of the year Mr. Ross has received awards in 1986 World Championship, London England, numerous State, Regional and National Championships from 1978 thru 1998, Employee of the Year 2004, and principal for the day at a local high school. He was formerly a member of The US Soo Bahk Do, and Moo Duk Kwan Federation. -
Catalog Summer 2017
“Excellence in Mind/Body Publishing” e under and Lightning of Aikido WALTHER G. VON KRENNER WITH KEN JEREMIAH CATALOG SUMMER 2017 Lifestyle Health KONG HAN 光 漢 NGO CHO 五 Forms • Weapons • Fighting Fitness 祖 拳 武 術 Filipino 系 Martial Arts HENRY LO AND DANIEL KUN Chinese Quanzhou Fiction $23.95 Martial Arts Taizuquan raditional Chinese culture rests upon the shoulders of three great sages, THE ART OF FUJIAN EMPEROR FIST KUNG-FU TConfucius, the Buddha, and Lao Tzu. is the story of the latter, the most mysterious and least known of the heavenly trio, and his quest for a soul mate, a quest answered by a tortoise, a Galápagos giant to be precise, brought to him, as a tiny baby, from across the great Pacific. A work of magical realism in the vein of Gabriel Garcia Márquez and David Mitchell, chronicles the efforts of the great sage to create the woman of his dreams. It is a novel of idealism, frustration, persistence, unimaginable endurance, failure, tragedy, and triumph. Set alternately in current China’s era of economic marvels and social change, and in the formative, ancient dynasty during which the seeds of today’s great nation were sown, entrances and enchants as a love story for the ages, yet also mines an ancient philosophy to offer readers both a different way of thinking and of looking at the world, and a recipe for social and environmental change. is a Taoist monk born in America and ordained in China. The recipient Japanese of numerous honors and awards, he hosted the hit national public television show Longevity Tai Chi, is a highly respected martial arts master, teacher, and the author Y of more than a dozen critically acclaimed works of fiction and non-fiction. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
The Practice of Pencak Silat in West Java
The Politics of Inner Power: The Practice of Pencak Silat in West Java By Ian Douglas Wilson Ph.D. Thesis School of Asian Studies Murdoch University Western Australia 2002 Declaration This is my own account of the research and contains as its main content, work which has not been submitted for a degree at any university Signed, Ian Douglas Wilson Abstract Pencak silat is a form of martial arts indigenous to the Malay derived ethnic groups that populate mainland and island Southeast Asia. Far from being merely a form of self- defense, pencak silat is a pedagogic method that seeks to embody particular cultural and social ideals within the body of the practitioner. The history, culture and practice of pencak in West Java is the subject of this study. As a form of traditional education, a performance art, a component of ritual and community celebrations, a practical form of self-defense, a path to spiritual enlightenment, and more recently as a national and international sport, pencak silat is in many respects unique. It is both an integrative and diverse cultural practice that articulates a holistic perspective on the world centering upon the importance of the body as a psychosomatic whole. Changing socio-cultural conditions in Indonesia have produced new forms of pencak silat. Increasing government intervention in pencak silat throughout the New Order period has led to the development of nationalized versions that seek to inculcate state-approved values within the body of the practitioner. Pencak silat groups have also been mobilized for the purpose of pursuing political aims. Some practitioners have responded by looking inwards, outlining a path to self-realization framed by the powers, flows and desires found within the body itself. -
2016 MARTIAL ARTS STUDIES CONFERENCE Programme THURSDAY 21 July
MARTIAL ARTS STUDIES CONFERENCE 19 - 21 July 2016 information & PROGRAMME MARTIAL second international CONFERENCE ARTS STUDIES CONFERENCE 19-21 July 2016 contents 1 Welcome and introduction Paul Bowman, Conference Organiser 3 Expectations Three ground rules for success 4 General information For delegates, panels and chairs 5 Conference Programme Daily programme of events 8 Biographies and abstracts A-Z of speakers and contributors 33 Find a panel At-a-glance guide to the conference panels 34 Find a speaker A-Z guide to our speakers, times & venues 38 Films Competition and screenings 44 Martial Arts Studies Research Network, Journal and Book Series The Martial Arts Studies Conference is part of a network of projects that connect academics, practitioners and institutions as they contribute to this rapidly expanding field of studies. MARTIAL Open access peer-reviewed ARTS STUDIES journal published twice JOURNAL a year to share the latest research and scholarship in the field martialartsstudies.org MARTIAL Connecting and ARTS STUDIES engaging researchers and RESEARCH NETWORK practitioners to shape the multidisciplinary field of Martial Arts Studies mastudiesrn.org MARTIAL An academic book series ARTS STUDIES of Martial Arts Studies MONOGRAPHS monographs from Rowman and Littlefield International goo.gl/F0o3DX MARTIAL The Annual International ARTS STUDIES Martial Arts Studies CONFERENCE Conferences goo.gl/gRyzf2 19 - 21 July 2016 MARTIAL ARTS STUDIES CONFERENCE WELCOME & INTRODUCTION PAUL BOWMAN, CONFERENCE ORGANISER Welcome to the second international Martial Arts Studies We have also established a book series with one of the Conference at Cardiff University. The first conference took most exciting academic publishers to have emerged in place last year, in June 2015, and it sparked and helped to fuel recent years, Rowman & Littlefield International (RLI). -
FILIPINO MARTIAL ARTS the Filipino Martial Arts
Ronald A. Harris, Ph.D. FILIPINO MARTIAL ARTS The Filipino martial arts (FMA) can be called Filipino fencing, because they are methods of personal armed combat that emphasize skills in weaponry over skills in empty hands. Unarmed combat is practiced in FMA, but is traditionally studied after weaponry. This training sequence sets FMA apart from other martial arts that initiate with empty hands. Armed combat is known as Arnis, Eskrima (fencing, Spanish), and Kali. Arnis derives from the Spanish arnes meaning armor. It also comes from “harness,” referring to the battle harness worn by Filipino soldiers under Spanish command. Arnis-de-mano means “harness of hand”, referring to deft hand movements of Filipino grooms for Spanish officers. These lightning fast hand movements were native martial arts techniques in disguise. Forbidden by the Spanish to practice martial arts, defiant Filipinos retained their fighting skills in secret by hiding them in dance forms called Santikan, Sayaw, and Moro-Moro. Other etymologies have been suggested for the names of the various Filipino arts. Dueling an opponent is “to skirmish”. The Spanish term Esgrima is in the Pilipino language. Kali might be named after the Hindu Goddess of c:\mars\clio\fma 1 Ronald A. Harris, Ph.D. Destruction. Dan Inosanto says Kali is the conjunction of the first syllables of two words from the Philippine Islands Visayan language--kamot meaning “hand” and lihok meaning “motion”. Thus, Kali means “hand motion”. An etymology of the Pilipino language indicates otherwise. In the Hiligaynon dialect of the Western Visayas, the term kali means “to dig”, as with a shovel (pala).