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RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945
1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest. -
Retro Wed Jun 20 11:02:03 CEST 2018
Retro Iria Lopez - Wed Jun 20 11:02:03 CEST 2018 CSV ID Titolo Originale Anno di produzione Regista/i Film Minutes 1018976 The Battle of the Century 1927 Clyde Bruckman 19.0 1018977 The Finishing Touch 1928 Clyde Bruckman 19.0 1018987 Call of the Cuckoo 1927 Clyde Bruckman 20.0 1018992 Love 'em and Feed 'em 1927 Clyde Bruckman 20.0 1018881 Putting Pants on Philip 1927 Clyde Bruckman 20.0 1018935 Leave 'Em Laughing 1928 Clyde Bruckman 21.0 1018968 From Soup to Nuts 1928 Edgar Kennedy 20.0 1018927 You're darn Tootin' 1928 Edgar Kennedy 20.0 1018970 Early to Bed 1928 Emmett J. Flynn 18.0 1018926 Duck Soup 1927 Fred Guiol 16.0 1019642 Feed 'em and Weep 1928 Fred Guiol 20.0 1018828 Limousine Love 1928 Fred Guiol 20.0 1018981 Sugar Daddies 1927 Fred Guiol 20.0 1018974 The Second 100 Years 1927 Fred Guiol 20.0 1018997 The Boy Friend 1928 Fred Guiol 21.0 1018994 Pass the Gravy 1928 Fred Guiol 23.0 1018335 My Favourite Wife 1940 Garson Kanin 88.0 1020417 Love Affair 1994 Glenn Gordon Caron 108.0 1019640 A Pair of Tights 1929 Hal Yates 20.0 1018989 Dumb Daddies 1928 Hal Yates 20.0 1032157 Perfect Day 1929 James Parrott 1032181 The Hoose-Gow 1929 James Parrott 1032170 They Go Boom! 1929 James Parrott 1018890 Us 1927 James Parrott 1018932 Habeas Corpus 1928 James Parrott 20.0 1018980 Should Married Men Go Home? 1928 James Parrott 20.0 1018969 Two Tars 1928 James Parrott 21.0 1018928 Their Purple Moment 1928 James Parrott 22.0 1018588 Assistant Wives 1927 James Parrott 25.0 1019643 Going Ga-Ga 1929 James W. -
Once Upon a Honeymoonhoneymoon””””
“““ONCE“ONCE UPON A HONEYMOONHONEYMOON”””” © www.carygrant.net Across Down 3. Once Upon a Honeymoon was nominated for 1. Ginger Rogers also plays the part of Edwina an Oscar for Best _____ . Fulton in this 1952 Cary Grant movie (2 wrds) 7. Mr. O'Toole meets Katie while pretending to be 2. Because he was fully aware of American mania her______ . for respectability, the Baron got his fiance and 10. Katie thinks the baron is saving countries, in himself separate ____________ on the train. actual fact he is helping ______ to conquer 4. The question of top billing was resolved by them. having half of the prints with Cary Grant listed 13. Patrick O'Toole said, "Not so loud? I always talk first, and the other half with _____________ loud when I'm mad! You're lucky I don't jump listed first. (two words) up and down! It's things like this that can 5. When ordering drinks, Katie orders brandy and make a man a... a... a __________ !" vodka because Pat convinces her that Vodka is 15. "My husband is a ____ . Every time we go to a the Polish name for _____ . new country it falls," muses Katie. 6. Patrick explains that he has trouble with the 16. This man who directed Once Upon a pronunciation of Katie Buttsmith's name by Honeymoon, An Affair to Remember, comparing it to the words Connecticut and Indiscreet, and The Awful Truth (two words) ______ . 17. Kate marries Baron Von Luber, an Austrian who 8. O'Toole works for the ________ News Service. -
Leo Mccarey Papers
Finding Aid for the Leo McCarey Collection Collection Processed by: Marguerite Greiner / Nicole Votta - September 2018 Finding Aid Written by: Marguerite Greiner / Nicole Votta - September 2018 OVERVIEW OF THE COLLECTION: Origination/Creator: McCarey, Leo 1896-1969 Title of Collection: Leo McCarey Papers Date of Collection: 1934-1971 Physical Description: 41 boxes, 17 linear feet Identification: Special Collection #18 Repository: American Film Institute, Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Unknown BIOGRAPHICAL NOTE: Leo McCarey was born in Los Angeles on October 3, 1896, and attended Los Angeles High School, where he met his future wife, Stella Martin. Following his father’s wishes, he studied law at the University of Southern California, but was the first to admit he was a failure at the legal profession. During his first year at USC, he fell five floors in an elevator and broke his legs. While convalescing, he practiced six hours a day on the piano, an instrument he had studied as a child, and later described that period as being the first time in his life he was able to do something he loved. After completing law school, he spent a short time working in mining, including a Utah copper mine that he had purchased stock in with the $2,000 in damages he had received from his elevator accident (the stock proved worthless). After many unsuccessful attempts to get into the movie studios, a friend introduced him to Tod Browning, the director of the 1931 classic DRACULA, who invited him to work as his 3rd assistant director at Universal. -
Die Karteien Des Reichsfilmarchivs
Die Karteien des Reichsfilmarchivs Die einzigen, bisher bekannten Informationen zu den Karteien des Reichsfilmarchivs entstammen einem Aufsatz von Hans Barkhausen „Zur Geschichte des ehemaligen Reichsfilmarchivs. Gründung - Aufbau - Arbeitsweise“( in: Der Archivar, 13. Jg., Nr. l; April 1960, S. 2-13). „Beim Reichsfilmarchiv wurden schon aus Gründen der Vereinfachung und der Zweckmäßigkeit alle Filme ohne Unterschied der Gattung oder des Umfangs nach einer durchgehenden Numerierung eingelagert. (....) Im Gegensatz zu dieser einfachen Art der Lagerung in einer einzigen durchgehenden Reihe stand die vielgegliederte karteimäßige Ordnung und Erfassung der Filme. Entsprechend der historisch-technischen Entwicklung des Films, der auch die abteilungsmäßige Gliederung des Reichsfilmarchivs entsprach, wurde eine grundsätzliche Unterscheidung in Filme der Stummfilmzeit und der Tonfilmzeit vorgenommen. Innerhalb dieser beiden Hauptgruppen gab es dann wieder die Untergliederung in Spielfilme, Kulturfilme und Dokumentarfilme (Wochenschauen usw.). Gleichzeitig fand eine Trennung in deutsche und ausländische Filme, diese wiederum nach Ländern geordnet, statt. Die Untergruppe Spielfilme wurde karteimäßig nach der Gattung des Films, etwa „historische Ausstattungsfilme, ernste Musikfilme, Revuefilme, Lustspiele“, gegliedert. Eine gleiche Gliederung erfolgte in der Erfassung der verschiedenen Arten von Kulturfilmen. Expeditionsfilme, biologische ethnologische Filme usw. wurden jeweils für sich gruppiert. Eine ähnliche Gliederung ergab sich für Dokumentarfilme. -
Cary Grant ~ 68 Films
Cary Grant ~ 68 Films Cary Grant is one of the most consistent stars from the Golden Age of the Hollywood Studio System. Perhaps more than any other actor, he understood that what he was presenting to the public was an image. Quite famously, he has been quoted as saying, "Everybody wants to be Cary Grant. Even I want to be Cary Grant." What this means for fans of the legendary actor is that when we sit down and watch one of his films, good or bad, we know what we can expect of Cary Grant. His long-lasting appeal is down to his striking good looks, his dashing poise and a natural gift for both romance and comedy. Cary Grant can make you laugh even while he sweeps you off your feet. Archibald "Archie" Leach was born on 18 January 1904 at 15 Hughenden Road in the Bristol suburb of Horfield. He was the second child of Elias and Elsie Leach (their first having died in 1900). His father worked as a tailor's presser at a clothes factory while his mother was from a family of shipwrights. Archie had an unhappy upbringing. His father was an alcoholic and his mother suffered from clinical depression. His father placed her in a mental institution and first told the nine-year-old that she had gone away on a "long holiday" and later that she had died. When Archie was ten, his father remarried and started a new family that did not include young Archibald. Little is known about how he was cared for, or by whom. -
Screwball Comedies: Eine Filmographie, Eine Bibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Screwball Comedies: Eine Filmographie, eine Bibliographie 2003 https://doi.org/10.25969/mediarep/12854 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Screwball Comedies: Eine Filmographie, eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 50). DOI: https://doi.org/10.25969/mediarep/12854. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0050_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0050_03.pdf. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Inhalt: Angel (Engel); USA 1937, Ernst Lubitsch, D: Marle- I. Die Filme (A-Z) ne Dietrich, Herbert Marshall. II. Die Regisseure (A-Z) III. Die Stars (A-Z) Annabel Takes a Tour; USA 1938, Lew Landers, D: IV. Chronologie Jack Oakie, Lucille Ball. V. Bibliographie Another Thin Man (Noch ein dünner Mann; aka: [*] Für Hinweise danke ich Christine Noll Brinckmann, Dünner Mann, dritter Fall); USA 1939, W.S. Van Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz Dyke, D: William Powell, Myrna Loy. -
Special Articles Jewish Experience on Film an American Overview
Special Articles Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis. -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision