INSIDI: • the Blackhawk Catalog's Best Sellers - Page 1

Total Page:16

File Type:pdf, Size:1020Kb

INSIDI: • the Blackhawk Catalog's Best Sellers - Page 1 INSIDI: • The Blackhawk Catalog's Best Sellers - page 1 . .• The Thin Man Series, starring William Powell and Myrna Loy, all six wonderful films on page 24. • Two action-packed pages of movie serials, starting on page 18. • And much more! CATCH CARY GRANT AT HIS BEST IN THESE SPECIAL OFFERS! Cary Grant Special Collector's Package # 1: From the moment that Mae West told him to "come up 'n' see me sometime" (circa 1933), Cary Grant seemed destined Operation Petticoat for Holl ywood stardom. Still, it wasn't until the late 1930's, My Favorite Wife when he signed with RKO and Columbia, that Grant revealed The Philadelphia Story the flair for screw-ball comedy and sophisticated romance that would later make him a screen immortal. VRP21 Separately $59.85 Special Price $39.95 Always the essence of suave sophistication, Cary Grant's image became so overwhelming that even famed movie Cary Grant Special Collector's Package #2: director Alfred Hitchcock was forced to compromise the movie SUSPICION (1941), (found on page seven). The original story line called for Cary Grant's character to be exposed as the murderer at the end of the film. Studio executives objected and Hitchcock was forced to change the film to exonerate Grant. The Blackhawk Catalog is proud to present most of Cary Grant's best films. On this page, you will find three sets of CARY GRANT SPECIAL COLLECTOR'S PACKAGES. Each package contains three great reasons to start a collec­ tion of Cary Grant films. From OPERATION PETTICOAT (Package 1) , to the Hitchcock classic TO CATCH A THIEF (Package 2), The Blackhawk Catalog's selections nm the gamut from comedy to suspense. Even the immortal PHILADELPHIA STORY(Package U, with]immy Stewart Once Upon A Honeymoon and Ka tharine Hepburn is available. Father Goose Each CARY GRANT SPECIAL COLLECTOR'S PACKAGE is a tremendous value. For a limited time, you will be able to To Catch A Thief purchase these packages of three tapes for less than $14.00 VRP22 Separately $59.85 Special Price $39.95 per cassette. Purchased separately, your expense would be nearly $60.00! Cary Grant Special Collector's Package #3: SPECIAL EDITOR'S NOTE: For more of Cary Grant's /;,nest films, turn to pages 6 and 7 in this edition of The Blackhawk Catalog! We try to ship all of our cassettes as soon as we receive your order, although some cassettes can take up to six weeks for delivery. In order to assure quality delivery, all tapes are sent UPS Ground. Orders to P.O. Boxes are sent via Parcel Post. Shipping your orders by these means, enables us to process your order more effectively than ever before. Our Customer Service Number is there to serve you. If you have any questions about your order, please call (213) 88&,.2229. No collect calls, please. 1b~ J9llr cassette order easier, The Blackhawk Catalog bas phone answering service to better serve you. The Bachelor And The Bobby-Soxer Use card and give us a call to place your order. Our Indiscreet D11111 1.:soo-826-2295. Mr. Blandings Builds His Dream House Tlll lllallM: Cllllof - c.,,;;11 © 19118 Blackhaw1< Films - a division ol Rep~,c l'ICtures Co<poratJOO VRP23 Separately $59.85 Special Price $39.95 The Blackhawk Catalog's Home Video Top Tapes S E L L E R S LADY AND THE TRAMP - Disney's animated extravaganza about a pedigree spaniel who angers two Siamese cats en route to falling in love with the likable mongrel who champions her cause. VHS Only VWD582 $29.95 STAR TREK IV: THE VOYAGE HOME - Captain Kirk and Company go back to the future in order to save the 23rd Century from aliens. (See page 15 for more Science Fiction Classics). VP Al 797 $29.95 PLATOON - Oscar-winning Oliver Stone examines Vietnam from the ground-zero perspective of G.I. Charlie Sheen. This awesome military-drama was 1987's Best Pic­ ture. (See page 2). VHS Only THO0040 $99.95 CROCODILE DUNDF...E - Australia's Paul Hogan is the backwoods adventurer who conquers New York City in the biggest box-office surprise of the decade. VPA32029 $29.95 DIRTY DANCING - Jennifer Grey and Patrick Swayze find love and self-discovery during the magic summer of 1968. VHS Only VES6013 S89.95 PREDATOR - Arnold Schwarzenegger must turn the tables on an alien menace running amok in the jungles of South America. VHS Only VTW1515 $89.95 THE WIZARD OF OZ - Judy Garland stars in the greatest movie musical of all time. A perennial favorite of both the young, and the young at heart. (For other classic musicals, turn to page 28). VHS Only VMG600001 $29.95 AN AMERICAN TAIL - Steven Spielberg resurrects the charm and wonder of Disney-style animation in this touching story of an immigrant mouse lost in cat-filled Manhattan. VMC80536 $29.95 STAR TREK III: THE SEARCH FOR SPOCK - On this last voyage aboard the U.S.S. Enterprise, Captain Kirk breaks all the rules in order to rescue the reborn Spock from a dying planet. VPA1621 $19.95 TOP GUN - Tom Cruise takes to the air as a rogue airman with a chip on his shoulder and a need for speed. VPA1692 $24.95 THE SECRET OF MY SUCCESS - This comedy smash asks the cinematic ques­ tion: Can fast-talking Michael J . Fox climb the corporate ladder while sleeping with the boss' wife and impersonating an executive? VMC80637 $89.95 LETHAL WEAPON - Mel Gibson and Danny Glover are Los Angeles cops reluc­ tantly teamed against vicious dmg smuggler Gary Busey. VWAl 1709 $89.95 LA BAMBA - Full of great music and winning performances, this film chronicles the meteoric rise and tragic end of rock legend Richie V alens. VHS Only VCO60854 $89.95 TABLE OF CONTENTS Best Sellers........................ 1 Wes terns . ... ........... ... ....... 14 The Thin Man............ .. .... 24 Landmarks......................... 2 Sci-Fiction/Horror ........... 15 Theatre of War ................ 25 Laurel & Hardy................. 5 Matinee Heroes . .......... 17 Leading Men .................... 26 Cary Grant......................... 6 Movie Serials ......... .. ........ 18 Marylin Monroe............... 27 Humphrey Bogart ............. 8 Classic Comedies............. 20 Musicals ........................... 28 Drama................................. 8 Lil' Rascals ...................... 22 Fred Astaire ........... ....... .. 29 James Bond ..................... 10 Leading Ladies .. ... ... 23 Golden Age of Comedy . 32 John Wayne ..................... 12 T A N M E N T Platoon (1986) DIRECTOR: Oliver Stone PRODUCER: Arnold Kopelson SCREEN­ WRITER: Oliver Stone CINEMATOGRAPHER: Robert Richardson CAST: Tom Berenger, Willem Dafoe, Charlie Sheen, Forest Whitaker, Francesco Quinn Oliver Stone's intense, ground-level view of the Vietnam War snared PLATOON Best Director and Best Picture honors in 1986. While the film undoubtedly deserved it, the praise must have come as something of an irony to Stone. The Oscar-winning scribe spent roughly 10 years getting PLATOON to the screen - eventually doing so on a decidedly modest budget in the volatile Philippines. Even so, PLATOON remains a film of immense power. Though not for the faint-of-heart, it isn't unnecessarily grisly either. The message. however, is loud-and-clear. Stone, himself a veteran of Vietnam, clearly blames America's inevitable withdrawal from Saigon on the fatal divi­ sions among the rank-and-file - along with an official unwillingness to go all the way. That theory's validity aside, PLATOON succeeds in moving us uncon­ ditionally - due mostly to t he care Stone takes in portraying his sim­ ple, but vivid, ensemble cast. The centerpiece, of course, is young Charlie Sheen - who not onlv creates his own well-defined character, but benefits also from ghostly echoes set in motion by father Martin's earlier tour de force in APOCALYPSE NOW. Like APOCALYPSE, PLATOON is packed with unforgettable scenes. Chief among these is the wanton destruction of a Vietnamese hamlet and Willem Dafoe's christ-like stand against Tom Berenger's vile betrayal in the contest for Charlie's cinematic soul. Its home video distribution stalled by months of fierce litigation, The Blackhawk Catalog is proud to have finally secured PLATOON for its customers. R-rated, Color, 115 minutes. VHS Only THO0040 $99.95 ,.~f 1,·, •*'. ':'(~ ltc ~ ~ *ii Beverly Hills Cop I & II Raiders of the Lost Ark (1981) PRODUCER: Don Simpson, Jerry Bruckheimer CAST! Eddie Murphy, DIRECTOR: Steven Spielberg PRODUCER: Frank Marshall SCREEN­ Judge Reinhold, John Ashton, Ronny Cox WRITER: Lawrence Kasdan CINEMATOGRAPHER: Douglas With combined theatrical ~osses well over S200 million, the two Slocombe CAST: Harrison Ford, Karen ·Allen, Ronald Lacey, Paul BEVERLY HILLS COP movies have firmly established comedian Ed­ Freeman, John Rhys-Davies, Denholm Elliot die Murphy among Hollywood's elite attractions. As streetwise cop Axel Steven Spielberg and George Lucas joined forces in 1981 and reinvented Foley (Murphy), has invaded Beverly Hills twice - each time to avenge t he Saturday afternoon cliffhanger. Naturally, the two did so on a scale attacks made on good friends. In COP I, the catalytic ~ictim is a belov­ unimaginable when such action-packed fare was a national staple. The ed ex-con; in COP II, it's straight-shirted Ronny Cox (the B.H. police result is RAIDERS OF THE LOST ARK. Harrison Ford is the wry captain Murphy won-over in the first COP outing.) adventurer whose cinematic nom de guerre has become synonymous with Naturally, sinister villains abound. In COP II, it's shapely Brigitte modern movie excitement. In this, his first and best adventure, Ford's Nielsen. This, along with Murphy's barbed wit, makes for guaranteed Indiana Jones must acquire the Ark of the Covenant (cont aining what's fireworks, great action and irreverent comedy. Slickly executed, each COP left of the Ten Commandments) before the Nazis beat him to it.
Recommended publications
  • RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945
    1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest.
    [Show full text]
  • Retro Wed Jun 20 11:02:03 CEST 2018
    Retro Iria Lopez - Wed Jun 20 11:02:03 CEST 2018 CSV ID Titolo Originale Anno di produzione Regista/i Film Minutes 1018976 The Battle of the Century 1927 Clyde Bruckman 19.0 1018977 The Finishing Touch 1928 Clyde Bruckman 19.0 1018987 Call of the Cuckoo 1927 Clyde Bruckman 20.0 1018992 Love 'em and Feed 'em 1927 Clyde Bruckman 20.0 1018881 Putting Pants on Philip 1927 Clyde Bruckman 20.0 1018935 Leave 'Em Laughing 1928 Clyde Bruckman 21.0 1018968 From Soup to Nuts 1928 Edgar Kennedy 20.0 1018927 You're darn Tootin' 1928 Edgar Kennedy 20.0 1018970 Early to Bed 1928 Emmett J. Flynn 18.0 1018926 Duck Soup 1927 Fred Guiol 16.0 1019642 Feed 'em and Weep 1928 Fred Guiol 20.0 1018828 Limousine Love 1928 Fred Guiol 20.0 1018981 Sugar Daddies 1927 Fred Guiol 20.0 1018974 The Second 100 Years 1927 Fred Guiol 20.0 1018997 The Boy Friend 1928 Fred Guiol 21.0 1018994 Pass the Gravy 1928 Fred Guiol 23.0 1018335 My Favourite Wife 1940 Garson Kanin 88.0 1020417 Love Affair 1994 Glenn Gordon Caron 108.0 1019640 A Pair of Tights 1929 Hal Yates 20.0 1018989 Dumb Daddies 1928 Hal Yates 20.0 1032157 Perfect Day 1929 James Parrott 1032181 The Hoose-Gow 1929 James Parrott 1032170 They Go Boom! 1929 James Parrott 1018890 Us 1927 James Parrott 1018932 Habeas Corpus 1928 James Parrott 20.0 1018980 Should Married Men Go Home? 1928 James Parrott 20.0 1018969 Two Tars 1928 James Parrott 21.0 1018928 Their Purple Moment 1928 James Parrott 22.0 1018588 Assistant Wives 1927 James Parrott 25.0 1019643 Going Ga-Ga 1929 James W.
    [Show full text]
  • Once Upon a Honeymoonhoneymoon””””
    “““ONCE“ONCE UPON A HONEYMOONHONEYMOON”””” © www.carygrant.net Across Down 3. Once Upon a Honeymoon was nominated for 1. Ginger Rogers also plays the part of Edwina an Oscar for Best _____ . Fulton in this 1952 Cary Grant movie (2 wrds) 7. Mr. O'Toole meets Katie while pretending to be 2. Because he was fully aware of American mania her______ . for respectability, the Baron got his fiance and 10. Katie thinks the baron is saving countries, in himself separate ____________ on the train. actual fact he is helping ______ to conquer 4. The question of top billing was resolved by them. having half of the prints with Cary Grant listed 13. Patrick O'Toole said, "Not so loud? I always talk first, and the other half with _____________ loud when I'm mad! You're lucky I don't jump listed first. (two words) up and down! It's things like this that can 5. When ordering drinks, Katie orders brandy and make a man a... a... a __________ !" vodka because Pat convinces her that Vodka is 15. "My husband is a ____ . Every time we go to a the Polish name for _____ . new country it falls," muses Katie. 6. Patrick explains that he has trouble with the 16. This man who directed Once Upon a pronunciation of Katie Buttsmith's name by Honeymoon, An Affair to Remember, comparing it to the words Connecticut and Indiscreet, and The Awful Truth (two words) ______ . 17. Kate marries Baron Von Luber, an Austrian who 8. O'Toole works for the ________ News Service.
    [Show full text]
  • Leo Mccarey Papers
    Finding Aid for the Leo McCarey Collection Collection Processed by: Marguerite Greiner / Nicole Votta - September 2018 Finding Aid Written by: Marguerite Greiner / Nicole Votta - September 2018 OVERVIEW OF THE COLLECTION: Origination/Creator: McCarey, Leo 1896-1969 Title of Collection: Leo McCarey Papers Date of Collection: 1934-1971 Physical Description: 41 boxes, 17 linear feet Identification: Special Collection #18 Repository: American Film Institute, Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Unknown BIOGRAPHICAL NOTE: Leo McCarey was born in Los Angeles on October 3, 1896, and attended Los Angeles High School, where he met his future wife, Stella Martin. Following his father’s wishes, he studied law at the University of Southern California, but was the first to admit he was a failure at the legal profession. During his first year at USC, he fell five floors in an elevator and broke his legs. While convalescing, he practiced six hours a day on the piano, an instrument he had studied as a child, and later described that period as being the first time in his life he was able to do something he loved. After completing law school, he spent a short time working in mining, including a Utah copper mine that he had purchased stock in with the $2,000 in damages he had received from his elevator accident (the stock proved worthless). After many unsuccessful attempts to get into the movie studios, a friend introduced him to Tod Browning, the director of the 1931 classic DRACULA, who invited him to work as his 3rd assistant director at Universal.
    [Show full text]
  • Die Karteien Des Reichsfilmarchivs
    Die Karteien des Reichsfilmarchivs Die einzigen, bisher bekannten Informationen zu den Karteien des Reichsfilmarchivs entstammen einem Aufsatz von Hans Barkhausen „Zur Geschichte des ehemaligen Reichsfilmarchivs. Gründung - Aufbau - Arbeitsweise“( in: Der Archivar, 13. Jg., Nr. l; April 1960, S. 2-13). „Beim Reichsfilmarchiv wurden schon aus Gründen der Vereinfachung und der Zweckmäßigkeit alle Filme ohne Unterschied der Gattung oder des Umfangs nach einer durchgehenden Numerierung eingelagert. (....) Im Gegensatz zu dieser einfachen Art der Lagerung in einer einzigen durchgehenden Reihe stand die vielgegliederte karteimäßige Ordnung und Erfassung der Filme. Entsprechend der historisch-technischen Entwicklung des Films, der auch die abteilungsmäßige Gliederung des Reichsfilmarchivs entsprach, wurde eine grundsätzliche Unterscheidung in Filme der Stummfilmzeit und der Tonfilmzeit vorgenommen. Innerhalb dieser beiden Hauptgruppen gab es dann wieder die Untergliederung in Spielfilme, Kulturfilme und Dokumentarfilme (Wochenschauen usw.). Gleichzeitig fand eine Trennung in deutsche und ausländische Filme, diese wiederum nach Ländern geordnet, statt. Die Untergruppe Spielfilme wurde karteimäßig nach der Gattung des Films, etwa „historische Ausstattungsfilme, ernste Musikfilme, Revuefilme, Lustspiele“, gegliedert. Eine gleiche Gliederung erfolgte in der Erfassung der verschiedenen Arten von Kulturfilmen. Expeditionsfilme, biologische ethnologische Filme usw. wurden jeweils für sich gruppiert. Eine ähnliche Gliederung ergab sich für Dokumentarfilme.
    [Show full text]
  • Cary Grant ~ 68 Films
    Cary Grant ~ 68 Films Cary Grant is one of the most consistent stars from the Golden Age of the Hollywood Studio System. Perhaps more than any other actor, he understood that what he was presenting to the public was an image. Quite famously, he has been quoted as saying, "Everybody wants to be Cary Grant. Even I want to be Cary Grant." What this means for fans of the legendary actor is that when we sit down and watch one of his films, good or bad, we know what we can expect of Cary Grant. His long-lasting appeal is down to his striking good looks, his dashing poise and a natural gift for both romance and comedy. Cary Grant can make you laugh even while he sweeps you off your feet. Archibald "Archie" Leach was born on 18 January 1904 at 15 Hughenden Road in the Bristol suburb of Horfield. He was the second child of Elias and Elsie Leach (their first having died in 1900). His father worked as a tailor's presser at a clothes factory while his mother was from a family of shipwrights. Archie had an unhappy upbringing. His father was an alcoholic and his mother suffered from clinical depression. His father placed her in a mental institution and first told the nine-year-old that she had gone away on a "long holiday" and later that she had died. When Archie was ten, his father remarried and started a new family that did not include young Archibald. Little is known about how he was cared for, or by whom.
    [Show full text]
  • Screwball Comedies: Eine Filmographie, Eine Bibliographie 2003
    Repositorium für die Medienwissenschaft Hans Jürgen Wulff Screwball Comedies: Eine Filmographie, eine Bibliographie 2003 https://doi.org/10.25969/mediarep/12854 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Screwball Comedies: Eine Filmographie, eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 50). DOI: https://doi.org/10.25969/mediarep/12854. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0050_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0050_03.pdf. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Inhalt: Angel (Engel); USA 1937, Ernst Lubitsch, D: Marle- I. Die Filme (A-Z) ne Dietrich, Herbert Marshall. II. Die Regisseure (A-Z) III. Die Stars (A-Z) Annabel Takes a Tour; USA 1938, Lew Landers, D: IV. Chronologie Jack Oakie, Lucille Ball. V. Bibliographie Another Thin Man (Noch ein dünner Mann; aka: [*] Für Hinweise danke ich Christine Noll Brinckmann, Dünner Mann, dritter Fall); USA 1939, W.S. Van Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz Dyke, D: William Powell, Myrna Loy.
    [Show full text]
  • Special Articles Jewish Experience on Film an American Overview
    Special Articles Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis.
    [Show full text]
  • Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
    Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision
    [Show full text]