DOCSLIB.ORG

Retro Wed Jun 20 11:02:03 CEST 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Retro Iria Lopez - Wed Jun 20 11:02:03 CEST 2018 CSV ID Titolo Originale Anno di produzione Regista/i Film Minutes 1018976 The Battle of the Century 1927 Clyde Bruckman 19.0 1018977 The Finishing Touch 1928 Clyde Bruckman 19.0 1018987 Call of the Cuckoo 1927 Clyde Bruckman 20.0 1018992 Love 'em and Feed 'em 1927 Clyde Bruckman 20.0 1018881 Putting Pants on Philip 1927 Clyde Bruckman 20.0 1018935 Leave 'Em Laughing 1928 Clyde Bruckman 21.0 1018968 From Soup to Nuts 1928 Edgar Kennedy 20.0 1018927 You're darn Tootin' 1928 Edgar Kennedy 20.0 1018970 Early to Bed 1928 Emmett J. Flynn 18.0 1018926 Duck Soup 1927 Fred Guiol 16.0 1019642 Feed 'em and Weep 1928 Fred Guiol 20.0 1018828 Limousine Love 1928 Fred Guiol 20.0 1018981 Sugar Daddies 1927 Fred Guiol 20.0 1018974 The Second 100 Years 1927 Fred Guiol 20.0 1018997 The Boy Friend 1928 Fred Guiol 21.0 1018994 Pass the Gravy 1928 Fred Guiol 23.0 1018335 My Favourite Wife 1940 Garson Kanin 88.0 1020417 Love Affair 1994 Glenn Gordon Caron 108.0 1019640 A Pair of Tights 1929 Hal Yates 20.0 1018989 Dumb Daddies 1928 Hal Yates 20.0 1032157 Perfect Day 1929 James Parrott 1032181 The Hoose-Gow 1929 James Parrott 1032170 They Go Boom! 1929 James Parrott 1018890 Us 1927 James Parrott 1018932 Habeas Corpus 1928 James Parrott 20.0 1018980 Should Married Men Go Home? 1928 James Parrott 20.0 1018969 Two Tars 1928 James Parrott 21.0 1018928 Their Purple Moment 1928 James Parrott 22.0 1018588 Assistant Wives 1927 James Parrott 25.0 1019643 Going Ga-Ga 1929 James W. Horne 20.0 1018875 Tell' Em Nothing 1926 Leo McCarey 1018575 All Wet 1924 Leo McCarey 10.0 1018614 Big Red Riding Hood 1925 Leo McCarey 10.0 1018677 Fighting Fluid 1925 Leo McCarey 10.0 1018720 Is Marriage the Bunk? 1925 Leo McCarey 10.0 1018755 Jeffries Jr. 1924 Leo McCarey 10.0 1018863 Outdoor Pajamas 1924 Leo McCarey 10.0 1018868 Publicity Pays 1924 Leo McCarey 10.0 1018882 The Poor Fish 1924 Leo McCarey 10.0 1018694 Hello Baby! 1925 Leo McCarey 11.0 1018885 The Rat's Knuckles 1925 Leo McCarey 11.0 1018895 Young Oldfield 1924 Leo McCarey 12.0 1018874 Sittin' Pretty 1924 Leo McCarey 14.0 1018545 A Ten-Minute Egg 1924 Leo McCarey 15.0 1018870 Should Husbands Be Watched? 1925 Leo McCarey 15.0 1019641 Eve's Love Letters 1927 Leo McCarey 17.0 1018628 Charley My Boy! 1926 Leo McCarey 18.0 1018593 Bad Boy 1925 Leo McCarey 19.0 1018860 No Father to Guide Him 1925 Leo McCarey 19.0 1018988 Don't Tell Everything 1927 Leo McCarey 20.0 1018703 His Wooden Wedding 1925 Leo McCarey 20.0 1018991 Jewish Prudence 1927 Leo McCarey 20.0 1018840 Looking for Sally 1925 Leo McCarey 20.0 1018996 Should Second Husbands Come First? 1927 Leo McCarey 20.0 1018880 The Caretaker's Daughter 1925 Leo McCarey 20.0 1018889 The Uneasy Three 1925 Leo McCarey 20.0 1018984 We Faw Down 1928 Leo McCarey 20.0 1018713 Innocent Husbands 1925 Leo McCarey 21.0 1018606 Be Your Age 1926 Leo McCarey 22.0 1018647 Dog Shy 1926 Leo McCarey 22.0 1018745 Isn't Life Terrible? 1925 Leo McCarey 22.0 1018833 Long Fliv the King 1926 Leo McCarey 22.0 1018842 Mama Behave 1926 Leo McCarey 22.0 1018846 Mighty Like a Moose 1926 Leo McCarey 22.0 1018850 Mum's the Word 1926 Leo McCarey 22.0 1018891 What Price Goofy? 1925 Leo McCarey 22.0 1018621 Bromo and Juliet 1926 Leo McCarey 23.0 1019644 Should Men Walk Home? 1927 Leo McCarey 23.0 1018999 Why Girls Say No 1927 Leo McCarey 23.0 1018643 Crazy Like a Fox 1926 Leo McCarey 25.0 1018516 Screen Directors Playhouse - Meet the Governor 1955 Leo McCarey 30.0 1018528 Screen Directors Playhouse - Tom and Jerry 1955 Leo McCarey 30.0 1018364 You Can Change the World 1950 Leo McCarey 32.0 1005072 Six of a Kind 1934 Leo McCarey 62.0 1020397 The Sophomore 1929 Leo McCarey 66.0 1006356 Part Time Wife 1930 Leo McCarey 67.0 1005202 Duck Soup 1933 Leo McCarey 68.0 1018355 Wild Company 1930 Leo McCarey 71.0 1005170 Belle of the Nineties 1934 Leo McCarey 73.0 1005350 Indiscreet 1931 Leo McCarey 74.0 1005065 Let's Go Native 1930 Leo McCarey 77.0 1005142 The Milky Way 1936 Leo McCarey 85.0 1004813 Love Affair 1939 Leo McCarey 88.0 1006331 Ruggles of Red Gap 1935 Leo McCarey 90.0 1005126 The Awful Truth 1937 Leo McCarey 90.0 1004880 Make Way for Tomorrow 1937 Leo McCarey 91.0 1006341 The Kid from Spain 1932 Leo McCarey 93.0 1005111 Rally 'Round the Flag, Boys! 1958 Leo McCarey 105.0 1005124 Good Sam 1948 Leo McCarey 114.0 1005102 An Affair to Remember 1957 Leo McCarey 115.0 1005116 Once Upon a Honeymoon 1942 Leo McCarey 117.0 1018342 My Son John 1952 Leo McCarey 122.0 1005088 Satan Never Sleeps 1962 Leo McCarey 125.0 1005180 Going my Way 1944 Leo McCarey 126.0 1004714 The Bells of St. Mary's 1945 Leo McCarey 126.0 1018931 Double Whoopee 1929 Lewis R. Foster 19.0 1018979 Bacon Grabbers 1929 Lewis R. Foster 20.0 1029989 Movie Night 1929 Lewis R. Foster 20.0 1018933 Angora Love 1929 Lewis R. Foster 21.0 1018929 That's My Wife 1929 Lloyd French 20.0 1018378 Sleepless in Seattle 1993 Nora Ephron 104.0 1018990 Flaming Fathers 1927 Stan Laurel, Leo McCarey 25.0 1018382 Outside the Law 1920 Tod Browning 75.0 [103] 3804.
Recommended publications
  • 31 Days of Oscar® 2010 Schedule

    31 Days of Oscar® 2010 Schedule

    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
  • Comedies Produced by Hal Roach, It Presents Their Funniest and Most Famous Comedies 640-02-0040, 16Mm

    Comedies Produced by Hal Roach, It Presents Their Funniest and Most Famous Comedies 640-02-0040, 16Mm

    ,r, ~ Winter 1973-4 ., WEEP 'v,i •._~~ H .,,1$>-~on The Eastin-Phelan Corporation Davenport, Iowa 52808 orld's largest ,election of ·· t ings to snow" l i tc,;Bl ackhawk's Guarantee BERTH MARKS THE PRINCE OF PEP (1929) (1925) We want you to be satisfied with (abridged!_ what you buy from Blackhawk starring STAN LAUREL and OLIVER HARDY starring RICHARD TALMADGE if, after receiving an item you Stan and Ollie are a "big time" vaudeville team enroute from one theatre to another are disappointed in any way, re­ ,n the upper berth of an open section Pullman. While the space is confined, the laughs with Brindley Shaw, Nola Luxford, Joe Harrjngton are not, and this one has some great moments. turn it to us transportation pre­ A fashionable physician, Dr. James Leland caught his secretary stealing drugs and in paid. in ,ts original condition, SOUND VERSIONS the ensuing struggle, lost his memory from a blow on the head. Shortly after, a mys• and within ten days after you 830-02-1100, Standard 8mm., magnetic sound, 375-feet, 14-ozs . $24.98 terious figure known only as The Black X stepped forth to fight the war on crime ar.d receive it, and we 'll allow you drug peddlers. 880--02-1100, Super 8, magnetic sound, 400-feet, 14-ozs ....... $26.98 It's all here-the fabulous Richard Talmadge in one of his amaz,ng adventure feats. full credit on some other pur­ 640-02-1100, 16mm., optical sound, 750-feet, 3-lbs . ....... .. $44.98 A professional abridgement from a 5-reel feature of 1925, Blackhawk's version of The chase.
  • Jean Harlow ~ 20 Films

    Jean Harlow ~ 20 Films

    Jean Harlow ~ 20 Films Harlean Harlow Carpenter - later Jean Harlow - was born in Kansas City, Missouri on 3 March 1911. After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films, before signing with Metro-Goldwyn- Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner At Eight (1933), Reckless (1935) and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy and, in six films, Clark Gable. Harlow's popularity rivalled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. By the late 1930s she had become one of the biggest movie stars in the world, often nicknamed "The Blonde Bombshell" and "The Platinum Blonde" and popular for her "Laughing Vamp" movie persona. She died of uraemic poisoning on 7 June 1937, at the age of 26, during the filming of Saratoga. The film was completed using doubles and released a little over a month after Harlow's death. In her brief life she married and lost three husbands (two divorces, one suicide) and chalked up 22 feature film credits (plus another 21 short / bit-part non-credits, including Chaplin's City Lights). The American Film Institute (damning with faint praise?) ranked her the 22nd greatest female star in Hollywood history. LIBERTY, BACON GRABBERS and NEW YORK NIGHTS (all 1929) (1) Liberty (2) Bacon Grabbers (3) New York Nights (Harlow left-screen) A lucky few aspiring actresses seem to take the giant step from obscurity to the big time in a single bound - Lauren Bacall may be the best example of that - but for many more the road to recognition and riches is long and grinding.
  • Seventh 7Th (702) Worksheet 2Nd Term

    Seventh 7Th (702) Worksheet 2Nd Term

    1 SEVENTH 7TH (702) WORKSHEET 2ND TERM NAME________________________________________________________________ A) Complete the text with the correct form of TO BE in past: Stan Laurel and Oliver Hardy …were….. two of the most popular film comedians of all time. They were born in 1890 and 1892 respectively. Stan Laurel’s real name ………………. Arthur Jefferson. He …………….. form England. Oliver Hardy ……………… English, he was from Georgia, USA. Laurel and Hardy ……………… in their late 30s when they met. Their first film together ……………… Putting Pants on Philip (1927). They ………………. funny because they were so different. Laurel ……………… small and thin. Hardy ……………. big and fat. Their most famous films …………………. Way Out West (1937) and Blockheads (1938). They …………… in any serious films, only comedies. B) Write questions and answers. Use the past tense of BE (Was-Were): 1. A: We had a nice holiday. B: (you / with your whole family?) …….. Were you with your whole family?… A: (no / my daughter / in Montreal) …….. No, my daughter was in Montreal…. 2. A: I bought these new shoes yesterday. B: (they / on sale ?) …………………………………………….. A: (yes / they / only $25) …………………………………………….. 3. A: (you / at home / last night ?) …………………………………………….. B: (no / I / at the library) …………………………………………….. 4. A: (the guests / late for the party ?) ……………………………………………. B: (no / they / all on time) ……………………………………………. 2 C) Read the following text and answer the questions: My name is Kate O’Hara. I live on a farm with my mother and father. I like it but I work very hard. Every morning I wake up at five o’clock and feed the horses. Then I can go back to the house. Mum makes breakfast at 5:30 and I’m not late for breakfast because I don’t like cold eggs.
  • The Creative Process

    The Creative Process

    The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis­ cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other.
  • RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945

    RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945

    1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest.
  • INSIDI: • the Blackhawk Catalog's Best Sellers - Page 1

    INSIDI: • the Blackhawk Catalog's Best Sellers - Page 1

    INSIDI: • The Blackhawk Catalog's Best Sellers - page 1 . .• The Thin Man Series, starring William Powell and Myrna Loy, all six wonderful films on page 24. • Two action-packed pages of movie serials, starting on page 18. • And much more! CATCH CARY GRANT AT HIS BEST IN THESE SPECIAL OFFERS! Cary Grant Special Collector's Package # 1: From the moment that Mae West told him to "come up 'n' see me sometime" (circa 1933), Cary Grant seemed destined Operation Petticoat for Holl ywood stardom. Still, it wasn't until the late 1930's, My Favorite Wife when he signed with RKO and Columbia, that Grant revealed The Philadelphia Story the flair for screw-ball comedy and sophisticated romance that would later make him a screen immortal. VRP21 Separately $59.85 Special Price $39.95 Always the essence of suave sophistication, Cary Grant's image became so overwhelming that even famed movie Cary Grant Special Collector's Package #2: director Alfred Hitchcock was forced to compromise the movie SUSPICION (1941), (found on page seven). The original story line called for Cary Grant's character to be exposed as the murderer at the end of the film. Studio executives objected and Hitchcock was forced to change the film to exonerate Grant. The Blackhawk Catalog is proud to present most of Cary Grant's best films. On this page, you will find three sets of CARY GRANT SPECIAL COLLECTOR'S PACKAGES. Each package contains three great reasons to start a collec­ tion of Cary Grant films. From OPERATION PETTICOAT (Package 1) , to the Hitchcock classic TO CATCH A THIEF (Package 2), The Blackhawk Catalog's selections nm the gamut from comedy to suspense.
  • Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(S): Michael Rogin Source: Representations, No

    Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(S): Michael Rogin Source: Representations, No

    Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(s): Michael Rogin Source: Representations, No. 6 (Spring, 1984), pp. 1-36 Published by: University of California Press Stable URL: http://www.jstor.org/stable/2928536 Accessed: 04-03-2015 22:18 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Representations. http://www.jstor.org This content downloaded from 169.234.53.127 on Wed, 04 Mar 2015 22:18:06 UTC All use subject to JSTOR Terms and Conditions MICHAEL ROGIN Kiss Me Deadly: Communism,Motherhood, and Cold War Movies* I THE HISTORY of demonologyin Americanpolitics comprises three major moments.The firstis racial. "Historybegins for us withmurder and enslavement,not with discovery," wrote William Carlos Williams.' He wascalling attentionto thehistorical origins of theUnited States in violenceagainst peoples of color.The expropriationof Indianland and exploitationof blacklabor lie at theroot not only of America's economic development, but of its political conflicts and culturalidentity as well.A distinctiveAmerican political tradition, fearful of primitivism,disorder, and conspiracy,developed in responseto peoplesof color. That traditiondraws its energy from alien threatsto the Americanway of life, and sanctionsviolent and exclusionaryresponses to them.2 Classand ethnicconflict define the second demonological moment.
  • Meeting of 23Rd Feb 2013

    Meeting of 23Rd Feb 2013

    Jitterbugs Tent meeting February 23rd 2013 I began to get a little worried during the afternoon of the 23rd Feb. Snow was falling and sticking to the ground and I wondered about cancelling. After a few hours, it became apparent that we might have a chance after all and so the trek to RTE was made. We had two apologies from Stephen and Tom, the two stalwarts who rarely miss Tent meetings. As we set up the room, a few members arrived and it looked like we were in for a cosy meeting with Stan and Ollie. Young Harry was keen to show me his Asterix the Gaul books with a number of references to Stan and Ollie and I took some photos of the pages, as I had not seen them before. As we began our first film, “The Music Box”, the door opened and a few more bodies filtered in. A few minutes later and a few more joined us... The room was now a respectable 25ish... The Music Box went down very well and all in attendance were warned to watch carefully as a Jitterbugs quiz was on the cards that night. With the final credits playing, the quiz began and the questions were focused on those with eagle eyes who might have seen something that others did not. So how many times did they do the hat switch routine in total? “Going Bye Bye”, was next to adorn the screen and Walter Long’s performance had us all in stitches... Ollie asking how they could help with Stan offering to “get you a sandwich”, had certain members in fits of laughter and it spread to the rest of the room.
  • Jack Hill (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

    Jack Hill (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

    Jack Hill (actor) 电影 串行 (大全) Liberty https://zh.listvote.com/lists/film/movies/liberty-1759277/actors Two Tars https://zh.listvote.com/lists/film/movies/two-tars-951786/actors On the Loose https://zh.listvote.com/lists/film/movies/on-the-loose-3013019/actors Bonnie Scotland https://zh.listvote.com/lists/film/movies/bonnie-scotland-1848876/actors On the Wrong Trek https://zh.listvote.com/lists/film/movies/on-the-wrong-trek-3017252/actors Beau Hunks https://zh.listvote.com/lists/film/movies/beau-hunks-1660717/actors https://zh.listvote.com/lists/film/movies/3259722/actors Putting Pants on Philip https://zh.listvote.com/lists/film/movies/putting-pants-on-philip-1627100/actors 45 Minutes from Hollywood https://zh.listvote.com/lists/film/movies/45-minutes-from-hollywood-235339/actors Blotto https://zh.listvote.com/lists/film/movies/blotto-531206/actors Stage Fright https://zh.listvote.com/lists/film/movies/stage-fright-7596794/actors The Fixer Uppers https://zh.listvote.com/lists/film/movies/the-fixer-uppers-374708/actors Saps at Sea https://zh.listvote.com/lists/film/movies/saps-at-sea-759472/actors Should Married Men Go https://zh.listvote.com/lists/film/movies/should-married-men-go-home%3F-3020224/actors Home? The Stolen Jools https://zh.listvote.com/lists/film/movies/the-stolen-jools-1544930/actors Any Old Port! https://zh.listvote.com/lists/film/movies/any-old-port%21-1088742/actors Pack Up Your Troubles https://zh.listvote.com/lists/film/movies/pack-up-your-troubles-1216722/actors The Devil's Brother https://zh.listvote.com/lists/film/movies/the-devil%27s-brother-1777093/actors
  • PART TIME WIFE (ESPOSA a MEDIAS) (1930) DE LEO Mccarey: UNA PELÍCULA PRECURSORA DE LAS COMEDIAS REMATRIMONIO DE HOLLYWOOD

    PART TIME WIFE (ESPOSA a MEDIAS) (1930) DE LEO Mccarey: UNA PELÍCULA PRECURSORA DE LAS COMEDIAS REMATRIMONIO DE HOLLYWOOD

    SCIO. Revista de Filosofía, n.º 12, Noviembre de 2016, 247-287, ISSN: 1887-9853 PART TIME WIFE (ESPOSA A MEDIAS) (1930) DE LEO McCAREY: UNA PELÍCULA PRECURSORA DE LAS COMEDIAS REMATRIMONIO DE HOLLYWOOD PART TIME WIFE (1930) BY LEO McCAREY: A FORERUNNER OF THE HOLLYWOOD COMEDY OF REMARRIAGE FILMS José Alfredo Peris Cancioa Fechas de recepción y aceptación: 25 de abril de 2016, 17 de octubre de 2016 Resumen: Part Time Wife es considerado el primer largometraje de Mc- Carey en el que aparecen sus rasgos más propios. Por su temática y por su relación con The Awful Truth (1937) puede considerarse una comedia de rematrimonio de Hollywood. En ella pueden distinguirse dos núcleos temáticos: el conflicto matrimonial o la amenaza del divorcio y el rematri- monio como retorno al Paraíso Palabras clave: matrimonio, divorcio, vieja comedia, nueva comedia, la creación de la nueva mujer, rematrimonio. Abstract: Part Time Wife could be considered as the first McCarey fea- ture with all his traits. It may be also considered as a “Hollywood Com- edy of Remarriage” due to its subject matter and its relationship with The Awful Truth (1937). In this film we can distinguish two thematic groups: marital conflict or divorce menace marital and marital reconciliation, as a return to Paradise. Keywords: marriage, divorce, Old Comedy, New Comedy, the creation of a new woman, remarriage, return to Paradise, green world. a Profesor de la Universidad Católica de Valencia San Vicente Mártir Correspondencia: Calle Guillem de Castro, 94. 46001 Valencia. España. E-mail: [email protected] 248 José Alfredo Peris Cancio §1.
  • Best Picture of the Yeari Best. Rice of the Ear

    Best Picture of the Yeari Best. Rice of the Ear

    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.