Finally Seeing Their All Improved on Their Times from Last Had a Great Energy Coming Off That “The First Thing Is the Backline,” Hamilton at 1 P.M
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Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
52 Things to Do in Metro Vancouver on Thursday, November 2 by Steve Newton on November 1St, 2017 at 2:00 PM
EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Life TOPICS LIFE » 52 things to do in Metro Vancouver on Thursday, November 2 by Steve Newton on November 1st, 2017 at 2:00 PM 0 Take in Agnete and the Merman, an immersive cinema experience, at SFU Goldcorp Centre for the Arts. Looking for something to do on Thursday? The Straight’s got you covered. Here are 52 events happening in or around Vancouver on Thursday, November 2. CONCERTS EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Caravan World Rhythms presents Montreal hip-hop group Nomadic Massive at the Rickshaw, with guests "Rap and Soul" crew JB The First Lady, Kimmortal & Missy D., DJ Su Comandante. Los Angeles metalcore band In This Moment coheadlines the Commodore with American rap-rock band Hollywood Undead, with guests Of Mice and Men and Avatar. The New North Collective performs jazz, folk, new music, spoken word, and rock at Burnab'y's Shadbolt Centre for the Arts. Yukon country singer-songwriter Kim Beggs plays the WISE Hall, with guest Larissa Tandy. Canadian Caribbean-music group Kobo Town plays Coquitlam's Evergreen Cultural Centre. BENEFITS EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Martini Madness at Yaletown Brewing Co. sees three bartenders compete to see who can make the best martini, with proceeds to the Kids Help Phone. Bone Appetit at Pinnacle Hotel Harbourfront features cocktails, vegan and vegetarian hors d'oeuvres, and a silent auction, with proceeds to the B.C. -
November 5 – 9, 2018
Creating a Connected Community Program Guide November 5 – 9, 2018 #worldviudays world.viu.ca/worldviu-days world.viu.ca/worldviu-days Vancouver Island University is located on the traditional territory of the Snuneymuxw First Nation and we thank them for the opportunity to live, learn and work on their territory. Why we celebrate WorldVIU Days At Vancouver Island University, WorldVIU Days is a week-long annual event where we explore how culture influences the way we make sense of the world - our world view. This year we will focus on Creating a Connected Community at VIU. We will showcase initiatives that faculty, staff and students are making that increase social connections on and off campus, especially connections between international and domestic students or between people from different cultural backgrounds. The purpose of the week is to: • Raise awareness and build appreciation for the cultural diversity on campus. • Celebrate culture and recognize the richness that diverse perspectives bring to our campus and community. Thank you We would like to express our gradtitude to TD Bank for sponsoring our entertainment events. WORLDVIU DAYS Exploring identity, culture and community through hip hop Workshops • Performances • Panel Discussion Raul Espinoza The Northwest Kid (DJ Su Comandante) is a (Craig Frank Edes), Salvadoran-born Vancouver from Gitxsan Nation DJ and youth facilitator. He in northern BC, is one works with several hip hop half of the group Mob education organizations including Bounce. He delivers Surrey Urban Youth Project, hip hop Hope passionate and soulful and the Metaphor Project to name a few. hip hop music that blends acoustics and electronics with elements of Meryem Saci is a singer, his Indigenous cultures. -
PANAMANIA Live @ Nathan Phillips Square FREE and OPEN to the PUBLIC Victory Celebrations Nightly at 7 P.M
PANAMANIA Live @ Nathan Phillips Square FREE AND OPEN TO THE PUBLIC Weekdays: 12-2 p.m. & 6-11 p.m. Weekends 12:30 – 11 p.m. Victory Celebrations Nightly at 7 p.m. | Fireworks Nightly Friday, July 10 Tuesday, July 14 5:00 p.m. - Poirer and Fwonte 12:30 p.m. - Heavy Soundz 7:00 p.m. – T-Dots Finest BBoys & BGirl 6:00 p.m. - Reuben and the Dark 8:00 p.m. - Live broadcast on jumbo video 7:30 p.m. - Rich Aucoin screens of Pan Am Opening Ceremony 8:15 p.m. - Cold Specks presented by Cirque du Soleil 9:15 p.m. - Greta Hodgkinson in Venom 9:45 p.m. - Joel Plaskett with The Emergency Saturday, July 11 12:30 p.m. - Gypsy Kumbia Orchestra Wednesday, July 15 2:00 p.m. - Joaquin Diaz 12:30 p.m. - The High Bar Gang 3:00 p.m. - Lula All Stars 6:00 p.m. - Inti-Illimani 4:00 p.m. - The Heavyweights Brass Band 7:30 p.m. - Lila Downs 5:00 p.m. - Radio Radio 8:15 p.m. – Kassav’ 6:35 p.m. - Grand Bateria and Brass 9:15 p.m. - Greta Hodgkinson in Venom 7:30 p.m. - Systema Solar 9:45 p.m. - Marianas Trench 8:30 p.m. - Wyclef Jean 9:30 p.m. - Serena Ryder Thursday, July 16 12:30 p.m. - Canada’s National Ballet School ‘Of The People’ Sunday, July 12 1:00 p.m. - SonAche 2:00 p.m. - Indian City 5:00 p.m. - Local Steelpan Group 3:00 p.m. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
Low Final Format
At the Edge of Writing and Speech: The Curricular Implications of the Evolving Orality/Writing Matrix BRONWEN LOW McGill University I have been exploring youth-driven poetic forms and movements and their implications for literacy and curriculum, assuming that popular culture both steers and reflects changes to culture more generally and so has something to say about evolving communicative forms and practices. This has meant studying slam poetry and rap music as insurgent poetic forms and practices, enmeshed within the politics and poetics of language under conditions of globalization. The writings of Edouard Glissant (1989, 1997), generally neglected by cultural theorists in education, have been helpful to me in this project. In his quest for a theory of cultural identity and expression that is more suited to the complexities of Martinican culture and language use than are the fixed binaries of imperial world orders, Glissant develops a powerful conceptual vocabulary that has much to offer education and curriculum theory. Designed in response to the convergence of histories and the proliferation of new forms of cultural being out of the old forms found in the Caribbean, the theory also addresses the continuing “drama of creolization [that] is now taking place on a global scale” (Glissant, Journal of the Canadian Association for Curriculum Studies Volume 8 Number 2, 2011 At the Edge of Writing and Speech: The Curricular Implications of the Evolving Orality/Writing Matrix LOW 1989, p. 2). Particularly relevant to my interests has been Glissant’s thinking on the complex and evolving dynamic between orality and writing, or the orality/writing ‘matrix’ (Dyson 2005). -
The Catalyst
A Musical Journey Towards Becoming An Educator By: Alejandro Sepulveda Department of Intergrated Studies in Education McGill University, Montreal Submission date: August/09 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Masters in Arts. 1 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-66361-5 Our file Notre référence ISBN: 978-0-494-66361-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
COMPILATION 2020 DOSSIER DE PRESSE Disponible En Version Digitale Le 21 Août 2020
COMPILATION 2020 DOSSIER DE PRESSE Disponible en version digitale le 21 août 2020 COMPILATION 2020 Festival International Nuits d’Afrique Titre Festival International Nuits d’Afrique Artiste Variés Catégorie Musique du Monde Format Album numérique Label Disques Nuits d’Afrique Distribution Distribution Select Référence AFR2-2149 COMPILATION 2020 Disponible en version digitale le 21 août 2020 Le Festival International Nuits d’Afrique met à l’honneur les musiques d’Afrique, des Antilles et d’Amérique latine avec une programmation ambitieuse et éclectique. Pour cette 34e édition spéciale, retrouvez pour la première fois une fine sélection dédiée entièrement à la scène locale. Ces artistes présents dans la programmation du festival font briller les musiques du monde à Montréal et à l’international De l’émotion intense d’ILAM, en passant par la salsa réinventée de Mateo, Révélation Radio- Canada, à la cumbia revisitée de Gyspy Kumbia Orchestra ou la musique urbaine et métissée de Nomadic Massive, cette compilation de 14 titres révèle les multiples talents et l’impressionnante créativité des artistes d’ici. Un vibrant hommage à la diversité du Québec. 01 ILAM (SÉNÉGAL – QC) 09 NOMADIC MASSIVE (QC) Festival International Laram (ft Baaba Maal) . 04:00 Quoi te dire ? . 03:48 Avec l’aimable autorisation de Gestion Son Image Inc (GSI Avec l’aimable autorisation de Les Faux-Monnayeurs, extrait Musique Inc), extrait de l’album Néné, (p) © 2020 GSI Musique de l’album Times, (p) Productions Nomadic Massive © Les Nuits d’Afrique Faux-Monnayeurs 02 BANTÜ SALSA (CAMEROUN – QC) Bantü Salsa . 05:48 10 AYRAD (MAROC – QC) Avec l’aimable autorisation de Productions Miss Meuré, Houmti . -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Retro Wed Jun 20 11:02:03 CEST 2018
Retro Iria Lopez - Wed Jun 20 11:02:03 CEST 2018 CSV ID Titolo Originale Anno di produzione Regista/i Film Minutes 1018976 The Battle of the Century 1927 Clyde Bruckman 19.0 1018977 The Finishing Touch 1928 Clyde Bruckman 19.0 1018987 Call of the Cuckoo 1927 Clyde Bruckman 20.0 1018992 Love 'em and Feed 'em 1927 Clyde Bruckman 20.0 1018881 Putting Pants on Philip 1927 Clyde Bruckman 20.0 1018935 Leave 'Em Laughing 1928 Clyde Bruckman 21.0 1018968 From Soup to Nuts 1928 Edgar Kennedy 20.0 1018927 You're darn Tootin' 1928 Edgar Kennedy 20.0 1018970 Early to Bed 1928 Emmett J. Flynn 18.0 1018926 Duck Soup 1927 Fred Guiol 16.0 1019642 Feed 'em and Weep 1928 Fred Guiol 20.0 1018828 Limousine Love 1928 Fred Guiol 20.0 1018981 Sugar Daddies 1927 Fred Guiol 20.0 1018974 The Second 100 Years 1927 Fred Guiol 20.0 1018997 The Boy Friend 1928 Fred Guiol 21.0 1018994 Pass the Gravy 1928 Fred Guiol 23.0 1018335 My Favourite Wife 1940 Garson Kanin 88.0 1020417 Love Affair 1994 Glenn Gordon Caron 108.0 1019640 A Pair of Tights 1929 Hal Yates 20.0 1018989 Dumb Daddies 1928 Hal Yates 20.0 1032157 Perfect Day 1929 James Parrott 1032181 The Hoose-Gow 1929 James Parrott 1032170 They Go Boom! 1929 James Parrott 1018890 Us 1927 James Parrott 1018932 Habeas Corpus 1928 James Parrott 20.0 1018980 Should Married Men Go Home? 1928 James Parrott 20.0 1018969 Two Tars 1928 James Parrott 21.0 1018928 Their Purple Moment 1928 James Parrott 22.0 1018588 Assistant Wives 1927 James Parrott 25.0 1019643 Going Ga-Ga 1929 James W. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
The Sins of Leo Mccarey
Journal of Religion & Film Volume 17 Article 38 Issue 1 April 2013 4-1-2013 The insS of Leo McCarey Richard A. Blake S.J. Boston College, [email protected] Recommended Citation Blake, Richard A. S.J. (2013) "The inS s of Leo McCarey," Journal of Religion & Film: Vol. 17 : Iss. 1 , Article 38. Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The insS of Leo McCarey Abstract Leo McCarey has received little tta ention from film scholars. His sentimentalizing his Catholic background and his preoccupation with anti-Communism obscured the lasting value of much of his work. His concern with sin and forgiveness form a major motif of his works, from the early comedies to his later serious dramas. Keywords McCarey, Catholic, Sin Author Notes Richard A. Blake, S.J., is Professor of Fine Arts (film studies) at Boston College. He is a former film reviewer, for 35 years, at America magazine, and the author of Afterimage: The ndeI lible Catholic Imagination in Six American Film Makers and Street Smart on New York films. He is the Editor of Studies in the Spirituality of Jesuits. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38 Blake: The Sins of Leo McCarey THE SINS OF LEO McCAREY I CATHOLICISM AND COMMUNISM Leo McCarey’s Catholic background undoubtedly colored his artistry, particularly his notions of sin and atonement, but few critics and historians have discussed this issue, or many of the other particular issues that arise from a close reading of his films in the context of his biography.