Watkinsk2018.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Watkinsk2018.Pdf 1 Surrenstrada: For Honor By: Ken Watkins Part I: Today I was at the bar drinking. A card shark got caught cheating. The cheated man reacted as anyone else does in Surrenstrada. He told him to draw. The cheater begged for him not to be a hero. The cheater’s reputation seemed superior as a gunman rather than a card shark. Cards seemed to be something that passed the time away as a hobby. The man that had been cheated felt out of control and reached for his weapon. The cheater did not even stand up to gain his posture. He merely drew calmly. He put three in the man’s chest. After the cheated fell down the cheater said, “Friend - I told you not to be a hero.” That word “hero” stuck with me. It is the very reason I take pen to paper in this entry of my journal. First I ask myself what is a hero? Is it someone that stands for good? Have they moral superiority? The men that I label heroes in my lifetime are two things. The first they are not moral. They try to be, but they have their flaws. Whether it be drinking, women, money, gambling, so on and so forth - there is a weakness. The second thing about heroes, like the cheated found out, they are all dead. Then I thought to myself - a hero stands against a villain. This concept made sense to me. If the world has no villains, then there are no heroes. If the world has only heroes, then there are no villains. This is a black and white way to look at the world, but once I started seeing the world in this perspective I felt born again. Make no mistake. I am the villain of the story. I knew that after my first kill. I worked tumultuous hours in a coal mine. The work was horrid. Sometimes, in my 2 nightmares, I am there again, and the dust forces me to choke. I tell you that not to get pity but to provide insight into my motivations as a villain. I came out of the coal mine to retrieve my pay. I saw the coffer full of coin. I saw this fat, slob of a man with a gun handing it out next to an elderly man standing over him. Something inside of me exploded. I took the man’s gun out of his holster. I shot him. I shot the elderly man. He had a very killable disposition. All are posturing with superiority because he is the richest man in a close vicinity, but he was no gunman. After that, I linked up with a highwayman. These people varied. My first boss was full of energy. He would kill at the drop of a hat. My second and final boss, he was more like me. He showed me how to plan jobs, read, write, and the importance of inference which is anticipation. I have a saying. Always fear the old gunman, for they are old for a reason. The Civil War came. Granted, Surrenstrada stayed out of it, for the most part, that whole one gate opens for a day every year in random locations, I still found myself profiting from robbing trains of supplies. It mattered not to me the side. It is the world that does not seem my own. Both sides guns and ammo. Their money is no good here, but it does not hurt to have some laying around to tell you the truth. The guns and ammo I stole fetched me a lot of coin, and I started me up a wagon train that traveled to and from Surrenstrada. Then the wagon train business took off as families wanted to come from various small towns to Surrenstrada or move from the big city to a smaller town. I cared not. Their money all spent the same. Anyway, my profits began to get cut due to how many wagon trains there were at the time. I figured I would buy them and employ their staff. It 3 worked for the most part. Except one, The Last Wagon Master of Surenstrada. His name is Victor, and I trained him. Is he a hero? Well, he does have a fatal flaw. He loves food and has the occasional drink. At the same time, he has no other vices. I would say age, but that is more of a flaw than a vice. Well, there I have it. Victor is the hero, and I Lavon the villain of the story. If whoever reads this is curious, the man who shot the cheated is named Three Burst. He gets that name because whenever he shoots - his signature is a quick three rounds to the chest. It seems a bit wasteful to me. Myself and even Victor need just one round. Anyway, I will remember that name. It is a possibility him and I will have future endeavors together. “The Villain” –Lavon 4 Chapter 1 A small boy, approximately nine summers old, stared at the word “cat” on a large piece of paper surrounded by other simple words like “dog” and “red.” A few stains appeared on his brown, collared shirt but barely visible. He sat at a fine oaken table assembled and carved with beautiful detail. High vaulted ceilings accommodated book shelves which housed knowledge in paper form. The windows rested open which allowed a gentle, summer breeze to dance through the room. He nervously pulled the thick, brown hair out of his almond colored eyes. He cleared his throat before saying, “Sir, uhm, I forget the sound the letter ‘c’ makes.” A lean man, six foot – three in height, covered in sweat, stood on a ladder hammered away at a dormant monstrosity appearing to be human. His soaked, black cotton shirt soaked matched perfectly with his black cowboy boots and black pants. One Colt revolver hung from his right hip while a large sheath pointed to his right hand sat at rest on his left side. The man’s thick, silver, sweat soaked hair hung freely as he paused to address the boy. He paused a moment from swinging hammer and looked directly at the kid. He took a handkerchief from his pocket, wiped the dirt from his forehead the said, “Alvin, it makes a ‘cuh’ sound.” His voice sounded deep but in control while being warm. Alvin smiled then said, “Cuh, ay, no, ah, t. Cat! It’s cat! Levon, I mean sir I read it!” Lavon looked at the boy with pride. He gave an approving nod in the child’s direction. He said, “Keep reading Alvin. I believe in you.” Alvin perked up immediately. His eyes, full of motivation, gripped the book tighter. He said, “Yes sir.” 5 Lavon placed a nail on a gargantuan human like being. With three precise but powerful strikes with his hammer, he drove it home. He stared at his creation for a few more seconds. He smiled as he took pleasure in his work. Alvin stammered, “Cat, rrr,ah, a, ennn. Cat ran?” Lavon’s smile increased as he looked at Alvin. He said, “That is it. Outstanding Alvin. Keep going.” A knock at the door broke the mood of the room. Lavon calmly said “Enter.” The door opened. Six men walked across the threshold. Sizes and physical descriptions varied. They each wore scowls upon seeing Alvin. Each made himself at home. They meandered to his bar immediately after sending hateful looks toward the boy. They grabbed the expensive whiskey he kept and started filling matching glasses. Trailing the six men, a thin blonde woman with long curls cautiously entered the room. She noted everything in the room first. She noticed the monstrosity that stared at them lifeless. She sized up Alvin next. She knew that young children often perform the dirtiest of deeds in Surrenstrada. She came to this knowledge by experience. Lavon approached her at a young age to perform tasks. At first simple messenger jobs. The pay that bought a few warm meals, seemed worth it. As time steamed forward the jobs steadily transitioned to ones that felt shrouded in moral ambiguity. She merely provided a distraction or gave a reason for a man to follow her to an alley. She told herself that Surrenstrada played her that hand. No child should choose pig slop over being morally innocent or feeling guilty how one acquires a warm meal. 6 She snapped out of her stream of conscious. Her footsteps slowed as her suspicious gaze landed on Lavon. She knew him for years. He saw her at highs and lows. She knew his weapons and his proficiency for violence. His weapons, she noticed, displayed in the open. She knew Levon could draw both weapons instantly. This marked a dangerous man in Surrenstrada she knew. A coward will hide their weapons. Professionals leave them exposed. Levon smiled with pride as he noticed her casing him. The six neanderthals she assessed a second time despite sizing them up previously. She knew they carried visible weapons. The weapons that worried seemed to be the unseen. She noticed that one of the man’s spurs on his left side seemed sharpened to a point. He could use his right leg to kick his horse, but the left spur seemed to hold a more sinister purpose. She figured that most of the men, as with most bandits for hire, carried a hidden knife or gun. She walked to Lavon and hugged him. As she hugged him, she kept her gaze on the six men.
Recommended publications
  • C H R I S T Y &
    C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered.
    [Show full text]
  • The Morgue File 2010
    the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
    [Show full text]
  • My Father's Fortune
    You loved your last book...but what are you going to read next? Using our unique guidance tools, Lovereading will help you find new books to keep you inspired and entertained. Opening Extract from… My Father’s Fortune A Life Written by Michael Frayn Published by Faber & Faber All text is copyright © of the author This Opening Extract is exclusive to Lovereading. Please print off and read at your leisure. michael frayn My Father’s Fortune A Life First published in 2010 by Faber and Faber Ltd Bloomsbury House 74–77 Great Russell Street London wc1b 3da Typeset by Faber and Faber Ltd Printed in England by CPI Mackays, Chatham All rights reserved Michael Frayn, 2010 The right of Michael Frayn to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988 A CIP record for this book is available from the British Library isbn 978–0–571–27058–3 2 4 6 8 10 9 7 5 3 1 Contents Homburg 1 part one 1 Smart Lad 9 2 House of Straw 19 3 Duckmore 38 4 Furniture and Fittings 55 5 Quick / Slow 74 6 Fire Resistance 91 7 A Glass of Sherry 104 part two 1 Childcare 129 2 Top to Bottom 148 3 Skylark 169 4 Chez Nous 186 5 Black Dog 203 6 Closer 222 7 Legatees 236 List of Photographs 255 Homburg The handle of my study door softly turns. I look up from my typewriter, startled. The two older children are at school, my wife’s out with the baby, the house is empty.
    [Show full text]
  • Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang
    Celebrity Cinema and Hallyu 2.0 Ng Shu Min Chrystal, Nanyang Technological University, Singapore Liew Kai Khiun, Nanyang Technological University, Singapore The Asian Conference on Media & Mass Communication 2015 Official Conference Proceedings Abstract Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, Korean directors such as Im Kwon-Taek are synonymous with Korean national Cinema. These directors have raised the country’s cultural profile internationally through the film festival circuit. However, with the phenomenal global reach of the “Korean Wave” or Hallyu, film is no longer a singular projection of the image of South Korea. Today, television dramas have overtaken films, flooding television and small mobile screens with attractive faces of Korean celebrities. While several studies have made references to key Korean celebrities, namely Lee Young Ae, Rain and Gianna Jun, there have been fewer efforts to trace these celebrities’ trajectories within films and other platforms. This paper will explore how cinema within the Korean Wave phenomenon contributes to the ecology of the Korean Wave and the roles these celebrities play within this eco system. Keywords: Korean Wave, Hallyu, Korean Cinema, Celebrities, Gianna Jun, Lee Young Ae, Rain, Korean Drama iafor The International Academic Forum www.iafor.org Introduction Through their realist cinematic portrayals of the traumatic evolution of Korean socio- political landscapes, the names of Im Kwon-Taek, Lee Chang Dong and Park Chan- Wook may be synonymous with Korean national Cinema. Featured commonly in the circuits of prestigious international film festivals, reviews and scholarly commentaries, these filmmakers have raised the profile of South Korea’s film culture in the global arena significantly.
    [Show full text]
  • Accessories for Men: a Must-Read Guide
    Accessories for Men: A Must-Read Guide Author : Swara Segal By Swara Segal A gentleman’s wardrobe defines his personality. Though men spend most of their time selecting the best outfits for various occasions, it is accessories that have the power to enhance a person’s overall look, adding class and detail to his wardrobe. With the countless selection of men’s accessories and the diverse styling options available these days, finding the right set of accessories can be an extremely challenging task for men. 1 / 9 If you want to look and feel dapper on all occasions, here are seven useful and time-tested tips that will set you apart from other men. 1. Wear a Watch with Style Besides telling you the time, watches reveal your personality and lifestyle. Consequently, when collating your outfit for any occasion it is critical that you take time to consider the type of watch you will wear. Select a timepiece that matches the formality of the occasion. For instance, analog and dress watches look classic and formal and can be worn for a business meeting or a date. On the other hand, digital watches are casual and can be worn along with smart casual or workout attire. 2 / 9 Watches with metal bands and leather straps are versatile and can be worn on almost any occasion. Unless you want to attract undue attention, stick with a good wristwatch brand with a conservative design. It is also wise to match your watch strap with the material and color of your shoes and belt.
    [Show full text]
  • The Old War Office Building
    MINISTRY OF DEFENCE The Old War Office Building A history The Old War Office Building …a building full of history Foreword by the Rt. Hon Geoff Hoon MP, Secretary of State for Defence The Old War Office Building has been a Whitehall landmark for nearly a century. No-one can fail to be impressed by its imposing Edwardian Baroque exterior and splendidly restored rooms and stairways. With the long-overdue modernisation of the MOD Main Building, Defence Ministers and other members of the Defence Council – the Department’s senior committee – have moved temporarily to the Old War Office. To mark the occasion I have asked for this short booklet, describing the history of the Old War Office Building, to be published. The booklet also includes a brief history of the site on which the building now stands, and of other historic MOD headquarters buildings in Central London. People know about the work that our Armed Forces do around the world as a force for good. Less well known is the work that we do to preserve our heritage and to look after the historic buildings that we occupy. I hope that this publication will help to raise awareness of that. The Old War Office Building has had a fascinating past, as you will see. People working within its walls played a key role in two World Wars and in the Cold War that followed. The building is full of history. Lawrence of Arabia once worked here. I am now occupying the office which Churchill, Lloyd-George and Profumo once had.
    [Show full text]
  • Past, Present and Future of Hallyu (Korean Wave)
    American International Journal of Contemporary Research Vol. 5, No. 5; October 2015 Past, Present and Future of Hallyu (Korean Wave) Kim Bok-rae Professor Andong national University I. Introduction Hallyu refers to the phenomenon of Korean popular culture which came into vogue in Southeast Asia and mainland China in late 1990s. Especially, hallyu is very popular among young people enchanted with Korean music (K-pop), dramas (K-drama), movies, fashion, food, and beauty in China, Taiwan, Hong Kong, and Vietnam, etc. This cultural phenomenon has been closely connected with multi-layered transnational movements of people, information and capital flows in East Asia. Since the 15th century, East and West have been the two subjects of cultural phenomena. Such East–West dichotomy was articulated by Westerners in the scholarly tradition known as “Orientalism.”During the Age of Exploration (1400–1600), West didn’t only take control of East by military force, but also created a new concept of East/Orient, as Edward Said analyzed it expertly in his masterpiece Orientalism in 1978. Throughout the history of imperialism for nearly 4-5 centuries, west was a cognitive subject, but East was an object being recognized by the former. Accordingly, “civilization and modernization” became the exclusive properties of which West had copyright (?!), whereas East was a “sub-subject” to borrow or even plagiarize from Western standards. In this sense, (making) modern history in East Asia was a compulsive imitation of Western civilization or a catch-up with the West in other wards. Thus, it is interesting to note that East Asian people, after gaining economic power through “compressed modernization,”1 are eager to be main agents of their cultural activities in and through the enjoyment of East Asian popular culture in a postmodern era.
    [Show full text]
  • Download Article
    1st UPI International Conference on Sociology Education (UPI ICSE 2015) Impact of Korean Drama in Indonesia through the Spread Moral Values for Young Generation M. Nur Alia A, E. Malihah, S. Nurbayani Departement of Sociology Education Faculty of Social Sciences Education Universitas Pendidikan Indonesia Bandung, INDONESIA [email protected] Abstract—The swift of globalization in the lives of Indonesian important , by making a special organization KOFIC by South people cause love of local culture increasingly degraded, and Korea 's Ministry of Culture . KOFIC has a goal to grow and these have an impact on people's behavior changes on their daily spread hallyu more. That’s why Hallyu growing so fast and life. Many of television programs offer foreign cultures through takes effect for people behavior. film / drama, especially the Korean drama, absolutely, they Drama from South Korea through a preliminary survey change our perspectives and habits because those programs unfiltered adopted by Indonesian people. Nowadays, Korean to fans of Korean dramas by the research team expressed Drama is the most interesting shows by Indonesian people as a always carry elements of culture in every film, such as show that is entertaining as well as bringing the phenomenon of fashion, food typical of the country, or the typical areas of the the growing interest in Korean culture products both from country South Korea. Things like this that can hypnotize the fashion and lifestyle, to the values of life which is increasingly audience, thus indirectly the audience likes and loves what the varied. This phenomenon can be seen in the development of characters in the drama are doing, then the cause of love and a young people into adulthood, especially in women, both desire to follow the culture of South Korea.
    [Show full text]
  • An Excerpt from the TILTED WORLD.Pdf
    Sobel Weber Associates, 146 E. 19th, New York, NY 10003 An excerpt from THE TILTED WORLD by Tom Franklin and Beth Ann Fennelly Prologue April 4, 1927 Dixie Clay was squelching through the mud along the creek’s swollen banks, using her hat to shoo mosquitoes, when she saw a baby coffin bobbing against a sycamore snag. For a second the idea that her son Jacob, buried two years back, might have come home nearly collapsed her. She dropped her hat and her rifle and plunged into the stream. She was crashing hip-deep through the foamy, coffee-colored water when she got hold of herself. It wasn’t Jacob in the coffin. Wasn’t, in fact, a coffin; she slowed and trudged closer and saw that the box had rivets on metal bands, that it was a small steamer trunk, a hat trunk. She was so focused on reaching it that she’d been hearing men’s voices for a few moments before she realized what they were. Sounds could carry for miles, echo weirdly, in the wooded hollows around her house, but for these to reach her over the hissing, fumbling stream meant the men were yelling. Her husband, Jesse, wasn’t supposed to be at the house this afternoon. No one was. She reversed direction in the swirling creek and fought equally hard to reach the bank and stumbled out, waders filled with water. It was a quarter mile back to the house and she ran it, glad she’d borrowed an old pair of Jesse’s trousers and glad too that she’d brought the Winchester.
    [Show full text]
  • Fun Fashions for Fellas by Pegge Blinco
    Fun Fashions for Fellas By Pegge Blinco With the hope of urging our gentlemen into fashions of our era, I offer suggestions for doable clothing – off the rack – simple, easy and uncomplicated. One of the best items a fella should have in his closet should be a light, putty-colored Docker pant or light colored washable linen slack. Add a white or pin-striped long sleeve shirt, a four-in-hand tie or bow tie – or no tie, suspenders or belt. For footwear, saddle shoes, two-toned wing tips or cap toes, light colored canvas shoes with rubber soles or buckskins … but NEVER athletic shoes!! A driving cap or straw boater completes the outfit. When the weather got warm, sleeves were rolled to and above the elbows, as short sleeves did not exist on men’s shirts until late 1931. To kick this up a notch, use the same light slacks and shirt, unroll the sleeves, add a blazer, preferably dark colored, single or double breasted, a bow tie, or four-in-hand tie – length was short – 45”, same shoes, straw boater or Panama hat, and he’s suitably dressed for lunch or afternoon party. 2006-03.doc Page 1 Revised 2/23/06 We are all familiar with the sports attire of knickers or plus fours, generally used for golfing, hiking and/or motoring. The home seamstress can create a pair by cutting 13-14” off wide trouser pants. This will allow for enough blouse to be 4” below the knee when finished. If this doesn’t work for you, contact www.tbarryknickers.com.
    [Show full text]
  • Hats On, Hats Off
    Cultural Studies Review volume 22 number 1 March 2016 http://epress.lib.uts.edu.au/journals/index.php/csrj/index pp. 118–43 © Clair Hughes 2016 Hats On, Hats Off CLAIR HUGHES INDEPENDENT SCHOLAR A certain amount of eccentricity in dress is allowed, even expected, in artists, poets and assorted bohemians. Their hats tend to be particularly eccentric. ‘Funny, isn’t it,’ Mr Bolder observed to his friend Fred Willis, the hatter, ‘that people who paint pictures think it’s proper that they should act barmy? Hats like horses wear in summer.’1 A floppy felt or straw, when Victorian manhood was ramrod-stiff in top hats or bowlers, was unconventional, but hardly threatening. The upper-middle- class Forsytes, however, in John Galsworthy’s Forsyte Saga, worry about June Forsyte’s fiancé, architect Philip Bosinney. He pays a duty call on her aunts ‘in a soft grey hat—not even a new one—a dusty thing with a shapeless crown. “So extraordinary, my dear, so odd!” Aunt Hester had tried to shoo it off a chair, takinG it for a stranGe disreputable cat.’2 While etiquette manuals outlined its codified rules, novels and autobiographies record the lived experience of hat-wearinG as well as the adventures of those who break the rules. Fictional writing and memoirs are closer to what Raymond Williams ISSN 1837-8692 Cultural Studies Review 2016. © 2016 Clair Hughes. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 Unported (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for any purpose, even commercially, provided the original work is properly cited and states its license.
    [Show full text]
  • The Cultivation of Class Identity in Max Beckmann's
    THE CULTIVATION OF CLASS IDENTITY IN MAX BECKMANN’S WILHELMINE AND WEIMAR-ERA PORTRAITURE by Jaclyn Ann Meade A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History MONTANA STATE UNIVERSITY Bozeman, Montana April 2015 ©COPYRIGHT by Jaclyn Ann Meade 2015 All Rights Reserved ii TABLE OF CONTENTS 1. INTRODUCTION……...................................................................................................1 2. BECKMANN’S EARLY SELF-PORTRAITS ...............................................................8 3. FASHION AND BECKMANN’S MANNERISMS .....................................................11 Philosophical Fads and the Artist as Individual .............................................................27 4. BECKMANN’S IDENTITY AND SOCIAL POLITICS IN HIS MULTIFIGURAL WORK ............................................................................................33 5. BECKMANN AND THE NEW OBJECTIVITY..........................................................45 BIBILIOGRAPHY ..........................................................................................................125 iii LIST OF FIGURES Figure Page 1. Max Beckmann, Three Women in the Studio, 1908 .............................................2 2. Max Beckmann, Die Nacht, 1918 ........................................................................3 3. Max Beckmann, Self-Portrait with a Cigarette, 1923 .........................................3 4. Max Beckmann, Here is Intellect, 1921 ..............................................................3
    [Show full text]