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C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Yiwu Longfashijia Industry&Trade Co
Price list Yiwu LongfaShijia Industry&Trade Co., Ltd TEL: +86-579-85876168 Contact: Andy Wang; TEL: +86-15372998684; E-mail: [email protected] ADD: No. 483 DianKou Village Chengxi Street Yiwu Zhejiang China FOB Net NAME OF head Sample item# PHOTO: finish material QTY (shangha Packing weight(g NO/CTN Carton Size: PRODUCT: size Date: i) usd$ ) Fashion paper paper 90101022 straw fedora hat beige 56cm 1000 $1.65 hangtag 108 60 28*28*78 5-7 days straw; with silver band Fashion paper straw fedora hat paper 90101023 pink 56cm 1000 $1.98 hangtag 120 60 28*28*80 5-7 days with braided straw band Fashion paper paper 90101024 straw fedora hat pink 56cm 1000 $1.82 hangtag 145 60 31*31*70 5-7 days straw with silver band Wide Brim paper Straw Hat straw; 90101025 Floppy Foldable beige 56cm 1000 $2.03 hangtag 180 60 32*32*73 5-7 days flower Summer Beach band flower Sun Hats Womens Wide paper Brim Straw Hat straw; 90101026 FloppyFedora ivory 56cm 1000 $2.03 hangtag 159 60 31*31*75 5-7 days shell Summer Beach band Sun Hats paper fringe Wide straw, Brim Straw Hat 90101027 ivory 56cm fabric 1000 $1.89 hangtag 140 60 32*32*75 5-7 days Floppy Fedora pom pom Beach Sun Hats band 5-7days Spray painting paper paper straw hat straw; 90101028 coffee 56cm 1000 $2.35 hangtag 155 60 31*31*72 with back ribbon fabric band band 5-7days Gold color paper Fedora paper straw, 90101030 straw summer Gold 56cm 1000 $2.82 hangtag 126 60 32*32*76 5-7 days fabric hat with leopard band print fabric band Fedora wide paper brim summer straw, 90101029 Pink 56cm 1000 $2.08 hangtag -
Official Selection 16Th
Prefeitura da Cidade do Rio de Janeiro, Secretaria Municipal de Cultura presents official selection 16th 2021 24 MAY to 13 JUNE >> https://animarte.kinow.tv << INTERNATIONAL STUDENTS MAXI official selection International Students th Maxi 16 2021 SINGAPORE ENGLAND ESTONIA INDIA TAIWAN A Chameleon Story A Flea in a Jar A Kiss for a Dead Man A Little More Blue A Mysterious Hat Kamal Ayesha Fathima, Ong Shu Yi Vicky Carr Anna Dvornik Sugandha Bansal Du, Yen-Ting NTU - Nanyang Technological UCA - University for the Creative Arts EKA - Estonian Academy of Arts MIT Art, Design and Technology TNUA - Taipei National University University University of the Arts ISRAEL / JAPAN RUSSIA FRANCE ENGLAND ENGLAND / TAIWAN A Tasty Fish A Warm Salty Wind Adagio Alma Alona Chihiro Tazuro Maria Korzhova, Maria Laricheva, Guillaume Oury Rola Hafez, Francesco Cordari, Kea Xie Alexandra Megerdichian The School of Visual Theater Sofia Petrova LISAA - L’Institut Supérieur des Arts UAL - University of the Arts London Animatseh Appliqués Escape Studios official selection International Students th Maxi 16 2021 FRANCE USA ENGLAND ENGLAND / USA CROATIA Alone a Wolf’s Winter An Almost Perfect Any Instant Whatever Arachnarche Arbor Inversus Damien Grellety, Victor Dumur, Carla Vacuum Emma Jordan Nikolina Žabčić Humbert, Gaël Bourdeu, Clara Malleviale, Michelle Brand Marine Vilcot, Rebecca Belle, Bérénice Lefevre Andre Huang RCA - Royal College of Art AUB - Arts University Bournemouth ALU - Academy of Fine Arts Zagreb ESMA - École Supérieure des Métiers SJSU - San José -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
My Father's Fortune
You loved your last book...but what are you going to read next? Using our unique guidance tools, Lovereading will help you find new books to keep you inspired and entertained. Opening Extract from… My Father’s Fortune A Life Written by Michael Frayn Published by Faber & Faber All text is copyright © of the author This Opening Extract is exclusive to Lovereading. Please print off and read at your leisure. michael frayn My Father’s Fortune A Life First published in 2010 by Faber and Faber Ltd Bloomsbury House 74–77 Great Russell Street London wc1b 3da Typeset by Faber and Faber Ltd Printed in England by CPI Mackays, Chatham All rights reserved Michael Frayn, 2010 The right of Michael Frayn to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988 A CIP record for this book is available from the British Library isbn 978–0–571–27058–3 2 4 6 8 10 9 7 5 3 1 Contents Homburg 1 part one 1 Smart Lad 9 2 House of Straw 19 3 Duckmore 38 4 Furniture and Fittings 55 5 Quick / Slow 74 6 Fire Resistance 91 7 A Glass of Sherry 104 part two 1 Childcare 129 2 Top to Bottom 148 3 Skylark 169 4 Chez Nous 186 5 Black Dog 203 6 Closer 222 7 Legatees 236 List of Photographs 255 Homburg The handle of my study door softly turns. I look up from my typewriter, startled. The two older children are at school, my wife’s out with the baby, the house is empty. -
Accessories for Men: a Must-Read Guide
Accessories for Men: A Must-Read Guide Author : Swara Segal By Swara Segal A gentleman’s wardrobe defines his personality. Though men spend most of their time selecting the best outfits for various occasions, it is accessories that have the power to enhance a person’s overall look, adding class and detail to his wardrobe. With the countless selection of men’s accessories and the diverse styling options available these days, finding the right set of accessories can be an extremely challenging task for men. 1 / 9 If you want to look and feel dapper on all occasions, here are seven useful and time-tested tips that will set you apart from other men. 1. Wear a Watch with Style Besides telling you the time, watches reveal your personality and lifestyle. Consequently, when collating your outfit for any occasion it is critical that you take time to consider the type of watch you will wear. Select a timepiece that matches the formality of the occasion. For instance, analog and dress watches look classic and formal and can be worn for a business meeting or a date. On the other hand, digital watches are casual and can be worn along with smart casual or workout attire. 2 / 9 Watches with metal bands and leather straps are versatile and can be worn on almost any occasion. Unless you want to attract undue attention, stick with a good wristwatch brand with a conservative design. It is also wise to match your watch strap with the material and color of your shoes and belt. -
The Old War Office Building
MINISTRY OF DEFENCE The Old War Office Building A history The Old War Office Building …a building full of history Foreword by the Rt. Hon Geoff Hoon MP, Secretary of State for Defence The Old War Office Building has been a Whitehall landmark for nearly a century. No-one can fail to be impressed by its imposing Edwardian Baroque exterior and splendidly restored rooms and stairways. With the long-overdue modernisation of the MOD Main Building, Defence Ministers and other members of the Defence Council – the Department’s senior committee – have moved temporarily to the Old War Office. To mark the occasion I have asked for this short booklet, describing the history of the Old War Office Building, to be published. The booklet also includes a brief history of the site on which the building now stands, and of other historic MOD headquarters buildings in Central London. People know about the work that our Armed Forces do around the world as a force for good. Less well known is the work that we do to preserve our heritage and to look after the historic buildings that we occupy. I hope that this publication will help to raise awareness of that. The Old War Office Building has had a fascinating past, as you will see. People working within its walls played a key role in two World Wars and in the Cold War that followed. The building is full of history. Lawrence of Arabia once worked here. I am now occupying the office which Churchill, Lloyd-George and Profumo once had. -
Understanding Hard Hat Labeling
Understanding Hard Hat Labeling According to OSHA, hard hats are must be when working in areas where there is a potential for injury to the head from falling objects or when working near exposed electrical components that may contact the head. Hard hats may also be beneficial when there is a potential for being struck by moving equipment and can also add a measure of visibility for the worker on a job site. All hard hats must comply with ANSI Z89.1 Protective Headwear for Industrial Workers Requirements which is referenced into the OSHA Standard. Hard hats are comprised of an outer shell and a suspension system designed to help absorb and dissipate the force of impact while keeping a clearance between the head and the shell. There are 2 Types and 3 Classes of hard hats: Type 1 – Helmets intended to reduce the force of impact resulting from a blow only to the top of the head Type 2 – Helmets intended to reduce the force of impact from a blow to the top or side of the head. Class E – Helmets which offer the highest electrical protection (up to 20,000 volts) and protect against impact from falling objects. Class G – Helmets which offer electrical protection up to 2,200 volts and provide impact protection from falling objects. Class C – These lightweight helmets are not tested for electrical resistance and offer limited impact protection. These are often referred to as bump caps. ANSI Z89.1-20014 approved helmets may have additional markings depending on manufacturer testing: Reverse donning: Hard hats marked with a "reverse donning arrow" can be worn frontward or backward in accordance with the manufacturer’s wearing instructions. -
Aloha Hat Protect Delicate Infant Skin from the Sun’S Harsh Rays
2019 The Monterey, see page 6. The 2019 Collection THE “W” COLLECTION ............................................. 4 WOMEN ..................................................................... 24 PETITE ......................................................................... 42 EXTRAS ....................................................................... 43 MEN ............................................................................. 44 CHILDREN .................................................................. 54 Because life is meant Look for our sun icon throughout to be lived in color! the catalog to determine which hats are UPF 50+. These When we started Wallaroo 19 years ago, I was sure fabrics block 97.5% of the sun’s of our purpose — to craft sun-protective hats that ultraviolet rays. Please remember, make you look and feel great. Inspired by visits to my a Wallaroo hat only protects the skin husband's family in Australia — where the threat of skin it covers. Safeguard the rest of your body cancer has long been understood — I wanted to share by wearing sunglasses and sunscreen. that awareness far and wide. From our home base in Colorado, we draw inspiration The Skin Cancer Foundation from nature — the earthy tones of the Rocky Mountains recommends the material of every and the brilliant blue of the sunny skies. We focus Wallaroo hat with a UPF rating and on quality craftsmanship and functional, fashionable a 3" brim or wider as an effective designs so your Wallaroo hat can go with you on UV protectant. all your adventures. We want you to get out there — to play, hike, swim and explore — with complete confidence, knowing you're covered in style. Wallaroo Sun Protection Commitment: We promise that each year we will As a leader in our industry, we also think it's important donate 1% of our profits to skin to look beyond the bottom line. -
A Fashionable History
Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. A Fashionable History Typical dress foi iaIC ¡ 85Us and early 1860s. Editor's Note: The following pictorial essay depicts the ever changing world of fashion from the 1850s to the 1930s. The contrast between the restrictive clothing of the "good old days" and the freer styles of today is striking. The photographs are from the collection at the Historical Resource Center and from Mrs. Patricia Pate of Fort Meade, South Dakota (see photo credits). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Late 1880s child's dress with sash. Silk waist front dress with bishop sleeves, early 1890s; man's shirt has Frontenac collar, teck scarf (tie). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Upper left. 1887 dress, plain fronted waist with apron front over-dress, side pleated flounce; upper right, early 1880s traveling eostume with lace Jabot, suit trimmed with braid: rigfjt, walking costume with kilt-pleated skirt, mid-î880s. K, I- Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Fashionable History Î57 Right, man in Mackintosh coat and planter's hat; left, single-breasted fly front sack overcoat and bowler hat. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. 158 South Dakota History Wedding dress, 1895; man wearing cutaway coat. Wedding dress, 1900s. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Wedding dress and going away suit on display at Robinson Museum, Pierre, 1907. Copyright © 1977 by the South Dakota State Historical Society. -
How Many Names for Hats Can You Find?
How many names for hats can you find? D A D E L C O G R O O N S H E W K E G V D L F A S C I N A T O R Y J R S F O I T M T A I I B I B N U J B B C C S G U R J L O S S Y G K D Y H M B K R N M O A Q E Z F W U F E Z Y L B I H R T W E C O O N S K I N C A P C B E G E H X A C T O Q U E N F B E R E T O W Q E P R V U O B E A N I E D M P I C T U R E S I D L T T A F B O H A R D H A T C O A Q O R B U R P P S Z Y X O O R C V P T O R K C E B O W L E R A L H H U N G P D S T E T S O N C A P A J N A I B N F F M L K E I V I T D E P E A C H B A S K E T A S C O T ASCOT A hard style of hat, usually worn by men, dating back to the 1900s. -
LOOKBOOK-BORSALINO-SS20.Pdf
2020 SPRING SUMMER 2020 5 6 7 Paglia Donna / Woman’s Straw Hats 16 Paglia Uomo / Man’s Straw Hats 28 The Bogart by Borsalino 42 Tessuto / Fabric 46 8 9 Borsalino: 160 Anni di Storia Il 4 aprile 2017 Borsalino, la più antica manifattura italiana tutti: Humphrey Bogart e Ingrid Bergman nell’indimenticabile specializzata nella produzione di cappelli di lusso, ha festeggiato scena finale di “Casablanca”. Quello con la settimana arte è un il suo 160° compleanno. In occasione dell’anniversario, il Ministero rapporto speciale e destinato a durare a lungo: oltre a Bogart per lo Sviluppo Economico del Governo Italiano ha riconosciuto e alla Bergman, portano un Borsalino Jean Paul Belmondo in Borsalino tra le eccellenze del sistema produttivo nazionale, “Fino all’ultimo respiro”, Marcello Mastroianni in “8 e 1/2” e Tony dedicandole un francobollo del valore di € 0,95. Servillo ne “La grande bellezza”, premio Oscar 2014. Soprattutto, la manifattura di Alessandria concede l’uso del proprio nome La storia a 2 pellicole cult degli anni Settanta: “Borsalino” e “Borsalino & Il 4 aprile del 1857 Giuseppe Borsalino avvia ad Alessandria Co”. L’idea è di Alain Delon e Borsalino accetta a patto che sulle un piccolo laboratorio artigianale per la produzione di cappelli locandine appaia il logo dell’azienda. in feltro. I primi macchinari li acquista in Inghilterra negli anni Così Borsalino, attraversando la rivoluzione dei costumi, arriva Sessanta dell’Ottocento. Nel ventennio a cavallo dei due secoli ai giorni nostri restando fedele a un processo produttivo che, ottiene il Grand Prix all’Exposition Universelle di Parigi, un attestato tramandato di generazione in generazione, rappresenta il valore internazionale di qualità, e inaugura una nuova manifattura, le più culturale dell’azienda.