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MOLLY THOMAS Ingredients of the Human Spirit, and This Album Provides a Perfect Snapshot in Which to Relate
“Unavailable Man,” and “You’re a Sorry One,” she calls out a conniving female, tells her man to grow up, tells someone she’s out, begs “that guy” to stop hurting women and tells a cheater off. But these aren’t the ramblings of some prepubescent wallowing in her misery. These are the stories of a woman who sees through the games people play, without becoming bitter or victimized. Her uncanny ability for empathy is evident in “Hey, I’ve Been There Too,” where she shares her compassion for people struggling with everyday problems, and her optimistic outlook comes shining through on “Henry John” and “Blanket of Stars,” where she looks hopefully toward the future and new beginnings. And while Molly is a true renaissance woman who has changed much over the years, her roots stay strong—as evidenced in “The Ocean,” a haunting melody about the healing waters of her homeland and her people. And finally, the title track, “Make Everything Bright” sums up the entire record with the lyrics “I hear a sad song behind a happy conversation. What a perfect situation, I could die like this.” And just as in the song, this happy title is filled with evocative lyrics, poignant phrases, and mysterious melodies, all woven together to create her most passionate and heartfelt record yet. Molly surrounded herself with quite the cast of musicians on this album. Besides co-producing the record, Marco Giovino is also the pounding beat behind the drums. Other players include Paul Ossola (Levon Helm, GE Smith), Frank Swart (Patty Griffin), Kylie Harris (Patty Loveless), Doug Lancio (Patty Griffin, John Hiatt, Todd Snider), John Jackson (Bob Dylan, Shelby Lynne, Lucinda Williams), Christopher Hoffee (Atom Orr, The Truckee Brothers & Steve Poltz), John Morgan Reilly (RxGF; co-producer of “Blanket of Stars”), Neal Pawley, Brian Ritchey and Matthew Burgess. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Jay-Z's Successful 'Hovcoming' Show
SPORTS Vanderbilt can’t hold halftime lead in 24-13 loss to Kentucky. TheMONDAY, NOVEMBER Vanderbilt 16, 2009 • 121ST YEAR, NO. 52 • THE VOICE Hustler OF VANDERBILT SINCE 1888 See page 6 www.InsideVandy.com Jay-Z’s successful ‘HOVcoming’ show Students lined up early to see Go online to watch a video middle of the stage. e set, a video board of concertgoers’ reactions backdrop in the shape of a skyscraper, the New York City native in after Friday night’s show and displayed graphics, clips from music videos, see if other students’ opin- and close-ups of Jay-Z and crew. what many thought to be an ions match your own. “I loved all the technical stu ,” said junior incredible perfomance. Gabrielle Westbrook. Referring to himself as the JeHOVAh of Jay-Z protege J.Cole opened up the show. rap, Jay-Z performed many songs from the by MORGAN SMITH-WILLIAMS “Although not as popular as the main recently released “ e Blueprint 3,” and, Staff Reporter act, J.Cole did a really good job keeping the much to the pleasure of the crowd, many crowd pumped and interested,” said junior of his most popular hits from past, such as Despite not selling out, as previously Shannon Coleman. “I wanted to go back “Excuse Me Miss,” “Dirt O Your Shoulders” anticipated, Jay-Z’s Friday night concert and listen to his mixtape.” and “Give it to Me.” at Memorial Gym was received with Rapper Wale followed him, performing Jay-Z also had a live band, brought back enthusiasm by Vanderbilt students and the crowd favorites “Chillin’” and “Pretty out popular rapper Memphis Bleek as his local Nashville community. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Cam'ron, Roc Army [DJ Clue] Part 1!
Cam'ron, Roc Army [DJ Clue] Part 1! [Memphis Bleek] The Roc! [Jay-Z] Roc, yeah y'all it's the Roc [DJ Clue] New shit, Roc Army (Chorus) [Scratches (Jay-Z)] "Memph, Memph, Memph, Memph Bleek" <--- Memphis Bleek (Roc-a-fella is the Army) "Mac, Mac, Mac" <--- Beanie Sigel "Sparks, O" <--- Jay-Z (Roc-a-fella is the Army) "Lil Chris, Lil Neef" <--- Beanie Sigel "Freeway" <--- Jay-Z (Roc-a-fella is the Army) "Killa," "Cam'Ron" <--- Cam'Ron "Jigga" <--- Jay-Z ("R-O-C Niggas") <--- Jay-Z (Roc-a-fella is the Army) [DJ Clue over the chorus] Jay-Z, Peedi Crakk Cam'Ron, Freeway What Clue [Jay-Z] Illest since the Row had it, nigga now the Roc got it Nigga get you blocka'ed lean em like a dope addict Hov the hustler, CD's a coke habit Ya dancing wit the devil, muh'fuckas is slow draggin (C'MON) Hov is big homie, Beanie is the co-captain [Freeway] I'll A.K. ya tee, don't forget about Free Chris and Neef, Sparks and Oski All my niggas on the streets get low with M. Bleek (Whew!) Who the fuck want what [Cam'Ron] It's the newest addition, mathematician Cracks in the kitchen, multiplication Rocks that I slash with precision Killa Cam Motherfucker [Freeway (Cam'Ron)] We got gats tearin the basement Mac in the car, clap from a distance (Kill ya man motherfucker) They track stars, half of them racin Run from the gate, straight to the district -
A Conversation with Matthew Ryan by Frank Goodman (1/2007, Puremusic.Com) Dark, Stark, Brooding, Explosive. It's All That, With
A Conversation with Matthew Ryan by Frank Goodman (1/2007, Puremusic.com) Dark, stark, brooding, explosive. It's all that, with an abiding brilliance that delivers both the singer and the listener at least an avenue out and an entrance in to hematomic world of Matthew Ryan. Seven highly regarded records into the game, Ryan is on the map, but still searching for home. He's done major labels, smaller labels, self releases, and international licensing deals, and thoroughly gained the respect of the global press. Through the catalog, his writing is unabashedly poetic, ever fierce, and always a very recognizable voice. Sometimes called alternative country, his material frequently owes more to 80's Brit pop sonically, and his current missive, From A Late Night High Rise was largely birthed on one keyboard, before he handed over the storm of thick noisy tracks to Neilson Hubbard to sort and flesh out. This record took place after a collaboration with Hubbard and others called Strays Don't Sleep, and was written, more crucially, after his brother was sentenced to thirty years. On the phone, I found Matthew very warm, a fellow Philly guy who was surprisingly forthcoming. No walk in the park, to be sure, but a good man. Someone to get behind; nobody to cross, certainly no one to take lightly. After I digested the formidable From A Late Night High Rise, I revisited the midnight folk of Concussion and the masterful Hybrid release Regret Over The Wires, from a couple of years back. These are all passionate, important releases, and Strays Don't Sleep is a remarkable sounding collaboration between Ryan and Neilson Hubbard that includes Brian Bequette (Garrison Starr) on guitars, Billy Mercer (Ryan Adams) on bass and Steve Latanation (Agent Orange) on drums. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
BIO3 1-33New
Bedford Institu te of Oceanography 2007 in Review Change of address notices, requests for copies, and other correspondence regarding this publication should be sent to: The Editor, BIO 2007 in Review Bedford Institute of Oceanography P.O. Box 1006 Dartmouth, Nova Scotia Canada B2Y 4A2 E-mail address: [email protected] Cover Photos © courtesy of Neil MacKinnon These photos were taken in 2007 during an oceanographic expedition in the Barrow Strait aboard the CCGS DesGroseilliers . The mission was part of the ongoing Arctic flow-through research: Canadian Archipelago Throughflow Study – Barrow Strait. On August 4, the team had just finished sampling water with Niskin bottles and a CTD* when this iceberg drifted close to their line. Back cover photo: Jim Hamilton, a scientist in Ocean Physics, in DFO’s Ocean Sciences Division at BIO, aboard the launch as it approaches the iceberg * A CTD is an instrument that measures the conductivity, temperature, and depth of water in a continuous profile. This CTD is also fitted with a device that measures fluorescent particles in the water. The photographer, Neil MacKinnon, is a Mechanical Technician in Ocean Physics, Ocean Sciences Division of DFO, at BIO. © Her Majesty the Queen in Right of Canada, 2008 Cat. No. Fs75-104/2007E ISBN: 978-0-662-48070-9 ISSN: 1499-9951 PDF: Cat. No. Fs75-104/2007E-PDF ISBN: 978-0-662-48077-8 Aussi disponible en français Editor: Judith Ryan Editorial team: Pat Dennis, Carolyn Harvie, Judith Ryan Photographs: BIO Technographics, the authors, and individuals/agencies credited Published by: Natural Resources Canada and Fisheries and Oceans Canada Bedford Institute of Oceanography 1 Challenger Drive, P.O. -
Moist Silver Mp3, Flac, Wma
Moist Silver mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Silver Country: US Released: 1994 Style: Hard Rock MP3 version RAR size: 1147 mb FLAC version RAR size: 1476 mb WMA version RAR size: 1728 mb Rating: 4.3 Votes: 427 Other Formats: MP2 FLAC XM MMF WAV MP4 ASF Tracklist 1 Push 3:50 2 Believe Me 3:53 3 Kill For You 3:35 4 Silver 4:15 5 Freaky Be Beautiful 3:59 6 Break Her Down 4:27 7 Into Everything 4:15 8 Picture Elvis 3:12 9 Machine Punch Through 4:26 10 This Shrieking Love 5:14 11 Low Low Low 3:15 Companies, etc. Phonographic Copyright (p) – EMI Music Canada Copyright (c) – EMI Music Canada Credits Bass – Jeff Pearce Drums – Jamie Kaufmann* (tracks: 1, 2, 6, 8, 11), Paul Wilcox Guitar – Mark Makowy* Keyboards – Kevin Young Mixed By – Kevin Hamilton (tracks: 5, 6, 8 to 11), Terry Brown (tracks: 1 to 4, 7) Recorded By, Producer – Kevin Hamilton Vocals – David Usher Written-By, Producer – Moist Notes Recorded at 8th Avenue Sound Studios, Vancouver B.C. Tracks 1 to 4, 7 mixed at Orchard Studios, Norval, Ontario. Tracks 5, 6, 8 to 11 mixed at 8th Avenue Sound Studios, Vancouver B.C. Made in Holland Barcode and Other Identifiers Barcode: 7 24382 96082 9 Rights Society: BIEM STEMRA Label Code: LC 1626 Other versions Title Category Artist Label Category Country Year (Format) 7243 8 29608 29, Silver (CD, EMI Music Canada, 7243 8 29608 29, Moist Canada 1994 E2 29608 Album) EMI Music Canada E2 29608 EMI Music Canada, 7243 8 30599 2 8, Silver (CD, Chrysalis, EMI 7243 8 30599 2 8, UK & Moist 1994 CDCHR 6080 Album) Music Canada, -
MR Starlings Final LONGER
Matthew Ryan - Hustle Up Starlings Due to be released May 12th, 2017 “On a dark lit night In the throes of another fight I heard a song, made me feel alright Made me wanna explode into light...” — Battle Born Matthew Ryan is experiencing a kind of noisy renaissance. It began in 2014 with the release of Boxers, a fevered and smart rock ‘n’ roll record about the working class, produced by Kevin Salem. May 2017 will see the follow-through with Hustle Up Starlings, a heart-on-the-sleeve collection of silvery anthems that further illustrate Ryan’s reinvigorated love of language, noise and cinema. Produced by Brian Fallon from The Gaslight Anthem, Starlings shimmers with an immediate and captivating focus. The 10-song set clocks in at 40 minutes with no prevarication or bluster, just a celebratory noise alight with hearts and history, broken-in voices and poetry. Matthew Ryan grew up in Chester, Pennsylvania just south of Philly, and spent his teens in Newark, Delaware. In his early 20s, he moved to Nashville, where he was first signed to A&M Records, releasing May Day (1997) and East Autumn Grin (2000) before falling prey to the titanic label mergers of the early aughts. What followed was more or less an album a year by any and all means possible until 2012’s In The Dusk of Everything. After moving to Western Pennsylvania in 2011, Ryan quietly decided that he’d had enough. Dusk would be his last album. “Music had become too lonely,” he said. But soon after that declaration, a sudden friendship with the frontman from The Gaslight Anthem, Brian Fallon, reignited something in Ryan. -
Crew Love (Feat. Memphis Bleek & Beanie Sigel)
Crew Love (feat. Memphis Bleek & Beanie Sigel) JAY-Z * the version on Belly has an extra[Memphis] Yeah, check it Yo yeah I smoke weed now I don't give a fuck And I also tote guns in case my dram pop up It's crew love I spit two at every few thugs Fo doves blow dubs holdin eight snub I hold it down my strip, goin nowhere Flip two eightballs trick the dough on low gear The next week two O's gone Nigga don't prolong Play the studio and get my flow on And sell weight on a later base My older brother kept guns on his waist in case he air the place And walk straight up on you fuckin crooked niggaz Comin out ya mouth sideways like some rookie niggaz I drink Henny mixed wit nothing My weed and the dutch is somethin What you niggaz sayin nuttin It's Bleek, controllin these streets holdin the heat Reportin for my live niggaz just like me WHAT Haha this is Roc-A-Fella for life This is Roc-A-Fella for lifeYou know it's crew love, Roc-A-Fella till we die As long as you and I keep it movin like a drive-by We could stack dough sky-high Niggaz can't touch what they can't feel real recognize real Crew love, Roc-A-Fella till we die As long as you and I keep it movin like a drive-by We could stack dough sky-high Niggaz can't touch what they can't feel real recognize real Yo, I set up shop wit nick rocks that'll upset rookies Make 'em slide like li'l dicks in wet pussy Open up the whole strip, like Monopoly Dare one of ya'll to land on my property Think you get some dough for my community chest? Blaow blaow two to yo chest Ya'll niggaz can't pass go 'cause it cost to pass Ya'll niggaz cheap like Baltic Ave.