Jay Z Albums in Chronological Order
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Sex Object’ Offers by BEN SCHMITZ Duction of a Brash, Overdriven TER’S” Sonic Build
PAGE 8 / campustimes.org MONDAY, OCTOBER 3, 2016 ARTS & ENTERTAINMENT Bon Iver Drops ‘22, A Million’ ‘Sex Object’ Offers BY BEN SCHMITZ duction of a brash, overdriven TER’s” sonic build. Truth, Reality in CONTRIBUTING WRITER drum groove and choppy vocal Closing the album, “00000 samples about halfway through. Million” brings back the folk- Upon the release of his sopho- The last few lines of the lyrics like songwriting of “29 #Straf- Feminism, Life more self-titled release, Bon Iv- profess a desire and motivation ford APTS” and closes the al- er’s Justin Vernon made it abun- in Vernon to move on from his bum’s lyrical themes powerfully. BY ISABEL DRUKKER “The Baby”) and creating an dantly clear that he is a master demons, with him singing, “I The line, “If it’s harmed, it’s A&E EDITOR aesthetic (“Subways,” “Grilled of balancing between too radi- could go forward in the light, harmed me, it’ll harm, I let Cheese,” “Ice”). But if there is a cal and not different enough. well, I better fold my clothes.” it in,” is a clear final word on Jessica Valenti’s first memoir, consistent aesthetic of the mem- Typically, when an artist finds “22, A Million’s” is the best Vernon’s acceptance of the de- “Sex Object” (2016), says a lot. oir, I have yet to see it. success in a given style, they And it should come to no But I don’t think this is a fault. continue their body of work in surprise that the founder of the Valenti’s memoir reads as a a way that is cohesive and non- award-winning site Feminist- tale of transformation and the alienating to their newfound ing and regular columnist for idea that no person has to be, or fan base. -
Gender Dimension of Mobility in Urban Context- Adina Manta
Page|50 Riding the City - Gender Dimension of Mobility in Urban Context- Adina Manta University of Bucharest, Romania Abstract In this paper I tried to understand the way in which the city is experienced by the female cyclist, taking into consideration city-mobility and gender relationships. I was also interested in observing if there is an identity transposition in this practice of mobility, investigating the relationship between the bicycle and the female cyclist. To answer the research question, I conducted 5 unstructured interviews with female cyclists and analyzed answers from a blog dedicated to women who ride bicycles where I managed to better identify which is their perception towards the bicycle. Combining the data obtained from the interviews and the blog with Marc Auge’s theory about spaces and non spaces, Michel de Certau’s theory that introduces the “practiced space” concept, I have identified the gender dimension of these spaces trying to go beyond public-private dichotomy, basing my research on the “gendered space” concept. The results of the research have a descriptive character and are not representative for the entire female cyclist population. Keywords : city • gender • mobility • bicycle Introduction From the 18th century until now the bicycle has gone through numerous changes, both technical as well as socio-symbolical. Born from the need of easing mobily, the bicycle appears at the end of the 18th century under the name of célérifère, 27 years later after technical enhancements becoming the dresine, and only around the end of the 19th century becoming the modern bicycle 1. Also, in the 19th century the „Tirul” company rents a few velocipedes to its employees and in 1954, in Zărneşti, the first Romanian bicycle “Victoria” 2 is produced. -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The BG News October 15, 2015
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-15-2015 The BG News October 15, 2015 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation State University, Bowling Green, "The BG News October 15, 2015" (2015). BG News (Student Newspaper). 8871. https://scholarworks.bgsu.edu/bg-news/8871 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An independent student press serving the campus and surrounding community, ESTABLISHED 1920 Bowling Green State University Thursday, October 15, 2015 | Volume 95, Issue 17 FALCONS GOT TALENT Student run talent show debuets local performances. PAGE 2 Mens head coach Columnist says New local art Eric Nichols talks always fact studio opens about going from checking is downtown for playing to coaching important community PAGE 10 PAGE 4 PAGE 6 2015 FALCON FOOTBALL FALCONS VS. AKRON SATURDAY, OCT. 17, 3 P.M. • HOMECOMING ATTN. STUDENTS: VISIT BGSUFALCONS.COM/STUDENTTICKETS TO CLAIM YOUR FREE TICKET! JOIN US IN THE STUDENT PARKING AREA FOR FREE FOOD AND FREE PARKING! 877.BGSU.TICKET | #MAKEHISTORYNOW | BGSUFALCONS.COM SATURDAY OCT. 31 D. J. MANNY 419-352-3774 H 145 N. MAIN ST. H DOCSBG.COM MEGHAN MICK Costume Contests & COUNTRY LIVE 8:30 $3 FIREBALLS MUSIC 11:30 Spring Break FM SAT & SOUTHERN ROCK DJ TIL 2:30 50 BEERS/$3 Giveaway/Cash Prizes KISS NEWS OCTOBER 15, 2015 | PAGE 2 Talent show features homecoming spirit By Holly Shively Nico Lautanen, members of the Falcon Flyers, a group that uses acrobat and tum- members higher. -
Tal Og Perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S
MUSIK- SELSKABER 2016 tal og perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S. 2 FORORD I mere end et århundrede har man kunnet høre musik Løsningen ligger imidlertid lige for. Den europæiske i de danske hjem. I starten af 1900-tallet var det dog lovgivning – og særligt den aktuelle reform af ophavs- kun de velbjærgede borgere forundt at opleve grammo- retten – bør understrege, at alle tjenester, der aktivt fonen frembringe lyd i stuen. På daværende tidspunkt udbyder musik, selvfølgelig skal indhente tilladelse fra kostede en grammofon nemlig mere end en månedsløn dem, der leverer musikken, før den kan udbydes. Også for de fleste danskere. amerikanske giganter som YouTube, der baserer de- res succesfulde forretningsmodel på, at brugerne selv Sådan er det heldigvis ikke i dag. Tværtimod kan alle uploader musik til tjenesten. nu få adgang til millioner af musiknumre med en lav månedlig ydelse og få klik på mobilen. Forbruget af Det er bekymrende, at artister, sangskrivere og mu- indspillet musik har således næppe været større, end sikselskaber ikke får en anstændig betaling for deres det er i dag. hårde arbejde fra sådanne tjenester i dag. Mindst lige så bekymrende er det imidlertid, at konkurrencesitua- Derfor er det ikke med udelt begejstring, vi kan konsta- tionen mellem tjenesterne er så grotesk, at den reelt er tere, at musikselskabernes indtægter for salg af ind- en bombe under udviklingen af nye spændende mulig- spillet musik udgør 494 mio. kr. i 2016. For selvom der heder til forbrugerne. er tale om en vækst på 9 % sammenlignet med 2015, burde markedet være markant større, når man ser på For hvor er incitamentet til videreudvikling hos tje- det faktiske forbrug af musik i Danmark. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
Jay-Z's Successful 'Hovcoming' Show
SPORTS Vanderbilt can’t hold halftime lead in 24-13 loss to Kentucky. TheMONDAY, NOVEMBER Vanderbilt 16, 2009 • 121ST YEAR, NO. 52 • THE VOICE Hustler OF VANDERBILT SINCE 1888 See page 6 www.InsideVandy.com Jay-Z’s successful ‘HOVcoming’ show Students lined up early to see Go online to watch a video middle of the stage. e set, a video board of concertgoers’ reactions backdrop in the shape of a skyscraper, the New York City native in after Friday night’s show and displayed graphics, clips from music videos, see if other students’ opin- and close-ups of Jay-Z and crew. what many thought to be an ions match your own. “I loved all the technical stu ,” said junior incredible perfomance. Gabrielle Westbrook. Referring to himself as the JeHOVAh of Jay-Z protege J.Cole opened up the show. rap, Jay-Z performed many songs from the by MORGAN SMITH-WILLIAMS “Although not as popular as the main recently released “ e Blueprint 3,” and, Staff Reporter act, J.Cole did a really good job keeping the much to the pleasure of the crowd, many crowd pumped and interested,” said junior of his most popular hits from past, such as Despite not selling out, as previously Shannon Coleman. “I wanted to go back “Excuse Me Miss,” “Dirt O Your Shoulders” anticipated, Jay-Z’s Friday night concert and listen to his mixtape.” and “Give it to Me.” at Memorial Gym was received with Rapper Wale followed him, performing Jay-Z also had a live band, brought back enthusiasm by Vanderbilt students and the crowd favorites “Chillin’” and “Pretty out popular rapper Memphis Bleek as his local Nashville community. -
Jay Z Nas Live
Jay z nas live click here to download With JAY-Z and Beyoncé releasing their album a day after Nas' He likened his mind to a Lexus on “Can I Live” (“My mind is infested, with sick. Jay-Z and Nas united onstage at the Continental Airlines Arena, embracing each other and performing together. No, this was happening live. Nas hit the stage this past weekend at Coachella to perform 'Illmatic' - his seminal debut Nas Performs 'Illmatic' In Full & Rocks With Jay Z Live At Coachella. Let's backtrack to an earlier time when Jay Z and Nas vied for New York Recall that Jay likened his mind to a Lexus on "Can I Live" ("My mind. Nas is not salty Jay-Z and Beyonce dropped their joint album the day after his. Jay-Z and Beyonce dropping their surprise album the day after Nas released TMZ Live: A-Rod's Spousal & Child Support War With Ex-Wife. On this day, Oct. 27, in hip-hop history JAY-Z AND NAS REUNITED:LIVE. Subscribe to XXL on. It was one of the most famous feuds in. Shawn Corey Carter (born December 4, ) known professionally as Jay-Z ( stylized as . Nas responded with a diss track called "Ether" and Jay-Z straightaway added a The album's only single, "Numb/Encore", went on to win a Grammy for Best Rap/Sung Collaboration, and was performed with Linkin Park live at the. Many say Jay Z is the one of greatest rappers of all time. However, others say that Nas is one of the greatest rappers who ever lived. -
Cam'ron, Roc Army [DJ Clue] Part 1!
Cam'ron, Roc Army [DJ Clue] Part 1! [Memphis Bleek] The Roc! [Jay-Z] Roc, yeah y'all it's the Roc [DJ Clue] New shit, Roc Army (Chorus) [Scratches (Jay-Z)] "Memph, Memph, Memph, Memph Bleek" <--- Memphis Bleek (Roc-a-fella is the Army) "Mac, Mac, Mac" <--- Beanie Sigel "Sparks, O" <--- Jay-Z (Roc-a-fella is the Army) "Lil Chris, Lil Neef" <--- Beanie Sigel "Freeway" <--- Jay-Z (Roc-a-fella is the Army) "Killa," "Cam'Ron" <--- Cam'Ron "Jigga" <--- Jay-Z ("R-O-C Niggas") <--- Jay-Z (Roc-a-fella is the Army) [DJ Clue over the chorus] Jay-Z, Peedi Crakk Cam'Ron, Freeway What Clue [Jay-Z] Illest since the Row had it, nigga now the Roc got it Nigga get you blocka'ed lean em like a dope addict Hov the hustler, CD's a coke habit Ya dancing wit the devil, muh'fuckas is slow draggin (C'MON) Hov is big homie, Beanie is the co-captain [Freeway] I'll A.K. ya tee, don't forget about Free Chris and Neef, Sparks and Oski All my niggas on the streets get low with M. Bleek (Whew!) Who the fuck want what [Cam'Ron] It's the newest addition, mathematician Cracks in the kitchen, multiplication Rocks that I slash with precision Killa Cam Motherfucker [Freeway (Cam'Ron)] We got gats tearin the basement Mac in the car, clap from a distance (Kill ya man motherfucker) They track stars, half of them racin Run from the gate, straight to the district -
The BG News March 11, 2020
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-11-2020 The BG News March 11, 2020 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation State University, Bowling Green, "The BG News March 11, 2020" (2020). BG News (Student Newspaper). 9134. https://scholarworks.bgsu.edu/bg-news/9134 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. DEMAND FOR DETAILS bg Opinion: Administration took too long to notify students about COVID-19 response | Page 4 news An independent student press serving the campus and surrounding community, ESTABLISHED 1920 Bowling Green State University Wednesday,March 11, 2020 Volume 99, Issue 29 Microaggressions impact BGSU students Page 2 Songs to get you through the week Page 8 COVID-19 affects MAC attendance Page 11 LOCATED ON BGSU’S CAMPUS FULLY FURNISHED ACADEMIC YEAR AND SUMMER HOUSING AGREEMENTS INDIVIDUAL GRADUATE, FACULTY, AND STAFF HOUSING HOUSING AGREEMENTS www.falconlandingbg.com • 419-806-4478 ALL-INCLUSIVE RATES BEGIN facebook.com/falconlanding/ falconlandingbgsu falconlandingbg AT $640 PER PERSON BG NEWS March 11, 2020 | PAGE 2 Microaggression research shows power of words, need for education Brionna Scebbi explored the way microaggressive words and and “old-fashioned racism,” she said. Editor-in-Chief actions are impacting their peers. Microinsults and microinvalidations Fitzpatrick, a sophomore social work major are more common as they are typically “You’re so articulate.” and ethnic studies minor, was part of the unintentional and based on a person’s panel along with senior graphic design major implicit, or subconscious, biases.