I'm Sure It Won't Surprise You to Find out That the Man Who Wrote Peter Pan
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The New Yorker
Kindle Edition, 2015 © The New Yorker COMMENT SEARCH AND RESCUE BY PHILIP GOUREVITCH On the evening of May 22, 1988, a hundred and ten Vietnamese men, women, and children huddled aboard a leaky forty-five-foot junk bound for Malaysia. For the price of an ounce of gold each—the traffickers’ fee for orchestrating the escape—they became boat people, joining the million or so others who had taken their chances on the South China Sea to flee Vietnam after the Communist takeover. No one knows how many of them died, but estimates rose as high as one in three. The group on the junk were told that their voyage would take four or five days, but on the third day the engine quit working. For the next two weeks, they drifted, while dozens of ships passed them by. They ran out of food and potable water, and some of them died. Then an American warship appeared, the U.S.S. Dubuque, under the command of Captain Alexander Balian, who stopped to inspect the boat and to give its occupants tinned meat, water, and a map. The rations didn’t last long. The nearest land was the Philippines, more than two hundred miles away, and it took eighteen days to get there. By then, only fifty-two of the boat people were left alive to tell how they had made it—by eating their dead shipmates. It was an extraordinary story, and it had an extraordinary consequence: Captain Balian, a much decorated Vietnam War veteran, was relieved of his command and court- martialled, for failing to offer adequate assistance to the passengers. -
Facultad De Filosofía Y Letras Título Del
CURSO 2018-2019 Facultad de Filosofía y Letras Grado en Periodismo Título del TFG LA PERSONALIDAD DEL PETER PAN ORIGINAL EN LA LITERATURA Y LA CONCEPCIÓN SIMPLIFICADA DEL PERSONAJE EN EL IMAGINARIO COLECTIVO Alumno: Juan Eguren Paredes Tutora: Nereida López Vidales 1 2 RESUMEN Arrastrados por la cultura multimedia, generaciones enteras han disfrutado y mitificado iconos de la gran pantalla sin conocer las verdaderas intenciones de su autor original. Peter Pan es un ejemplo de ello y su personalidad fue fruto de su época, en el Londres de principios del siglo XX. Sus rasgos influenciados por personajes mitológicos y experiencias de su creador, James M. Barrie, se perdieron con la adaptación que lo hizo mundialmente famoso. Disney le dio el éxito y blanqueó aspectos de Pan que, aun así, han trascendido al imaginario colectivo llegando a considerar a “Peter Pan” como un adulto que no quiere afrontar responsabilidades. Este estudio pretende analizar la personalidad escogida por Barrie así como sus diferentes obras con él como protagonista y el poso cultural restante a día de hoy pasando por el “síndrome” tan frecuentemente mencionado. Esto supondrá no sólo el análisis de las tres obras escritas por el escocés que le mencionan explícitamente, sino también la contextualización de Neverland o El País de Nunca Jamás, la descripción de un “Peter Pan” hoy en día, tal y como lo presentan estudios en psicología, y un resumen final como comparativa de las diferentes cualidades atribuidas al personaje. Además, se incluirán algunas referencias a alguna adaptación cinematográfica y la historia que llevó a Barrie al diseño del personaje tal y como se puede disfrutar en su literatura. -
Welcome to Peter Pan Ward
Welcome to Peter Pan Ward Information for families Great Ormond Street Hospital for Children NHS Trust This leaflet explains about the facilities available on Peter Pan Ward and what to expect when your child comes to the ward. About the ward size bed, he or she may need to stay on Peter Pan Ward is a surgical ward for another ward. Peter Pan Ward is fully children having ear, nose and throat accessible to disabled children and holds (ENT) surgery, maxillofacial (jaw and relevant equipment, such as hoists and facial) surgery, cleft lip and/or palate sliding boards. The ward has a disabled repair, dental surgery, plastic surgery or toilet and bathing facilities. There is also having cochlear implants fitted. Children of another bathroom on the ward that can any age (up to and including adolescence) be used by children and their parents. stay on Peter Pan Ward, although the The ward is arranged in two wings and majority are under five years’ old. there are 18 beds on the ward overall. The ward has a full complement of These are arranged in two bays of four nursing staff and the clinical nurse and five beds, a nursery holding three specialists for tracheostomies and ENT cots and six side rooms. Your child will surgery are based on Peter Pan Ward. be nursed in a bay as the side rooms are Other members of the team include our usually allocated to children who either play specialist, health care assistants, have an infection or who have to be admissions and administration staff. -
Fantastical Worlds and the Act of Reading in Peter and Wendy, the Chronicles of Narnia, and Harry Potter
Bucknell University Bucknell Digital Commons Master’s Theses Student Theses Spring 2021 Fantastical Worlds and the Act of Reading in Peter and Wendy, The Chronicles of Narnia, and Harry Potter Grace Monroe Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/masters_theses Part of the Children's and Young Adult Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Monroe, Grace, "Fantastical Worlds and the Act of Reading in Peter and Wendy, The Chronicles of Narnia, and Harry Potter" (2021). Master’s Theses. 247. https://digitalcommons.bucknell.edu/masters_theses/247 This Masters Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Master’s Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. I, Grace Monroe, do grant permission for my thesis to be copied. FANTASTICAL WORLDS AND THE ACT OF READING IN PETER AND WENDY, THE CHRONICLES OF NARNIA, AND HARRY POTTER by Grace Rebecca Monroe (A Thesis) Presented to the Faculty of Bucknell University In Partial Fulfillments of the Requirements for the Degree of Master of Arts in English : Virginia Zimmerman : Anthony Stewart _____May 2021____________ (Date: month and Year) Next moment he was standing erect on the rock again, with that smile on his face and a drum beating within him. It was saying, “To die would be an awfully big adventure.” J.M. Barrie, Peter and Wendy Acknowledgements I would like to thank the many people who have been instrumental in my completion of this project. -
Finding Neverland
BARRIE AND THE BOYS 0. BARRIE AND THE BOYS - Story Preface 1. J.M. BARRIE - EARLY LIFE 2. MARY ANSELL BARRIE 3. SYLVIA LLEWELYN DAVIES 4. PETER PAN IS BORN 5. OPENING NIGHT 6. TRAGEDY STRIKES 7. BARRIE AND THE BOYS 8. CHARLES FROHMAN 9. SCENES FROM LIFE 10. THE REST OF THE STORY Barrie and the Llewelyn-Davies boys visited Scourie Lodge, Sutherland—in northwestern Scotland—during August of 1911. In this group image we see Barrie with four of the boys together with their hostess. In the back row: George Llewelyn Davies (age 18), the Duchess of Sutherland and Peter Llewelyn Davies (age 14). In the front row: Nico Llewelyn Davies (age 7), J. M. Barrie (age 51) and Michael Llewelyn Davies (age 11). Online via Andrew Birkin and his J.M. Barrie website. After their mother's death, the five Llewelyn-Davies boys were alone. Who would take them in? Be a parent to them? Provide for their financial needs? Neither side of the family was really able to help. In 1976, Nico recalled the relief with which his uncles and aunts greeted Barrie's offer of assistance: ...none of them [the children's uncles and aunts] could really do anything approaching the amount that this little Scots wizard could do round the corner. He'd got more money than any of us and he's an awfully nice little man. He's a kind man. They all liked him a good deal. And he quite clearly had adored both my father and mother and was very fond of us boys. -
Tracy Wells Big Dog Publishing
Tracy Wells Adapted from the 1911 novel by J.M. Barrie Illustration by Alice B. Woodward Big Dog Publishing Peter Pan and Wendy 2 Copyright © 2013, Tracy Wells ALL RIGHTS RESERVED Peter Pan and Wendy is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play and must also contain the following notice: “Produced by special arrangement with Big Dog/Norman Maine Publishing LLC, Rapid City, SD.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog/Norman Maine Publishing LLC, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1401 Rapid City, SD 57709 Peter Pan and Wendy 3 For my children. -
Edition 4 | 2019-2020
Our 5-star rated nursing and rehab center delivers a recovery experience that will be remembered for the warmth we exude and the clinical excellence we provide. COME SEE OUR MILLION DOLLAR RENOVATION OF OUR ENTIRE FACILITY ONLY 5-STAR CMS RATED SKILLED NURSING & REHAB FACILITY IN WATERBURY 2019–2020 SEASON Letter from the Chairman 7 Letter from the CEO 9 Jersey Boys 12 Finding Neverland 26 Palace Theater Staff Directory 39 Program information for tonight’s presentation inside. The Palace would like to thank all of its Program advertisers for their support. ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2020. All rights reserved. Printed in the U.S.A. 4 palace theater letter from the chairman n my role as Chairman of the Board of the Palace Theater, I I have the pleasure of presiding over this beautiful and valued performing arts center and watching it grow each year. This year is particularly exciting, as it is our 15th Anniversary year! Fifteen years ago, a group of dedicated local and state leaders organized to restore and reopen this historic facility. After an extensive renovation, we welcomed our first audience to take in the visual splendors of the theater—and the mellifluous tones of Tony Bennett’s voice. -
Verge 10 Anna Richardson Broken Fragments
Verge 10 Anna Richardson Broken Fragments of Immortality: Why People Will Always Love Peter Pan Elbow-deep into my research, I asked my fifty-four year old mother why she liked Peter Pan. She was visiting for the weekend, and while discussing my project had expressed her deep sentiments for Peter Pan. I was curious. I simply asked what it was about the story, and about the boy himself, that she found so appealing. She told me that she hadn’t wanted to grow up as a child, that Neverland had been so full of adventure and possibility. Frowning slightly, she said, “You know, I just was Peter Pan.” Chances are that many people, of varying ages, will answer similarly when asked about their feelings for Peter Pan. The boy who wouldn’t grow up has a firm grasp on the hearts and minds of generations of people across the globe who, being human, would give anything to stop time from steamrolling ahead, even if just for a few days. What is so fascinating about this phenomenon is that the story, the play, the movies, and the boy himself are inherently tragic, ridden with dilemmas and life-altering decisions. Peter is a “betwixt and between,” as author J. M. Barrie called him, part boy, part bird, part specter (Wiggins 95). Indeed, Peter Pan was not simply a character inked into being, living only on the page. He first came into existence via the childhood games of Barrie and the five Llewelyn Davies boys with whom Barrie had a strong personal relationship, becoming their main caregiver after their parents died. -
“All the Men Here Have the Peter Pan Syndrome— They Don't Want to Grow Up”: Navajo Adolescent Mothers' Intimate Partne
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Department of Child, Youth, Child, Youth, and Family Studies, Department of and Family Studies 2010 “All the Men Here Have the Peter Pan Syndrome— They Don’t Want to Grow Up”: Navajo Adolescent Mothers’ Intimate Partner Relationships—A 15-Year Perspective Rochelle L. Dalla University of Nebraska-Lincoln, [email protected] Alexandria M. Marchetti University of Nebraska-Lincoln Elizabeth (Beth) A. Sechrest University of Nebraska-Lincoln Jennifer L. White FUonilvloerwsit ythi of sN aendbras akdda-Litinioncolnal works at: http://digitalcommons.unl.edu/famconfacpub Part of the Developmental Psychology Commons, Domestic and Intimate Partner Violence Commons, Family, Life Course, and Society Commons, Gender and Sexuality Commons, Inequality and Stratification Commons, Other Psychology Commons, Other Sociology Commons, Place and Environment Commons, Race and Ethnicity Commons, Regional Sociology Commons, Rural Sociology Commons, Social Control, Law, Crime, and Deviance Commons, and the Sociology of Culture Commons Dalla, Rochelle L.; Marchetti, Alexandria M.; Sechrest, Elizabeth (Beth) A.; and White, Jennifer L., "“All the Men Here Have the Peter Pan Syndrome— They onD ’t Want to Grow Up”: Navajo Adolescent Mothers’ Intimate Partner Relationships—A 15-Year Perspective" (2010). Faculty Publications, Department of Child, Youth, and Family Studies. 187. http://digitalcommons.unl.edu/famconfacpub/187 This Article is brought to you for free and open access by the Child, Youth, and Family Studies, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Department of Child, Youth, and Family Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -
Open Gencarelli Alicia Peterpan.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH “TO LIVE WOULD BE AN AWFULLY BIG ADVENTURE”: MASCULINITY IN J.M. BARRIE’S PETER PAN AND ITS CINEMATIC ADAPTATIONS ALICIA GENCARELLI SUMMER 2017 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Garrett Sullivan Liberal Arts Research Professor of English Thesis Supervisor Marcy North English Honors Advisor Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This thesis discusses the representation of masculinity in J.M. Barrie’s novel, Peter Pan, as well as in two of its cinematic adaptations: Disney’s Peter Pan and P.J. Hogan’s Peter Pan. In particular, I consider the question: What exactly keeps Peter from growing up and becoming a man? Furthermore, I examine the cultural ideals of masculinity contemporary to each work, and consider how they affected the work’s illustration of masculinity. Then, drawing upon adaptation theory, I argue that with each adaptation comes a slightly variant image of masculinity, producing new meanings within the overall narrative of Peter Pan. This discovery provides insight into the continued relevance of Peter Pan in Western society, and subsequently, how a Victorian children’s adventure fiction is adapted to reflect contemporary ideologies and values. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................... iii Introduction -
Issue Number 2
EDUCT News Connecting University of Edinburgh Alumni in the GTA Issue 9 The Newsletter of the Edinburgh University Club of Toronto (EDUCT) September 2005 Message from the President UPCOMING CLUB AND ALUMNI EVENTS As we slowly EDUCT Pub Night September 29, 2005 drift from When Thursday, September 29, 2005, 6:30 p.m. onward summer into Where Pilot Tavern in Yorkville (3rd floor “Flight Deck”) fall, we should Cost Free (please pay for your refreshments) take notice of RSVP/Info Liz McBeth, [email protected], 416.291.9400 some changes at the University of Edinburgh. The Marivaux Project September 22-October 2, 2005 The first of these is the departure What Two plays by Marivaux: ‘Harlequin Enlightened by Love’ and ‘La Dispute’ of Joanna Storrar, who was Who Directed and Translated by Alumna Laura MacDonald (MSc 2003) instrumental in prompting the When Thursday to Saturday 8 p.m., Sunday 2 p.m. creation of EDUCT. After more Where Robert Gill Theatre, 214 College Street (St. George entrance) than 20 years in Edinburgh, Cost $15 adults, $10 students/seniors, Sunday PWYC RSVP/Info John Krijgsman, [email protected], 416.444.4719 Joanna has moved to Princeton, with her husband, who has taken Verdi’s MacBeth September 22-October 5, 2005 up an academic appointment. When Those interested in attending should contact John Krijgsman Crossing the Atlantic in the Where Hummingbird Theatre opposite direction is Mr. Young Cost 20% reduction in ticket price for groups Dawkins, the newly appointed RSVP/Info John Krijgsman, [email protected], 416.444.4719 Vice Principal for Development. -
J.M. Barrie and the Du Mauriers
Volume 15 Number 4 Article 6 Summer 7-15-1989 J.M. Barrie and the Du Mauriers Rebecca A. Carey Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Carey, Rebecca A. (1989) "J.M. Barrie and the Du Mauriers," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 4 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol15/iss4/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Notes the influence of several members of the Du Maurier family on the writings of J.M. Barrie—particularly on Peter Pan. Additional Keywords Barrie, J.M.—Characters—Captain Hook; Barrie, J.M.—Relation to Du Maurier family; Du Maurier, George—Influence on J.M. Barrie This article is available in Mythlore: A Journal of J.R.R.