Stainless Steel & 18 Ct Gold

Total Page:16

File Type:pdf, Size:1020Kb

Stainless Steel & 18 Ct Gold Stainless steel and 18 ct gold Bezel without diamonds The following collections feature stainless steel and 18 ct gold without diamonds : Longines PrimaLuna Conquest Classic The Longines Elegant Collection The Longines Master Collection (Exception: The Longines Master Collection L2.128.5 in size 25.50 mm) The Longines Saint-Imier Collection Gold cap 200 μm minimum Stainless steel Gold cap Outside ingrave markings: Stainless steel Back of the case and folding clasp 1 GC200 / Stainless steel (Gold cap 200 microns) 3 Responsibility mark LONGINES 1 3 1 3 Stainless steel and 18 ct gold Bezel with diamonds The following collections feature stainless steel and 18 ct gold with diamonds bezel : Longines PrimaLuna Longines DolceVita Conquest Classic The Longines Elegant Collection The Longines Saint-Imier Collection Diamonds 18 carat gold Gold cap Outside ingrave markings: Stainless steel Back of the case and folding clasp 2 Stainless steel / Au 750 3 Responsibility mark LONGINES Bracelet construction: 2 A The central part of a link is made out of 316L stainless steel 3 B It is wrapped in a 18ct gold cap of a minimum thickness of 0.2 mm. A B Stainless steel and 18 ct gold Crown in solid gold The crown is considered to be part of the movement, not of the case. As a result, the appropriate marking of the case back is “ALL STAINLESS STEEL”. Gold How to identify the gold used in a Longines watch 1. Standard of fineness This indicates the proportion of a pure precious metal contained in ON THE CASE-BACK AND THE BRACELET an alloy. It is expressed in thousands, e.g. 750/1000, or in carats in the case of gold, e.g. 18 carats, 24 carats being 100 % gold. 2. Logotype of the manufacturer For example, the hammer is the collective responsibility mark for manufacturers of watch-cases in the Jura. 3. Swiss assay mark Every watch-case made of gold, silver, platinum or palladium sold in Switzerland has to be officially assayed and hallmarked. A single 8 official hallmark was adopted in 1995 – the St. Bernard head. 5 1 4. Common control mark 3 Hallmark of the multilateral convention on the control and hallmarking of objects made of precious metals (Vienna Convention). 4 3 7 4 5. Responsibility mark 6 2 6. Standard of fineness 7. Serial number Individual number allotted to each watch manufactured in the Longines workshops. ON THE INSIDE BACK COVER OF THE CASE 8. Reference number Reference number of the watch-case. 9. The watch Reference number (internal Longines number). 1 2 10 9 10. Thickness of the case 4/10 indicates that the thickness of the case-back is at least 11 four tenths of a millimeter. 11. The calibre Reference number of the calibre used in the watch..
Recommended publications
  • Repoussé Work for Amateurs
    rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me.
    [Show full text]
  • The Use of Titanium in Dentistry
    Cells and Materials Volume 5 Number 2 Article 9 1995 The Use of Titanium in Dentistry Toru Okabe Baylor College of Dentistry, Dallas Hakon Hero Scandinavian Institute of Dental Materials, Haslum Follow this and additional works at: https://digitalcommons.usu.edu/cellsandmaterials Part of the Dentistry Commons Recommended Citation Okabe, Toru and Hero, Hakon (1995) "The Use of Titanium in Dentistry," Cells and Materials: Vol. 5 : No. 2 , Article 9. Available at: https://digitalcommons.usu.edu/cellsandmaterials/vol5/iss2/9 This Article is brought to you for free and open access by the Western Dairy Center at DigitalCommons@USU. It has been accepted for inclusion in Cells and Materials by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Cells and Materials, Vol. 5, No. 2, 1995 (Pages 211-230) 1051-6794/95$5 0 00 + 0 25 Scanning Microscopy International, Chicago (AMF O'Hare), IL 60666 USA THE USE OF TITANIUM IN DENTISTRY Toru Okabe• and HAkon Hem1 Baylor College of Dentistry, Dallas, TX, USA 1Scandinavian Institute of Dental Materials (NIOM), Haslum, Norway (Received for publication August 8, 1994 and in revised form September 6, 1995) Abstract Introduction The aerospace, energy, and chemical industries have Compared to the metals and alloys commonly used benefitted from favorable applications of titanium and for many years for various industrial applications, tita­ titanium alloys since the 1950's. Only about 15 years nium is a rather "new" metal. Before the success of the ago, researchers began investigating titanium as a mate­ Kroll process in 1938, no commercially feasible way to rial with the potential for various uses in the dental field, produce pure titanium had been found.
    [Show full text]
  • Stainless Steel Activator for Gold
    CASWELL 7696 Route 31, Lyons NY 14489 Voice - (315) 946-1213 Fax - (315) 946-4456 Www.caswellplating.com [email protected] STAINLESS STEEL ACTIVATOR FOR GOLD 1. Fill a one quart or 1000 ml beaker nearly full with Activator-SS. 2. Check solution temperature to assure it is between 80-100 degrees Fahrenheit. 3. Check connections from power supply to anode and work to be sure the negative (-) and positive (+) wires are connected properly. • The work should be charged negative (-), and the anode positive (+). • Use a Stainless Steel Anode 4. Turn rectifier on. 5. Activate at 6-8 volts for 45-60 seconds depending on size of part. Part should be completely clean prior to further plating. 6. Larger parts require slightly higher voltage, while smaller parts require lower voltage. If part shows any burning such as dark or gray deposits around the edges, you are burning the part and must lower the voltage. If part is not cleaning after two minutes, voltage is too low, therefore, increase voltage slightly. 7. After Activating, rinse part thoroughly in water and continue the plating process with Fastgold brush plating or Caswell Tank Plating Gold at 140 degrees Fahrenheit. Plate 15- 30 seconds longer than normal. 8. If you are not going to continue the plating process immediately, then dry the part thoroughly. When you continue the plating process, re-activate the part in Activator~SS to assure better adhesion. 9. Change solution when Activator-55 becomes inactive, reaches a pH higher than 2, or noticeably dirty. Discard &: Replace: Activator-SSTM is a rugged solution and is designed to help assure long life.
    [Show full text]
  • Gold - Silver Ratio Investors’ Perspective
    Gold - Silver Ratio Investors’ Perspective Gold and Silver Prices Jan 2000 - Aug 2011 50 y = 3.2481e0.0016x Here’s a fresh, 45 R² = 0.92 in depth look at the 40 important gold-silver ratio indicator with tell-all charts 35 y = 0.0209x - 2.0747 and ideas to help you inter- 30 R² = 0.8949 pret the ratio and trade the pair. Keep in mind that the 25 y = 13.138ln(x) - 71.585 By: Przemyslaw Radomski - Chief Investment - Chief Radomski Investment By: Przemyslaw Autor Stall - Contibuting Mike and Strategist Profits Sunshine Investments Silver & Effective Gold for Tools majority of investors lose, R² = 0.7914 and that successfully playing Silver ($/oz) 20 the game in the markets is about doing 15 things that the majority does not. In order to outsmart the majority, we need to look 10 at the gold silver ratio in a unique way. 5 The gold-silver ratio is one of the first indi- 0 200 400 600 800 1000 1200 1400 1600 1800 cators traders look at to comprehend the state of the precious metals market. In- Gold ($/oz) deed, it has been out of favor among mod- Chart 1: Gold and Silver Prices ern investors who believe that a simple sinusoidal (smooth repetitive oscillation) instead of standard gold/silver and time started in 2000) is best represented by a movement does not often work. axis does not give you a clear idea about linear trend line, so the trend line is rising the ratio extremities, but it shows a clear and the slope is constant.
    [Show full text]
  • Investment Casting Or the Lost Wax Process
    Investment Casting or The Lost Wax Process Apecs Investment Castings was founded in 1963 and is now situated in the Melbourne suburb of Burwood where we have been since we outgrew our Canterbury factory in August 1987. The company name (APECS), stands for Anthony Philip Eccles Casting Service. Investment is a type of plaster that we use in our process of reproducing multiple copies of an original master pattern which is usually supplied to us by our customers. This is a classic 18ct yellow gold emerald and diamond ring taken from the Apecs catalogue. The next series of photos will show the steps involved in producing multiple copies of this ring. An original master pattern is designed and fabricated by our customers and supplied to us to reproduce in the quantities and metals of their choice. It is important to ensure that the master is made as accurately as possible and to pay particular attention to the finish of the master pattern. The better the quality of the master pattern the better the casting result. The finished master pattern ready for the caster. A picture of the master pattern is drawn and a mould number is allocated for identification. When the customer wants to reorder he quotes the mould number for the pattern he wants. A sprue is soldered onto the pattern. This sprue enables the pattern to be easily located in the mould and will provide the path for the wax to be injected into the rubber mould. To make a mould the master pattern is placed between sheets of uncured vulcanising rubber.
    [Show full text]
  • The Precious Metal Account Timeless Investments – Securely Managed
    The Precious Metal Account Timeless Investments – Securely Managed Everything You Need to Know about Your Benefits the Precious Metal Account • You benefit from a clear investment in account form This solution provides a simple form of investment for book- • It is possible to convert your credit into physical precious entry balances in precious metal accounts and is managed metal at any time in the currency of the relevant precious metal (gold, silver, platinum, or palladium) in ounces.1 The precious metal Potential Risks account is attractive for investors with frequent trading activity • Precious metals are subject to currency and price fluctua- (purchase/sale of precious metals). tions and are therefore only suitable for investors who are able and willing to take on a certain amount of risk The key points at a glance: • In contrast to custody in a safekeeping account, credit in • Ability to transfer balances in precious metal accounts, both the precious metal account would be classed as bankruptcy within Credit Suisse and to other banks estate in the event of bankruptcy • Balances in precious metal accounts are managed in book form, in contrast to investments in safekeeping accounts Conditions • Credit can be converted into physical precious metal at any time, subject to a charge Currency Gold (XAU), silver (XAG), platinum (XPT), palladium (XPD) Your Needs Charges2 0.80% (all metals) p.a. • You want to diversify your portfolio Min. CHF 100 p.a. • You want an overview of your balances in precious metal Conversion into or Charges vary depending on the weight and accounts at all times delivery as physical the service required.
    [Show full text]
  • Silver Or Gold: the Color of Brass Instruments in the Late Middle Ages
    1 Silver or Gold: The Color of Brass Instruments in the Late Middle Ages Timothy J. McGee The purpose of this article is to lay out some details I have gathered about brass instruments during the late Middle Ages as a way of requesting assistance from the readers of this jour- nal. As will become immediately evident, I am using the word "brass" in its meaning as a synonym for "cup-mouthpiece instruments," because my question has to do with the actual material the instruments were made of. In the process of researching the activities of the civic musicians of Florence during the twelfth to the sixteenth centuries, I have encountered considerable confusion about the material used for trumpets and trombones, and about the symbolism intended by the use of particular metals. Here is what I have found. The earliest reference to the employment of civic musicians in Florence is from gov- ernment documents of 8 February 1292' naming six trumpet players (tubatores) along with a player of the cenamella (probably a double reed) and another who played cimballella (undoubtedly the cymbals). The civic ensemble, known as the trombadori, was part of the ceremonial presence of Florence, participating in all official functions such as the frequent processions welcoming distinguished foreign visitors to the city, civic celebrations in honor of saints' days, or assemblies in which the governing executive appeared in public. The trombadori also accompanied the military in the field, and acted as representatives of the city of Florence by participating in celebrations in other cities. The earliest reference is as follows: ..
    [Show full text]
  • Precious Metals IRA
    CUSTODY SERVICES Precious Metals IRA Frequently Asked Questions The following Questions and Answers pertain to investing in precious metals in an IRA. They are not tax or investment advice, but are presented to help you identify issues (and opportunities) which can arise when investing in non-publicly traded alternative assets such as precious metals. Any specific IRA investment should be discussed with your tax or legal advisor. Is it possible to use IRA funds to invest in precious metals such Are there any limitations on as gold to further diversify my retirement portfolio? the amount of precious metals Yes. According to Internal Revenue Code (IRC) Section 408(m)(3)(A)(i-iv) and 408(m)(3)B) IRAs that can be held in my IRA? may invest in certain precious metal coins and bullion as listed below: It is entirely up to the individual to determine how much of a retirement portfolio to allocate GOLD COINS SILVER COINS PLATINUM COINS to physical precious metals. • American Buffalo • America the Beautiful • American Eagle • American Eagle • American Eagle • Australian Koala Can I contribute gold coins • Australian Kangaroo/ • Australian Kookaburra • Canadian Maple Leaf I already own to my IRA? Nugget • Austrian Vienna • Isle of Man Noble • Austrian Philharmonic Philharmonic No, nor can your IRA purchase any precious metals that you personally own. You are only • Canadian Maple Leaf • Canadian Maple Leaf allowed to contribute cash to your IRA in the • Mexican Libertad form of annual contributions or through Note: Gold and Silver coins that have undergone ‘certification’ also known as ‘slabbed coins’ rollovers from former 401(k) plans or transfers are not permitted to be held in IRAs.
    [Show full text]
  • Corrosion of Titanium Implants and Connected Prosthetic Alloys Using Lactic Acid Immersion Test
    Journal of Dental Health, Oral Disorders & Therapy Research Article Open Access Corrosion of titanium implants and connected prosthetic alloys using lactic acid immersion test Abstract Volume 11 Issue 3 - 2020 Background/purpose: Combination of dental titanium implants with other Wilhelm Niedermeier,1 Katrin Huesker2 prosthetic metallic components may lead to metal ion release that increases 1Department of Prosthetic Dentistry, School for Dental and the risk of adverse reactions in patients. The present study therefore aimed to Oral Medicine, University of Cologne, Germany determine in vitro metal ion dissolution from different alloy combinations. 2Department of Immuno-Toxicology, Institute for Medical Materials and methods: Dental alloys were subjected to a lactic acid immersion Diagnostics (IMD), Germany test together with titanium implants and matched with controls. Between day Correspondence: Wilhelm Niedermeier, School for Dental 1 and 38, open direct current potentials (DCP) between the samples and the and Oral Medicine, University of Cologne, Kerpener Str. electrolyte were recorded and metal dissociation inside the electrolyte was 32, D-50931 Cologne, Germany, Tel +4922147896746, Fax assessed using ICP-MS. +4922147896756, Email Results: Absolute DCPs of the different alloys increased significantly (p<0.001) Received: June 06, 2020 | Published: June 23, 2020 from 100-150mV to 490-580 mV within the first two weeks of immersion, dropping to about 450mV later on largely independent of the material. Titanium showed highest dissociation rates (2.00-12.06µg/cm2 per day; p=0.0002); all other components demonstrated poor corrosive dissolution (<0.6µg/cm2 per day). After immersion of 38 days, titanium still yielded high dissociation (0.64-1.38µg/ cm2 per day) for all test groups.
    [Show full text]
  • Rhodium Plating
    Rhodium Plating Dr. Ronald J. Morrissey Applications that deposits from the phosphate system are somewhat whiter, Rhodium is one of the whitest of metals, and this, together and mixed phosphate-sulfate systems are sometimes used. with its hardness and resistance to wear and tarnishing, have Insoluble hydrous oxides of rhodium can form at quite low established it as a premier finish for jewelry and decorative pH values. In order to avoid this, it is important to maintain work of all types. Its stable contact resistance and high the acidity of rhodium plating solution. All other things being melting point have also made it useful in electrical and equal, this is more easily accomplished in the sulfate than in electronic applications, notably in reed blades, in which its the phosphate system. resistance to arcing is particularly advantageous. Rhodium For decorative applications, rhodium plating solutions is, however, also the most expensive of the precious metals. rarely contain more than about 2 g/L rhodium, together with In recent years, its use has, with few exceptions, been about 20 mL/L of concentrated sulfuric acid. For heavier restricted to very thin deposits, usually over other white deposits, the rhodium content is increased to about 4-10 g/L, metals such as nickel, silver or, in the case of reed blades, together with about 20-50 mL/L sulfuric acid. In either case, ruthenium. plating is carried out at about 1-5 A/dm2 at 40-45 °C. Proprietary stress-relieving agents are available, but in any Processes event, it is difficult to plate rhodium in a crack-free condition Although rhodium can be evaporated under vacuum, in from aqueous solution at thicknesses much above 2 to 2.5 practice it is almost always electrodeposited.
    [Show full text]
  • Electroplating of Stainless Steel with Gold
    ION SOURCECABLE TO HIGH POWER Fig. 5 Schematic diagram of an SUPPLYVOLTAGE POWER ENCLOSURE SUPPLY_ apparatus which would be suitable for lessing on a ION BEAM FORMING AND laboratory scale the economie ACCELERATINGn SECTION feasibility of gold ion implanta- tion ION CRYOPUMP 'VACUUM LOCK FOR LOADING WORK P1ECES CHAMBER This is not too difficult and sources exist and have References been used to generate gold ions with relatively few 1 E. W. Williams, Gold Bull., 1978, 11, (2), 30-34 2 G. Dearnaley, 'Defects in Crystalline Solids, Vol. 8, Ion Im- problems because the metal is chemically inert and plantation', North Holland Publishing Co., 1973 any alloying effects or reactive effects can be avoided 3 J. Lindhard, M. Scharff and H. E. Schiott, K. Dan. Vidensk. Selsk. Mat.-Fys., 1963, 33, (14), 1-39 by choosing appropriate materials. More recently, the 4 V. 0. Nielson, 'Electromagnetically Enriched Isotopes and liquid field emission sources of Clampitt (13) and Mass Spectrometry', Academie Press, New York, 1956 5 J. F. Gibbons, W. S. Johnson and S. W. Mylroie, 'Projected Swanson (14) have also been used to generate gold Range Statistics', 2nd Edition, Halsted Press, 1975 ions. These are remarkably simple and can operate at 6 H. H. Anderson, 'Seventh Yugoslav Symposium on Physics of Ionized Gases', September 1974 a temperature just above the melting point of gold, 7 0. Almen and G. Bruce, Nucl. lustrum. Methods, 1961, (11), say at 1100°C. Their advantages include long, stable 257-278 8 P. H. Rose, in 'Proceedings of the Symposium on Electron and lifetimes and almost no demand on the vacuum Ion Beam Science & Technology', 1978, pp.
    [Show full text]
  • Kum Boo on Argentium Sterling Silver © Cynthia Eid 2011
    Kum Boo on Argentium Sterling Silver © Cynthia Eid 2011 Definition and history Kum Boo is the Korean name for a technique for applying gold to silver. In the Korean language, it translates as “attached gold”. The technique has variations seen in Chinese and Japanese metalworks, as well as in Korea, and is also used to attach gold to iron, steel, and copper. It is possible to use the process to attach gold to colored gold alloys, palladium, and platinum. Spelling Because Korean does not use our alphabet, there are other spellings, such as Keum- boo. I spell it as Kum Boo, because in a conversation with Komeila Okim, we decided that is closest to a phonetic spelling. How it Works Gold attaches to fine silver in a diffusion bond, through heat and pressure. The heat source may be a torch, a lab hot plate, a kitchen hot plate, an ultralite kiln, or whatever heat source is available, to heat the metals to 650-850°F. Pressure is usually applied with steel, agate, or pyrex burnishers. Preparation of Silver Step One: Cut, Solder, Texture.....the Silver It is wise to start with a small piece, which is flat, or has a gently curved surface. In my experience, the gold bonds best to a surface with a shallow texture. A bit of “tooth” seems to give the metals a mechanical bond in addition to the bond of the atoms. Examples of what I find to be good textures to use include: -Texture from a grinding stone or diamond-bur made with a flexible shaft -Texture of sanding.
    [Show full text]