4.2 MUSIC by JEWISH COMPOSERS OR with JEWISH THEMES Daniel
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Traditional Rural House Types: Origin, Evolution & Characteristics, Roof And
Geography, PG, 2nd Semester Paper‐201, Unit‐1: Settlement Geography Topic: Traditional rural house types: Origin, evolution & characteristics, roof and building materials Origin The earliest dwelling of Homo erectus was the cavesite in Africa, most probably “at Choukoutien. But caves and rock shelters were not the only places for human habitations. Most of the settlement site were in the open. The earliest evidence of housing reflects on pit dwellings, dug into the ground, oval- to-near-rectangular in shape. Thus there is allusion in the phrase ‘Caveman era’ to the caves as the first human habitation”. The pit dwellings took several evolutionary forms. ‘Choukoutien’ Cave Pit House: • Pit house is a large house in ground used for shelter from the most extreme of weather conditions. • Also be used to store food and for cultural activities like telling of stories, dancing, singing and celebrations. • Pit house as a Dug out and has similarities to a half dugout. • Through dwellings man could easily adopt the environment, and his occupance spread in varied ecological conditions. • Dwellings are varied in the raw materials used, in the climatic conditions ( winds, temperatures, precipitation, Seasonalities ) Rural Buildings: The rural houses form one of the essential facts of unproductive occupation of the rural landscape, with the complex relations between man and his environment; represent the cultural heritage of the past and the survival of tradition and reflection of the social state. The buildings are distinguished in three group: • Primitive building: Produced by societies defined as primitive by anthropologists, people have very few building types, a model with few individual variations. -
Prof. M. J. Koncen's Quadrille Call Book and Ball-Room Guide
Library of Congress Prof. M. J. Koncen's quadrille call book and ball-room guide ... PROF. M. J. KONCEN'S QUADRILLE CALL BOOK AND BALL ROOM GUIDE. Prof. M. J. KONCEN'S QUADRILLE CALL BOOK AND Ball Room Guide. TO WHICH IS ADDED A SENSIBLE GUIDE TO ETIQUETTE AND DEPORTMENT. IN THE BALL AND ASSEMBLY ROOM. LADIES TOILET, GENTLEMAN'S, DRESS, ETC. ETC. AND GENERAL INFORMATION FOR DANCERS. 15 9550 Containing all the Latest Novelties, together with old fashioned and Contra Dances, giving plain directions for Calling and Dancing all kinds of Square and Round Dances, including the most Popular Figures of the “GERMAN.” LIBRARY OF CONGRESS COPYRIGHT. 20 1883 No 12047-0 CITY OF WASHINGTON. ST. LOUIS: PRESS OF S. F. BREARLEY & CO., 309 Locust Street. (1883). Entered according to Act of Congress, in the year of 1883, by MATHIAS J. KONCEN. in the Office of the Librarian of Congress, at Washington, D. C CONTENTS. Preface 5–6 Etiquette of the Ball Room 7–10 Prof. M. J. Koncen's quadrille call book and ball-room guide ... http://www.loc.gov/resource/musdi.109 Library of Congress Etiquette of Private Parties 10–12 Etiquette of Introduction 12–13 Ball Room Toilets 13–14 Grand March 15–17 On Calling 17 Explanation of Quadrille Steps 17–20 Formation of Square Dances 21–22 Plain Quadrille 22–23 The Quadrille 23–25 Fancy Quadrille Figures 25–29 Ladies Own Quadrille 29–30 National Guard Quadrille 30–32 Prof. Koncen's New Caledonia Quadrille 32–33 Prairie Queen Quadrille 33–35 Prince Imperial 35–38 Irish Quadrille 39–40 London Polka Quadrille 40–42 Prof. -
Plain Pots: a Study of Late Woodland Pottery in Central Alabama by Jason Mann and Richard Krause
Bulletin 27 November 30, 2009 Plain Pots: A Study of Late Woodland Pottery in Central Alabama By Jason Mann and Richard Krause Discovery and Excavation of the Moundville Earth Lodge By Vernon James Knight Analysis of Daub from Mound V, Moundville: Its Role as an Architectural Indicator By Jeffery L. Sherard Analysis of Wood Charcoal from an Earth Lodge on Mound V at Moundville By Amanda Tickner BULLETIN ALABAMA MUSEUM OF NATURAL HISTORY The scientific publication of the Alabama Museum of Natural History. Dr. Phil- lip Harris, Editor. BULLETIN ALABAMA MUSEUM OF NATURAL HISTORY is published by the Alalabama Museum of Natural History, a unit of The University of Alabama. The BULLETIN succeeds its predecessor, the MUSEUM PAPERS, which was ter- minated in 1961 upon the transfer of the Museum to the University from its parent organization, the Geological Survey of Alabama. The BULLETIN is devoted primarily to scholarship and research concerning the natural history of Alabama and the Southeast. It appears twice yearly in conse- cucutively numbered issues. Communication concerning manuscripts, style, and editorial policy should be addressed to: Editor, BULLETIN ALABAMA MUSEUM OF NATURAL HISTORY, The University of Alabama, Box 870345, Tuscaloosa, Alabama 35487-0345; tele- phone (205) 348-1831 or emailed to [email protected]. Prospective authors should examine the Notice to Authors inside the back cover. Orders and requests for general information should be addressed to BULLE- TIN ALABAMA MUSEUM OF NATUTURAL HISTORY, at the above address or emailed to [email protected]. Yearly subscriptions (two issues) are $30.00 for individuals, $50.00 for corporations and institutions. -
191219-Mariah-Carey.Pdf
Breaking News English.com Ready-to-Use English Lessons by Sean Banville “1,000 IDEAS & ACTIVITIES Thousands more free lessons FOR LANGUAGE TEACHERS” from Sean's other websites breakingnewsenglish.com/book.html www.freeeslmaterials.com/sean_banville_lessons.html Level 3 - 19th December, 2019 Mariah Carey Xmas hit number 1 after 25 years FREE online quizzes, mp3 listening and more for this lesson here: https://breakingnewsenglish.com/1912/191219-mariah-carey.html Contents The Article 2 Discussion (Student-Created Qs) 15 Warm-Ups 3 Language Work (Cloze) 16 Vocabulary 4 Spelling 17 Before Reading / Listening 5 Put The Text Back Together 18 Gap Fill 6 Put The Words In The Right Order 19 Match The Sentences And Listen 7 Circle The Correct Word 20 Listening Gap Fill 8 Insert The Vowels (a, e, i, o, u) 21 Comprehension Questions 9 Punctuate The Text And Add Capitals 22 Multiple Choice - Quiz 10 Put A Slash ( / ) Where The Spaces Are 23 Role Play 11 Free Writing 24 After Reading / Listening 12 Academic Writing 25 Student Survey 13 Homework 26 Discussion (20 Questions) 14 Answers 27 Please try Levels 0, 1 and 2 (they are easier). Twitter twitter.com/SeanBanville Facebook www.facebook.com/pages/BreakingNewsEnglish/155625444452176 THE ARTICLE From https://breakingnewsenglish.com/1912/191219-mariah-carey.html American singer Mariah Carey has reached number one in the U.S. music charts with her classic song "All I Want For Christmas Is You". It is not unusual for a festive song to be the best seller at Christmas, but Carey's famous song was first released 25 years ago. -
SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
Dugout Home in the Late Nineteenth Century, the U.S
Dugout Home In the late nineteenth century, the U.S. government began opening parcels of land in the Oklahoma Territory for homesteading and settlers enthusiastically staked claims and built homes. Dugout construction varied according to characteristics of the landscape, availability of supplementary materials, size and needs of the family, urgency of the desire for shelter, and the skill and creativity of the builder. Oklahoma dugouts were constructed either by digging straight down into the ground or by digging horizontally into the face of a hill. Either type might be completely underground, or it might extend several feet above the ground, the upper portion being built of sod, logs, rock, or lumber. Floods, wild animals, snakes, and insects were a constant menace to Oklahoma dugout dwellers. However, the settlers found that dugouts were lifesaving structures during bitter territorial winters, prairie fires, and cyclones. SOD HOUSE As elsewhere on the Great Plains, timber was scarce in central and western Oklahoma Territory. Early settlers built their first shelters from what was available, thick prairie sod. A typical sod house (soddy) was about fourteen feet by sixteen feet in size with a seven- and-one-half-foot high wall, a low-pitched roof, a central side door, and one or two windows. Interior walls were often finished with plaster or covered with newspapers, and canvas was often suspended from the ceiling to make the space lighter and to improve cleanliness. Furnishings were sparse and simple, but prized lace curtains or an heirloom piece of furniture were not uncommon in these humble dwellings. To build a soddy the homesteader first chose a construction site, squared the interior dimensions of the house, and dampened and packed the floor area. -
Annie Get Your Gun Music: Irving Berlin Lyrics: Irving Berlin Book: Dorothy + Herbert Fields Premiere: Thursday, May 16, 1946
Annie Get Your Gun Music: Irving Berlin Lyrics: Irving Berlin Book: Dorothy + Herbert Fields Premiere: Thursday, May 16, 1946 -------------------------------------------------------------------------------- 1.OVERTURE 2.I'M A BAD, BAD MAN 3.DOIN' WHAT COMES NARUR'LLY 4.THE GIRL THAT I MARRY 5.YOU CAN'T GET A MAN WITH A GUN 6.MOONSHINE LULLABY 7.THEY SAY IT'S WONDERFUL 8.MY DEFENSES ARE DOWN 9.I'M AND INDIAN TOO 10.I GOT LOST IN HIS ARMS 11.I'VE GOT THE SUN IN THE MORNING 12.ANYTHING YOU CAN DO 13.THERE'S NO BUSINESS LIKE SHOW BUSINESS 1.OVERTURE ORCHESTRA 2.I'M A BAD, BAD MAN FRANK BUTLER: I'm honored, I'm flattered, This greeting really mattered. This welcome is grand But I'm really concerned. I like your attention But this I have to mention You're playing with fire And up to get burned! There's a girl in Tennessee Who's sorry she met up with me I can't go back to Tennessee, I'm a bad, bad man! There's a girl in Omaha, But I ran faster than her Pa, I can't go back to Omaha There's a girl in Wyoming, And they're combing Wyoming To find a man in white Who was out with her that night! There's a girl in Arkansas, The Sheriff is her brother-in-law, I can't go back to Arkansas, I'm a bad, bad man! I'm enlightened, but frightened. Though my int'rest you've heightened. It might turn out to be That too much, too much for me! So I'll go back to my tent, And someday when you're old and bent, Think of those you might have spent HTTP://COPIONI.CORRIERESPETTACOLO.IT With a bad, bad man! 3.DOIN' WHAT COMES NARUR'LLY ANNIE OAKLEY and FEMALE CHORUS: Folks are dumb where I come from, They ain't had any learning. -
Kansas Farmers: Evidence (Group 4)
Educational materials developed through the Baltimore County History Labs Program, a partnership between Baltimore County Public Schools and the UMBC Center for History Education. Did the Reality Match the Expectations for Kansas Homesteaders? RS#04: Kansas Farmers: Evidence (Group 4) Directions: Analyze the historical sources and complete the chart and questions found on the Kansas Farmers: Document Analysis Worksheet. Be specific and detailed in your answers. Mead family dugout, Ford County, Kansas The photograph, taken between 1875 and 1889, is of the L.A. Mead family and their home. The dugout is typical of a Kansas prairie home settlers built due to lack of wood and other natural resources. This family was very fortunate to have glass windows, wood siding, and a stove pipe. Mead family dugout, Ford County, Kansas.Between 1875-1889. Kansas Historical Society Topeka, Kansas. Kansas Memory. Web. 29 June 2010. Educational materials developed through the Baltimore County History Labs Program, a partnership between Baltimore County Public Schools and the UMBC Center for History Education. Interior view of dugout near Bloom, Ford County, Kansas The photograph, taken between 1870 and 1890, is of the L.A. Mead family home. The cramped living conditions are typical of a family living in a dugout. These were small homes cut into the side of a hill. While not intended as a permanent shelter, dugouts were built owing to the lack of wood and other building materials in Kansas. Many of the household items would be considered luxuries by historical standards. Interior view of dugout near Bloom, Ford County, Kansas. .Between 1870-1890. -
Digging Into a Dugout House (Site 21Sw17): the Archaeology of Norwegian Immigrant Anna Byberg Christopherson Goulson, Swenoda Township, Swift County, Minnesota
DIGGING INTO A DUGOUT HOUSE (SITE 21SW17): THE ARCHAEOLOGY OF NORWEGIAN IMMIGRANT ANNA BYBERG CHRISTOPHERSON GOULSON, SWENODA TOWNSHIP, SWIFT COUNTY, MINNESOTA \\|// \\|// \\|// \\|// TR1 North \\|// \\|// II \\|// |// \\ I IV |// | \\ VI \ // \\|// | TR2 North \\ // / Root \\|// \\|/ IVa \\|// II \\| / // \\|/ III I |// \\| \\ III VII Roots // XI \\|/ \|// XI XII / \ V IX VIII VIII VIII \\|// TU1 North \\|// IV \ \\|// \|// \\|// X V | \\|// XIII \\|/ \\|// \\ // VI III / \\|// \\|// \\|// \\|/ | \\|// VII / \\|// \\ // VIII I XIV IX III XI XII XV IV XVa II X IV Roots XVI III II VI VI V University of Kentucky Program for Archaeological Research Department of Anthropology Technical Report No. 480 May 2003 DIGGING INTO A DUGOUT HOUSE (SITE 21SW17): THE ARCHAEOLOGY OF NORWEGIAN IMMIGRANT ANNA BYBERG CHRISTOPHERSON GOULSON, SWENODA TOWNSHIP, SWIFT COUNTY, MINNESOTA Author: Donald W. Linebaugh, Ph.D., R.P.A. With Contributions by: Hilton Goulson, Ph.D. Tanya M. Peres, Ph.D., R.P.A. Renee M. Bonzani, Ph.D. Report Prepared by: Program for Archaeological Research Department of Anthropology University of Kentucky 1020A Export Street Lexington, Kentucky 40506-9854 Phone: (859) 257-1944 Fax: (859) 323-1968 www.uky.edu/as/anthropology/PAR Technical Report No. 480 ________________________________________ Donald W. Linebaugh, Ph.D., R.P.A. Principal Investigator May 15, 2003 i ABSTRACT This report presents the results of excavations on the dugout house site (21SW17) of Anna Byberg Christopherson Goulson in west-central Minnesota. The work was completed by Dr. Donald W. Linebaugh of the University of Kentucky and a group of family volunteers between June 6 and 12, 2002. Anna and Lars Christopherson reportedly moved into their dugout house ca. 1868. Lars and two of the five Christopherson children died of scarlet fever ca. -
The Landscape of Ukrainian Settlement in the Canadian West
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 1982 The Landscape Of Ukrainian Settlement In The Canadian West John C. Lehr University of Winnipeg Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Lehr, John C., "The Landscape Of Ukrainian Settlement In The Canadian West" (1982). Great Plains Quarterly. 1655. https://digitalcommons.unl.edu/greatplainsquarterly/1655 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE LANDSCAPE OF UKRAINIAN SETTLEMENT IN THE CANADIAN WEST JOHN C. LEHR To journey through parts of the western in belt where wood, water, and meadowland were terior of Canada at the turn of the century was available in abundance. Their uniformity in to experience the cultural landscapes of the appraising the resources of the land and their peasant heartland of Europe. Nowhere was this strong desire to settle close to compatriots, more true than on the northerly fringes of the friends, and kinfolk led to the formation of a parkland belt and across the. southern reaches series of large ethnically homogenous block of the boreal forest pioneered by Ukrainian settlements that eventually spanned the West immigrants from the Austrian provinces of from southeastern Manitoba to central Alberta Galicia and Bukovyna. (Fig. 1).2 Between 1892, when the fIrst small group of seven Ukrainian families settled in Alberta, THE ESTABLISHED FRAMEWORK and 1914, when the outbreak of war in Europe FOR SETTLEMENT terminated immigration from Austria-Hungary, more than 120,000 Ukrainians settled in Since the great majority of Ukrainian immi Canada. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Tri Kappa, 2004-2005
Sue Smith Vacations and Vacation Valet would like to introduce you to our sister company... JAZ.Z CLUB AT SEA Your JOIN US ON OUR JAZZ CRUISE to ALASKA! Mufn.1's Staff Phone: 501-562-3131 Founder l'oi'ORWlGIAi'o! CIWIS.f H "'' [ Mr. Ike Murry ~ September 18-25,2005 ABOARD Ike Murry McEntire .................................. .... President-Producer Norwegian Cruise Line's m/s Norwegian Sun• Law anna Machycek. .......................................... Office Manager Sail round -trip from Vancouver~ BC to Ketchikan, Juneau, Skagway & Kathie Osbome ... .................. ..................................... Group Sales Wrangell, Alaska Carol Carey......... ... ......... .................... .. ............ Night Manager Our Private Party indudcs multiple pcrfonnances by the following: Glen J. Gilbert .. .......... ... ......... .. ...................... ... Artistic Director The Heath Brothers-Jimmy, Percy, Tootie Heath & Jeb Patton, Cryus Dot Callanen .... ....... ... .... .. .. ......................... Staff Choreographer Chestnut Trio, Deborah Brown, Renee Rosoes & the Canadian AU- tars, Denzil Roland ..................................... ................................ Chef Barry ADen, Buddy DeFranco Oaudio Rodit~ Larry Novak, Bob Havens Patricia Roland ..................................... ........... Buffet Supervisor & the Windy City Six Ed Thigpen, Dick Hyman Winard Harper Quintet, Frank D'Rone, Judy Roberts, Willie Pickens, Marlene Rosenberg, Two for Dr. Dan Dillard. ,. .................................... House P.hysician Brazil-Greg