Gordon Lightfoot Spring 2010 Tour Schedule
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12. What We Talk About When We Talk About Indian
12. What we talk about when we talk about Indian Yvette Nolan here are many Shakespearean plays I could see in a native setting, from A Midsummer Night’s Dream to Coriolanus, but Julius Caesar isn’t one of them’, wrote Richard Ouzounian in the Toronto Star ‘Tin 2008. He was reviewing Native Earth Performing Arts’ adaptation of Julius Caesar, entitled Death of a Chief, staged at Buddies in Bad Times Theatre, Toronto. Ouzounian’s pronouncement raises a number of questions about how Indigenous creators are mediated, and by whom, and how the arbiter shapes the idea of Indigenous.1 On the one hand, white people seem to desire a Native Shakespeare; on the other, they appear to have a notion already of what constitutes an authentic Native Shakespeare. From 2003 to 2011, I served as the artistic director of Native Earth Performing Arts, Canada’s oldest professional Aboriginal theatre company. During my tenure there, we premiered nine new plays and a trilingual opera, produced six extant scripts (four of which we toured regionally, nationally or internationally), copresented an interdisciplinary piece by an Inuit/Québecois company, and created half a dozen short, made-to-order works, community- commissioned pieces to address specific events or issues. One of the new plays was actually an old one, the aforementioned Death of a Chief, which we coproduced in 2008 with Canada’s National Arts Centre (NAC). Death, an adaptation of Shakespeare’s Julius Caesar, took three years to develop. Shortly after I started at Native Earth, Aboriginal artists approached me about not being considered for roles in Shakespeare (unless producers were doing Midsummer Night’s Dream, because apparently fairies can be Aboriginal, or Coriolanus, because its hero struggles to adapt to a consensus-based community). -
Urban and Historic Context
Architectural Rejuvenation Project URBAN AND HISTORIC CONTEXT Barry Padolsky Associates Inc., Architects, Urban Design and Heritage Consultants February 13, 2015 Aerial view of National Arts Centre (2010) TABLE OF CONTENTS Introduction..................................................................................................................................2 Urban and Historic Context........................................................................................................2 . The Holt/Bennett Plan ................................................................................................................4 The Gréber Plan .........................................................................................................................6 The Parkin Plan ...........................................................................................................................8 Architecture and National Identity: the Centennial Projects .......................................................9 NAC: The Architectural Challenge ............................................................................................10 The Architectural Response .....................................................................................................13 Architectural Style: Polite “Brutalism” ......................................................................................16 Re-inventing “Brutalism”..........................................................................................................17 NCC Canada’s -
Hill Times, Health Policy Review, 17NOV2014
TWENTY-FIFTH YEAR, NO. 1260 CANADA’S POLITICS AND GOVERNMENT NEWSWEEKLY MONDAY, NOVEMBER 17, 2014 $4.00 HEARD ON THE HILL BUZZ NEWS HARASSMENT Artist paints Queen, other prominent MPs like ‘kings, queens in their people, wants a national portrait gallery little domains,’ contribute to ‘culture of silence’: Clancy BY LAURA RYCKEWAERT “The combination of power and testosterone often leads, unfortu- n arm’s-length process needs nately, to poor judgment, especially Ato be established to deal in a system where there has been with allegations of misconduct no real process to date,” said Nancy or harassment—sexual and Peckford, executive director of otherwise—on Parliament Hill, Equal Voice Canada, a multi-par- say experts, as the culture on tisan organization focused on the Hill is more conducive to getting more women elected. inappropriate behaviour than the average workplace. Continued on page 14 NEWS HARASSMENT Campbell, Proctor call on two unnamed NDP harassment victims to speak up publicly BY ABBAS RANA Liberal Senator and a former A NDP MP say the two un- identifi ed NDP MPs who have You don’t say: Queen Elizabeth, oil on canvas, by artist Lorena Ziraldo. Ms. Ziraldo said she got fed up that Ottawa doesn’t have accused two now-suspended a national portrait gallery, so started her own, kind of, or at least until Nov. 22. Read HOH p. 2. Photograph courtesy of Lorena Ziraldo Liberal MPs of “serious person- al misconduct” should identify themselves publicly and share their experiences with Canadians, NEWS LEGISLATION arguing that it is not only a ques- tion of fairness, but would also be returns on Monday, as the race helpful to address the issue in a Feds to push ahead on begins to move bills through the transparent fashion. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
Gordon Lightfoot Gord's Gold Mp3, Flac, Wma
Gordon Lightfoot Gord's Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Gord's Gold Country: Europe Style: Folk Rock MP3 version RAR size: 1722 mb FLAC version RAR size: 1774 mb WMA version RAR size: 1314 mb Rating: 4.4 Votes: 795 Other Formats: DXD MIDI AHX MP4 MPC AUD TTA Tracklist 1 I'm Not Sayin' / Ribbon Of Darkness 3:00 2 Song For A Winter's Night 2:58 3 Canadian Railroad Trilogy 7:02 4 Softly 2:36 5 For Lovin' Me / Did She Mention My Name 3:27 6 Steel Rail Blues 2:45 7 Wherefore And Why 2:42 8 Bitter Green 2:42 9 Early Morning Rain 3:14 10 Minstrel Of The Dawn 3:23 11 Sundown 3:32 12 Beautiful 3:20 13 Summer Side Of Life 4:02 14 Rainy Day People 2:46 15 Cotton Jenny 3:22 16 Don Quixote 3:38 17 Circle Of Steel 2:44 18 Old Dan's Records 3:02 19 If You Could Read My Mind 3:48 20 Cold On The Shoulder 2:59 21 Carefree Highway 3:41 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Credits Engineer [Assistant] – Kenny Friesen* Engineer, Mixed By – Lee Herschberg Producer – Joe Wissert (tracks: 10, 13, 15, 19), Lenny Waronker (tracks: 1 to 12, 14, 16 to 21) Barcode and Other Identifiers Barcode: 0075992722520 Other versions Category Artist Title (Format) Label Category Country Year Gordon Gord's Gold (2xLP, Reprise 2RS 2237 2RS 2237 Canada 1975 Lightfoot Comp, Club) Records Gordon Gord's Gold (2xLP, FRM-2237 Friday Music FRM-2237 US 2014 Lightfoot Comp) Gordon Gord's Gold (Cass, Reprise J5 2237 J5 2237 US Unknown Lightfoot Comp, Club) -
Aboriginal Arts Research Initiative
ABORIGINAL ARTS RESEARCH INITIATIVE REPORT ON CONSULTATIONS Presented to Claire McCaughey, Research Manager, Strategic Initiatives Division Canada Council for the Arts Prepared by France Trépanier June 2008 For more information or additional copies of this document, please contact: Research Office 350 Albert Street. P.O. Box 1047 Ottawa ON Canada K1P 5V8 (613) 566-4414 / (800) 263-5588 ext. 4526 [email protected] Fax (613) 566-4428 www.canadacouncil.ca Or download a copy at: http://www.canadacouncil.ca/publications_e Publication aussi offerte en français TABLE OF CONTENTS 1. Introduction ................................................................................... 3 2. Methodology.................................................................................. 5 3. Objectives...................................................................................... 6 4. Context........................................................................................... 8 4.1 History..................................................................................... 8 4.2 Current Context....................................................................... 9 5. Values .......................................................................................... 12 6. Themes......................................................................................... 14 6.1 Definition of Aboriginal Art and Artist..................................... 14 6.2 Traditional and Contemporary Art ........................................ 17 6.3 -
'The Legend' Lives On
Herald Palladium - 10/06/2016 Copy Reduced to 76% from original to fit letter page Page : D06 6 THURSDAY, October 6, 2016 • The Herald-Palladium ‘THE LEGEND’ LIVES ON Gordon By JEREMY D. BONFIGLIO Sight & Sound Editor IF YOU GO BENTON HARBOR — No one Who: Gordon Lightfoot was more surprised to discover “The When: 8 p.m. Sunday Wreck of the Edmund Fitzgerald” had become a popular hit than Where: Lake Michigan College singer-songwriter Gordon Lightfoot. Mendel Center Mainstage Theatre, The song to commemorate the 2755 E. Napier Ave., Benton Harbor sinking of the bulk carrier SS How much: $42-$66 Edmund Fitzgerald on Lake Superior Contact: 927-1221 or on Nov. 10, 1975, appeared on themendelcenter.com Lightfoot’s June 1976 album, “Sum- mertime Dream,” but it wasn’t until Artist info: gordonlightfoot.com August of that year that his Reprise label decided to release it as a single. panion to the Order of Canada, and “At a promotion stop in Detroit the has even appeared on a postage record company thought it should be stamp. put out,” Lightfoot says by phone Still, it’s “The Wreck of the from Toronto. “I knew nothing about Edmund Fitzgerald” that has seemed this because I was up in northern to cement his name in popular Canada on a canoe expedition. When culture, a fact that isn’t lost on I came back, suddenly it was climbing Lightfoot. up the charts.” “Most people don’t know that I In the U.S., the ballad reached No. have written two songs about ship- 1 in Cashbox, and No. -
Work. Learn. Play
clariti group June 2019 work. learn. play. Summer is a short season, even shorter considering we’ve had to wait SO long for the good weather to arrive this Important Dates year. Make it count. Use this latest edition of work. learn. play. Jun 24: Saint-Jean-Baptiste as a starting point for planning grand adventures over the next few months. Jul 1: Canada Day Work-wise, summer can be a great time to team-build through fun group workshops, as well as a time to slow Aug 5: Civic Holiday down and self-reflect through individual coaching. Let us know if we can be of support! September 2: Labour Day Wishing you a fabulous, sunny season! Tara & Kevin Founding Partners, Clariti Group play Nokia Sunday Bikedays – Sundays until September 1st. ncc-ccn.gc.ca/places/sunday-bikedays Carivibe Ottawa Caribbean Festival – June 14th to 16th, multiple th Truck & Tractor Pull – June 15 , 3629 Carp Road. venues. carivibe.com carpfair.ca/event/truck-tractor-pull-2019 Summer Solstice Indigenous Festival – June 20th to 23rd, Vincent Richmond Family Fun Day – June 15th, Richmond Massey Park. ottawasummersolstice.ca Fairgrounds. richmondvillage.ca/event/richmond- th th family-fun-day 29 Annual Lebanese Festival – July 17 to 21st, St. Elias Antiochian Orthodox Cathedral. ottawalebanesefestival.com RCMP Musical Ride Sunset Ceremonies – June 27th- Capital Ukranian Festival – July 19th to 21st, 952 Green Valley 30th. rcmp-f.net/news/sunset_ceremonies Crescent. capitalukrainianfestival.com th Nature Nocturne: SuperFly – June 28 , Canadian Ottawa Asian Fest Night Market – July 26th to 28th, Chinatown Museum of Nature. nature.ca/nocturne Royal Gateway. -
Homegrown Gordon Lightfoot Tribute Set to Close Concerts Season
This page was exported from - The Auroran Export date: Sat Oct 2 1:16:26 2021 / +0000 GMT Homegrown Gordon Lightfoot tribute set to close Concerts season It has been a Concerts in the Park season unlike any other, but the popular Wednesday night summer series is set to close next week with further homegrown talent. On Wednesday, September 2, the curtain will come down on Aurora's 2020 summer concert series with Classic Lightfoot Live, Aurora resident John Stinson's tribute to the Canadian icon. Pre-registration for the 100 free tickets available for the season finale concert will begin Friday, August 28, at aurora.ca/eplay. Classic Lightfoot Live is set to bring to life such standards from the Canadian music songbook as If You Could Read My Mind, Canadian Railroad Trilogy, Wreck of the Edmund Fitzgerald, Early Morning Rain, and more. Speaking to The Auroran before he performed at a 2018 fundraiser for CHATS (Community & Home Assistance to Seniors), Mr. Stinson said he first fell in love with Gordon Lightfoot's music as a teen while learning to play the guitar. He tried to copy what he thought were Lightfoot's simple sounds, but, after discovering they were more complex than he imagined, the seeds of a passion were firmly planted. ?I loved his lyrics and unique melodies,? he said. ?You'd buy his latest album, listen, and read through the lyrics as the new songs came across your 2-bit record player. During college parties I would play more than drink, and was always asked to play Canadian Railroad Trilogy. -
National Arts Centre, Ottawa, Ontario
REPORT | RAPPORT NATIONAL ARTS CENTRE, OTTAWA, ONTARIO RHona Goodspeed has been an architectural >RHONA GOODSPEED historian with Parks Canada since 1990. During that time she has worked on a range of subjects, including military complexes, historic districts, cultural landscapes, ecclesiastical buildings, houses, and other building types. DESIGNATION The National Arts Centre (NAC) was desig- nated a national historic site of Canada in 2005. The reasons for its designation are the following. It is an outstanding example of a performing arts centre in Canada for its overall design, its highly successful integration into its urban set- ting, its succession of interior spaces to create dramatic effect, its unique com- bination of performing spaces and the progressive designs of each one, and its integration of contemporary works of art as part of its design. It is an outstand- ing example of a building illustrating the positive consequences of Canadian federal policy on the performing arts during the second half of the twenti- eth century, considered, in the words of Prime Minister Lester B. Pearson, as a “national institution.” It is an example of state-of-the-art performing spaces and technology at the time of construction, in particular for the aesthetic and tech- nical design of Southam Hall, which is an exceptional example of a medium-sized multipurpose auditorium representing an inspired collaboration between architect and acoustician. INTRODUCTION The National Arts Centre (NAC) is located on the east side of Confederation Square in the centre of downtown Ottawa (figs. 1-3). It occupies an irregular site on a steep slope descending from Elgin Street, a major artery on the west, to the Rideau Canal on the east. -
Your Pretty Face Is Going to Hell the Dangerous Glitter of David Bowie, Iggy Pop,And Lou Reed
PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page iii YOUR PRETTY FACE IS GOING TO HELL THE DANGEROUS GLITTER OF DAVID BOWIE, IGGY POP,AND LOU REED Dave Thompson An Imprint of Hal Leonard Corporation New York PF00fr(i-viii;vibl) 9/16/09 3:34 PM Page iv Frontispiece: David Bowie, Iggy Pop, and Lou Reed (with MainMan boss Tony Defries laughing in the background) at the Dorchester Hotel, 1972. Copyright © 2009 by Dave Thompson All rights reserved. No part of this book may be reproduced in any form, with- out written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Backbeat Books An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by David Ursone Typography by UB Communications Library of Congress Cataloging-in-Publication Data Thompson, Dave, 1960 Jan. 3- Your pretty face is going to hell : the dangerous glitter of David Bowie, Iggy Pop, and Lou Reed / Dave Thompson. — 1st paperback ed. p. cm. Includes bibliographical references and discography. ISBN 978-0-87930-985-5 (alk. paper) 1. Bowie, David. 2. Pop, Iggy, 1947-3. Reed, Lou. 4. Rock musicians— England—Biography. 5. Punk rock musicians—United States—Biography. I. Title. ML400.T47 2009 782.42166092'2—dc22 2009036966 www.backbeatbooks.com PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vi PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vii CONTENTS Prologue . -
The Honourable Pablo Rodriguez Minister of Canadian Heritage and Multiculturalism House of Commons Ottawa, Ontario Canada K1A 0A6
The Honourable Pablo Rodriguez Minister of Canadian Heritage and Multiculturalism House of Commons Ottawa, Ontario Canada K1A 0A6 April 12, 2019 Dear Minister Rodriguez, We learned last week, through various reports in the media and from the National Arts Centre’s Artistic Director of Indigenous Theatre, Kevin Loring, that funding was not increased by Canadian Heritage towards National Arts Centre programming. It is our understanding that this funding increase was to be allocated for Indigenous Theatre. We appreciate the challenges that occur within the budgetary process, especially for those organizations who receive direct operational funding as a crown corporation. However, on behalf of the staff and Board of Directors of the Professional Association of Canadian Theatres (PACT) I request that you to continue to build support for the funding of Indigenous theatre programming in Canada. We celebrated the creation of this necessary and important company at our National Arts Centre and have followed their journey in preparing for their first season. We listened, rapt, as Mr. Loring addressed our membership as keynote at PACT’s annual gathering in 2018, as he told us that “the future of Canadian theatre is Indigenous.” We are ready to live these stories and are waiting for the wave of artistry to ripple throughout Canada’s theatre community. Our nation, our communities, and audiences need to hear and experience these stories. Supporting and sharing these stories is a step towards reconciliation; an acknowledgement of Indigenous reality; and an uncovering of our real history. Indigenous artists are a vital part of Canada’s artistic milieu and their voices need to be nurtured and supported in order to be heard.