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McKinley Morganfield A.K.A. Muddy Waters mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A.K.A. Muddy Waters Country: Germany Style: Electric Blues, Chicago Blues MP3 version RAR size: 1513 mb FLAC version RAR size: 1727 mb WMA version RAR size: 1805 mb Rating: 4.8 Votes: 168 Other Formats: VOC VOX DXD MP2 MP1 DTS APE Tracklist A1 Louisiana Blues 2:52 A2 I'm Ready 3:02 A3 Honey Bee 3:20 A4 I Just Want To Make Love To You 2:50 A5 Kind-Hearted Woman 2:35 A6 She Moves Me 2:55 B1 (I'm Your) Hoochie Coochie Man 2:49 B2 Long Distance Call 2:39 B3 She's All Right 2:28 B4 Rollin' Stone 3:05 B5 Standing Around Crying 3:19 B6 Too Young To Know 3:12 C1 Walking Thru The Park 2:39 C2 Still A Fool 3:12 C3 You Can't Lose What You Ain't Never Had 2:55 C4 I Can't Be Satisfied 2:41 C5 I Want You To Love Me 3:01 C6 Rolling And Tumbling 2:57 D1 Just To Be With You 3:12 D2 You're Gonna Need My Help 3:05 D3 Same Thing 2:40 D4 My Life Is Ruined 3:12 D5 Baby, Please Don't Go 3:01 D6 Got My Mojo Working (Part I) 4:30 Other versions Category Artist Title (Format) Label Category Country Year McKinley A.K.A. Muddy Waters 2CH-60006 Chess 2CH-60006 US 1971 Morganfield (2xLP, Comp, Mono) McKinley A.K.A. Muddy Waters CH-60006/2 Chess CH-60006/2 Canada 1982 Morganfield (2xLP, Album, Comp, Mono) McKinley Morganfield A.K.A. Muddy Waters - McKinley McKinley Morganfield 2CH-60006 Morganfield A.K.A. Chess 2CH-60006 US Unknown A.K.A. Muddy Waters Muddy Waters (2xLP, Album, Comp, Mono, Gat) McKinley A.K.A. Muddy Waters 2CH-60006 Chess 2CH-60006 US Unknown Morganfield (2xLP, Comp, Mono, RP) McKinley A.K.A. Muddy Waters 9033-60006 Chess 9033-60006 Canada 1971 Morganfield (2xLP, Album, Comp, Mono) Related Music albums to A.K.A. Muddy Waters by McKinley Morganfield Muddy Waters - Chicago Blues Muddy Waters - The Chess Singles Collection (The A-Sides) Muddy Waters - Muddy Waters Paris, 1972 Muddy Waters, The Rolling Stones - Checkerboard Lounge - Live Chicago 1981 Muddy Waters - Hoochie Coochie Man Muddy Waters - The Voice & The Guitar Of McKinley Morganfield 1947-1954 Muddy Waters & Otis Spann - Collaboration Various - Gob-Iron: The Blues Harmonica Anthology Ray Charles & Robert Johnson & Muddy Waters - Preaching The Blues Muddy Waters - The Best Of Muddy Waters.

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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
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Who Reveled in the Blues-Rock of Such Groups As the Stones and Cream Were Often Unaware of the Man Responsible for the Songs and Th E Sound
Rock audiences who reveled in the blues-rock of such groups as the Stones and Cream were often unaware of the man responsible for the songs and th e sound. The Poet Laureate of the Blues, he championed the blues and took the first live blues music to Europe. here never was anybody quite like musicians listened to the Chess recordings, adapted the Willie Dixon. The first thing you saw songs to their own high-powered sensibilities, and so when you met him was that huge grin began the blues revival. atop the larger-than-life body; his enor A short list of Willie Dixon’s compositions, and a few mous personal warmth, combined with of the artists who covered them, demonstrates the depth Tan inexhaustible fund of street-smart music business wis and breadth of his musical influence. As a rule the chain dom and a tireless devotion to promoting awareness of the of discovery was: first the song would be recorded by an blues, won him friends and admirers everywhere he went. American blues artist; then, perhaps, an English rock Born in 1915 in Vicksburg, Mississippi, his early ca group would cover that, and then other American blues or reer included a stint with a gospel group; he was already pop artists, hearing the English cover version, would jump writing songs by age sixteen, and would continue to do so behind it T’m Your Hoochie Coochie Man” was written in until at the end of his life he had over 500 compositions 1953 for Muddy Waters, whose version remains the to his credit.
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Chapter 4 Creolized Dance Music Text: Robin Moore Instructor’S Manual: Sarah J
Chapter 4 Creolized Dance Music Text: Robin Moore Instructor’s Manual: Sarah J. Bartolome All activities are keyed as follows: AA = All ages E = Elementary (particularly grades 3–6) S = Secondary (middle school and high school, grades 7–12) C/U = College and university Chapter 4 Vocabulary merengue, merengue típico, güira, marímbula, tambora, paseo, cuerpo, jaleo, apambichao, son, verso, canto, montuno, tres, tresero, martillo, bongsero, timbales, socialism, Cold War, plena, panderetas, panderos, seguidor, segunda, requinto, soneos, salsa, salsa dura, cáscara, salsa romántica, salsa monga, timba Exploring Traditional and Commercial Merengue (AA) Compare a traditional merengue with a commercially recorded merengue. 1. Watch the video of La India Canela performing merengue típico, available at http://www.folkways.si.edu/explore_folkways/video_caribbean.aspx. 2. Have students identify the instruments they see and hear. 3. Have students also watch the video of Johnny Ventura performing “Merenguero Hasta la Tambora,” available on YouTube at http://www.youtube.com/watch?v=7XzINu2ee4A. 4. Compare the two merengues. Draw students’ attention to differences in instrumentation and the commercialization of the latter performance. Exploring Merengue through Dance (AA) Learn the simple merengue dance movement. 1. Search on YouTube for an instructive video if you are not familiar with the basic step-together movement associated with merengue. One such video is available at http://www.youtube.com/watch?v=on4V1KN_Iuw. 2. Either teach the students yourself or learn with them as you watch the video. 3. Dance along to a recording of merengue, either in lines or in pairs as students are comfortable. Exploring Merengue: Form (A) 1.
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"I AM a 1968 Memphis Sanitation MAN!": Race, Masculinity, and The
LaborHistory, Vol. 41, No. 2, 2000 ªIAMA MAN!º: Race,Masculinity, and the 1968 MemphisSanitation Strike STEVEESTES* On March 28, 1968 Martin LutherKing, Jr. directeda march ofthousands of African-American protestersdown Beale Street,one of the major commercial thoroughfares in Memphis,Tennessee. King’ splane had landedlate that morning, and thecrowd was already onthe verge ofcon¯ ict with thepolice whenhe and other members ofthe Southern Christian LeadershipConference (SCLC) took their places at thehead of the march. The marchers weredemonstrating their supportfor 1300 striking sanitation workers,many ofwhom wore placards that proclaimed, ªIAm a Man.ºAs the throng advanceddown Beale Street,some of the younger strike support- ersripped theprotest signs off the the wooden sticks that they carried. Theseyoung men,none of whomwere sanitation workers,used the sticks to smash glass storefronts onboth sidesof the street. Looting ledto violent police retaliation. Troopers lobbed tear gas into groups ofprotesters and sprayed mace at demonstratorsunlucky enough tobe in range. High above thefray in City Hall, Mayor HenryLoeb sat in his of®ce, con®dent that thestrike wasillegal, andthat law andorder wouldbe maintained in Memphis.1 This march wasthe latest engagement in a®ght that had raged in Memphissince the daysof slaveryÐ acon¯ict over African-American freedomsand civil rights. In one sense,the ª IAm aManºslogan wornby thesanitation workersrepresented a demand for recognition oftheir dignity andhumanity. This demandcaught whiteMemphians bysurprise,because they had always prided themselvesas being ªprogressiveºon racial issues.Token integration had quietly replaced public segregation in Memphisby the mid-1960s, butin the1967 mayoral elections,segregationist candidateHenry Loeb rodea waveof white backlash against racial ªmoderationºinto of®ce.
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Muddy Waters Electric Muddy Mp3, Flac, Wma
Muddy Waters Electric Muddy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Electric Muddy Country: Netherlands Style: Electric Blues, Chicago Blues MP3 version RAR size: 1197 mb FLAC version RAR size: 1629 mb WMA version RAR size: 1661 mb Rating: 4.5 Votes: 883 Other Formats: ASF MP4 VOC AC3 XM MP2 MOD Tracklist Hide Credits I Just Want To Make Love To You A1 4:14 Written-By – W. Dixon* I'm Your Hoochie Coochie Man A2 4:41 Written-By – W. Dixon* Let's Spend The Night Together A3 3:07 Written-By – M. Jagger/K. Richards* She's All Right A4 6:44 Written-By – McKinley Morganfield I'm A Man (Manish Boy) B1 3:21 Written-By – McKinley Morganfield Herbert Harper's Free Press B2 4:32 Written-By – Thurston*, Barnes* Tom Cat B3 3:37 Written By – C. Williams Same Thing B4 5:37 Written-By – W. Dixon* Credits Design [Cover] – Studio Richard Gerritse Notes Printed in the Netherlands Barcode and Other Identifiers Rights Society: STEMRA Other versions Category Artist Title (Format) Label Category Country Year Cadet LPS 314, Muddy Electric Mud (LP, Concept, LPS 314, US 1968 LPS-314 Waters Album, Gat) Cadet LPS-314 Concept Cadet Muddy Electric Mud (LP, LPS 314, CC 314 Concept, LPS 314, CC 314 US 1978 Waters Album, RE) Cadet Muddy Electric Mud (CD, CHD-9364 Chess CHD-9364 US 1996 Waters Album, RE) Muddy Electric Mud (CD, *CHD-9364 Chess *CHD-9364 US 1996 Waters Album, RE) CRLS 4542, Muddy Electric Mud (LP, CRLS 4542, Chess, Chess UK 1968 CRLS.4542 Waters Album) CRLS.4542 Related Music albums to Electric Muddy by Muddy Waters Muddy Waters - Screamin' And Cryin' The Blues McKinley Morganfield - A.K.A.
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Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.
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“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets.
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Winter 2021 U.S. Department of the Interior Pmb
JourneysWINTER 2021 U.S. DEPARTMENT OF THE INTERIOR PMB Administrative Services AVSO BAD CADR IBC OFAS OHA Our Vision: To Deliver Outstanding Products and Customer Service While Actively Creating and Sustaining a Respectful Focus Message from the Deputy Assistant Secretary February 2021 Dear Administrative Services Team, I’m delighted to present to you our Winter issue of Journeys. As we move to a quarterly publication schedule, our hope is that Journeys remains an enjoyable and informative oasis, an opportunity to take a few moments to connect with your colleagues in the Department. Here are just a few highlights: • Julie Lucero celebrates DOI’s impressive contributions to the Combined Federal Campaign (page 4) • Justin Wade explains how supply chain security risks can be mitigated (page 6) • In a continuing series focusing on our trust responsibilities to Tribal Nations,Teresa Stella features extraordinary photos from some of our favorite challenges us to consider how we can strengthen our photographers: Daniel J. Boits, Jr., Doug Sanchez, nation-to-nation relationships (pages 7 and 8) Patrick Rodden, Evan Wexler and Kaiulani Rees, whose photos of foxes in the Alaskan wilderness are sure to • Tonianne Baca-Green guides us in finding balance delight. Enjoy! using mindfulness techniques (page 9) The Journeys team welcomes and values your • Shaun House experiments with a gratitude journal suggestions - please don’t hesitate to reach out (page 10) anytime. We look forward to hearing from you. • Gary Bremen shares a story about connecting to As always, stay safe and be well. memories through National Parks (pages 11 and 12) Respectfully, • Abby True reveals how running is her “True North” (page 13) Jacqueline M.
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The Story of Blues Legend Muddy Waters
Children's Book and Media Review Volume 39 | Issue 5 Article 51 2018 Muddy: The tS ory of Blues Legend Muddy Waters Rachel Wadham Follow this and additional works at: https://scholarsarchive.byu.edu/cbmr BYU ScholarsArchive Citation Wadham, Rachel (2018) "Muddy: The tS ory of Blues Legend Muddy Waters," Children's Book and Media Review: Vol. 39 : Iss. 5 , Article 51. Available at: https://scholarsarchive.byu.edu/cbmr/vol39/iss5/51 This Book Review is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Children's Book and Media Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Wadham: Muddy: The Story of Blues Legend Muddy Waters Book Review Muddy: The Story of Blues Legend Muddy Waters Muddy Waters was a tenacious young man who really didn’t like to take no for an answer. Growing up, he made instruments out of any- thing and listened to the legends around him like Son House play. Working in the fields by day and playing in music joints at night soon became unsatisfactory for Muddy, who packed up and moved to the big city of Chicago where music was pushing boundaries. Muddy Author played in lots of clubs and even tried to make a few records, but it was Michael James Mahin not until he captured his own unique signature sound that he was Illustrator able to make a record, sold out in twenty-four hours. Through hard work and determination, Muddy helped invent a style called Chicago Evan Turk Blues—the music that inspired generations to come.
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Muddy Waters the Best of Muddy Waters Mp3, Flac, Wma
Muddy Waters The Best Of Muddy Waters mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: The Best Of Muddy Waters Country: US Released: 1957 MP3 version RAR size: 1929 mb FLAC version RAR size: 1825 mb WMA version RAR size: 1128 mb Rating: 4.2 Votes: 180 Other Formats: AHX FLAC TTA VOX WMA ADX AA Tracklist Hide Credits I Just Want To Make Love To You 1 Bass – Willie DixonDrums – Fred BelowGuitar – Jimmy RogersHarmonica – Little 2:49 WalterOther [Recorded] – April 13, 1954Piano – Otis SpannWritten-By – Willie Dixon Long Distance Call 2 Bass – Ernest "Big" CrawfordHarmonica – Little WalterOther [Recorded] – January 23, 2:38 1951 Louisiana Blues 3 Bass – Ernest "Big" CrawfordHarmonica – Little WalterOther [Recorded] – October 23, 2:49 1950Washboard – Elgin Evans Honey Bee 4 3:20 Bass – Ernest "Big" CrawfordGuitar – Jimmy RogersOther [Recorded] – January 23, 1951 Rollin' Stone 5 3:05 Other [Recorded] – February, 1950 I'm Ready 6 Bass – Willie DixonDrums – Fred BelowGuitar – Jimmy RogersHarmonica – Little 3:01 WalterOther [Recorded] – September 1, 1954Piano – Otis SpannWritten-By – Willie Dixon Hoochie Coochie 7 Bass – Willie DixonDrums – Fred BelowGuitar – Jimmy RogersHarmonica – Little 2:49 WalterOther [Recorded] – January 7, 1954Piano – Otis Spann She Moves Me 8 2:54 Drums [Bass] – Leonard ChessHarmonica – Little WalterOther [Recorded] – July 11, 1951 I Want You To Love Me 9 Bass – Ernest "Big" CrawfordDrums – Elgin EvansGuitar – Jimmy RogersHarmonica – 3:01 Walter "Shakey" Horton*Other [Recorded] – September 24, 1953Piano – Otis
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TEG 74001 MUDDY WATERS Unk in Funk CD
MUDDY WATERS “UNK” IN FUNK 1. Rollin’ And Tumblin’ 2. Just To Be With You 3. Electric Man 4. Trouble No More 5. “Unk” In Funk 6. Drive My Blues Away 7. Katie 8. Waterboy Waterboy 9. Everything Gonna Be Alright "Unk" In Funk, Muddy Waters' 1974 release, saw the Chicago bluesman further building on the electric blues of albums like Electric Mud (1968) and After The Rain (1969). It would be one of the last collections of original material that Waters would record with Chess Records, after a nearly 30-year association with the label. The record included a core line up of famed blues players who would remain Waters' backing band for the duration of his career, featuring Pinetop Perkins on piano, (Earl Hooker) Luther Johnson (The Nighthawks) and Bob Margolin on guitar, Calvin "Fuzz" Jones on bass, (The Legendary Blues Band) and Willie "Big Eyes" Smith on drums, (Bo Diddley, John Lee Hooker) with additional guest appearances by George Buford, Paul Oscher (Louisiana Red), and Carey Bell (Willie Dixon) on harmonica. Even at the age of 61, Waters sounds at the top of his game on "Unk" In Funk. His booming, powerful blues vocals dominate the album's fuzzy, electric orchestration. Overhauled versions of Waters classics like "Rollin' and Tumblin'" and "Just To Be With You" sound fresh as ever, and newer tracks like "Katie" and "Waterboy, Waterboy" are classic and organic additions to Waters' discography. Overlooked and underrated in its time, "Unk" In Funk is a pinnacle album from Waters' catalog. Format: CD Cat. No: TEG74001-CD Label: Traffic Entertainment Group Available: AUGUST 13th, 2013 CHESS CD.
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The Muddy Waters Blues Band
. I No. 69 he Museum of Modern Art FOR RELEASE: Friday, July 2, I965 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Tbe Muddy Waters Blues Band will give the fourth Jazz in the Garden concert at The Museum of Modern Art, 11 West 53 Street, on Thursday, July 8, at 8:30 p#m. Muddy, guitarist and vocalist, will be joined by James Cotton on harmonica, Little Bo, tenor sax, James "Pee Wee" Madison, guitar, Otis Sparm, piano and vocals, Milton Ricks, bass, and P.J., drums. Jazz in the Garden, a series of ten Thursday evening promenade concerts, is sponsored jointly by the Museum and Down Beat magazine. Muddy*s brand of urban blues music is a direct link with the past - from the country folk style of the ante-bellum South to the rhythm-and-blues that is the essential component of the mainstream of jazz as well as much current popular music. The regular Museum admission, $1.00, admits visitors to galleries, open Thursdays until 10 p,m. Tickets for Jazz in the Garden are an additional 50 cents. Sandwiches and soft drinks are available to concert-goers only in the Garden Restaurant. Dinner is served to the public in the Penthouse Restaurant from 6 to 8. In case of rain, the concert will be canceled; tickets will be honored at the concert following. Muddy Waters, born McKinley Morganfield in Rolling Fork, Miss., lived as a young man in Clarksdale, Miss. His father taught him to play the guitar. Working in the field and singing on weekends, he was discovered in 19*1-1 by folklorist Allan Umax, who was making his first recording for the Library of Congress.
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