PYO: 04.13.14 TPAC Concert Program
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Lakey Lawsuit Settled for $55,000
75¢ Friday/ Saturday March 26-27, 2021 www.perrynewspapers.com Lakey lawsuit settled for $55,000 The Taylor County Lakey filed suit against coronavirus (COVID-19) fees, they would have been Commission has settled the board in late 2019, outbreak. astronomical. Also, you a lawsuit filedalleging by the county The commission held a need to remember, your former Taylor County violated his employmentspecial meeting Tuesday, deductible is $5,000.” Administrator Ted Lakeycontract and due process March 23, during which Under the agreement, over his 2018 firingby notfor providing himCounty Attorney Conrad Lakey will receive $55,000 $55,000. with a hearing prior to his Bishop outlined the and no attorneys’ fees, The county will only termination, as well as three settlement agreement. according to Bishop. have to pay $5,000 otherof claims. “Taylor County was “That’s all he’s going to that amount to cover theA mediation hearing was sued on five or sixget differentin the way of monetary,” deductible on its liability held earlier this month in counts in the complaint he said. “The insurance insurance policy. the case between the county, filed by Mr. Lakey,” Bishopcompany is going to pay it. Citing job performance Lakey and the insurance said. “This settled all of I questioned that, and they issues and a lack ofcarrier, which approved them, and it is a completeassured us that they would community involvement, the settlement. County release of all those claims. pay that. the county commission Attorney Conrad Bishop One of the things most folks “[Lakey] was also suing voted 4-0 to terminateand Commissioner Michael need to remember is, if he to get his job back,” Bishop Lakey’s contract at a NewmanNov. -
Season 2014-2015
27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207 Phone: 214-653-3900 Fax: 214-653-3912 January 28, 2012 1/28/2012 LOT # LOT # 1 Alexandre Hogue (1898-1994), "Rattler" lithograph. 5 Edward Dawson-Watson (1893-1978), "Buckin' Steer" Sight: 6.25"H x 11.25"W; Frame: 14''H x tempera on paper board. Image: 5"H x 8.25"W; 18.25''W. Signed and dated lower right, Frame: 11.75"H x 15"W. Signed lower right in "Alexandre Hogue - 1938"; titled and numbered pencil on mat: "Edward Dawson Watson"; titled 13/50 lower left. The theme of man versus lower left in pencil on mat. nature is found in Hogue's paintings during the 800.00 - 1,200.00 1930s. This lithograph of "Rattler" is an excellent example of that. The horseshoe, symbolizing man's presence, and of course the snake being nature. 6 Reveau Bassett (1897-1981), "Ducks" (1) pencil 1,500.00 - 3,000.00 drawing and (1) corresponding etching. Sight: 10"H x 13"W; Frame: 15.25"H x 18.75"W. Signed lower right in pencil, "Reveau Bassett". 1,500.00 - 2,500.00 2 Frank Reaugh (1860-1945), "Untitled" (Creek Scene ) 1896 pastel on paper. Paper: 9.25"H x 4.75"W. Unsigned. A letter of authenticity from Mr. Michael Grauer, Associate 7 Donna Howell-Sickles (b. 1949), "Cowgirls" mixed Director for Curatorial Affairs/Curator for Art, media on canvas. Canvas: 48"H x 48"W; Frame: Panhandle-Plains Historical Museum, Canyon, 49''H x 49''W. -
BIOGRAPHIES Violin Faculty Justin Chou Is a Performer, Teacher And
MASTER PLAYERS FESTIVAL: BIOGRAPHIES Violin faculty Justin Chou is a performer, teacher and concert producer. He has assisted and performed in productions such as the Master Players Concert Series, IVSO 60th anniversary, Asian Invasion recital series combining classical music and comedy, the 2012 TEDxUD event that streamed live across the Internet and personal projects like Violins4ward, which recently produced a concert titled “No Violence, Just Violins” to promote violence awareness and harmonious productivity. Chou’s current project, Verdant, is a spring classical series based in Wilmington, Delaware, that presents innovative concerts by growing music into daily life, combining classical performance with unlikely life passions. As an orchestral musician, he spent three years as concertmaster of the Illinois Valley Symphony, with duties that included solo performances with the orchestra. Chou also has performed in various orchestras in principal positions, including an international tour to Colombia with the University of Delaware Symphony Orchestra, and in the state of Wisconsin, with the University of Wisconsin Symphony Orchestra, the Lake Geneva Symphony Orchestra and the Beloit-Janesville Symphony. Chou received his master of music degree from UD under Prof. Xiang Gao, with a full assistantship, and his undergraduate degree from the University of Wisconsin, with Profs. Felicia Moye and Vartan Manoogian, where he received the esteemed Ivan Galamian Award. Chou also has received honorable mention in competitions like the Milwaukee Young Artist and Youth Symphony Orchestras competitions. Xiang Gao, MPF founding artistic director Recognized as one of the world's most successful performing artists of his generation from the People's Republic of China, Xiang Gao has solo performed for many world leaders and with more than 100 orchestras worldwide. -
César Franck's Violin Sonata in a Major
Honors Program Honors Program Theses University of Puget Sound Year 2016 C´esarFranck's Violin Sonata in A Major: The Significance of a Neglected Composer's Influence on the Violin Repertory Clara Fuhrman University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/honors program theses/21 César Franck’s Violin Sonata in A Major: The Significance of a Neglected Composer’s Influence on the Violin Repertory By Clara Fuhrman Maria Sampen, Advisor A thesis submitted in partial fulfillment of the requirements as a Coolidge Otis Chapman Scholar. University of Puget Sound, Honors Program Tacoma, Washington April 18, 2016 Fuhrman !2 Introduction and Presentation of My Argument My story of how I became inclined to write a thesis on Franck’s Violin Sonata in A Major is both unique and essential to describe before I begin the bulk of my writing. After seeing the famously virtuosic violinist Augustin Hadelich and pianist Joyce Yang give an extremely emotional and perfected performance of Franck’s Violin Sonata in A Major at the Aspen Music Festival and School this past summer, I became addicted to the piece and listened to it every day for the rest of my time in Aspen. I always chose to listen to the same recording of Franck’s Violin Sonata by violinist Joshua Bell and pianist Jeremy Denk, in my opinion the highlight of their album entitled French Impressions, released in 2012. After about a month of listening to the same recording, I eventually became accustomed to every detail of their playing, and because I had just started learning the Sonata myself, attempted to emulate what I could remember from the recording. -
Senior Orchestra Pete Nowlen, Interim Director
december 20 2:30 pm PST PREMIER CYS.ORG program Jule Styne and Sammy Cahn ................................................................................. Let it Snow INTRODUCTORY WIND ENSEMBLE ROSITA AMADOR, DIRECTOR Leroy Anderson ......................................................................................................... Sleigh Ride WIND ENSEMBLE ROSITA AMADOR, DIRECTOR Modest Mussorgsky ................................................Hopak from “The Fair at Sorochinsk” JUNIOR STRINGS ENSEMBLE KATI KYME, DIRECTOR Antonín Dvořák ................................................................. Finale from “American” Quartet INTERMEDIATE STRINGS ENSEMBLE KATI KYME, DIRECTOR Joe Hisaishi/Arr. Yo Goto .................................... Studio Ghibli’s “Anime March Medley” My Neighbor Totoro | Laputa: Castle in the Sky | Nausicaä of the Valley of the Wind WIND SYMPHONY PETE NOWLEN, DIRECTOR La Réjouissance (The Joy) from George Frideric Handel ....................................................“Music for the Royal Fireworks” WIND SYMPHONY • ASSOCIATE ORCHESTRA PETE NOWLEN, DIRECTOR Yoko Shimamura/Arr. Ralph Ford ................Kingdom Hearts from “Video Games Live” ASSOCIATE ORCHESTRA PETE NOWLEN, INTERIM DIRECTOR Alan Silvestri ............................................................................Suite from Back to the Future SENIOR ORCHESTRA PETE NOWLEN, INTERIM DIRECTOR John Williams ........................ “Merry Christmas, Merry Christmas” from Home Alone MUSIC IN THE MOUNTAINS CHORUS RYAN MURRAY, DIRECTOR SENIOR -
Arizona Musicfest 2021-22 Concert Season Announcement
azmusicfest.org NEWS RELEASE / CALENDAR LISTINGS ARIZONA MUSICFEST ANNOUNCES ITS 2021-22 CONCERT SEASON. CELEBRATING THE RETURN OF LIVE INDOOR PERFORMANCES, MUSICFEST PRODUCES AN EXCITING LINE-UP OF CONCERTS NOVEMBER THROUGH APRIL. LEGENDARY SINGER/SONGWRITER PAUL ANKA; BROADWAY ICON BERNADETTE PETERS; SUPERSTAR INSTRUMENTALIST KENNY G; COUNTRY MUSIC FAVORITE LEANN RIMES; BRAZILIAN LEGEND SERGIO MENDES; CLASSICAL VIRTUOSOS SARAH CHANG AND EMANUEL AX; PINK MARTINI AND THE TEXAS TENORS HEADLINE THE SPECIAL SEASON. June 2021 Media Contact: Allan Naplan, Executive and Producing Director For PR inquiries: [email protected] / (480) 488.0806 Photo Requests: PR Assets can also be obtained at the following link: https://azmusicfest.org/pr-assets/ To obtain further press materials, please email requests to [email protected]. ARIZONA MUSICFEST 2021-22 CONCERT SEASON Tickets are now on sale for Arizona Musicfest’s 31st anniversary season—The Stars Return to Musicfest! With great excitement and anticipation, Arizona Musicfest announces a starry lineup of exceptional artists to celebrate the return of live indoor concerts in North Scottsdale. Following the challenges and disappointments of last season, Musicfest is thrilled to regroup and renew its commitment to bringing the joy of music to all. In its largest season ever, Musicfest will produce 30 concerts between November and April. “As our community emerges from the difficulties of the last year, we are honored to engage and entertain audiences with exceptional performances that will uplift and reunite friends, neighbors, and artists around our shared love of music.” Allan Naplan, Arizona Musicfest’s executive and producing director, said. This special season’s lineup includes many great artists, some making their Musicfest debuts, while others returning due to popular demand. -
Sarah Chang Presented by the Volunteer Committees for the Philadelphia Orchestra
Sarah Chang Sarah a private performance with performance private a Your exclusive invitation to to invitation exclusive Your The Wharton-Sinker Estate. Illustration by Sally Yates. The Wharton-Sinkler Estate, erected in the early 1920s, is a fine example of the work of one of Philadelphia’s greatest architects, Robert McGoodwin. This massive Tudor fantasy in the Samuel B. Rotan mansion, “Lane's End,” in Wyndmoor, Pennsylvania, now known as the Wharton-Sinkler Estate, was modeled after Sutton Place in Guildford, Surrey. McGoodwin assembled architectural fragments and whole rooms from numerous English buildings: the massive oak front doors were salvaged from Muchelny Abbey and date to 739; the stone-slab floors in the hall were salvaged from Warwick Priory and date to 1124. Mrs. Wharton Sinkler bequeathed the estate to the University of Pennsylvania in 1971, which operated it as a conference center and wedding venue until 1999. Presented by the Volunteer Committees for The Philadelphia Orchestra David Kim, Concertmaster of The Philadelphia Orchestra cordially invites you to a private benefit performance featuring world-renown Violinist Sarah Chang Sunday, April 6, 2014 from 3:00 to 6:00 p.m. at the magnificent Wharton-Sinkler Estate 631 East Gravers Lane, Wyndmoor, Pennsylvania Hors d’oeuvres and white wine will be served following the performance. Reply by March 14 Reservations Space is limited • held at the door. -
Biografía Orquesta Sinfónica De Galicia
Orquesta Sinfónica de Galicia (OSG) Creada en 1992 por el Ayuntamiento de A Coruña, ciudad en cuyo Palacio de la Ópera tiene su sede, la Orquesta Sinfónica de Galicia (OSG) es una de las agrupaciones orquestales de mayor proyección en España además de una marca internacional con seguidores en los cinco continentes a través de su canal de YouTube. La OSG, cuyo director titular desde la temporada 2013-14 es Dima Slobodeniouk y Víctor Pablo Pérez su director honorario, ha sido orquesta residente del Festival Rossini de Pésaro de 2003 a 2005 y del Festival Mozart de A Coruña desde su creación en 1998. Además, su presencia nacional e internacional ha sido constante, con conciertos en las mejores salas en España y con varias giras por Alemania y Austria. En 2007 realizó una gira por América del Sur —con conciertos en Chile, Argentina, Brasil, Uruguay y Montevideo—, a finales de 2009 se presentó en la histórica sala del Musikverein de Viena y en 2016 ofreció dos conciertos en los Emiratos Árabes. Tanto para sus conciertos internacionales como para sus programas de abono la OSG cuenta con solistas como Anne-Sophie Mutter, Isabelle Faust, Maurizio Pollini, Krystian Zimerman, Grigory Sokolov, Frank Peter Zimmermann, Maria Joao Pires, Elisabeth Leonskaja, Dmitri Sitkovetsky, Stefan Dohr, Alica Sara Ott, Gil Shaham, Sarah Chang, Leonidas Kavakos, Arcadi Volodos, Mischa Maisky, Javier Perianes o Christian Lindberg entre otros muchos. Con ella han cantado Bryn Terfell, Ewa Podles, Plácido Domingo, Juan Diego Flórez, Simon Estes, Leo Nucci, Alfredo -
Wolfgang Sawallisch Wolfgang Sawallisch
WOLFGANG SAWALLISCH Conductor Laureate Wolfgang Sawallisch became conductor laureate of The Philadelphia Orchestra in September 2003, following the culmination of his celebrated, decade-long tenure as the Orchestra’s sixth music director. Acclaimed as one of the greatest living exponents of the Germanic musical tradition, Mr. Sawallisch enriched and expanded upon the Orchestra’s century-old tradition of excellence, leaving an enduring legacy of artistic achievements with the ensemble. As music director, Mr. Sawallisch encouraged the exploration of new ways to present music to American audiences. In April 1997 he led the Philadelphians in the first live internet concert “cybercast” made by a major American orchestra, attracting listeners from more than 40 countries around the world. He presented season-long focuses on the works of Schumann, Haydn, Beethoven, and Brahms, and an ongoing overview of the works of Richard Strauss (including a concert presentation of the opera Ariadne auf Naxos ). Through a series of commissions, Mr. Sawallisch re-affirmed the Orchestra’s commitment to new music; and his vision for the Orchestra’s 100th Anniversary Season in 1999-2000, made up exclusively of music written since the ensemble’s creation in 1900, resulted in record ticket sales and critical praise. During his tenure, Mr. Sawallisch led The Philadelphia Orchestra each year in concerts outside Philadelphia, helping to build upon the ensemble’s long tradition of touring. He appeared annually with the Orchestra in a series of concerts at Carnegie Hall and conducted the Orchestra in major concert halls throughout the world on eight international tours (three to Europe, four to Asia, and one to Central and South America). -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.