Choking Man Directed by Steve Barron
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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space). -
5Th Annual Heroes4heroes Los Angeles Police Memorial Foundation Celebrity Poker Tournament & Casino Night Party Sunday November 17, 2019 @ 4Pm
5th Annual Heroes4Heroes Los Angeles Police Memorial Foundation Celebrity Poker Tournament & Casino Night Party Sunday November 17, 2019 @ 4pm Over 50 celebrities and community members will gather together to play poker, casino games and enjoy a party to help raise money for the children and widows of LAPD Officers that have been killed in the line of Duty. Without the help of the foundation many of their kids will not have the opportunity to go to college, will lack basic funds for sporting activities or even medical costs. We hope you can join us to support this worthy cause. *poker*casino games*party*cocktails*music*food*auction*raffle*photobooth*red carpet arrivals and more… Since its inception in 1972, the Foundation has granted more than $18 million for medical, funeral and educational expenses without any taxpayer money. Past Celebrity supporters include: Jack Nicholson, Jerry West, Wayne Gretzky, Mark Wahlberg, Elton John, Sugar Ray Leonard, Vin Scully, Dennis Quaid, Kelsey Grammer, Eddie Van Halen, Samuel L. Jackson, Richard Dreyfuss, Chris O'Donnell, George Lopez, Larry King, Tommy Lasorda, Oscar de la Hoya, Rihanna, Ray Romano, Betty White, Andy Garcia, Luke Wilson, Gene Simmons, Marlon Wayans, Backstreet Boys, Paula Abdul, David Hasselhoff, Dean Martin, Frank Sinatra, Sammy Davis Jr., Bob Newhart, Telly Savalas, Johnny Grant, James Gandolfini and many more. Each year, superstars from TV, Film, Music and Sports join together to show support for the men & women who serve their community. This star-studded event is covered by mainstream media worldwide and is great exposure for sponsors who participate. Our events are covered by top mainstream entertainment media such as People, US Weekly, OK Magazine, Star, Extra, E Entertainment, Access Hollywood, Daily Mail, Extra, Variety, Hollywood Reporter and worldwide news outlets including Yahoo Finance, Yahoo Sports, Market Watch/Dow Jones, Reuters, Bloomberg Business Week, Fox News and more. -
Hunting High and Low: 30Th Anniversary Super Deluxe
A-ha – Hunting High And Low: 30th Anniversary Super Deluxe (37:11, k.A., k.A., k.A., k.A.; 4 CDs, 1 DVD; Warner Music Germany, 1985/2015) A-ha veröffentlichen zum 30- jährigen Jubiläum ihres internationalen Durchbruchs das remasterte Debütalbum „Hunting High And Low“ in einer „Super Deluxe“-Ausgabe. Der neue Sound ist luftig leicht, klar und detailreich. Neben den vier CDs mit dem remasterten Material, diversen B-Sides und bisher unveröffentlichten Demos, enthält das Re-Issue auch eine DVD und ein 60-seitiges Booklet mit selten gezeigten Fotos und Geschichten zur Entstehung des Albums. Für echte Fans hört sich die Zusammenstellung des Paketes sehr verheißungsvoll an. Darf man jetzt schon über den Kauf von Weihnachtsgeschenken nachdenken? Disc 1 – The Album 01. Take On Me 02. Train Of Thought 03. Hunting High And Low 04. The Blue Sky 05. Living A Boy’s Adventure Tale 06. The Sun Always Shines On T.V. 07. And You Tell Me 08. Love Is Reason 09. I Dream Myself Alive 10. Here I Stand And Face The Rain Disc 2 – The Demos 1982-1984 01. Lesson One (Autumn 1982 “Take On Me” Demo) 02. Presenting Lily Mars (Naersnes Demo) 03. Nå Blåser Det På Jorden (Naersnes Demo) 04. The Sphinx (Naersnes Demo) 05. Living A Boy’s Adventure Tale (Naersnes Demo) 06. Dot The I 07. The Love Goodbye 08. Nothing To It 09. Go To Sleep 10. Train Of Thought (Demo) 11. Monday Mourning 12. All The Planes That Come In On The Quiet 13. The Blue Sky (Demo) 14. -
Andy Gowan Music Supervisor
ANDY GOWAN MUSIC SUPERVISOR *Music Supervision: FEATURE FILM EL TONTO Andrew Levitas, Christopher Lemole, John Rickard, Wrigley Pictures Alex Saks, Tim Zajaros, prods. Charlie Day, dir. AMERICAN FIGHTER Christine Moore, Ali Afshar, Forrest Lucas, prods. ESX Entertainment Sean Paul Piccinino, dir. *with Ben Sokoler LADY DRIVER Christine Moore, Ali Afshar, Forrest Lucas, prods. ESX Entertainment Sean Paul Piccinino, dir. *with Ben Sokoler ROPED Christine Moore, Ali Afshar, Forrest Lucas, prods. ESX Entertainment Sean Paul Piccinino, dir. *with Ben Sokoler RUNNING WILD Christine Moore, Ali Afshar prods. ESX Entertainment Alex Ranarivelo, dir. DIRT Christine Moore, Ali Afshar prods. ESX Entertainment Alex Ranarivelo, dir. HELLO MY NAME IS DORIS Daniel Crown, Kevin Mann, Riva Marker, Jordana Haven Entertainment Mollick, Daniela Taplin Lundberg, prods. Michael Showalter, dir. LIBERAL ARTS Brica Dal Farra, Claude Dal Farra, Jesse BCDF Pictures / IFC Films Hara, Lauren Munsch, Josh Radnor, prods. Josh Radnor, dir. THE RUNNER Bingo Gubelmann, Erika Hampson, Benji Paper Street Films Kohn, Chris Papavasiliou, prods. Austin Stark, dir. DETACHMENT Bingo Gubelmann, Benji Kohn, Carl Lund, Chris Paper Street Films / Tribeca Film Papavasiliou, Greg Shapiro, Austin Stark, prods. Tony Kaye, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 ANDY GOWAN MUSIC SUPERVISOR HAPPYTHANKYOUMOREPLEASE Jesse Hara, Benji Kohn, Chris Paper Street Films / Anchor Bay Papavasiliou, Austin Stark, prods. Josh Radnor, dir. LARRY GAYE: RENEGADE MALE Ted Kroeber, Michael Roiff, prods. FLIGHT ATTENDANT Sam Friedlander, dir. Night and Day Pictures THE PRETTY ONE Steven J. Berger, Robin Schorr, prods. Provenance Pictures / RCR Pictures Jenee LaMarque, dir. ALL SUMMERS END Kevin Mann, Steve Olivera, Michael Haven Entertainment Sherman, prods. -
Friendly Fire, Revolutions Are Fueled by Postings on Youtube, As We Discuss the 2016 Gavin Hood–Directed Eye in the Sky
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Music Tense, quiet music. 00:00:02 Ben Harrison Host Remember when the hottest political potato was adjudicating the morality of drone warfare? I mean, it’s almost quaint to think about now, but drone warfare was a major controversy until the public decided we had bigger fish to fry. Armed drones were first used in late 2001, and deployed from bases in Pakistan and Uzbekistan to assassinate terrorist leaders inside Afghanistan, before our nation turned its lonely eyes in the sky to Iraq. By 2009, the CIA claimed to have killed more than half of their most wanted Al Qaeda suspects using UAVs. In 2013, in the first public death toll provided by the US government for UAVs, walking corporate lobbying opportunity in a senator suit Lindsey Graham claimed there had been 4,700 casualties at the hands of UAVs. It is an astounding number. And that was 6 years ago! The government isn’t inclined to update us, so who knows the number at this point? 00:00:59 Ben Host We are told that the use of drones saves lives, and by removing American soldiers from the battlefield, it’s hard to argue that it doesn’t at least save the lives of frontline American soldiers. But while we can keep soldiers out of physical harm’s way, we cannot remove them from the battle, or from making battlefield decisions. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Formulating Empathy in Vince Gilligan's Breaking Bad Abby Bentham
Art or Science? Formulating Empathy in Vince Gilligan's Breaking Bad Abby Bentham Abstract When Vince Gilligan pitched the idea for Breaking Bad to studio bosses at the AMC media network, his description of it as ‘a story about a man who transforms himself from Mr. Chips into Scarface’ proved to be enough of a hook to take the show into production. However, whilst this transformation is indeed breath-taking, perhaps the most fascinating thing about the series has been its attempt to manipulate viewers’ emotions. As the show opens, the locus of empathy is Walter White; a terminally ill high school chemistry teacher desperate to provide financially for his disabled, teenaged son and unexpectedly pregnant wife. However, as the narrative arc develops, Walter undergoes a dramatic transformation. His shift from shambling underdog to drug lord poses interesting moral questions which increasingly act as a barrier to empathy and identification with the character. My chapter charts the evolution of Walter White and the characters around him, exploring how their representation in the show affects and manipulates viewer identification through shifts between sympathy, empathy and antipathy. I consider Walter’s characterisation in the context of the other male characters in Breaking Bad and reflect on why such development is denied to the show’s unremittingly negative female characters. Key Words: Empathy, Breaking Bad, Walter White, morality, evil, hero, villain, misogyny, masculinity. ***** 1. The Art of Empathy In the pilot episode of Breaking Bad, Walter White (Bryan Cranston) tells his students: ‘Technically, chemistry is the study of matter, but I prefer to see it as the study of change .. -
Highlights Report 2015
AMERICA INNOVATES HIGHLIGHTS REPORT 2015 National Museum of American History MISSION Through incomparable collections, rigorous research and dynamic public outreach, we explore the infinite richness and complexity of American history. We help people understand the past in order to make sense of the present and shape a more humane future. C2 National Museum of American History HISTORY NEVER STOPS INSPIRING US American innovation is all around As you review this year’s Highlights report, you will see the great impact numerous individuals, foundations and corporations have had on this wing and its related programs. Each time we walk us in ways large and small. It is not through the area and see a child inventing an object in Draper Spark!Lab or a group of visitors competing and cooperating around a recent phenomenon but rather the colorful Tower of Power in the Wallace H. Coulter Exchange, John Gray we are reminded of the donors who believed in our vision. Elizabeth MacMillan Director something found throughout our Completing the Innovation Wing was just one step in the Museum’s country’s history. multi-year effort to transform not only our building, but also the ways in which we tell America’s history. Each floor of the west wing We have always been a creative people, striving to reach greater will share the country’s rich and complex history in new ways that heights by thinking strategically and taking risks. How can a simple inspire visitors. The next stage involves building major exhibitions wooden cart advance trade in America in the 1800s? How does a opening in 2017 on the second floor, themed “The Nation We turntable in the Bronx revolutionize the sound of music in the 1970s? Build Together.” This space will examine democracy, immigration, What does 21st-century advertising say about us as consumers? migration and religion in a nation we continue to shape together. -
Vicki Russell Costume Designer
Vicki Russell Costume Designer Credits include: SURVIVING CHRISTMAS WITH THE RELATIVES Director: James Dearden Comedy Producer: Nick Hamson Featuring: Joely Richardson, Gemma Whelan, Sally Phillips Production Co: Studio Soho MUM’S LIST Director: Niall Johnson Drama Producer: Nick Hamson Featuring: Rafe Spall, Amelia Fox, Elaine Cassidy Production Co: Studio Soho ASTONISH ME Director: Charles Sturridge 4’ drama for the WWF 50th Anniversary Producer/Writer: Stephen Poliakoff Featuring: Gemma Arterton, Bill Nighy Production Co: The Annex Films THE BR∅KEN Director: Sean Ellis Horror Thriller Producer: Lene Bausager Featuring: Lena Headey, Richard Jenkins, Ulrich Thomsen Production Co: Gaumont / Ugly Duckling Films CASHBACK Director: Sean Ellis Romantic Comedy Drama Producer: Sean Ellis, Lene Bausager Featuring: Michelle Ryan, Emilia Fox, Jared Harris Production Co: Ugly Duckling Films / Magnolia Pictures COLOUR ME KUBRICK Director: Brian W. Cook Comedy Drama Producers: Michael Fitzgerald, Brian W. Cook Featuring: John Malkovich, Ruth Negga, Burn Gorman Production Co: EuropaCorp KEEPING MUM Director: Niall Johnson Comedy Crime Thriller Producers: Julia Palau, Matthew Payne Featuring: Maggie Smith, Rowan AtkinsonKristin Scott Thomas Production Co: Summit Entertainment GOTHIC Director: Ken Russell Period Horror Thriller Producer: Penny Corke Featuring: Gabriel Byrne, Natasha Richardson, Julian Sands Production Co: Virgin Vision Vicki Russell Costume Designer 2 ARIA Director: Ken Russell Musical Drama Producer: Don Boyd Featuring: Andreas Wisniewski, -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
ALAMOGORDO (C) Otero County
ALAMOGORDO (C) Otero County MUNICIPAL OFFICES: 1376 9th St, 88310-5855 MAILING ADDRESS: 1376 9th St, 88310-5855 OFFICE HOURS: M - F 8:00 a.m. - 5:00 p.m. WEBSITE: http://ci.alamogordo.nm.us TELEPHONE #: (575) 439-4205 FAX #: (575) 439-4396 Incorporated: 1912 2010 Census: 30,403 Meets: 2nd and 4th Tuesday of Each Month at 7:00 p.m. Form of Government: Commission-Manager Home Rule Charter Adopted: 1983 Full Time Employees: 320 2019 - 2020 Budget: General Fund Expenditures: $14,743,269 All Funds: $89,163,556 Taxes Levied: Municipal Gross Receipts Tax - 2.0625% County Gross Receipts Tax - .8125% Lodger's Tax: 5% Municipal Services: Water, Sewer, Ambulance Mayor Richard A. Boss ('22) 214-0024 Commissioners Mayor Pro Tem Jason Baldwin ('23) 921-1093 Sharon McDonald ('23) Susan L. Payne ('23) 491-0211 Josh Rardin ('22) Nadia Sikes ('20) 491-7910 Dusty Wright ('23) 430-3395 Judge Steven Lee ('22) 439-4255 Court Administrator Patricia Hall 439-4256 Manager Brian Cesar 439-4240 Clerk Rachel Hughs, CMC (575) 491-7716 Finance Director Evelyn Huff Central Purchasing Officer Barbara Pyeatt 439-4116 Human Resources Director Katie Josselyn 439-4399 Police Chief Richard Denton Fire Chief Jim LeClair Librarian Sharon Rowe 439-4140 Ambulance Service American Medical Response, Inc. 437-9100 1 ALBUQUERQUE (C) Bernalillo County MUNICIPAL OFFICES: 1 Civic Plz NW Fl 10, 87102-2111 MAILING ADDRESS: PO Box 1293, 87103-1293 OFFICE HOURS: M - F 8:00 a.m. - 5:00 p.m. WEBSITE: http://www.cabq.gov TELEPHONE #: (505) 768-2000 FAX #: (505) 768-3019 Incorporated: 1885 (Town) 1891 (City) 2010 Census: 545,852 Meets: 1st and 3rd Monday of Each Month At 5:00 p.m.