DOCSLIB.ORG

The Musical Years: 1920 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Musical Years: 1920 2020 Exhibitions Artists and Researchers VOX on tour Search Publications Interviews About VOX Events Digital Platforms Support VOX Research Educational Services Français Upcoming Exhibitions Text Preparing for your visit Conference Educational Services The Musical Years: 19202020 Images Captions 2 3 4 2020.08.18 - 2020.10.31 Marie J. Jean In the last century, the invention of the motion picture camera Curator ushered in a succession of diverse technological developments Marie J. Jean conducive to the synthesis of sound and images. Devices that combined projected images with music, such as colour organs, the optical theatre and the Sonchromatoscope, were among Specific work and performances early examples. But it was through cinema, once it became Michaela Grill & Sophie Trudeau possible to synchronize music with moving pictures, that this field of experimentation would be radically renewed. This Manon De Pauw & Pierre-Marc Ouellette exhibition provides opportunities to observe changes in that audiovisual production through cinematic and musical works in Abstract cinema which a relative tension between image and music is exerted— for most often, the relationship between the two is one of Martin Arnold, Henri Chomette, Marcel subordination: either the visual production relegates the Duchamp, Viktor Eggeling, Oskar musical component to a secondary role, or the pictures serve to Fischinger, René Jodoin, Raoul Hausmann, illustrate a musical composition. Ludwig Hirschfeld Mack, Alexander László, The aim of this exhibition is to provide a spatial and musical Ernst Lubitsch, Norman McLaren, Zdeněk experience of these works produced over a span of a hundred Pešánek, Hans Richter, Gaston Sarault, years, while prompting audiences to reflect on this process of visualization of music and musicalization of Kurt Schwerdtfeger, Thomas Wilfred images. Contemporary artists are featured alongside film makers of the avant-garde in a circuit including silent films with Animation films added sound, abstract and experimental cinema, music videos, as well as musical performances. A series of animation films Cordell Barker, Martin Barry, Claude complements the program, designed especially for children. Cloutier, Amanda Forbis & Wendy Tilby, Co Continue reading the essay Hoedeman, Julia Kwan, Alexandra Lemay, Michèle Lemieux, Diane Obomsawin Music videos Preparing for your visit Mark Abramson & Edward Dephoure, Laurie Anderson, Associates in Science, This exhibition requires the use of headphones. Visitors may bring their own headphones or borrow a pair provided by VOX. Ellis Bahl, Steve Barron, Brian Beletic, Loaned headphones will be thoroughly disinfected between Robert Bleyer & John Moffitt, Blue Source, users. Access to the exhibition requires no prior reservation Bucko & Tucko, David Byrne, Peter Care, during opening hours. It is also possible to organize private viewing or small group tours on request at [email protected]. Jake & Dinos Chapman, Gaëtan Chataigner, Roman Coppola, Martin Creed, Chris Cunningham, Dave Davies & Ray Davies, Jonathan Demme, Xavier Dolan, James Event Frost & OK Go & Syyn Labs, Kevan Funk, Romain Gavras, Kevin Godley & Lol Creme, Glimmer. Performance by Sophie Trudeau Michel Gondry, Jerome Guiot & Paul van and Michaela Grill Haver, Winston Hacking, Jörn Heitmann, 2020.09.03 Tim Hope, Yves Jacques, Matt Johnson, Stephen R. Johnson, Spike Jonze, Kahlil Joseph, Emily Kai Bock, Kevin Kerslake, Daniel Landin, André Leduc, Robert Longo, David Mallet, M.I.A., Mike Mills, Jean- Baptiste Mondino, Russell Mulcahy, Hiro Murai, Tony Oursler, D. A. Pennebaker, Roy Pike & The BOX, Bill Pope & Randy Skinner, Mark Romanek, Ladislav Rychman, Keith Schofield, Stéphane Sednaoui, Jon Small, Cho Soo-hyun, Walter A. Stern, Corinne Stübi, Roland Stutz, Jan Švankmajer, Trabant, Matthew Vachon, Chad VanGaalen, William Wegman, Dougal Wilson Youth workshop In conjunction with the exhibition The Musical Years: 19202020, In the context of the exhibition The Musical Years: 19202020, VOX announces a green screen music video workshop for VOX is pleased to present Glimmer. For this original children and families. performance, musician Sophie Trudeau and video artist Michaela Grill are partnering to create a specific work… Participants will have the opportunity to familiarize themselves with the green screen incrustation technique by creating a Read more brand-new music video based on a selection of songs. Read more.
Load more

Recommended publications
  • Diapositive 1
    From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
    [Show full text]
  • MORGAN KENNEDY Production Designer
    MORGAN KENNEDY Production Designer COMMERCIALS (partial list) Ford, *Ikea, Coca Cola, McDonald’s, Beats, Vodafone, Yves Saint Laurent, Philips, Kit Kat, Jagermeister, Nikon, Malibu, Orange, KVIFF, Suzuki, Hugo Boss, Davidoff, Google Chrome, O2, Orbis, Schwarma, Johnny Walker, HP, Pot Noodle, Bud Ice, Sainsbury’s, Boots, Adidas, Rimmel, Freesat, Activia, 3 Mobile, Samsung, Halifax, Deichmann Shoes, Heineken, AMD, Sudafed, British Gas, ESP, Baileys, Green Giant, Chivas Regal, H&M, Carmignac, Hugo Boss, Nike, Volvo, Head & Shoulders, Crunchy Nut, Capital FM, Kellogg’s, Cinzano, Grazia, Daygum, Dove, EA Games, TJ Maxx, Special K, Grancereale, Kronenbourg, Telefonia, Olay, Nintendo, Daks, RSPCA, Cadbury’s, WH Smith *2013 British Arrow Craft Awards Nomination – Best Production Design MUSIC VIDEOS (partial list) *Dua Lipa, Taylor Swift, 50 Cent & Justin Timberlake, Muse, Oasis, The Kooks, Alesha Dixon, Take That, Snow Patrol, **Biffy Clyro, Pete Doherty, Glas Vegas, Kasabian, Imogen Heap, Guillemots, Il Divo, Kings of Leon, Shania Twain, The Streets, Sugababes, Lucia Silvas, Funeral for a Friend, Candice, Agent Provocateur *2017 UK Music Video Awards Nomination – Best Pop Video “IDGAF” **2010 NME Awards Winner – Best Music Video “Captain” DIRECTORS (partial list) Chris Applebaum, Arni & Kinski, Casper Balslev, Katie Bell, Ben & Joe, Steve Bendelack, Big TV!, Sarah Chatflied, Simon Cole, Patrick Daughters, Es Devlin, Eden Diebel, Sara Dunlop, Steve Dunn, Sean Ellis, Zac Emerson, Scott, Fatima, Luke Forsythe, Romain Gavras, Paul Gore, Ben Gregor,
    [Show full text]
  • Teaching Latin Love Poetry with Pop Music1
    Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • View Annual Report
    2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes.
    [Show full text]
  • Hannah Edwards Costume Designer
    Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net HANNAH EDWARDS COSTUME DESIGNER FILM/TELEVISION DIRECTOR PRODUCER LE MONDE OU RIEN Romain Gavras Iconoclast Cast: Vincent Cassel, Isabelle Adjani CATCH ME DADDY Daniel Wolfe Emu Films Cast: Sameena Jabeen Ahmed, Connor McCarron, Gary Lewis Film 4 Official Selection, Cannes Film Festival (2014) Official Selection, London Film Festival (2014) DIRECTORS/COMMERCIALS FLEUR FORTUNÉ Nike NINIAN DOFF Temptations ARNI THOR JONSSON Gumtree DANIEL WOLFE Honda, Chivas Regal, Tesco, Guiness, Cobra Beer, Tourism Ireland, Vodafone, Thalys, Mars, Kopparberg Cider, San Miguel, Three Mobile, Hennessy ROMAIN GAVRAS Louis Vuitton, Bacardi, Samsung Winner, Best Styling, Silver British Arrow Awards, 2014, Blue Lagoon, Blu NICK GORDON Chambord, GreenFlag, Boots, Stella Artois, Axe CANADA Tomorrowland, SFR, Cravendale GUSTAV JOHANSSON Samsung SAAM FARAHMAND Guinness, Nokia ERIC LYNN HSBC, John Lewis Christmas, Lactose Free Milk DAWN SHADFORTH Right Move, Matalan KIM GEHRIG Sport England, Netflix, Vodafone, Cadburys, Ikea, Clearasil, Channel 5, Honda, John Lewis, Sport England BOB HARLOW Nokia CHRISTIAN LARSON Nexxus STIAN SMESTAD Tesco AB/CD/CD Samsung BEN CONRAD Castro Oil DIRECTORS/MUSIC VIDEOS DAWN SHADFORTH Metronomy “Old Skool” DANIEL WOLFE Plan B “Writing’s on the Wall”, “Love Goes Down”, “The Recluse”, “Prayin”, “She Said”, “Stay Too Long” Winner, Best Styling, MVA 2010, The Joy Formidable “The Greatest Light”, Chase and Status “Blind Faith” Winner, Best Styling, MVA 2011, James Morrison “Get To You”, The Energies “Born Again Runner”, Take that “Up All Night”, Duffy “Warwick Avenue”, Hadouken “Declaration of War”, Roisin Murphy “Let Me Know” ROMAIN GAVRAS Jay Z feat.
    [Show full text]
  • Canceled: Positionality and Authenticity in Country Music's
    Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D.
    [Show full text]
  • Hunting High and Low: 30Th Anniversary Super Deluxe
    A-ha – Hunting High And Low: 30th Anniversary Super Deluxe (37:11, k.A., k.A., k.A., k.A.; 4 CDs, 1 DVD; Warner Music Germany, 1985/2015) A-ha veröffentlichen zum 30- jährigen Jubiläum ihres internationalen Durchbruchs das remasterte Debütalbum „Hunting High And Low“ in einer „Super Deluxe“-Ausgabe. Der neue Sound ist luftig leicht, klar und detailreich. Neben den vier CDs mit dem remasterten Material, diversen B-Sides und bisher unveröffentlichten Demos, enthält das Re-Issue auch eine DVD und ein 60-seitiges Booklet mit selten gezeigten Fotos und Geschichten zur Entstehung des Albums. Für echte Fans hört sich die Zusammenstellung des Paketes sehr verheißungsvoll an. Darf man jetzt schon über den Kauf von Weihnachtsgeschenken nachdenken? Disc 1 – The Album 01. Take On Me 02. Train Of Thought 03. Hunting High And Low 04. The Blue Sky 05. Living A Boy’s Adventure Tale 06. The Sun Always Shines On T.V. 07. And You Tell Me 08. Love Is Reason 09. I Dream Myself Alive 10. Here I Stand And Face The Rain Disc 2 – The Demos 1982-1984 01. Lesson One (Autumn 1982 “Take On Me” Demo) 02. Presenting Lily Mars (Naersnes Demo) 03. Nå Blåser Det På Jorden (Naersnes Demo) 04. The Sphinx (Naersnes Demo) 05. Living A Boy’s Adventure Tale (Naersnes Demo) 06. Dot The I 07. The Love Goodbye 08. Nothing To It 09. Go To Sleep 10. Train Of Thought (Demo) 11. Monday Mourning 12. All The Planes That Come In On The Quiet 13. The Blue Sky (Demo) 14.
    [Show full text]
  • THE WHITE STRIPES – the Hardest Button to Button (2003) ROLLING STONES – Like a Roling Stone (1995) I AM – Je Danse Le
    MICHEL GONDRY DIRECTORS LABEL DVD http://www.director-file.com/gondry/dlabel.html DIRECTOR FILE http://www.director-file.com/gondry/ LOS MEJORES VIDEOCLIPS http://www.losmejoresvideoclips.com/category/directores/michel-gondry/ WIKIPEDIA http://es.wikipedia.org/wiki/Michel_Gondry PARTIZAN http://www.partizan.com/partizan/home/ MIRADAS DE CINE 73 http://www.miradas.net/2008/n73/actualidad/gondry/gondry.html MIRADAS DE CINE 73 http://www.miradas.net/2008/n73/actualidad/gondry/rebobineporfavor1.html BACHELORETTE - BJORK http://www.director-file.com/gondry/bjork6.html THE WHITE STRIPES – The hardest button to button (2003) http://www.director-file.com/gondry/stripes3.html ROLLING STONES – Like a Roling Stone (1995) http://www.director-file.com/gondry/stones1.html I AM – Je danse le mia (1993) http://www.director-file.com/gondry/iam.html JEAN FRANÇOISE COHEN – La tour de Pise (1993) http://www.director-file.com/gondry/coen.html LUCAS - Lucas With the Lid off (1994) http://www.director-file.com/gondry/lucas.html CHRIS CUNNINGHAM DIRECTORS LABEL DVD http://www.director-file.com/cunningham/dlabel.html LOS MEJORES VIDEOCLIPS http://www.losmejoresvideoclips.com/category/directores/chris-cunningham/ POP CHILD http://www.popchild.com/Covers/video_creators/chris_cunningham.htm WEB PERSONAL AUTOR http://chriscunningham.com/ WIKIPEDIA http://es.wikipedia.org/wiki/Chris_Cunningham ARTFUTURA http://www.artfutura.org/02/arte_chris.html APHEX TWIN – Come to Daddy (1997) http://www.director-file.com/cunningham/aphex1.html SPIKE JONZE WEB PERSONAL http://spikejonze.net/
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • RESUME FINAL 10-7-19.Xlsx
    MacGowan Spencer AWARD WINNING MAKEUP + HAIR DESIGNER, GROOMER I MAKEUP DEPT HEAD I SKIN CARE SPECIALIST + BEAUTY EDITOR NATALIE MACGOWAN SPENCER [email protected] www.macgowanspencer.com Member IATSE Local 706 MakeupDepartment Head FEATURE FILMS Director ▪ Hunger Games "Catching Fire" Francis Lawrence Image consultant ▪ “Bad Boys 2” Michael Bay Personal makeup artist to Gabrielle Union ▪ Girl in a Spiders Web Fede Alvarez Makeup character designer for Claire Foy Trilogy leading lady TV SHOWS/ SERIES ▪ HBO Insecure Season 1, 2 + 3 Makeup DEPT HEAD ▪ NETFLIX Dear White People Season 2 Makeup DEPT HEAD ▪ FOX Leathal Weapon Season 3 Makeup DEPT HEAD ▪ ABC Grown-ish Season 3, episode 306, 307, 308, 309 Makeup DEPT HEAD SHORT FILMS Director SHORT FILMS Director ▪ Beastie Boys "Make Some Noise" Adam Yauch ▪ Toshiba DJ Caruso ▪ Snow White Rupert Sanders ▪ "You and Me" Spike Jonze SOCIAL ADVERTISING: FaceBook, Google, Apple COMMERCIALS Director COMMERCIALS Director ▪ Activia Liz Friedlander ▪ Glidden Filip Engstrom ▪ Acura Martin De Thurah ▪ Heineken Rupert Saunders ▪ Acura W M Green ▪ Honda Filip Engstrom ▪ Adobe Rhys Thomas ▪ Hyundai Max Malkin ▪ Allstate Antoine Fuqua ▪ Infinity Carl Eric Rinsch ▪ Apple "Family Ties" Alejandro Gonzales Inarritu ▪ International Delight Renny Maslow ▪ Applebee's Renny Maslow ▪ Pepperidge Renny Maslow ▪ Applebee's Renny Maslow ▪ Hennessey ▪ AT&T Oskar ▪ Jordan Rupert Sanders ▪ AT&T Rupert Saunders ▪ Kia Carl Eric Rinsch ▪ AT&T Filip Engstram ▪ Liberty Mutual Chris Smith ▪ Catching Fire Francis Lawrence ▪ Lincoln Melinda M. ▪ Chevy Filip Engstram ▪ Miller Lite Antoine Fuqua ▪ Cisco Chris Smith ▪ NFL Chris Smith ▪ Comcast Pat Sherman ▪ Nike Rupert Saunders ▪ Cottonelle Renny Maslow ▪ Nissan Dominick Ferro ▪ Crown Royal Frederick Bond ▪ Pistacios Chris smith ▪ Dannon Liz Friedlander ▪ Pistachios Job Chris smith ▪ Disney Renny Maslow Featuring Snoop Dog, Dennis Rodman + Snooki ▪ Dr.
    [Show full text]
  • JEFF CRONENWETH, ASC Director of Photography
    JEFF CRONENWETH, ASC Director of Photography o f f i c i a l w e bs i te FEATURES/ TV (partial list) BEING THE RICARDOS Amazon Studios Dir: Aaron Sorkin Prod: Desi Arnaz, Jr., Stuart M. Besser *TALES FROM THE LOOP (Pilot) Amazon Studios Dir: Mark Romanek Trailer Prod: Matt Reeves, Nathaniel Halpern A MILLION LITTLE PIECES Warner Bros. Dir: Sam Taylor-Johnson Trailer Prod: John Wells GONE GIRL 20th Century Fox Dir: David Fincher Trailer Prod: Reese Witherspoon, Ceán Chaffin HITCHCOCK Fox Searchlight, Dir: Sacha Gervasi Trailer Montecito Picture Co. Prod: Tom Pollock, Ivan Reitman **THE GIRL WITH THE DRAGON TATTOO Sony Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Ceán Chaffin ***THE SOCIAL NETWORK Columbia Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Michael De Luca ONE HOUR PHOTO Fox Searchlight Dir: Mark Romanek Trailer Prod: Christine Vachon, Pam Koffler DOWN WITH LOVE 20th Century Fox Dir: Peyton Reed Trailer Prod: Dan Jinks, Bruce Cohen K-19 Paramount, Dir: Kathryn Bigelow Trailer Intermedia Prod: Kathryn Bigelow, Christine Whitaker FIGHT CLUB 20th Century Fox Dir: David Fincher Trailer Prod: Art Linson, Cean Chaffin *2020 Emmy Award Nominee – Outstanding Cinematography for a Single-Camera Series (One Hour) **2011 Academy Awards Nominee – Best Cinematography **2011 American Society of Cinematographers Awards Nominee – Best Cinematography ***2010 Academy Awards Nominee – Best Cinematography ***2010 American Society of Cinematographers Awards Nominee – Best Cinematography, Feature Film COMMERCIALS (partial list) EA
    [Show full text]