ED395847.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

ED395847.Pdf DOCUMENT RESUME ED 395 847 SO 025 672 TITLE Broadsides & Posters from the National Archives. INSTITUTION National Archives and Records Administration, Washington, DC. REPORT NO ISBN-0-91333-37-1 PUB DATE 86 NOTE 36p.; Some colored photos may not copy well. PUB TYPE Guides Non-Classrocm Use (055) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS *Archives; *Exhibits; *Government Libraries; Instructional Materials; Library Collections; Material Culture; Museums; National Libraries; Realia; Three Dimensional Aids; *United States History IDENTIFIERS Broadsides; *National Archives DC; Posters ABSTRACT This booklet evolved from research for the exhibition "Uncle Sam Speaks: Broadsides and Posters from the National Archives," which opened at the National Archives in February 1986. The booklet is presented chronologically, beginning withbroadsides from the American Revolution and ending with posters of the1980's. Accompanying text explains the significance of each poster or broadside. This publication attempts to show a variety of posted notices that demonstrates how messages remain the same or change over time, and represents some of the interesting choices made through200 years regarding language, artistic designs, andgraphic styles. (EH) * .7 * Reproductions supplied by EDRS are the best that can be made * from the original document. 0. ****************************************************************** or II* "trMOW U S DEPARTMENT OF EDUCATION Ou.co 01 Foucatonal Hosoaron ano improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) X This document has been reproduced as receiveo from .5e person or organization rigirating II O Moor chdeges n rue been made to rripove repro( ,ctlon qualdy Pctnts ot notn or orneiortS stated in this d.:)comenl de not necessarily represent OERI on 0, oolicy PERMISSION TO REPRODUCE AND DISSEMINATE THIS MATERIAL HAS BEEN GRANTED BY ! )11-thiA TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) BEST COPY AVAILABLE 2 , _ A , 3 BEST COPY riVALAbLL l<9 1 \ () N if I \ of National Archives and Records Administration Washington, D C 1986 Photograph of a schoolroom, its walls cotrred with IVorld War I posters, in Hamden Hall, a day school far boysNew Haven, Connecticut, ca. 1918 N.; FIG 4 Records of the U.S. Food Admimstration (4-0-24) f-Ck 7f:f419 114,1201t: . , . ti-? Atl.c - I W YOU ,1 49' Fait U.S.ARMY ' ' fie fors.401,k_441s% 0140 40 'Pc* . -4..."'-**7f:4--ii-N -. ?- .- . -,,,b... ,--., .... ... '" :',.-0544"4.-ti.;-.,;",; ----- .- -,--... 0. ,;'341 U-4 f44114100k ,5 41; MON, 'Jr ".1 Mit Broadsides Posters from the NATIONAL ARCHIVES - . "- , atio' or' 4 - t :;.4 fjattisionsiitainiss 17-4 DO',A IT .1NOW%I.., 11, .3107. owe're. 4 Z. reAT " .-..041 . .7:41.-billtokmy Irt' 4i ..........,,,, , i)-t. NE Ma. BEST COPY AVAILABLE 4 Acknowledgments ..1.4 / W IN YV 1 This booklet was prepared by the Office of Public Pro- grams. National Archives and Records Administration in conjunction with the exhibition Uncle Sam Speaks: Broadsides and Posters from the National Archives, which opened at the Na- tional Archives in Fenruary 1986. The booklet was compiled and written by Nancy E. Allyn and desizned bv Gerard Gagne, under the direction of Christina Rudy Smith, Exhib- FORT BARRISON its Branch, Division of Exhibits and Educational Programs. Special appreciation s extended to William Cunliffe. Direc- tor, Special Archives Division. 17.iV!ISSOULAa. " . V >--4...00 s ! ..1 A Note about the Illustrations '11T,240 . JP' :qv All broadsides and posters shown here are part of the holdings of the National Archives. Their are referred to by : . Alt.."41114 record group (RG) number and title. The title for RG 360, . 4.111:::LW Records of the Continental and Confederation Congresses 11 e! and the Constitutional Convention, has been shortened to ,p. ..:*.;AUGUST 8tOM_ 9th,-- Records of the Continental Congress. The title for RG 45, i Naval Records Collection of the Office of Naval Records ;V., :nut ratisninfor 1,7 OA W.;",-. and Library, has been shortened to Naval Records 1.-:,::,...Ts."4:54:A7c1.76,ly.. 1.4WWWWWWW Collection. 4-1141;/' .1111.1, 1-1:ut 7,1; Following each record group title, specific citations are provided in parentheses. The number code following most of the posters was assigned by the Still Pictures Branch of the National Archives and is used to identify posters within their holdings. Artists' names, to the extent they are known, are provided in the first line of the caption. Titles are derived IBare Ball, 1903 from the text on each poster or broadside. Dimensions are Linecut and kncrpress. printed by Naegele & Co. Printer.Helena given in inches; width precedes height. 24 x 36 (Fort AG 393Records of the U.S. Army Continental Command,. 1821-1920 WUllarri Henry Harnson, Miscellaneous Roc.3rde) Published for the Nationai Archives and Records Administration by the National Archives Trust Fund Board, 1986. United States. National Archives and Records Administration. Broadsides and posters from the National Archives. I. Broadsides United States Exhibitions. 2. Posters, American Exhibitions. 3. Government publicity United States HistorySources Exhibitions. 4. United Statcs. National Archives Exhibitions. 1. Allyn, Nancy E. U. United States. National Archives and Records Administration. Office of Public Programs. III. Title. 7 E173.U62 1986 769'.49973 86 743 ISBN 0-91333-37-1 5 ROADSIDES AND POSTERS are vivid records of events, concerns, and ideas. Printedquickly in the heat of the moment, designed to be circulated and posted prominently,they are just as quickly forgotten whenthe moment passes. However, posted notices of the 18th and 19th centuries, as well as those made as rec_dy as one week ago, are all documents of historical events, greatand small. They are valued today for thehistorical and cultural clues they can provide, the concerns and emotions they record, andthe aesthetic choices and styles they embody. Aside from their value as documents. many are saved simply because they are humorous, entertaining,and beautiful to look at. This essay evolved from research done for the exhibition"Uncle Sam Speaks," a show of broadsides and postersdrawn from the rich holdings of the National Archives. This essay, like theexhibition, is pre- sented chronologically, beginning with broadsides fromthe American Revolution anending with posters of the 1980s. Communicationis essential for any government, but in a democracythere is a special requirement that the people be informed of actions andissues. The gov- ernment has used broadsidesthroughout its history to convey informa- tion to the people. In addition, the government hasalways used pn.ited notices for their persuasive power, to urge the people to supportits pro- grams. This publication (likethe exhibition) attempts to show a variety of these posted notices that demonstrates how messagesremain the same or change over time, and represents someof the interesting choices made through 200 years regarding language, artistic designs,and graphic styles. Archives hold- The majority. of broadsides and posters within the ings were made by the government and represent the government com- municating to the people. The Archives also has asmall number of posted notices that were made privately. Someof these have been included in this booklet because they represent concernsof individuals or groups of people that involve some aspectof the government. By the United States in Covress Assembled, Proclamation. 18th Century Broadside issued by the Continental Congress, 1788 ABROADSIDE is a single sheet of paper printed on one side. Designed to be circulated, broadsides are well-suited for speaking out on current events: editorializing, moralizing, proclaiming, and commencing. They first appeared in the 15th century with the invention of printing presses. BY the 16th and 17th centuries broadsides were used in England as a cheap popular way to spread ideas and report events. In the American colonies broadsides appeared as soon as the first printing presses were set up. Colonial broadsides were created within a rich English tradition of broadside ballads, satirical or humorous poems, editorials, announcements, and K I N G, advertisements. The broadside was a place for proclaiming complex ideas and arguments as well as entertaining a wide public with ribald verse. The English government and the Continental Congress PROCLAMATION, printed broadsides to communicate their acts, regulations, For SuppiefEng Rehellkm add Sedition. and proclamations to colonists. When colonists began to GEORGE R. rebel against English rule, George III issued a two-page H ER LAI ese.y car Ote S.here,s rr. +leen Peel of Ow Colo- n." and reinte.. Amenno.nell.el Sy iteepreo. broadside in which he condemned acts of sedition and ers1 .11.1414r.g him arst birertsr. the r1.7 tet h. sad dikw.lerty Ads tr.r.eate4 Whew.. the rebk urged his "obedient and loyal subjects to use their utmost re... to me 01.14.1.3. c.4 ksrhel Crwemetce. sod 4o the mac. ol O. lor.1 Wessels ram., en ehe have . Endeavors to withstand and suppress such Rebellion, and {mph reosesek...1 nrew ...ell ROMS.. 4 7 ',.T. ink &catch. hothle Mannce is enthilsod the toe..., el awl to disclose and make known all Treasons and traitorous osommiliiemoornip adenot, an! Ierprit Mar wiwit Ct. Conspiracies which they shall know to be against Us, Our AND where. doe is Radon lo .eperhow1 A. loch Rebell.. Imo& Iwo eseedt rammed .easenie4 by the ...mumCartelprndencss e....l.the sod Cosi:. diratInek..1 sag dept.. Performed. this RetIenT. Ow 1..eltherefav. Crown and Dignity" (fig. 2). the. nese of Ove 5.b.tle may areglaet suele. ther Dom looms. thesseie la .1.1.0 wry Webs of a. Prated.. shsil the Law .64 to On December 6, 1775, the Continental Congress Loysley s.A4 74.., We he.s ticroght A. I. seal .01, A. Pory Ce...J. to .111. th.. Che Itoysi hcrel. &den; thes rot ooky responded to George Ill's proclamation with a broadside ol Oficen, ouri Wary. ,ec .134.goi slvt Over teented gado. printed by John Dunlap of Philadelphia (fig.
Recommended publications
  • CIMM Library, by Title, 6/22/2020
    CIMM Library, by Title, 6/22/2020 Author Title Dewey Keywords Gudde, 1000 California place names: their Erwin 979.4 GUD Names, Geographical -- California origin and meaning Gustav Howarth, Great Britain -- History -- Norman David 1066 : the year of the conquest 942.02 HOW period,, 1066-1154, Hastings, Battle Armine of, England, 1066 Wise, James May 1975 - Gulf of Thailand - The 14-hour war 972.956 WIS E. Vietnam War Discoveries in geography -- Chinese, Voyages around the world, MENZIES, 1421: THE YEAR CHINA 910.951 MEN China -- History -- Ming dynasty, GAVIN DISCOVERED THE WORLD 1368-1644, Ontdekkingsreizen, Wereldreizen MENZIES, 1434 945.05MEN GAVIN Galleons -- Juvenile literature, Humble, Seafaring life -- History -- 16th A 16th century galleon 623.822 HUM Richard century --, Juvenile literature, Galleons, Ships -- History Great Britain -- History, Naval -- 18th century, Santa Cruz de 1797 : Nelson's year of destiny : Cape Tenerife, Battle of, Santa Cruz de, White, St. Vincent and Santa Cruz de 940.27 WHI Tenerife, Canary Islands, 1797, Colin Tenerife Cape Saint Vincent, Battle of, 1797, Nelson, Horatio Nelson, Viscount, 1758-1805 --, Military leadership 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction Goodwin, The 20-gun ship Blandford 623.8 BLA gunship, Blandford Peter Adams, Jack 21 California Missions 979.4 ADA Missions, California, Paintings L.
    [Show full text]
  • Papers/Records /Collection
    A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L.
    [Show full text]
  • Broadsides Collection 1793-1994
    ARIZONA HISTORICAL SOCIETY 949 East Second Street Library and Archives Tucson, AZ 85719 (520) 617-1157 [email protected] MS 970 Broadsides Collection 1793-1994 DESCRIPTION “Broadsides” referred to a promotion on any size sheet that was printed on one or both sides. Often quickly and crudely produced in large numbers and distributed free, broadsides are intended to have an immediate popular impact and then to be thrown away. Historically, broadsides have informed the public about news, publicized official proclamations and government decisions, announce entertainment events, advocate politi- cal and social causes, advertised products and services, and celebrated popular literary and musical efforts. Rich in detail and variety, and sometimes with striking illustrations, broadsides offer vivid insights into the activities and attitudes of a population. The broadsides in this collection document events taking place in and/or affecting Arizona. 1 box, 13 drawers, 2 shelves, 1 rare box, 55.5 linear ft. ACQUISITION The papers in this collection have been collected since the 19th century. Many of them were transferred from other collections at the Historical Society while some items have been received as single donations. ACCESS There are no restrictions on access to this collection. COPYRIGHT Requests for permission to publish material from this collection should be addressed to the Arizona Histori- cal Society-Tucson, Archives Department. PROCESSING Dena McDuffie processed this collection in January 2002. ARRANGEMENT Many of the documents in this collection are oversize. Oversize documents are arranged according to the same Series as the regular-size materials. Most oversize documents are housed in the Broadsides Cabinet; ex- tra large oversize documents are on the shelves adjacent to the cabinet; and rare broadsides are in the rare cage.
    [Show full text]
  • World War Posters Dates: 1914-1945 Collection Number: H.Mss.0966 Extent: 330 Posters Repository: Claremont Colleges
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5kj7 No online items Guide to the World War Poster collection Finding aid prepared by Carolyn Keim, 2012 Special Collections, Honnold/Mudd Library Claremont Colleges Library, Claremont University Consortium 800 North Dartmouth Ave Claremont, CA, 91711 Phone: (909) 607-3977 Email: [email protected] URL: http://libraries.claremont.edu/sc/default.html © 2012 Claremont University Consortium. All rights reserved. Guide to the World War Poster H.Mss.0966 1 collection Descriptive Summary Title: World War posters Dates: 1914-1945 Collection number: H.Mss.0966 Extent: 330 posters Repository: Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711 Abstract: This collection consists of propaganda posters from both World War I and World War II from the perspective of the Allied powers. While the majority of the posters in this collection are products of the United States government, this collection includes some posters from other countries, Britain and France, and from nongovernmental organizations such as the American Library Association, the Red Cross, the YMCA/YWCA, and private businesses. Physical location: Please consult repository. Languages: Languages represented in the collection: English and French. Access This collection is open for research. Publication Rights All requests for permission to reproduce or to publish must be submitted in writing to Special Collections. Preferred Citation [Identification of item], World War Posters (Collection H.mss.0966). Special Collections, Honnold/Mudd Library, Claremont University Consortium. Accruals No additions to the collection are anticipated. Processing Information Posters were sleeved in archival polyester and arranged by topic and size in archival folders.
    [Show full text]
  • Special Double Issue ™
    VOLUME 10 NUMBER 1-2 PUBLISHED by J. RUSSELL JINISHIAN © SUMMER / FALL 2008 / $12.00 Special Double Issue ™ An Insider’s Guide to Marine Art for Collectors and Historians What’s Inside: • Latest News from Today’s Premier Marine Artists, Learn What they’re Working on in their Studios right now • Latest Marine Art Sales & Prices • Marine Art Exhibitions Across the Country • Upcoming Auctions • Book Reviews Two classic views of America’s Busiest 19th Century Harbor by the Dean of New York Steamship Painters… William G. Muller Bound for Fall River, Steamer PROVIDENCE Passing under the Brooklyn Bridge, 1885 Oil 26” x 38” $35,000 William G. Muller East River Nocturne, New Haven Line Steamer RICHARD PECK Approaches the Brooklyn Bridge, 1895 Oil 28” x 46” $40,000 Information on purchasing the Artwork pictured in the MARINE ART QUARTERLY may be obtained by contacting the Publisher, J. Russell Jinishian at (203) 259-8753 or [email protected] News From the Artists s always, there has been a great deal of activity Carolina (spartanburgartmuseum.org). Next summer ing their western lifestyle and surrounding natural in the marine art world over the last six months you can find it at the New Bedford Art Museum in beauty, offered great support and encouragement to Aincluding exhibitions, workshops and projects New Bedford, Massachusetts (newbedfordartmuseum. artists. Over the last 20 years, large, private collec- by dedicated marine artists all over the globe. So let’s org). See our Exhibition Pages for actual dates. tions have been amassed, and
    [Show full text]
  • List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
    National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced.
    [Show full text]
  • 72186 Dickinson.Qxp:Bulletin 2005-2006
    FRIENDS of The Trout Gallery dickinson college carlisle, pennsylvania 2007–2008 Letter from the Director Bulletin he 2007–2008 sea- son represents yet another important The Friends of T year for The Trout Gallery THE TROUT GALLERY Vol. 4, 2007–2008 in virtually all aspects of its operations including the The Bulletin is published annually by Outreach Program, exhibi- the Friends of The Trout Gallery tions, collections develop- Editor, Stephanie Keifer ment, and facilities. After delivering count- THE TROUT GALLERY Carlisle, Pennsylvania 17013 less educational programs 717–245–1344 fax 717–254–8929 without a dedicated class- Visitor at opening of A Kiowa’s Odyssey www.dickinson.edu/trout room, the museum’s [email protected] Outreach Program began DIRECTOR its 24th season offering Phillip Earenfight classes in the newly opened Mumper-Stuart Education Center. Through the creation of this ideal teaching space, the outreach staff expands the nature and scope of its programs to REGISTRAR EXHIBITIONS PREPARATOR members of the Dickinson College and central Pennsylvania community. The Trout James Bowman Gallery is most thankful for the generous donation that made this new programming space possible. OUTREACH PROGRAM CURATOR OF EDUCATION To inaugurate the new educational classroom, The Trout Gallery opened its exhibition Wendy Pires series with A Kiowa’s Odyssey: A Sketchbook from Fort Marion. Similar to Writing on Hands: Memory and Knowledge in Early Modern Europe before it, this exhibition, curated and OUTREACH PROGRAM PUBLICITY COORDINATOR organized by The Trout Gallery, brings to light innovative scholarship through an impor- Dottie Reed tant exhibition catalogue, a national tour, and an interactive educational Web site.
    [Show full text]
  • Framed, Oil on Canvas Signed WHD Koerne
    !!!! MATTHEWS GALLERY 669 Canyon Road Santa Fe, NM 87501 505.992.2882 "March Without Glory" 14 x 36" unframed, 22 x 44.5" framed, oil on canvas Signed WHD Koerner, lower right Inscribed on back stretcher bar "Mad Hack Henderson All day the column plodded forward" Note: Illustration for a story by Peter Clarke MacFarlane which appeared in the Saturday Evening Post, Dec 13, 1919, volume 192. ARTIST INFORMATION Wilhelm Heinrich Detlev Körner (1878–1938), also known as Wilhelm Heinrich Dethlef Koerner, William HD Koerner, WHDK, or W.H.D. Koerner, was a noted illustrator of the American West whose works became known to new audiences when his painting, nicknamed A Charge to Keep, was used as the cover image for the ghostwritten biography by the same name by George W. Bush. This painting, which hung in the Oval Office during the Bush presidency was of especial interest to journalists due to the interpretation given by Mr. Bush of the painting's meaning in light of the meaning and title attached to the painting by the artist. Biography: William Henry Dethlef Koerner is renowned as one of the master illustrators of Americaʼs Wild West, ranking with Frederic Remington, Charles M. Russell, Phillip R. Goodwin, and Harvey Dunn. Koernerʼs illustrations are known for his bold brushwork with a vibrant color palette which enabled his vigorous depictions of the ʻGreat American West,ʼ emblemic images of those untamed territories. Born in Lunden, Holstein, Germany, Koernerʼs parents immigrated to Clinton, Iowa when he was three years old. Although he had little art training as a youth, his raw talent was always obvious to his parents and to everyone who viewed his sketches.
    [Show full text]
  • American Paintings, Furniture & Decorative Arts
    AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Wednesday, October 4, 2017 NEW YORK AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS AUCTION Wednesday, October 4, 2017 at 10am EXHIBITION Saturday, September 30, 10am – 5pm Sunday, October 1, Noon – 5pm Monday, October 2, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-117 Barbara Anspach Prints 118-128 Patricia S. Bradshaw Furniture & Decorations 129-176A Charles Austin Buck Silver & Silver Plate 177-213 An East Hampton Estate Property of a New York Private Collector 214-255 Anne H. and John K. Howat Furniture & Decorations 256-288 Eleanor Johnson Carpets & Rugs 289-311 The Collection of Willa Kim and William Pène du Bois George Labalme, Jr. A Manhattan Lady A New York and Connecticut Estate A New York Estate A New York Lady A New York Private Estate Glossary I Helen Olson Conditions of Sale II Harry Oppenheimer Terms of Guarantee IV Yousseff Rizkallah Information on Sales & Use Tax V The James P. and Joan M. Warburg Collection Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM Formerly in the Inventory of Berry-Hill Galleries, New York A Connecticut Collector The Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center A Mid-Atlantic Museum to Benefit the Acquisitions Fund A New York City Private Collector A New York Collector A New York Museum A Pennsylvania Collection A Private Minneapolis Collection A Prominent New York Family The Collection of Bennett and Judie Weinstock AMERICAN PAINTINGS & SCULPTURE Lot 45 1 3 4 5 1 3 4 6 American School John Johnston Thomas Sully Rembrandt Peale 19th Century American , 1752-1818 American, 1783-1872 American, 1778-1860 Portrait of a Seated Child in a Red Dress Portrait of Mrs.
    [Show full text]
  • World War 2 Merchant Marine Related Nautical Fiction
    UC Berkeley Library References Title Cruel Seas: World War 2 Merchant Marine-Related Nautical Fiction from the 1930s to Present Permalink https://escholarship.org/uc/item/4sf3p53v Author Krummes, Daniel C Publication Date 2015-11-06 Supplemental Material https://escholarship.org/uc/item/4sf3p53v#supplemental eScholarship.org Powered by the California Digital Library University of California Cruel Seas : World War 2 merchant marine related nautical fiction Cruel Seas : World War 2 Merchant Marine-Related Nautical Fiction from the 1930s to Present An Annotated Bibliography of Short Stories, Novels & Novellas by Daniel C. Krummes, Director Emeritus Harmer E. Davis Transportation Library University of California, Berkeley A-B | C-D | E-F | G-H | I-J | K-L | M-N | O-P | Q-R | S-T | U-Z Acknowledgements Introduction Fiction Timeline Authors' Wartime Experiences Subject Index Cruel Seas Goes to the Movies index.html[11/5/15, 5:23:48 PM] Cruel Seas : World War 2 merchant marine related nautical fiction New Additions Comments A-B | C-D | E-F | G-H | I-J | K-L | M-N | O-P | Q-R | S-T | U-Z Home | Previous page | Next page Copyright © 2004-2008 Daniel Krummes All rights reserved. Page created September 24, 2004; Updated April 28, 2008. index.html[11/5/15, 5:23:48 PM] Cruel Seas : World War 2 merchant marine related nautical fiction Cruel Seas : World War 2 Merchant Marine-Related Nautical Fiction from the 1930s to Present An Annotated Bibliography of Short Stories, Novels & Novellas AUTHORS A-B A-B | C-D | E-F | G-H | I-J | K-L | M-N | O-P | Q-R | S-T | U-Z Home | Previous page | Next page A Adams, Cleve (1895-1949) "Homicide Honolulu Bound." In: Detective Fiction Weekly, vol.
    [Show full text]
  • Pyle-Exhibition-At-D
    Contact: Sara Bliss FOR IMMEDIATE/WEEKEND RELEASE Tel: (401) 851-8949 March 22, 2017 Email: [email protected] Website: www.americanillustration.org PREMIERE OF HOWARD PYLE, HIS STUDENTS & THE GOLDEN AGE OF AMERICAN ILLUSTRATION “The only distinctly American Art is to be found in the Art of Illustration.” – Howard Pyle The National Museum of American Illustration (NMAI) in Newport, RI, is pleased to announce the debut of a new traveling exhibition, which will premiere on April 3rd at Drexel University’s Pennoni Honors College, Philadelphia, PA. A concurrent exhibition of the same theme will be on display at the NMAI beginning Memorial Day Weekend, May 26th, the start of the NMAI’s summer season. Howard Pyle, His Students & the Golden Age of American Illustration is a exhibition featuring oil paintings, works on paper, and accompanying artifacts that highlight the work of Howard Pyle, known as the “Father of American Illustration”, and the generation of celebrated illustrators he taught. In 1894, Pyle founded the first School of Illustration in America at Drexel Institute of Art, Science and Industry, now Drexel University, shaping the way illustrators created artworks thereafter. “A.J. Drexel founded the Drexel Institute in 1891, and when he did, he made it clear that his vision should be accessible for both men and women from all backgrounds, which was unique for a college of that time period,” said Paula Marantz Cohen, Pennoni Honors College dean. “Pyle’s time at Drexel undoubtedly shaped the field of American Illustration. He was an early parallel advocate of Drexel’s philosophy of ‘learning by doing’ encouraging his students to go out into the world to study their subject matter, an approach reflected in Drexel’s present-day Co-op program.” Howard Pyle taught at the Drexel Institute until 1900 when he founded the Howard Pyle School of Illustration in Wilmington, Delaware.
    [Show full text]
  • 2013 Issue #2
    Flint Institute of Arts fiamagazine MAR–APR 2013 from the director 2 Board of Trustees Samuel M. Harris exhibitions 3–8 President Honorary Trustee Katharine W. Eiferle Elizabeth Neithercut video gallery 9 First Vice-President Marilyn Kopp featured acquisition 10 Secretary Administration Diane Lindholm John B. Henry, III art on loan 11 Treasurer Director Elizabeth S. Murphy Kathryn K. Sharbaugh calendar 12 Immediate Past-President Assistant Director of Development fi l m s 1 3 – 1 4 Michael J. Behm Susan Steiner Bolhouse Michael A. Melenbrink Assistant Director of news & programs 15–19 Eleanor E. Brownell Finance & Administration James D. Draper Jeff Garrett art school 20–21 Shannon Easter White Assistant Director of the Art School Chris Flores education 22–26 Tracee J. Glab Mona Hardas Associate Curator of membership 27–30 Janice T. Harden Exhibitions Louis A. Hawkins Monique M. Desormeau contributions 31–34 Armando Hernandez Curator of Education art sales & rental gallery 35 Lynne Hurand Linda J. LeMieux founders travel 36 Thomas B. Lillie Thomas J. Mitchell museum shop 37 Robert S. Piper Michael Rucks Ira A. Rutherford Elisabeth Saab Grayce Scholt David T. Taylor D.J. Trela Claire M. White Michael Wright contents Dean Yeotis Cover Image From the exhibition Reflections on Water in American Painting: The Phelan Collection William Merritt Chase American, 1849–1916 Ponte Alla Grazia, The Arno - Florence (detail) oil on wood panel, 1909 6.125 x 9.25 inches Collection of Arthur J. Phelan FROM THE DIRECTOR 2 In addition to the many exhibitions, reading, talk about art to develop a programs, and events listed in this personal language and vocabulary, issue, the FIA continues to lay the utilize informal discussions with groundwork for future service to the other children to reinforce language community.
    [Show full text]