Screenwriter’s Monthly Vol. 02 No. 03 April 2003 Interviews 5 DAVID AYER GETS DARK After a successful script doctoring career, and after writing the script that 25 gave Denzel Washington his Oscar for Training Day, Ayer took on anoth- er sort of corrupt cop story, Dark Blue. Find out what he thinks about cor- rupt cops and about the system of breaking into Hollywood. 11 JOHN LOGAN’S WRITING TREK After writing hits like Any Given Sunday and Gladiator—for which he was nominated for an Oscar, and before going on to high profile projects about Abraham Lincoln, Howard Hughes, and a sequel to Gladiator— John Logan just wanted to write an episode of Star Trek. And with the 10th film in the series, he got his chance. 29 THE ROAD LESS TRAVELED After Rush Hour became a hit, Ross LaManna knew he could pretty much do anything he wanted. But instead of going for the money, he did what he always wanted to do—write a book. 5 Editorial - Analysis - Columns Staff/Contributors 4 Editor’s Note - Dark Blue Script Review Publisher/Editor Chris Wehner 14 A Screenwriting Life - John Logan (
[email protected]) 16 The Mentor Figure in the Modern Cop Film Associate/Copy Editor 18 Craig Griffin Top 10 Cop Movies 21 Art Director The Last Word - Anger Management, Holes, Identity Chas Weygant 22 P.O.V. - Cops & Robbers Interviews 25 Fred Topel Origins of the Modern Police Drama Harry Caul 26 Kenna McHugh Gunslingers, Gangsters, Gumshoes, and G-Men Contributors 28 A Screenwriting Life - David Ayer Michael B.