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2018 FWD President Craig Hughes INSIDE: Conventions • Moh • Lou Laurel • Camp Fund 2 X Match • 2018 Officer Reports Ray S
Westunes Vol. 68 No. 1 Spring 2018 2018 FWD President Craig Hughes INSIDE: Conventions • MoH • Lou Laurel • Camp Fund 2 x Match • 2018 Officer Reports Ray S. Rhymer, Editor • Now in his 17th year EDITORIAL STAFF Editor in Chief Northeast Division Editor Ray S. Rhymer [email protected] Roger Perkins [email protected] Marketing & Advertising Northwest Division Editor David Melville [email protected] Don Shively [email protected] Westags Newsletter Southeast Division Editor Jerry McElfresh [email protected] Greg Price [email protected] Arizona Division Editor Southwest Division Editor Bob Shaffer [email protected] Justin McQueen [email protected] Westunes Vol. 68 No. 1 Features Spring 2018 2018 Spring Convention Remembering Lou Laurel International Quartet Preliminary Contest, Southeast A Past International President and Director of & Southwest Division Quartet and Chorus Contests, two different International Champion chapters is 3 and the FWD High School Quartet Contest. 8 remembered by Don Richardson. 2018 Arizona Division Convention 2018 Harmony Camp Celebrating the 75th year of Barbershop in Mesa, AZ Hamony Camp will be held again in Sly Park, CA with with Harmony Platoon, AZ Division Quartet and Chorus Artistic License and Capitol Ring assisting. Tell the 4 & Harmony Inc. Chorus Contests & AFTERGLOW. 9 young men in your area about it. 2018 NE & NW Division Convention Lloyd Steinkamp Endowment Fund Northeast and Northwest Division Quartet and Cho- A major donor stepped up to “double” match 5 rus Contests in Brentwood, CA, a new location. 10 contributions in 2018. 2017 Int’l Champion Masters of Harmony Marketing Wisely on a Shoe-String Budget A Masters of Harmony update after winning their first David Melville brings a different view of marketing - gold medal in San Francisco in 1990 and their ninth in you may rethink your procedures after reading this 6 Las Vegas in 2017 .. -
HISTORY of BARBERSHOP Compiled by David Wright
HISTORY OF BARBERSHOP compiled by David Wright Lesson 4: REVIVAL Music of the thirties. By the late thirties, the kinds of songs that were woodshed had become a thing of the past. Harmonies had become even more sophisticated with the advent of the big band sound, in which avoidance of "obvious" chording prevailed. The major chord was replaced by the sixth, major seventh, or even more obscure substitutes; the dominant was replaced by minor seventh, diminished, or tritone substitute. We should note that the old style didn't vanish altogether. In certain haunts one could still hear the happy sound of the old ragtime style of earlier times, which characterized the "barbershop" era. One musician who thrived on this music into the forties was the great Thomas E. ("Fats") Waller, who composed, sang, and played stride piano in the old style. Although the songs he wrote himself show some of the "swing" influences of the thirties ("Honeysuckle Rose" (1929), "Ain't Misbehavin'" (1929)), many of the songs he popularized were of the style of the twenties, like "It's A Sin To Tell A Lie" (1936) and "(Oh Susanna) Dust Off That Old Piano" (1934). One of his best recordings was "Dinah," recorded in 1935. (In 1978 the musical revue "Ain't Misbehavin'" appeared on Broadway, featuring the music of Fats Waller.) Owen C. Cash. Owen Clifton Cash, born 1892, was a man who had been profoundly influenced by the musical customs of the early 1900's, the tradition of singing popular music with woodshedded harmony. He was the son of a Baptist minister, who moved the family westward by wagon from northern Missouri (where Cash was born) to the town of Keytesville in Cherokee Indian Territory, later to become part of Oklahoma. -
History of Barbershop
HISTORY OF BARBERSHOP By David Krause and David Wright Definition of barbershop harmony. Read: Definition of Barbershop Harmony, from the Forward of the Contest and Judging Handbook. The Purpose Of This Course. We will attempt to trace the roots and the evolution of barbershop harmony from well before its actual beginnings up to the present. We will try to answer these questions: What were the tides of history which spawned the birth of the barbershop quartet, and what environment allowed this style of music to flourish? What were its musical forerunners? What are its defining characteristics? What other types of music were fostered contemporaneously, and how did they influence the growth of quartet singing? Which styles are similar, and how are they similar? How did the term "barbershop" arise? How long did the historical era of the barbershop quartet last? What other kinds of music sprang forth from it? Why did the style eventually need preservation? How was SPEBSQSA formed, and how did it become a national movement? What other organizations have joined the cause? How have they coped with the task of preservation? Are current day efforts still on course in preserving the style? How has the style changed since the Society was formed? We will spend the next few hours contemplating and attempting to answer these questions. Overtones. As barbershoppers, we are very conscious of the "ringing" effect which complements our singing. We consider it our reward for singing well- defined pitches in tune. The fact that a tone produced by a voice or an instrument is accompanied by a whole series of pitches in addition to the fundamental one which our ear most easily detects has been known for centuries. -
Salt Lake City, Utah June 30 - July 7, 2019
EVERYONE IN HARMONY Salt Lake City, Utah June 30 - July 7, 2019 Welcome back to Salt Lake City! It has been fourteen years since our International convention was held here in 2005, and it is great to be Don’t miss the back to enjoy the local culture and hospitality along with opportunity to meet thousands of barbershop performers and fans from and talk with Dick around the world. Powell and other Society leaders at the Town Hall Meeting We have a busy week planned, so pace yourself and take Saturday at noon in in all the quartet, chorus, and Next Generation contests; Little America Hotel - the AIC Family Harmony, World Harmony Showcase, and Sawtooth. Saturday Night Spectacular shows; and select from over 75 Harmony University classes running throughout the week. And don’t forget the Tag Zones! Take advantage of the opportunity to renew old friendships, create new ones, and sing and ring tags with singers young and old. Say hello to someone you’ve never met and invite them to sing a tag with you. By the time you leave Salt Lake City, you’ll have made dozens of new friends. Above all, savor the warm, accepting, and encouraging culture that is the hallmark of our Society. Thank you for joining my wife Roxanne and me to celebrate our love of music and witness first-hand the power of Everyone in Harmony! Yours in harmony, Society President Schedule of Events MONDAY 7/1 TUESDAY 7/2 8 a.m. Society Board Society Board L.A. = Little America Hotel 9 a.m. -
Heritage of Harmony
Heritage of Harmony ,Edited by Val Hicks ' oaie', for 'qe Preaervaiion and . Inaouragemeni of l ar~er ' qOp t uarie' ' inging in l meriaa Heritage of Harmony Edited by Val Hicks ~ooie'J ,for ibe ~relervaUon and Inoouragemeni Qf ~arber ~bo, tuariei ~inging in imerioa Harmony Hall, Kenosha, Wisconsin Heritage of Harmony Copyright 1988, S.P.E.B.S.Q.S.A" Inc. International Ollice 6315 Third Avenue Kenosha, Wisconsin 53140 First Edition June 1988 All Rights Reserved Publishing Services, New Past Press, Inc., Friendship, Wisconsin 53934. Cover Design, Sandhill Studio, Green Lake, Wisconsin 54941. Printing, Action Printing, Fond du Lac, Wisconsin 54935. PRINTED IN THE UNITED STATES OF AMERICA Library oj Congress Cataloging in Publication Data Heritage oj Harmony. Discography, p. Bibliography, p. Includes Index. 1. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America-History. 1. Hicks, Val, 1933· II. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America. M127.U5S664 1988 784.5 88·17928 ISBN 0·938627·04·X (pbk.) ii Contents Introduction: Heritage of Harmony v Preface: Only in America vi Chapter 1 The Golden Age of Quartets (1890 - 1920) 1 Chapter 2 Jazzin' It Up (1920s - 1930s) 8 Chapter 3 The Dream of 0. C. Cash (1940s) 14 Chapter 4 Here Come the Judges 28 Chapter 5 The Teen Years (1950s) 38 Chapter 6 Coming of Age (1960s) 57 Chapter 7 Growing Sophistication (1970s - 1980s) 69 Chapter 8 The Second Half-Century 80 Editor's Epilogue 87 Historical Material and References 89 District Boundaries Through the Years 90 Logopedics Contributions 91 Membership Growth: Statistics and Graphs 92 Conventions Through the Years 94 International Presidents 102 International Secretaries and Executive Directors 103 Brief Histories of B.A.B.S. -
Everyone in Harmony
EVERYONE IN HARMONY ORLANDO, FLORIDA July 1 - 8, 2018 Cruise and Sing! Feb. 24 to Mar. 3, 2019 Harmony on the Harmony 2.0 Cruise and sing with Tony De Rosa, Deke Sharon, & VOCTAVE Come join us for a week-long cruise on the Harmony of the Seas as we sing with two of the best a cappella coaches in the world. We sing for the whole ship! Don’t miss out! Reserve your spot now: CruisenSing.com • 855-627-8473 WELCOME TO I’m thrilled that you can join us for what I believe will be remembered as one of several milestone conventions in our history! Our inauspicious start began 80 years ago as an inward-facing group of men who gathered to sing for their own personal enjoyment. We grew over the next two decades but only began outreach efforts to impact lives other than our own in 1959, when we established Harmony Foundation. We continued to focus our charitable efforts externally by supporting therapy for autistic youth until the late 1990s, and only began our “modern” journey circa 2003 with Harmony Foundation supporting Society singing programs such as the program that has grown into the wildly successful Youth Chorus Festival, noted for facilitating truly intergenerational singing. Fast forward to 2017, when more than two years of member feedback and strategic planning efforts culminated in the announcement of our new vision, “Everyone in Harmony.” Since adopting the Everyone in Harmony vision, the Society Board and Harmony Hall staff have been working diligently to design and begin implementation of programs aligned to the vision. -
Paradigm Shift
FG1299 Självständigt arbete, grundnivå inom lärarprogram (musik som ämne 2), 15 hp Ämneslärarexamen med inriktning mot arbete i gymnasieskolan 2019 Institutionen för musik, pedagogik och samhälle (MPS) Handledare: Annika Falthin Rasmus Krigström Paradigm Shift The musical developement of barbershop harmony between 1939-2018. Preface This might seem more like a disclaimer than a preface, but I would like to state the following: This study is not about finding out who, or what group, contributed most to the evolution of the barbershop style during its eighty years on the contest stage, it is simply when and how it changed; that is the focus. Any example, notated or sound-clip, that is used is chosen more or less at random, because all groups – every single champion quartet – has something unique that is worth mentioning, and there were too many good examples, so I had to just choose. I would also like to thank everyone who helped me along the way, especially Michael Slamka for the rich contribution of recordings of early quartets, Kevin Keller for guidance and document researching, Ben Ayling for his dissertation of the twenty-five first champs, and David Wright for his material in barbershop history and for simply being David Wright. ii Sammanfattning Barbershopkvartettsång har sedan mitten av 1800-talet vuxit fram som en unik genre med rötter i USA. År 1938 startades en organisation med målet att bevara genren, som då höll på att dö ut. Ett år efter att organisationen startade började man hålla årliga tävlingar för att kora den bästa kvartetten, dessa tävlingar har nu pågått i åttio år och de har spelat en viktig roll för att hålla genren i god vigör. -
The Definitive Barbershop Album You Must Own!
• ~ 1966 International ~~~"lII'lt~.h 'llI Chorus Winners ~ .....".~... .'O""' ,~. ' ' ~ - ,.., _." ..... ....... ~ ".,,',,~., ~, . 1966 International BARBERSHOP CHORUS WIHNERS • Thorough· THE TOP TEN BARBERSHOP QUARTETS OF 1966 • Auto Towners • bred Chorus' Dapper Dans Of Harmony· Chordsmen • Coast Four Rascals· Four Statesmen • Golden Staters • Sun downers men' Sun Harbor Chorus DL 47B6(M) • DL 74786(S) • Doo-Dads • Four·Do-Matics • Oriole Four' Checkmarks • Far Westerners DL 4787(M) • DL 74787(S) The Definitive Barbershop Album You Must Own! THE BEST OF BARBERSHOP' 25 YEARS OF WIIIIIERS • Oaki. Four' Bartlesvill. -{ahe 'ilest of 'ilarbershoP} Barflies • flat Foot four • Chord Busters • Elastic Four • Four Harmonizers • Harmony Halls • Misfits • Garden State Quartet • Doctors Of Harmony • Pitts burghers· Mid State Four· Buffalo Bills· Schmitt Brothers· four Teens· Vikings • Orphans • Four Hearsemen • Confederates' lads Of Enchantment • Gay Notes • Four Pitchikers • Evans Quartet· Sun Tones' Gala lads' Town and Country Four ~ DXB·180IM) ~®lF D&jj~m1ThW$J WBEBSIIOP ~~ DECCA RECORDS All Oet(o Bgrbe,~hop reu"dl may be p""choled f'om: Your loco I record deCller Of by (on totting S.P.E.B.S.O.S.A. Incorporoled, 6315 Third Av."...., Kenosha, Wiltonl;" 531<11. March -April VOL. XXVII 1967 No.2 International Board of Directors I11fematiollal Officers Pusident, }amfS $t('(dman, 616 Dc1:lware RO:td, Ken mOlt'. New York I,Un Immediate P.m President, Reroie \'(frighl, Arden Farms THE HARMONIZER is Ihe oHicil\ publication 01 rhe Sodery (or rhe Pfuerution and Co., 1900 W. Slauson, l.o5 Angdes, California Eocouragemenl of Dlrber Shop Quane! Singing in America, Inc. It is published in Ihe 90047 monrhs of January, March, May, July, September and Nov:m»er at 6315· 3rd Avenue, ht Vice President, Fred C. -
Cjhe Onec;Pj;Ic'el~ 7Ie S~ Are Singing Your Song
CJhe Onec;pj;ic'el~ 7ie S~ Are Singing Your Song Theme From Godfather Memories Sunrise Sunset Matchmaker· Fiddler on the Roof· If I Were A Rich Man' Yankee Doodle Dandy . Danny Boy May Each Day' Down The Lane of Memory· Show Me Where The Good TImes Are . If They Wrote'em in'The Good Old Days' , Want To Hear A Yankee Doodle Tune· Old Songs Medley Sweet Adeline' Let Me Call You Sweet heart . Bicycle Built for Two, Annie Rooney. The Band Played On' Carolina Moon' 'Till We Meet Again' Wedding Bells, Heart of My Heart, Story of a Rose' Meet Me Tonight In Dreamland . My Gal Sal· Harrigan, Mary's aGrand Old Name' Moon Medley' Bye, Bye, Blues' They Didn't Believe Me Tennessee Waltz No, No, Nora· My Buddy' I'm Going Back to Carolina' A little Street Where Friends Meet· Just AB und Ie of Old Love Letters' S~ St1t9 - Delight your family and friends with this West Side Story complete collection of the SUNTONES recordings. ~ SetJeIl4t a.u( StWe - Single album $6; any two $11; any three $16; each additional album $3.00. Single tape $7; any two $13; additional tapes $5. Sft«'at 94t Padage - Any combination of eight albums Watch What Happens' By The Time I Get To Phoenix· Jean' $25.00; Any combination of eight 8-track or cassette tape $35.00; Lollipops And Roses' If I Fell . one address only, Their Hearts Were Full of Spring· Hospitality L1da Rose' Jerome "Touch of Old Songbook" - $5.00 Kern Medley· F inlan's RalnbO'N Medley' Old Folks Sheik of Araby Make checks payable to; SUNRISE RECORDS P.O. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer pnnter. The quality of this reproduction is dependent upon the quality of the copy submitled. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margkis, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to t)e removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6"x9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zdeb Road, Ann Arbor, Ml 48106-1346 USA UMI 800-521-0600 AN HISTORICAL PERSPECTIVE OF INTERNATIONAL CHAMPION QUARTETS OF THE SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OF BARBER SHOP QUARTET SINGING IN AMERICA. 1939-1963 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Benjamin Charles Ayling II, B.M., M.M. -
The Heritage Hall Museum of Barbershop Harmony Presents: Medalist Trivia Individual Me
The Heritage Hall Museum of Barbershop Harmony Presents: Medalist Trivia ---------------------------------------------------------------------- Original compilation: Ruth Blazina-Joyce Periodic updates: Robert Sutton, Alexandria, VA chapter ---------------------------------------------------------------------- Individual Medalist Trivia Most medals of any kind won by one person: 12 Number of guys to win 12 medals: 1 Most gold medals won by one person: 4 Number of guys to win 4 gold medals: 1 First to double-gold medal: Mo Rector Quickest to do so: Al Rehkop, Glenn Van Tassell and Joe Connelly First quartet to have all members double-gold medal: Interstate Rivals First quartet to win with all past gold medalists: Crossroads Most silver medals won by one person: 5 Number of guys to win 5 silver medals: 4 Most 3rd-place bronze medals won by one person: 4 Number of guys to win 4 3rd-place medals: 3 Most 4th-place bronze medals won by one person: 4 Number of guys to win 4 4th-place medals: 5 Most 5th-place bronze medals won by one person: 4 Number of guys to win 4 5th-place medals: 4 Number of guys to win all 5 medals (in any order): 9 Most voice parts medaled with by one person: 3 Number of guys to medal with 3 voice parts: 2 First guy to medal with two voice parts: Glenn Howard: 1939, 1941 Number of guys to win gold with two voice parts: 5 Don Barnick = Grandma's Boys 1979, Keepsake 1992 Brian Beck = Dealer's Choice 1973, Side St. Ramblers 1983 Tony DeRosa = Keepsake 1992, Platinum 2000, MaxQ 2007 Gary Lewis = Platinum 2000, MaxQ 2007 Glenn -
Internation Quartet Contest Summary
Take A Look At The Past -- A History of the International Quartet Contest -- 2014 -2010 2014--------------Las Vegas, Nevada 2013-----------------Toronto, Ontario 2012----------------Portland, Oregon 2011----------Kansas City, Missouri 2010----Philadelphia, Pennsylvania 1 Musical Island Boys (NZABS)- 8058 1 Masterpiece (FWD)--------------8041 1 Ringmasters (SNOBS)-----------8253 1 Old School (MAD)----------------8090 1 Storm Front (RMD)--------------8220 2 Forefront (CAR)-------------------8021 2 Musical Island Boys (NZABS)---8002 2 Musical Island Boys (NZABS)---8017 2 Musical Island Boys (NZABS)---7969 2 Old School (MAD)----------------8163 3 Main Street (SUN)----------------8015 3 Mighty Wind, A (DIX)-----------7924 3 A Mighty Wind (DIX)------------8005 3 Masterpiece (FWD)---------------7855 3 Ringmasters (SNOBS)------------7868 4 Mighty Wind, A (DIX)-----------7976 4 Main Street (SUN)----------------7825 4 Masterpiece (FWS)----------------8004 4 A Mighty Wind (DIX)------------7831 4 Musical Island Boys (NZABS)---7841 5 Lemon Squeazy (SNOBS)-------7918 5 Forefront (CAR)-------------------7758 5 Main Street (SUN)----------------7954 5 Main Street (SUN)----------------7726 5 The Allies (JAD)------------------7829 6 Crush, The (FWD)----------------7819 6 Crush, The (FWD)----------------7708 6 Throwback (SUN)-----------------7816 6 Forefront (CAR)-------------------7669 6 Masterpiece (FWD)---------------7741 7 Throwback (SUN)-----------------7777 7 Throwback (SUN)-----------------7693 7 Forefront (CAR)-------------------7784 7 Men in Black