Barbershop Musi~ ') Training Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018 FWD President Craig Hughes INSIDE: Conventions • Moh • Lou Laurel • Camp Fund 2 X Match • 2018 Officer Reports Ray S
Westunes Vol. 68 No. 1 Spring 2018 2018 FWD President Craig Hughes INSIDE: Conventions • MoH • Lou Laurel • Camp Fund 2 x Match • 2018 Officer Reports Ray S. Rhymer, Editor • Now in his 17th year EDITORIAL STAFF Editor in Chief Northeast Division Editor Ray S. Rhymer [email protected] Roger Perkins [email protected] Marketing & Advertising Northwest Division Editor David Melville [email protected] Don Shively [email protected] Westags Newsletter Southeast Division Editor Jerry McElfresh [email protected] Greg Price [email protected] Arizona Division Editor Southwest Division Editor Bob Shaffer [email protected] Justin McQueen [email protected] Westunes Vol. 68 No. 1 Features Spring 2018 2018 Spring Convention Remembering Lou Laurel International Quartet Preliminary Contest, Southeast A Past International President and Director of & Southwest Division Quartet and Chorus Contests, two different International Champion chapters is 3 and the FWD High School Quartet Contest. 8 remembered by Don Richardson. 2018 Arizona Division Convention 2018 Harmony Camp Celebrating the 75th year of Barbershop in Mesa, AZ Hamony Camp will be held again in Sly Park, CA with with Harmony Platoon, AZ Division Quartet and Chorus Artistic License and Capitol Ring assisting. Tell the 4 & Harmony Inc. Chorus Contests & AFTERGLOW. 9 young men in your area about it. 2018 NE & NW Division Convention Lloyd Steinkamp Endowment Fund Northeast and Northwest Division Quartet and Cho- A major donor stepped up to “double” match 5 rus Contests in Brentwood, CA, a new location. 10 contributions in 2018. 2017 Int’l Champion Masters of Harmony Marketing Wisely on a Shoe-String Budget A Masters of Harmony update after winning their first David Melville brings a different view of marketing - gold medal in San Francisco in 1990 and their ninth in you may rethink your procedures after reading this 6 Las Vegas in 2017 .. -
~Keep the Wiiole World Singing
~ KEEP THE WIIOLE WORLD SINGING (i) The 2000 Intemational Chorus and Quartet Contests..... Videos, Cassettes and Compact Discs. Order now and save!! tttM'~ 'tv1 tM'ketp1..c«:.e- Stock # Item Description Qty Each Total SPEBSQSA, Inc. 4652 2000 Quartet Cassette $11.95 6315 Harmony Lane 4653 2000 Chorus Cassette $11.95 Kenosha. WI 53143-5199 order both· save $4.00 (800) 876-7464 Pax: (262) 654-5552 4654 2000 Quartet CD $14.95 Delivery in time for Christmas giving in 4655 2000 Chorus CD $14.95 2000. order both - save $5.00 4165 2000 VHS Quartet Video $24.95 Please ship my order to: 4166 2000 VHS Chorus Video $24.95 Name, _ order both· save $5.00 4118 2000 *PAL Quartet Video $30.00 Sireel _ 4119 2000 *PAL Chorus Video $30.00 City _ order both· save $10.00 Total for merchandise SlalelProv ZIP _ 5% Sales Tax (Wis. residents only) Subtotal SPEBSQSA membership no. _ Shipping and handling (see below) Chapler name & no. _ Total Amount enclosed US FUNDS ONLY Use yOll MBNA America credit card! *pAL (European Formal) !,YISA.,! ..... PackClges set" to separate (ufdresses require separate pOS/(lge. Please mId: Credit card cuslomers only: US Dnd Canadian shipments Foreign shipments (your card wifl be charged /Jrior to the anticipated 56.00 shipping and handling charge $15.00 overseas shipping and handling charge de/il'el)' date) Please charge my _ Mastercard _Visa Account No. Expires _ Soptomborl Oclobor 2000 T VOLUME EHARMONl~R LX NUMBER • : f • •• ••• • 5 THE SMOOTH TRANSFER OF POWER. Exhausted from their year as champs, FRED graciously passes the title to PLATINUM. -
HISTORY of BARBERSHOP Compiled by David Wright
HISTORY OF BARBERSHOP compiled by David Wright Lesson 4: REVIVAL Music of the thirties. By the late thirties, the kinds of songs that were woodshed had become a thing of the past. Harmonies had become even more sophisticated with the advent of the big band sound, in which avoidance of "obvious" chording prevailed. The major chord was replaced by the sixth, major seventh, or even more obscure substitutes; the dominant was replaced by minor seventh, diminished, or tritone substitute. We should note that the old style didn't vanish altogether. In certain haunts one could still hear the happy sound of the old ragtime style of earlier times, which characterized the "barbershop" era. One musician who thrived on this music into the forties was the great Thomas E. ("Fats") Waller, who composed, sang, and played stride piano in the old style. Although the songs he wrote himself show some of the "swing" influences of the thirties ("Honeysuckle Rose" (1929), "Ain't Misbehavin'" (1929)), many of the songs he popularized were of the style of the twenties, like "It's A Sin To Tell A Lie" (1936) and "(Oh Susanna) Dust Off That Old Piano" (1934). One of his best recordings was "Dinah," recorded in 1935. (In 1978 the musical revue "Ain't Misbehavin'" appeared on Broadway, featuring the music of Fats Waller.) Owen C. Cash. Owen Clifton Cash, born 1892, was a man who had been profoundly influenced by the musical customs of the early 1900's, the tradition of singing popular music with woodshedded harmony. He was the son of a Baptist minister, who moved the family westward by wagon from northern Missouri (where Cash was born) to the town of Keytesville in Cherokee Indian Territory, later to become part of Oklahoma. -
History of Barbershop
HISTORY OF BARBERSHOP By David Krause and David Wright Definition of barbershop harmony. Read: Definition of Barbershop Harmony, from the Forward of the Contest and Judging Handbook. The Purpose Of This Course. We will attempt to trace the roots and the evolution of barbershop harmony from well before its actual beginnings up to the present. We will try to answer these questions: What were the tides of history which spawned the birth of the barbershop quartet, and what environment allowed this style of music to flourish? What were its musical forerunners? What are its defining characteristics? What other types of music were fostered contemporaneously, and how did they influence the growth of quartet singing? Which styles are similar, and how are they similar? How did the term "barbershop" arise? How long did the historical era of the barbershop quartet last? What other kinds of music sprang forth from it? Why did the style eventually need preservation? How was SPEBSQSA formed, and how did it become a national movement? What other organizations have joined the cause? How have they coped with the task of preservation? Are current day efforts still on course in preserving the style? How has the style changed since the Society was formed? We will spend the next few hours contemplating and attempting to answer these questions. Overtones. As barbershoppers, we are very conscious of the "ringing" effect which complements our singing. We consider it our reward for singing well- defined pitches in tune. The fact that a tone produced by a voice or an instrument is accompanied by a whole series of pitches in addition to the fundamental one which our ear most easily detects has been known for centuries. -
THE BEST of BARBERSHOP-25 Years of Barbershop Auar, {[H.'Ilesf of 'Ilarb.Rshop} Let Champions
(j ( ) "announC!f;ng• THE INTERNATIONAL CHAMPIONS FOR 1964 ('J onlyon \' ................I THE TOP TEH BARBERSHOP QUARTETS Of 1964 Official S. P. E. B. S. Q. S. A. Recording Sidewinders: Riverside, California· Four Renegades: Skokie, Oak Park, Illinois and Gary, Indiana • The Nighthawks: london, Ontario· Four Rascals: Marblehead, Massachusetts 1964 INTERNATiONAL BARBERSHOP CHORUS WINNERS • Impostors: Skokie, County line, Illinois' Auto Towners: Official S. P. E. B. S. Q. S. A. Recording Dearborn, Michigan' Golden Staters: Arcadia, California' Border Chorders: EI Paso, Texas' Miamians: Miami, Florida Journeymen: Cascade, Oregon • Four-Do-Mallcs: Seattle, • Chorus Of The Dunes: Gary, Indiana' Smokeyland Chorus: Washington • BayTown Four: Berkeley and Marin, California. Knoxville, Tennessee· Riverside Chorus: Riverside, Cali· Ol4512·0l745121SI fornia. Ol4513' Ol 745131S) '.- .. now IlVllilllble! ~ ~I THE BEST Of BARBERSHOP-25 Years of Barbershop auar, {[h.'ilesf of 'ilarb.rshoP} let Champions. An attractive two·record set, including an annotated, illustrated history of 25 years of Barbershop "r - Quartet Champions. A Classic Collection! 1~~T -- OX·1BO YEAJlSOF ....... 1 I ~NNI\YS l@ I I I-~~l}f vI_ I OECC:Iil :',I';C~AO• u ~, j ..,' Ii> " All Decca Bafbefshop ,ecoId.. may be purchased !10m: Your local record dealer or by contacting S.P.LB.S.Q.S.A., Incorporated. 6315 Third Avenue. Kenosha. Wisconsin 53141. ( March-April VOL. xxv 1965 No.2 International Board of Directors In/emational Officers President, Albtl[ L. Smith, Jr., P.O. Box 111~H. POIt WOr/h. Tuas - 76110 THE HARMONIZER is tht official publication of Ihe Sociely for lhe Pft'strvalion and Immedialc PJS( Prnidenr. D,ln \'\'astlchuk, \·\14 Biem· Encouragtmtnr of DJrbcr Shop Quarlt't Singing in America, Inc. -
HISTORY of BARBERSHOP Compiled by David Wright
HISTORY OF BARBERSHOP compiled by David Wright Lesson 8: GUARDIANSHIP Judging reform. The next decade would see a change of judging systems that would slow the evolution of the style, so that change in the this era would be far less profound than in the previous. At the same time, the barbershop sound continued to undergo refinement. A disqualification at International. At the Los Angeles contest a quartet called the Potomachords was disqualified on Arrangement for the song "This Is All I Ask." The implied harmonic content of this song was not considered to be in the barbershop style. Such disqualifications were rare at the time, and the situation was not handled well. The announcement was made from the stage, following their performance: "The Potomochords have been disqualified for a flagrant violation of the barbershop style." Later Arrangement Category Specialist Sam Stahl apologized for this in the Harmonizer. I do not know of any other disqualification at an International Contest. The Executive Committee subsequently recommended to the C & J Committee that henceforth disqualifications should not be announced from stage, but rather, simply be noted on the score sheet. This became the practice, and remains in place today. (In 1993 the term “forfeiture” replaced “disqualification”.) Grundy writes “Each Time I Fall In Love”. At one time, Lyle Pilcher, who was a good friend of S. K. Grundy's, had told the Sundowners to write to Grundy for music. This was at about the time Grundy was moving to California to work for Lawrence Welk, and he never answered. In 1967 at the Los Angeles Convention, Lyle encountered Grundy and jokingly reminded him that he had never responded to the Sundowners' request. -
Tags for Women's Voices
ClassicClassic TagsTags for women’s voices Compiled by David Wright Assisted by Jim Bagby, Kevin Keller, and David Krause PREFACE Barbershop tag singing is surely one of the finest traditions arising from vocal harmony. A tag is a short passage consisting of an arrangement’s ending, or coda, which is taught and sung in sessions of informal chord- ringing. The tag allows four singers to quickly blend their voices in a few seconds of blissful harmony without the burden of learning an entire song. This manual is an anthology dedicated to the perpetuation of this practice. We have endeavored to chronicle the tag-singing of today and yesterday by collecting the “classic” tags—those which have become lore by virtue of having been repeated and passed along from harmonizer to harmonizer. Most of these tags originated within the barbershop community, but a few from neighboring vocal styles have been embraced by barbershoppers and are therefore included as well. It should be noted that some of the tags contain chords which are not accepted in a barbershop contest. We have simply recorded the tags the way they are usually sung, with no editorial “corrections”. An effort was made to determine the origin of each tag, but this proved to be an impossible task. The source of many of these little gems seems lost in the murky past, perhaps never to be ascertained. When possible we have identified the tag’s arranger and an approximate date of origin; if the tag was popularized by a particular performer, we have so indicated. The tags appear in no particular order, and no consistent method was applied in labeling them. -
HISTORY of BARBERSHOP Compiled by David Wright Lesson 6: TRANSFORMATION
HISTORY OF BARBERSHOP compiled by David Wright Lesson 6: TRANSFORMATION Smooth harmony groups of the 1950's. Some of the old professional quartet men from the early 1900s later formed studio back up groups like the Revelers as the thirties style came into vogue. These groups evolved and adopted the harmonies of the era, and through the forties developed a style which can be viewed as a first cousin of the barbershop style. These smooth singing groups are typified by the arranging of Gene Puerling and his quartet, the Hi Lo's. This style achieved its zenith in popularity in the '50s with another group, the Four Freshmen, who had begun singing together as young boys, harmonizing in the barbershop style. Other groups that would spring forth: The Four Coins ("Shangri-La"), The Ames Brothers ("Sentimental Me"), The Modernaires ("The Lamplighter's Serenade"), The Four Aces ("Love Is A Many Splendored Thing"), The Four Lads ("Standing On The Corner"), The Brothers Four ("Green Fields"), The Kingston Trio ("Tom Dooley"), The Andrews Sisters ("In Apple Blossom Time"), The King Sisters ("Imagination"), and The Chordettes ("Mr. Sandman"). Gospel quartet style. Another type of singing which has as its foundation the old quartet style is the gospel quartet, both white and black. In the country churches and backwoods of the United States there developed in the '30's and '40's a gospel quartet tradition which reached fruition in the fifties as a professional style. Probably the first and most of the early white gospel quartets was the Blackwood Brothers Quartet. These quartets stayed with traditional harmonies, for the most part, and the songs they wrote have all the harmonic content typical of the barbershop style. -
" I Pray That We Will All Continue to Provide Hope .Lor Tllis Abandoned
EHARMON "Ipray that we will all continue to provide hope .lor tllis abandoned generation. l1tey are, {~fier all, tile Olles II'ho will inherit tile earth. " SELECTIONS FROM COOL YULE INCLUDE: You're A Mean One, Mr. Grinch custom arrangement by Greg Volk, bass solo by Joel T. Rutherford • The First Noel custom arrangemenl by G,ammy'U \',;00"09 arranger Jproducer I singer,l.Iervyn \'/auen (formerly \'.ith Take 6) Kay Thompson's JIngle Bells perfOl'med \'.ith ab:g baoo, \'ocal adaptation by Joel T. Rutherford Happy Holidays / Holiday Season Medley custom arrangement by Greg Vo!l< The Christmas Song S·parl arrangement by Frank OIoebaum, teaturing Wendy Wilson DeCro\'! Mary Had A Baby arrangement by David Wright COOl Yule performed I',ith a b:g band, vocal custom arrangement b'J Greg Volk Sliver Bells custom arrangement by Greg Volk Little Saini Nick performed \',i!h instlUmenlal accompaniment, "ala the Beach Boys' Auld Lang Syne 'ala the Beach Boys' Pine Cones & Holly Berries lit's 8eglnnlng To Look A Lot Like Christmas Medley performed with instrumenlal accompaniment, featUfing lhe VOCAL !.lAJORITY and ACOUSTIX o Little Town of Bethlehem auangemenl by Joel T. Rutherford Other ACOUSTIX tilles include "Jazz, Jazz, Jazz", "Stars & Stripes" and "The New Science of Sound". ACOUSTIX PRODUCTIONS also distributes CDs and lapes from the SUNTONES, IIle VOCAL MAJORITY, the DEALER'S CHOICE, the BLUEGRASS STUDENT UNION. We also distribute, Ihe award-winning barbershop documentary, VHS video "VOICES", produced by Seven Rays Pictures. Call us TOLL-FREE -
Salt Lake City, Utah June 30 - July 7, 2019
EVERYONE IN HARMONY Salt Lake City, Utah June 30 - July 7, 2019 Welcome back to Salt Lake City! It has been fourteen years since our International convention was held here in 2005, and it is great to be Don’t miss the back to enjoy the local culture and hospitality along with opportunity to meet thousands of barbershop performers and fans from and talk with Dick around the world. Powell and other Society leaders at the Town Hall Meeting We have a busy week planned, so pace yourself and take Saturday at noon in in all the quartet, chorus, and Next Generation contests; Little America Hotel - the AIC Family Harmony, World Harmony Showcase, and Sawtooth. Saturday Night Spectacular shows; and select from over 75 Harmony University classes running throughout the week. And don’t forget the Tag Zones! Take advantage of the opportunity to renew old friendships, create new ones, and sing and ring tags with singers young and old. Say hello to someone you’ve never met and invite them to sing a tag with you. By the time you leave Salt Lake City, you’ll have made dozens of new friends. Above all, savor the warm, accepting, and encouraging culture that is the hallmark of our Society. Thank you for joining my wife Roxanne and me to celebrate our love of music and witness first-hand the power of Everyone in Harmony! Yours in harmony, Society President Schedule of Events MONDAY 7/1 TUESDAY 7/2 8 a.m. Society Board Society Board L.A. = Little America Hotel 9 a.m. -
Heritage of Harmony
Heritage of Harmony ,Edited by Val Hicks ' oaie', for 'qe Preaervaiion and . Inaouragemeni of l ar~er ' qOp t uarie' ' inging in l meriaa Heritage of Harmony Edited by Val Hicks ~ooie'J ,for ibe ~relervaUon and Inoouragemeni Qf ~arber ~bo, tuariei ~inging in imerioa Harmony Hall, Kenosha, Wisconsin Heritage of Harmony Copyright 1988, S.P.E.B.S.Q.S.A" Inc. International Ollice 6315 Third Avenue Kenosha, Wisconsin 53140 First Edition June 1988 All Rights Reserved Publishing Services, New Past Press, Inc., Friendship, Wisconsin 53934. Cover Design, Sandhill Studio, Green Lake, Wisconsin 54941. Printing, Action Printing, Fond du Lac, Wisconsin 54935. PRINTED IN THE UNITED STATES OF AMERICA Library oj Congress Cataloging in Publication Data Heritage oj Harmony. Discography, p. Bibliography, p. Includes Index. 1. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America-History. 1. Hicks, Val, 1933· II. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America. M127.U5S664 1988 784.5 88·17928 ISBN 0·938627·04·X (pbk.) ii Contents Introduction: Heritage of Harmony v Preface: Only in America vi Chapter 1 The Golden Age of Quartets (1890 - 1920) 1 Chapter 2 Jazzin' It Up (1920s - 1930s) 8 Chapter 3 The Dream of 0. C. Cash (1940s) 14 Chapter 4 Here Come the Judges 28 Chapter 5 The Teen Years (1950s) 38 Chapter 6 Coming of Age (1960s) 57 Chapter 7 Growing Sophistication (1970s - 1980s) 69 Chapter 8 The Second Half-Century 80 Editor's Epilogue 87 Historical Material and References 89 District Boundaries Through the Years 90 Logopedics Contributions 91 Membership Growth: Statistics and Graphs 92 Conventions Through the Years 94 International Presidents 102 International Secretaries and Executive Directors 103 Brief Histories of B.A.B.S. -
Barbershopping in the Carolinas 1948-2010
Barbershopping in the Carolinas 1948-2010 Volume II – 1960-1969 Published by the Carolinas District of the Barbershop Harmony Society 2019 i Table of Contents Chapter Growth ...................................................................................................... 1 Notable Achievements ........................................................................................... 2 Dixie District Considerations ................................................................................. 4 New Chapters ......................................................................................................... 7 Pitt County (Greenville, NC) .............................................................................. 7 Piedmont (Salisbury, NC) ................................................................................... 8 Raleigh, NC....................................................................................................... 10 Rock Hill, SC .................................................................................................... 14 Columbia, SC .................................................................................................... 15 Spartanburg, SC ................................................................................................ 20 Florence, SC ...................................................................................................... 24 Greenville, SC ................................................................................................... 26 Greater