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Ing Items Have Been Registered
ACCEPTANCES Page 1 of 37 June 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alrekr Bergsson. Device. Per saltire gules and sable, in pale two wolf’s heads erased and in fess two sheaves of arrows Or. Brahen Lapidario. Name and device. Argent, a lozenge gules between six French-cut gemstones in profile, two, two and two azure, a base gules. The ’French-cut’ is a variant form of the table cut, a precursor to the modern brilliant cut. It dates to the early 15th Century, according to "Diamond Cuts in Historic Jewelry" by Herbert Tillander. There is a step from period practice for gemstones depicted in profile. Hrólfr á Fjárfelli. Device. Argent estencely sable, an ash tree proper issuant from a mountain sable. Isabel Johnston. Device. Per saltire sable and purpure, a saltire argent and overall a winged spur leathered Or. Lisabetta Rossi. Name and device. Per fess vert and chevronelly vert and Or, on a fess Or three apples gules, in chief a bee Or. Nice early 15th century Florentine name! Símon á Fjárfelli. Device. Azure, a drakkar argent and a mountain Or, a chief argent. AN TIR Akornebir, Canton of. Badge for Populace. (Fieldless) A squirrel gules maintaining a stringless hunting horn argent garnished Or. An Tir, Kingdom of. Order name Order of Lions Mane. Submitted as Order of the Lion’s Mane, we found no evidence for a lion’s mane as an independent heraldic charge. We therefore changed the name to Order of _ Lions Mane to follow the pattern of Saint’s Name + Object of Veneration. -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 27 August 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Ceara Cháomhanach. Device. Purpure, a triquetra Or between three natural tiger’s heads cabossed argent marked sable. There is a step from period practice for the use of natural tiger’s heads. Serena Milani. Name change from Eydís Vígdísardóttir (see RETURNS for device). The submitter’s previous name, Eydís Vígdísardóttir, is retained as an alternate name. Valgerðr inn rosti. Device. Argent, three sheep passant to sinister sable, each charged with an Elder Futhark fehu rune argent, a bordure gules. AN TIR Ailionóra inghean Tighearnaigh. Device change. Argent, a polypus per pale gules and sable within a bordure embattled per pale sable and gules. The submitter’s previous device, Argent, on a bend engrailed azure between a brown horse rampant and a tree eradicated proper three gouttes argent, is retained as a badge. Aline de Seez. Badge. (Fieldless) A hedgehog rampant azure maintaining an arrow inverted Or flighted sable. Nice badge! Alrikr Ivarsson. Name (see RETURNS for device). The submitter requested authenticity for an unspecified language or culture. Both name elements are in the same language, Old East Norse, but we cannot say for sure whether they are close enough in time to be authentic for a specific era. Anna Gheleyns. Badge (see RETURNS for device). Or, a rabbit rampant sable within a chaplet of ivy vert. Annaliese von Himmelreich. Name and device. Gules, a nautilus shell argent and on a chief Or three crows regardant sable. Annora of River Haven. Name. River Haven is the registered name of an SCA branch. -
Baily's Beads
2018 Volume XXIII Number 1 Baily’s Beads University of Pittsburgh at Bradford 300 Campus Drive, Bradford, PA 16701 Baily’s Beads are the highest points of light that appear around the edge of the moon at the solar eclipse. The beads are created by sunlight passing through the moon’s valleys. The last bead is the brightest, resembling a diamond on a brilliant ring. This phenomenon lasts but a few spectacular moments. Cover art, “Women,” is a drawing word art study in visual texture by Erica Isenberg. The piece on this page is a digital photography piece by Bryanna Stahlman. Submission Guidelines Baily’s Beads is always looking for original pieces that reflect our community, culture, or current events in a distinctive and inventive way. We accept poetry, fiction, performance poetry, music compositions, and creative nonfiction (memoirs, essays, commentaries, interviews, and travel and nature writing). We also accept art: photography, paintings, drawings, mixed media, and sculpture. If you would like to submit your work for the next issue, please send it to [email protected] with a separate cover sheet containing your name, contact information (address, e-mail, and phone), title of your piece, and genre or medium. So that the staff may judge anonymously and fairly, we ask that your name does not appear on the work itself. We ask that you double-space prose and single-space poetry. Authors may submit up to twenty pages. Images should have a resolution of 300 dpi and be saved as a jpeg file to ensure a high quality print. We ask that each author/artist submit no more than ten pieces each year. -
AN TIR Aine Paixdecoeur. Reblazon of Device. Or, a Natural Whale Naiant to Sinister Base Sable Between Two Bendlets Wavy All Between Two Roses Vert Seeded Or
ACCEPTANCES Page 1 of 17 August 2005 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: AN TIR Aine Paixdecoeur. Reblazon of device. Or, a natural whale naiant to sinister base sable between two bendlets wavy all between two roses vert seeded Or. The whale was originally blazoned a sperm whale. The submitter contacted the College of Arms and indicated that the blazon was not acceptable; it was reblazoned simply as a whale on the Errata letter of 02/2005. We would have changed it back to a sperm whale, but for the submitter's preference. However, a whale with no other modifiers indicates a heraldic monster, which this is not. Therefore we have reblazoned it as a natural whale. Armatus Kamateros. Name and badge. Azure, a cross potent argent between six mullets of eight points in annulo Or. The submitter requested an authentic 10th C Byzantine name, but accepted no changes. Although the name Armatus is found in a list of Byzantine names, the source for that list tends to normalize and Latinize the names. AHM Jones, The Prosopography of the Later Roman Empire, A.D. 527-641 vol III, shows an example from a Greek inscription from 575/576 from Thrace; the spelling in the transcription would usually be transcribed as Armatos. If the submitter is interested in an fully Greek name, we suggest this spelling. Please advise the submitter to draw the cross larger, as befits a primary charge. Ása Starradóttir. Device. Argent, a reindeer salient contourny sable and on a chief gules three coronets argent. The submitter is a duchess and thus entitled to display the coronets. -
1St Series, Volume 3
CONTENTS . VOL . III . PAGE I. Pedigree of Marney 1 II . Architectural Notes on Layer Marney Hall , Essex ; and on the Parish Church Adjoining . By CHARLES FORSTER HAY WARD 16 III . A Letter , containing Further Particulars in further illustration of the Early History of Waltham Abbey . By SIR HENRY ELLIS , K.H. 33 IV . The Influence of the County of Essex on the Settlement and Family History of New England . By COLONEL JOSEPH LEMUEL CHESTER 37 V. The Church of St. Nicholas , Little Coggeshall . By the Rev. W. J. DAMPIER 48 VI . Ancient Wills ( No. 2 ) . By H. W. KING 53 VII . The Shaksperes of Essex . By AUGUSTUS CHARLES VELEY 64 Pedigree of the Shaksperes of Stratford on Avon . Pedigree of the Shaksperes of Essex . VIII . Ancient Wills ( No. 3 ) . By H. W. KING 75 IX . The Strangman Pedigree . By H. W. KING 95 X. Roman Sepulchral Remains at East Ham , read at the Meeting at Leytonstone , held February 16th , 1864. By the Rev. E. F. BOYLE 104 XI . Comparative Notes on the Roman Sarcophagus and Leaden Cofins discovered at East Ham . By H. W. KING 110 The Strangman Pedigree — Addendum 116 XII . A Translation of the First Book of Palladius on Husbondrie , Edited from a MS . of the 15th Century . By BARTON LODGE , A.M. 117 Corrigenda to ditto 162 Glossary to ditto 163 XIII . Ancient Wills ( No. 4 ) . By H. W. KING .. 167 XIV . The Tyrell Badge . By H. W. KING .. 198 XV . Notes on a Monumental Brass Effigy in Great Parndon Church . By GEORGE H. ROGERS HARRISON , F.S.A. -
Heraldic Badges, We
P/zoto . S ooner p . ) F 1 0 I . f f - A ee eater (Tower o London) in his full dre ss unifo rm s ho win the B , g o f “ e ancient method earing the badg . ARTH UR CH ARL ES FO " - DAVIES ’ O F L x N O L - - C N s IN N , BA R R IST ER AT LA W WIT H NUME ROUS I L L U S T R A T I O N S LO DO : OH LA THE BODL Y H AD N N J N NE , E E N EW YORK : OH LA CO PA Y C VI I J N NE M N . M M WI L I M L W L D L S . L A C O ES A N D SON S , LT D . , O N DON A N BECC E L IS T OF IL L US TR A TION S F IG . 1 A f T ower o f L f - s . Bee eater ( ondon) in his ull dre s uni f n o f orm , showing the a cient method wearing the badge Frontispie ce T O F AC E PAG E 2 o f E f 2 2 . The Badge ngland , rom the Royal Warrant o f f 3 . The Badge Scotland , rom the Royal Warrant e of f 4 . The Badg Ireland , rom the Royal Warrant o f f 5 The second Badge Ireland , rom the Royal War rant 6 fl o f U f . The ( oral) Badge the nited Kingdom , rom the Royal Warrant o f U n f t he 7 . -
Elton, a H, Clevedon Court, Part II, Volume 27
ET SOfVIERS COURT, CLEN/EDOfsl ; Proceedings of the Somersetshire A rchceological and Natural History Society, 1881 , Part IL PAPERS, ETC. (ft ev$&mx (ftrnri BY SIR ARTHUR II ALL AM ELTON", BART. ET us suppose ourselves to be standing in front of Clevedon L Court. It is not difficult to grasp its character. Some- “ one has described a Cathedral as a frozen poem.” The same idea would apply to Clevedon Court, only ^frozen” sounds too cold a word. The Court, like many other old mansions, has, as it were, grown of itself. It has been enlarged, and it has been ill-used ; it has- been, in short, considerably knocked about, and yet it has taken all quietly and pleasantly. It gathers up all reasonable additions ; and cold and grim as they may at first appear, time does wonders, and what threatened to do hurt, ends in bringing a new development of beauty. Just let us glance at the front elevation ; it is well known to many. The two Elizabethan gables on the west ; the old Tower or Turret next to those gables ; the projecting rooms, in the upper one of which you can see the tracery of the square window the broad recess overlooked by the Hall window ; the Entrance New Series, Vol. FII., 1881 , Part II. A 2 Papers , &c. Porch the old ; beautiful Elizabethan gable adjoining ; then the Kitchen, covered with the pomegranate. The last was evidently- placed at a moderate angle from the Elizabethan gable, in order that the inmates might keep watch, when necessary, over the Entrance Porch. -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 30 March 2019 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Anna Leigh. Badge. (Fieldless) On a rose sable barbed vert a wolf’s head cabossed argent. Kumagaya Kentarou Masamoto. Device. Sable, six mitsutomoe three and three Or. Please see this month’s cover letter for a discussion on mitsutomoe. There is a step from period practice for the use of mitsutomoe. Yamamoto Tokutarou Hikaru. Device change. Argent, a mitsutomoe within a well frame sable. Please see this month’s cover letter for a discussion about mitsutomoe. In the March 2017 registration of the device of Sarah of Boston, it was ruled, "Well-frames have been registered recently with no note about being a step from period practice. As the charge can also be blazoned in Western terms, as four billets or laths fretted as in mascle, we are explicitly ruling that well-frames are not a step from period practice." There is a step from period practice for the use of mitsutomoe. The submitter’s previous device, Argent, on a pellet a triskelion argent, all within and conjoined to a Japanese well-frame sable, is released. AN TIR Marured verch Gwilym. Name. Originally submitted as Marured verch David ap Gwilim, this name was pended on the October 2018 Letter of Acceptances and Returns for discussion of whether the medieval Welsh poet Dafydd ap Gwilym is important enough to protect. If he is, then this name would need to be returned as a presumptuous claim to be his daughter under PN4A and PN4D of SENA. However, we do not need to rule on this issue at this time. -
Bringing Balance Feeding the Spirits
With the present crisis around North Korea, the spirits have been whispering in my ears for many days about doing something ceremonial for the situation. Here, I am offering a ‘Bringing Strength to the Spirits Offering Ceremony,’ and a ‘Bringing Balance Ceremony’ using a drum. I will lay out the form of both ceremonies - you can either copy them, or ask your own spirits for your own ceremonies. The important thing is you do something, if you feel moved to. As I go, I will explain how my ceremonies can be adapted, if you don’t have the same ritual equipment I do. A LITTLE BACKGROUND About five years ago I had a ‘big dream.’ In this dream I was working with a group of Mongolian shamans - a group I have worked with many times in my dreams. We were gathering together in Mongolia to do a ceremony and some healings, as we have before, when all of a sudden, a very ragged figure walked across the grassy steppe to us. When he reached us, he told us he was a shaman from North Korea, and he had walked across China to come to us to ask us for our help. We talked to him and he explained the spirits of the Korean people were in trouble, and so we went with him, in a group, to North Korea, and there met Generals in the Korean government. The Generals were very distressed, because they knew - on a very deep level - that they were on a road to nowhere with their regime, and they also knew they had separated themselves from the spirits of the land and their ancestors, and their sacred ways. -
The-Pursuivant-Of-Arms-Or-Heraldry-Founded-Upon-Facts.Pdf
600022745Q THE PURSUIVANT OF ARMS. i-y &JttHtmorial Gkt^ip^ .of Xnjm Beamfert Dttk of JStmo? i'iom Ms Garter Hale in S! @torg# Compel, Wratyi'tfr ^r Ji. Haxdmcfce, .192 Piccadilly. i»« April 1859." THE PURSUIVANT OF ARMS; OK, HERALDRY FOUNDED UPON EACTS. BY J. R. PLANCH E, Rouge Croix. " My attempt is not of presumption to teach (I myself having most need to be taught), but only to the intent that gentlemen who seek to know all good things and would have an entry into this, may not And here a thing expedient, but rather, a poor help thereto." Leigh's Accedence op Armorie. NEW EDITION. WITH ADDITIONS AND CORRECTIONS. LONDON: ROBERT HARDWICKE, 192, PICADILLY. AND ALL BOOKSELLERS. M<rq 2/<9. a,, 4-6- TO SIR CHARLES GEORGE YOUNG, Knt, GARTER KING OF ARMS, &c. &c. &c. DEAR SIR CHARLES, I have much pleasure in inscribing this little volume to you. + .„. A personal acquairi,tarice-""©f /nearly five and twenty years might, of itself, have entitled me to the privilege of thus expressing my respefct Jor an able antiquary, and esteem for a woTflpJ^mmi : but as Garter King of Arms, you have a double claim to this trifling tribute, independently of that of private friendship : Firstly, as the principal officer of a Corporation to which my best thanks are due for the courtesy of all, and the assistance of many of its members. Secondly, as one of that body, most competent to judge of the difficulties which beset the study of Heraldic Antiquities, and the real value of the results of such labour. -
Heraldry As Art : an Account of Its Development and Practice, Chiefly In
H ctwWb gc M. L. 929.6 Ev2h 1600718 f% REYNOLDS HISTORICAL GENEALOGY COLLECTION ALLEN COUNTY PUBLIC LIBRARY 3 1833 00663 0880 HERALDRY AS ART HERALDRY AS ART AN ACCOVNT OF ITS DEVELOPMENT AND PRACTICE CHIEFLY IN ENGLAND BY G W. EVE BTBATSFORD, 94 HIGH HOLBORN LONDON I907 Bctlkr & Tanner, The Selwood Printing ^Vobks, Frome, and London. 1GC0718 P r e fa c e THE intention of this book is to assist the workers in the many arts that are concerned with heraldry, in varying degrees, by putting before them as simply as possible the essential principles of heraldic art. In this way it is hoped to contribute to the improve- ment in the treatment of heraldry that is already evident, as a result of the renewed recognition of its ornamental and historic importance, but which still leaves so much to be desired. It is hoped that not only artists but also those who are, or may become, interested in this attractive subject in other ways, will find herein some helpful information and direction. So that the work of the artist and the judgment and appreciation of the public may alike be furthered by a knowledge of the factors that go to make up heraldic design and of the technique of various methods of carrying it into execution. To this end the illustrations have been selected from a wide range of subjects and concise descriptions of the various processes have been included. And although the scope of the book cannot include all the methods of applying heraldry, in Bookbinding, Pottery and Tiles for example, the principles that are set forth will serve ;; VI PREFACE all designers who properly consider the capabilities and limitations of their materials. -
British Heraldry (1921)
BERKELEY / LIBRARY ^ UNIVERSITY OF CALIFORNIA J BRITISH HERALDRY BRITISH HERALDRY I, Arms of James I. 2, Great Seal of Scotland BRITISH HERALDRY CYRIL DAVENPORT V.D.. J.P., F.S.A. WITH 210 ILLUSTRATIONS BY TH^ AUTHOR NEW YORK E. P. DUTTON AND COMPANY PUBLISHERS Digitized by the Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.archive.org/details/britislilieraldryOOdavericli — CKicii CONTENTS CHAPTER I PAGE The Beginnings of Armory—The Bayeux Tapestry—Early Heraldic Manuscripts—The Heralds* College—Tourna- ments I CHAPTER n Shields and their Divisions— Colours a; d their Linear Repre- sentations as Designed by Silvestro Petra Sancta—Furs Charges on Shields— Heraldic Terms as to position and Arrangement of Charges—Marshalling—Cadency—How to Draw Up Genealogical Trees 13 CHAPTER HI Badges and Crests— List of Crests of Peers and Baronets, 191 2- 1920 53 CHAPTER IV Supporters—List of Supporters of Peers and Baronets, 1912- 1920 .143 CHAPTER V The Royal Heraldry of Great Britain and Ireland . 200 Index 217 166 — —— LIST OF ILLUSTRATIONS rms of James I. Great Seal of Scotland . Frontispiece PAGE late I. Ancient Heraldry 2 I. English Shield from the Bayeux Tapestry—2. North American Tent with Armorial Totem—3. Rhodian Warrior with Armorial Shield 4. Standardof Duke William of Normandy— 5. Greek figure of Athene with Armorial Shield— 6. Norse Chessman with Armorial Shield 7. Standard of King Harold— 8. Norman Shield from the Bayeux Tapestry—9. Dragon Standard of Wessex. ate II. Divisions of Shields of Arms, etc 14 I. Paly—2. Bendy Sinister—3. Lozengy—4, Barry—5.