Globe a Journal of Language, Culture and Communication

Total Page:16

File Type:pdf, Size:1020Kb

Globe a Journal of Language, Culture and Communication Globe A Journal of Language, Culture and Communication Theme: Places and (dis)placement Editors of this volume: Christina Schoux Casey, Marie Møller Jensen Vol. 5 2017 Globe: A Journal of Language, Culture and Communication Editors-in-Chief Rita Cancino, Aalborg Universitet Aase Voldgaard Larsen, Aalborg Universitet Lotte Dam, Aalborg Universitet Editorial Board Lise-Lotte Holmgreen, Aalborg Universitet Inger Lassen, Aalborg Universitet Anne Grethe Julius Pedersen, Aalborg Universitet Jeanne Strunck, Aalborg Universitet Marie Møller Jensen, Aalborg Universitet Christina Schoux Casey, Aalborg Universitet ISSN 2246-8838 URL http://journals.aau.dk/index.php/globe/ Copyright The authors of the individual articles retain copyright © 2017 Published by Aalborg University Press Skjernvej 4A, 2. DK-9220 Aalborg Ø Denmark Managed by LangLing Research Group, Aalborg University ProCom Research Group, Aalborg University Secretariat Lisbeth Rieshøj Amos Department of Culture and Global Studies Aalborg University Kroghstræde 1, room 2.023 DK-9220 Aalborg Ø Denmark Tel. +45 9940 9150 E-mail: [email protected] Table of contents Thematic Section: Places and (dis)placement The discursive positioning of the Falkland Islands (las Islas Malvinas): 1-31 A corpus-based collocational analysis of British and Argentinian websites Ray Chung Hang Leung The foregrounding of place in Trainspotting: A discourse-stylistic analysis 32-47 Cassandra Herrmann, Marie Møller Jensen, Tine Myrup Thiesson What can Google Trends data tell us about dialect labels: An exploratory study 48-76 Marie Møller Jensen Open Section The Twitter Age: Communication across genders in the Arabian Gulf 77-101 Muna A. Balfaqeeh A research framework for second nonverbal code acquisition 102-134 Mariel Lee Schroeder Globe: A Journal of Language, Culture and Communication, 5 (2017) Globe: A Journal of Language, Culture and Communication, 5: 1-31 (2017) The discursive positioning of the Falkland Islands (las Islas Malvinas): A corpus-based collocational analysis of British and Argentinian websites Ray Chung Hang Leung, Department of English and American Studies, University of Potsdam1 Abstract: Considering “discursive positioning” to be a form of “placement,” this study examines how the Falkland Islands or las Islas Malvinas, a place which has long been politically controversial, are discursively positioned on British and Argentinian websites. The data came from two reference corpora: namely the Corpus of Global Web-Based English (GloWbE) and the Corpus del Español: Web/Dialects. The 388-million-word British section of the former and the 183-million-word Argentinian section of the latter were selected for analysis. Attention was paid to the 20 most frequent collocates of “Falkland Islands”/“Islas Malvinas.” Semantic prosody, collocation networks and word clusters were also investigated. It was found that the Falkland Islands are positioned differently in the two corpora. While the collocates of “Falkland Islands” in the British corpus (e.g., “government” and “population”) position the Islands as a territory with “self-determination,” the collocates of “Islas Malvinas” in the Argentinian corpus (e.g., “nuestras ” [our (feminine plural)], “territorio” [territory] and “recuperación” [recovery], together with the 5-gram “las Islas Malvinas son argentinas” [the Falkland Islands are Argentinian]) subsume the Islands under the ownership of Argentina. Not only are the Falkland Islands “discursively positioned,” Britain and Argentina are also subject to positioning. For instance, in the British corpus, Argentina is construed as an invader (as suggested by the collocates “invasion” and “1982”) whereas in the Argentinian corpus, Britain is given this demonized role (via the collocates “militar” [military] and “británica” [British (feminine singular)]). Such findings add strength to van Dijk’s (2011) discussion of “positive self-presentation and negative other-presentation.” As an example of corpus-assisted discourse studies (CADS), the current research also offers solid evidence on the social phenomenon of “classification” proposed by Bourdieu (1990)—i.e., “a vision of the world is a division of the world.” Keywords: Corpus-assisted discourse studies, discursive positioning, Falkland Islands, Argentina and Britain, collocation. 1. Introduction In March 2016, the United Nations Commission on the Limits of the Continental Shelf (CLCS) decided that the territory of Argentina ought to be enlarged to incorporate the waters around the Falkland Islands—an archipelago situated in the southern part of the Atlantic Ocean. This ruling generated opposing reactions from British and Argentinian political leaders. While the Argentinian representative gladly accepted the decision, the British government brushed it off (Payton 2016). The Falkland Islands, or las Islas Malvinas (the Spanish name used by the Argentinians), have long been a source of tension between leaders of the two countries. Although the current status of the Falkland Islands is a British overseas territory, the Argentinian government maintains the view that the Islands belong to Argentina. Another notable event which happened on the Falkland Islands within recent years is the referendum held in 2013, where the vast majority of the voters on the Islands indicated their wish for the Islands to remain a British overseas territory. Different from the United Nations ruling mentioned above, the referendum result was dismissed by Argentina whereas the British government stressed that the wish of the Islanders had to be honored (Ford et al. 2013). The antagonistic diplomatic relation between Argentina and Britain could be traced to the Falklands War which occurred in 1982. On 2 April 1982, Argentina sent troops to occupy the Falkland Islands. Two months later, the Argentinian soldiers were defeated by the British army and surrendered (Boyce 2005). 1 E-mail: [email protected] ISSN: 2246-8838 Research article The discursive positioning of the Falkland Islands (las Islas Malvinas) Globe, 5 (2017) Despite its defeat in the Falklands War, Argentina has never given up its pursuit of the Falkland Islands. The debates regarding the status of the Islands are still ongoing. Even international law has failed to offer a resolution since the Falklands War ended (Chommeloux 2015). As described by Raimondo (2012: 402), the Falkland Islands are included as part of Argentina’s territory under the Argentinian constitution, while the British law states that the Islands form an overseas territory of Britain. When discussing this issue, both parties have presented conflicting claims. Foregrounding the principle of uti possidetis juris,2 Argentina suggested that the Falkland Islands had been inherited from Spain in 1810 during the South American course of seeking independence from the colonial Spanish regime (Raimondo 2012: 403). On the other hand, Britain claimed that the first person who landed on the Islands was a British captain and a British settlement had already been established on the western island of the archipelago in 1766. Although there were attempts from the then Argentinian government (the United Provinces of the River Plate) to occupy the Islands between 1820 and 1832, Britain reasserted its authority over the Islands in 1833 (Raimondo 2012: 406). In response to the disputes over the Falkland Islands, the British officials have been underlining the idea of “self- determination” since the 1960s (Raimondo 2012: 407). As Boyce (2005: 8) opined, “self- determination” is one of the most frequently employed concepts in contemporary political history. It basically refers to the right of the people who share a common identity based on culture, ethnicity, race or language, etc. to reside in their own “sovereign state” and rule themselves (2005: 8). Britain believes that the Falkland Islanders who share a unique identity should earn their right to “self- determination” so their wish for the Islands to continue being a British overseas territory has to be respected (Raimondo 2012: 410). Another political concept which habitually appears in the discussion about the Falkland Islands is “sovereignty.” Nevertheless, as Heywood (2015: 82) illustrated, the interpretation of this term is subject to many variations, although “sovereignty” itself means “absolute and unlimited power.” Boyce (2005: 8) said that “sovereignty” can be split into the “external” and the “internal.” “External sovereignty” underscores the endorsement of a state as having rights of jurisdiction over a specific group of people and being totally accountable for that jurisdiction amid international law. “Internal sovereignty” focuses on the supreme power exercised over a society and how internal affairs are governed (2005: 8). Given the complexity of the term “sovereignty,” we may wonder what it really means when people are debating about the “sovereignty of the Falkland Islands.” In this study, I would adhere to the postmodernist line of thought (e.g., Potter 1996) and consider the “sovereignty of the Falkland Islands” to be a social discursive construct, which can be analyzed only via examination of relevant discourses.3 The debates over the Falkland Islands involve principally three places (Britain, Argentina and the Falkland Islands) and the stance taken by different parties (e.g., the British and the Argentinian governments, the general public in the two countries, etc.) is reflected or even constituted by the ways they discursively position the Falkland Islands. It is at this point that the
Recommended publications
  • Clemency Newman Looking Into the Popular Reality Show Geordie Shore
    From reality television to the hyperreal: How do the pressures of reality shows such as Geordie Shore cause their characters to change their physical appearance? Clemency Newman Abstract Looking into the popular reality show Geordie Shore, I will undertake research to answer why it is that the women who appear on the show change their physical appearance and what connection this has to their celebrity status. I hope to argue that because the women are considered lower class, they have no other power than their perceived attractiveness and are therefore pressured into trying to achieve a hyperreal body, relating to Baudrillard’s theory of Simulacra and Simulation. Introduction Reality television is big business, with over 300 reality format shows on air in the US alone (Washington Post, 2015) from Idol to Big Brother, they rake in millions of viewers every night and have a significant impact on popular culture. These shows present a concentrated, edited and scandalised version of everyday life, wrapped in the guise of being true to the viewer, only more dramatic. Television has the ability to shape our view of the world and now with the ever pervasive aspects of social media, networks such as Bravo can imprint an everlasting impression of what we consider normal. However, even when know what we are watching is completely unreal, we accept it as ‘reality’ and accept the characters into our lives, until they become overthrown by a younger, prettier and more outrageous model. Geordie Shore is one such television show which presents an exaggerated, hyperbolic version of reality, with the cast members performing ridiculous, violent and carnal acts in front of a worldwide audience and being celebrated in the process.
    [Show full text]
  • Gänget I Geordie Shore Är Tillbaka För En Ny Säsong - I Grekland
    Gänget i Geordie Shore är tillbaka för en ny säsong - i Grekland Nu är väntan äntligen över! På söndag är Geordie Shore tillbaka i rutan med en helt ny säsong. Denna gång får vi följa med gänget till Greklands partyöar. - Geordie Shore når helt nya höjder denna säsong. Räkna med fler vredesutbrott, tårar och drama än någonsin tidigare, säger Holly Hagan. Geordie Shore hade världspremiär våren 2011 och blev genast en enorm succé med miljoner tittare världen över och har sänts i 10 säsonger. I serien får vi följa ett gäng galna ”Geordies” som bor tillsammans i ett hus i Newcastle, festar, bråkar, skrattar och hamnar i en hel del galna situationer. I den nya säsongen skickas gänget till Grekland på uppdrag av deras chef Anna och vi får följa profilerna när de öhoppar mellan Greklands alla partyöar. - Greklandresan var helt galen! Vi gjorde massa dumma saker och speciellt jag. Jag var i ett förhållande under inspelningsperioden, men det märks inte i huvudtaget, säger Charlotte Crosby I förra säsongen släppte Gaz släppte bomben att han skaffat en seriös flickvän, till Charlottes stora förtvivlan. Holly och Kyle blev bli officiella och Marnie var otrogen mot sin nya pojkvän med Aaron. Dessutom fick vi träffa nya tillskotten Chloe och Nathan som passade perfekt in i skaran efter en hel del ”tashin’ on” och ”kickin’ off”. Hur kommer intrigerna att fortlöpa den här säsongen? Seriens stjärnor denna säsong består av Gary Beadle (Gaz) 27, Charlotte Crosby 25, Holly Hagan 23, Scott Timlin (Scotty-T) 27, Aaron Chalmers 28, Kyle Christie 23, Marnie Simpson 23, Chloe Etherington 20 och Nathan Henry 24.
    [Show full text]
  • Geordie Shore Gänget Är Tillbaka I En Ny Säsong – Deltagarna Festar Loss I Europa
    Geordie Shore gänget är tillbaka i en ny säsong – deltagarna festar loss i Europa The Geordies are back! Gör dig redo för sol, sex och ännu mer drama när Geordie Shore är tillbaka i en medelhavs-tappning i den brittiska realityseriens 13e säsong. I första avsnittet får vi se hur det gick till när ett av de mest omtyckta paren gör slut – Gaz och Charlotte väljer att gå skilda vägar. I den nya säsongen av Geordie Shore skickar bossen Anna ut våra kära vänner från Newcastle till Europa – för den ultimata ö-luffen, med syftet att parta så mycket som möjligt. Bland annat besöker våra ’Geordies’ välkända partydestinationer som Magaluf, Ibiza, Kavos och Ayia Napa. I säsongens första avsnitt släpps bomben om att allas vårt favoritpar Gary (Gaz) Beadle och Charlotte Crobsy inte längre är tillsammans och att de har valt att gå skilda vägar. Säsong 13 blir därmed Geordie Shores första säsong någonsin utan Charlotte. Ända sedan premiären av Georde Shore våren 2011 har Charlotte varit med och redan första säsongen föll hon för Gaz. I säsong 13 får vi se hur Gaz hanterar sitt nya liv som singel – med sitt rykte om att få flickorna på fall. Geordie Shore har sedan världspremiären 2011 både chockat och underhållit tittare världen över. Denna säsong är inget undantag och redan nu utlovas den vara den galnaste säsongen någonsin – med ännu mer drama och ’tash-ons’ när vi följer med deltagarnas fartfyllda partysemester. Vi kan även vänta oss ett flertal överraskningar; bland annat gästar gamla deltagarna Kyle Christie och Sophie Kasaei. Dessutom lämnar en av deltagarna gruppen - mitt i säsongen.
    [Show full text]
  • The Politics of Hyperbole on Geordie Shore: Class, Gender, Youth and Excess
    The Politics of Hyperbole on Geordie Shore: Class, Gender, Youth and Excess. Abstract This article discusses MTV’s Geordie Shore against the backcloth of current social conditions for working-class youth. It suggests that the aesthetic, physical and discursive features of excess represent hyperbole, produced from within an affective situation of precariousness and routed through the labour relations of media visibility. Hyper-glamour, hyper-sex and hyper-emotion are responses to the ideologies of the future-projected, self-governing neoliberal subject and to the contemporary gendered contradictions of sexually proclivity and monogamous heteronormativity. By ‘flaunting’ the realities of self-work and making the labour of themselves more/most visible, the participants of Geordie Shore are claiming an animated type of ill/legitimate subjectivity. Introduction Season One of MTV’s Geordie Shore, the British version of the US programme Jersey Shore, first aired in the summer of 2011. That English summer also saw the break-out of five days of rioting where, in response to a police shooting in London, young people took to the streets across a number of British cities, attacking and looting commercial properties and hitting out at the police. The headlines read, ‘The Underclass Lashes Out’i, but importantly those ‘underclass’ involved were all mostly under the age of 24 (Ball et al., 2011). The media panic and political rhetoric following the riots reinforced dominant neoliberal ideas about anti-social behaviour, denying any structural logic for young people’s social exclusion and reinforcing a rhetoric of ‘choice’ and ‘responsibility’. This framing of the riots came from the Right and the Left at a time of downward social mobility rates and high youth unemployment across Europe.
    [Show full text]
  • Kändisar Blir Märkta För Livet I MTV:S Nya ”Just Tattoo of Us”
    Kändisar blir märkta för livet i MTV:s nya ”Just Tattoo of Us” Om du fick välja motiv för din bästa väns tatuering – hur skulle den se ut? I MTV:s nya serie Just Tattoo of Us får kända ansikten designa varandras tatueringar, och den som blir gaddad har inte en aning om hur resultatet blir förrän det sitter permanent tatuerat på kroppen. Geordie Shore-stjärnan Charlotte Crosby är programledare och kommer att visa tatueringar, där den ena är värre än den andra. Söndagen den 9 april sätts kändisars relationer på prov när de får välja varandras tatueringar i premiäravsnittet av MTV:s nya serie Just Tattoo of Us. Motiv och placering är helt valfritt för partnern och resultatet avslöjas först när tatueringen sitter permanent på kroppen. Under våren får vi se många olika tatueringar, och höra historien bakom. Den ena är värre än den andra och en tatuerad stringtrosa i svanken, en stämpel med ordet ”slampa” och ett porträtt av Donald Trump är bara några av de motiv som kommer att framkalla både skratt och tårar bland deltagarna. Geordie Shore-stjärnan Charlotte Crosby och Stephen Bear från Ex on the Beach är programledare – och även de ska under säsongens gång få ta plats i tatueringsstolen. Bland de andra deltagarna finns bekanta ansikten från Geordie Shore som Sophie Kasaei, Holly Hagan, Kyle Christie och Nathan Henry. Även Stephen får besök av sina kompisar Sean Pratt, Jess Impiazzi, Ashley Cain och Cloe Khan från Ex on the Beach. Tatuerarna är etablerade konstnärer som alla är framgångsrika i branschen – och även om de ibland är något skeptiska till vissa motiv, utför de jobbet med skicklighet och detaljkänsla.
    [Show full text]
  • Veooz 360 04/10/2014 14:24
    Dan Shipsides, Love on show at the Ulster Museum's major Art of the Troubles exhibition a must see! | Veooz 360 04/10/2014 14:24 Like 0 REPORT twitter 6 mths ago ! Twitter Dan Shipsides, Love on show at the Ulster Museum's major Art of the Troubles exhibition a must see! http://t.co/O7e76HoQya Read more on: ulster museum | major art + Add a comment... Also post on Facebook Posting as Dan Shipsides (Not you?) Comment Facebook social plugin http://www.veooz.com/photos/VH4dHyI.html Page 1 of 15 Dan Shipsides, Love on show at the Ulster Museum's major Art of the Troubles exhibition a must see! | Veooz 360 04/10/2014 14:24 Discover stories as they unfold... Veooz brings together fresh and interesting stories around the web as a single feed. See more stories from UK Find related stories in Veooz 360 feed below all stories Veooz 360° Of This Story twitter 6 mths ago ! Twitter veooz 360° Mary McIntyre's Aura of Crisis on show at the Ulster Museum's major Art of the Troubles exhibition a must see! http://t.co/hYwD4qfXQX http://www.veooz.com/photos/VH4dHyI.html Page 2 of 15 Dan Shipsides, Love on show at the Ulster Museum's major Art of the Troubles exhibition a must see! | Veooz 360 04/10/2014 14:24 twitter 6 mths ago ! Twitter veooz 360° Made it down to the Art of the Troubles exhibition in the @UlsterMuseum, really interesting work from over the years. http://t.co/TOMLDR4SM2 http://www.veooz.com/photos/VH4dHyI.html Page 3 of 15 Dan Shipsides, Love on show at the Ulster Museum's major Art of the Troubles exhibition a must see! | Veooz 360 04/10/2014
    [Show full text]
  • 'Not Quite a Geordie': the Folk-Ethnonyms of North-East
    ‘Not quite a Geordie’: the folk-ethnonyms of north-east England Michael Pearce University of Sunderland 1. INTRODUCTION In recent years sociolinguists have been examining the consequences of ‘late-’ or ‘post-modernity’. These phrases identify a related set of conditions, largely contingent on unprecedented global flows of people, capital, goods, and services. The speed and intensity of these flows means that the current epoch is characterized by the transgression and blurring of various kinds of borders, the fluidity of institutions and social categories, the ‘flexibility’ of labour, mass consumerism and individualism (Young 2007, 1–2). In terms of language use, the influence of late modernity is evident in phenomena such as codeswitching, borrowing, second language acquisition and multilingualism. Of more central concern in the context of the research presented here is the fact that mobilities can contribute to the reduction of linguistic difference through levelling, supra-localization and dialect erosion (Heller 2005; Britain 2010; Johnstone 2010). It appears that levelling—‘the loss of localised features … to be replaced with features found over a wider region’ (Kerswill 2003, 223)—is occurring in many parts of the world, including the UK. But, as Johnstone points out (2010, 391), the conditions which reduce linguistic differences are also those which, somewhat paradoxically, ‘foster dialect and language awareness’. Where there is fear that a distinctive sense of place is being eroded, interest in those aspects of the local perceived to be under threat often grows.1 This 1 One recent manifestation of this has been the re-invigoration of a literary genre sometimes called ‘place writing’.
    [Show full text]
  • For Personal Use Only Use Personal for the Apple Ios App Store Followed by Google Play
    ASX Announcement | 3 November 2016 Crowd Mobile Limited (ASX:CM8) Crowd Mobile and MTV International Partnership Launch New Sticker Apps - World First Product Highlights ▪ First six apps ‘Geordie Toon’ and ‘Geordie Stars’ released under Crowd Mobile’s partnership with Viacom International Media Networks (VIMN) ▪ ‘Geordie Toon’ is a freemium app featuring more than 500 personally curated stickers of ‘Geordie Shore celebrities which is MTV International’s top-rated program in the UK ▪ The sticker app will include a photo-editing feature and a world-first Q&A feature inspired by the stars ▪ The Q&A feature will allow fans to ask their favourite MTV celebrities questions and receive personalised answers ▪ Additional app releases under partnership are expected over the coming months Thursday, 3 November 2016 – Crowd Mobile Limited (ASX: CM8 & FWB: CM3) (Crowd Mobile or the Company) is delighted to announce the first app releases from its partnership with Viacom International Media Networks (VIMN), the international division of Viacom Inc. (NASDAQ:VIAB and VIA) [ASX Announcement: 10 October, 2016]. Under the two-year partnership, Crowd Mobile secured the licence to various MTV brands, including the popular Geordie Shore franchise, for new development of apps [mobile device applications]. The first six apps released include ‘Geordie Toon’ and related celebrities from the show, a freemium [basic services are provided free of charge, more advanced features incur cost] app featuring more than 500 personally curated stickers. ‘Geordie Toon’ and related apps will capitalise on the global trend of personalisation through the creation of small digital images or icons inspired by Geordie Shore’s celebrities.
    [Show full text]
  • Zoo Magazine Competition 2011
    Zoo magazine competition 2011 Zoo Pin up Magazine launch, Competition catwalk and plenty of bikini's. Published on Feb 1, Zoo. The Zoo Weekly Australian Swimsuit Calendar was launched at a star studded gala event at the ultra. The winner of CoverGirl will win $10,, a cover shoot with ZOO magazine and be the face of ZOO Weekly T.V.. Terms and Conditions Magazine Pub Ammo Puzzle Win $ Close 19 Jun A look at Lhasa Apso with Paws and Claws Magazine Grand Prize Winners for the PDN Faces International photography competition. and the fascinating realm of competition, of the authentic research of the self . show was also ZOO Magazine's current cover star, Gabriel-Kane Day-Lewis. Story Published: 19 Mar THE Zoo Model competition wound up night, with 12 ladies taking the stage for their chance to make Zoo Magazine's swimsuit. THE competition in the Zoo Weekly Australian Swimsuit Calendar Search is warming up after the third round finalists were. Warwick's Kelsie Crowe is on the cover of Zoo Magazine. Our Kelsie turns covergirl. Story Published: 20 Oct TARA Jeffery dreams of being on the cover of Zoo Weekly. 27th May AM. 0 The winner of the competition gets to travel overseas for the dream is to be on the cover on Zoo magazine or definitely a centrefold at least,” Tara said. Magazine National Geographic is currently holding its annual photo contest, with the deadline for to let me choose among its entries from for display here on In Focus. Bonobo Portrait, Jacksonville Zoo, Florida #. Win An iPad 2 @ Zoo Magazine.
    [Show full text]
  • Kim Kardashian West, 35
    SINCE finding fame, these stars have undergone dramatic transformations. Kim Kardashian West, 35 Kim looks like she has a different nose compared to in 2006 Since that sex tape was released in 2006, leading to the world’s most famous reality show, KK has overhauled her entire image. Kim’s not shy about admitting to regular Botox injections and laser hair removal around her forehead, both of which have made her face smoother and more heart-shaped. When it comes to actually going under the knife, though, Kim’s been more coy, despite the fact her face (especially her nose) looks very different indeed. “Her face has changed a lot in recent years. It’s more curvaceous with volume in her cheeks, so she may have had cheek implants. I think it’s likely Kim’s had lip augmentation using hyaluronic acid, which temporarily plumps them up,” says Dr De Silva. “Also, her nose is shorter and the bridge is narrower – both signs of rhinoplasty.” Lauren Goodger, 29 Lauren denies dabbling in Botox or fillers She was never entirely “natural”, thanks to her Essex perma-tan and heavy warpaint, but five years on from finding fame, Lauren looks like a new woman. Her incredible weight loss, from 13st to 9st, has changed her body from flab to fit. Lauren had a £4,000 nose job in 2011 and breast implants in 2013 that boosted her from a D to an E cup, but she’s denied having lip fillers or Botox, insisting her pout and flawless skin are the result of clever make-up and a laser procedure.
    [Show full text]