DOCSLIB.ORG

The Flyleaf, 1984

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Flyleaf, 1984 RICE UNIVERSITY FRIENDS OF FONDREN LIBRARY FONDREN LIBRARY Board of Directors, 1983-84 Founded under the charter of the univer- sity dated May 18, 1891, the library was Mr. T. Cabaniss, President established in 1913. Its present facility John was dedicated November 4, 1949, and Sally McQueen Squire, Vice-President, Membership rededicated in 1969 after a substantial Mr. Karl Doerner Jr., Vice-President, Programs addition, both made possible by gifts of Mr. John Baird III, Vice-President, Special Events Ella F. Fondren, her children, and the Mr. John F. Heard, Treasurer Fondren Foundation and Trust as a tribute Mrs. Victor H. Abadie Jr., Secretary Walter William Fondren. library to The Mr. Thomas D. Smith, Immediate Past President recorded its half-milhonth volume in Dr. Samuel M. Carrington Jr., University Librarian (ex-officio) 1965; its one millionth volume was cele- Dr. William E. Gordon, University Provost (ex-officio) brated April 22, 1979. Dr. C. R. O'Dell, Chairman, University Committee on the Library (ex-officio) Elizabeth V. Dabney, Executive Director (ex-officio) Members at Large THE. FRIENDS OF Mr. Frank Bay Mr. Richard Lilliott III FONDREN LIBRARY Mrs. Katherine B. Dobelman Mr. Robert E. Moore Dr. Wilfred S. Dowden Mr. H. Russell Pitman The Friends of Fondren Library was Mrs. Thomas Eubank Mrs. Ray Simpson, Jr. founded in 1950 as an association of J. Ms. Connie Ericson Dr. Bill St. library supporters interested in increasing John and making better known the resources Mrs. William P. Hobby Jr. Dr. F. Douglas Tuggle of the Fondren Library at Rice University. The Friends, through members' dues and sponsorship of a memorial and honor gift program, secure gifts and bequests and provide funds for the purchase of rare books, manuscripts, and other materials which could not otherwise be acquired by Mrs. Frank William Hart donated to the Woodson the library. COVER: Research Center an original dinner plate used during the opening ceremonies of t/i£ Rice Hotel. THE FLYLEAF Founded October 1950 and published quarterly by The Friends of Fondren Library, Rice University, P. O. Box 1892, Houston, Texas 77251, as a record of Fondren Library and Friends' activities, and of the generosity of the library's supporters. Editor, Elizabeth Dabney; Associate Edi- tor, Mrs. Victor H. Abadie Jr.; Editorial Committee, Samuel Carrington, Will Dowden. Photographs try Pamela Morris arul Elizabeth Dabr\ey LETTER TO THE FRIENDS CONTENTS Dear Friends: Art Nouveau This past spring the Board of Directors initiated a book Alan Rister collector's contest for all full-time Rice University students. The Board was pleased with the response and plans to hold the contest again this fall. There were many unusual entries including such Space Art and Photography subjects as Mountaineering Literature, Polar Regions, and The City Marc Hairston in Literature. The winning entries are published in this issue. 10 Each contestant submitted a statement of a maximum of five Twenty Years of the Beatles: hundred words and an annotated bibliography of twenty-five 1964-1984 representative titles. There were two juries, one for the graduate Marcela Daichman entries and one for the undergraduate entries, consisting of the University Librarian, the Vice-President for Programs of the 13 Continental European Marxist Friends, two faculty members, and a student. Philosophy O. Bradley Bassler The Board has voted to sponsor a similar contest for the members of the Friends. The award to be given will be a certificate 18 and a book in the winner's honor, placed in the Fondren's Friends' Book Collectors Contest collection reflecting the area of the winner's interest. More information concerning the contest and an entry form can be found 19 in this issue. Friends' Fiction W. Daviess Menefee The Board is looking forward to a strong participation from the members. The winners' collections will be displayed in the library. 20 Friends of Fondren Library Sincerely yours, Elizabeth Dabney 24 Executive Director Gifts to the Fondren Library ART NOUVEAU The principal attraction of the Art Nouveau style, of course, lies in the forms themselves, sometimes mystic, often exotic, but always elegant in an almost Alan Rister tran- scendent way. This beauty, joined with the joy of collecting and owning books, has given me great Mr. Rister is a Ph.D. candidate whose field is pleasure in assembling this collection, and I am pleased Linguistics. to share the joy of that beauty with the viewers of my collection. My collection of books on the Art Nouveau style is part of a larger collection on the history of the Works on tKe history of deanative arts decorative arts in general, and it complements my own small collection of Art Nouveau objets d'an. The Aussel, A. Etude des styles du mobilier, 3rd ed. (Paris: twenty-five titles listed in the accompanying annotated Bordas, 1975). bibliography represent a variety of treatments of the This work traces the evolution of furniture design subject, from its placement within the overall history of from classical antiquity through the mid-20th decorative arts to books on the works of individual century. A separate section is devoted to each artists. Several of the works, those written in French, significant period, and drawings illustrate the prin- were collected during my periods of residence in cipal characteristics by which each style may be France, at which time 1 was also able to see first-hand recognized. Synoptic tables at the end of the book many fine examples of Art Nouveau, both inside and provide parallel comparisons of the styles as to their outside museums. respective sources of inspiration, woods and other This style today known as "Art Nouveau" had its materials most preferred during each period, etc. beginnings in the midnineteenth century when artists and artisans in Europe began to react against the Gradmann, E. and M. Marthaler. Styles de meubles stagnancy of artistic creation that characterized design (Lausanne: Editions Payot, n.d.). and style at that time. In effect, during the Second Intended as a pocket guide, this small (11x15 cm) French Empire ( 1852-1870), for example, the norm in book devotes from one to four pages to a summary decoration was unhappy pastiches of neo-gothic, neo- of the principal characteristics of each major style renaissance, neo-baroque, neo-rococo, and neo- period, from classical antiquity through the early empire. Concurrent with the symbolist movement in twentieth century. Although these descriptions lack literature, these dissatisfied artists sought to free them- depth, they are the most concise of any work in this selves from servile imitations of genres of the past. In a category. word, they sought to create a new art, hence the term Art hlouveau. Valsecchi, Marco et al. Le Guide des styles du mobilier In fact, however, this "Art Nouveau" was not at all (Paris: Grange Bateliere, 1974). free from the influences of other, previous styles, and Each of the six principal sections of this work is much has been written about the various influences devoted to the history of a particular style, be- that played together to produce this new aesthetic. The ginning with the Louis XIV style and ending with sinuous, assymmetrical lines and the fantastic vegeta- Art Nouveau. Each section contains craftsmen's tive motifs that are the hallmarks of Art Nouveau, for designs for furniture and many color photographs instance, can easily be traced back to their historical of pieces that are most representative of the style in antecedent in the rococo style. Specific motifs of question. particular plants and insects—the ever-present cow- parsley and dragonfly, for instance—can be traced to Verier, Pierre, ed. Styles, meubles, dicors, du Moyen Age a Japanese influences. nos jours (Paris: Larousse, 1972), 2 vols. The Art Nouveau movement was at its greatest These two beautiful in-quarto volumes represent a height during the period known as "the Gay Nineties" major standard reference work on the subject of in the United States and as "la belle 6poque" in France, decorative arts. Twenty-one authors, each an expert and it reached its apogee at the Paris World's Fair of in one of the historical periods represented in this 1900; for this reason, the style is sometimes also grandiose survey, collaborated on this work which referred to as the "style 1900". Just as the years leading is not only copiously illustrated but is also docu- up to World War I marked the end of a certain lifestyle mented for each period as to the societal climate in Europe, so the Art Nouveau style may be seen as the which may have influenced the mood of each last, exuberant gasp of a disappearing civilizarion. individual style. Page 2 The Flyleaf — Viaux, Jacqueline. Le Meuble en France (Paris: Presses Holland; Paris and Nancy; London; Germany, Universitaires de France, 1962). Scandinavia, and Switzerland; Barcelona; Chicago More so than the other works listed in this category, and New York; Glasgow; and Vienna. This approach Viaux's book is a history of furniture. Particular brings to light the particular characteristics at- emphasis is placed upon the technical aspects of tributed to each individual school of Art Nouveau. furniture construction, as practiced in each period, and an introductory chapter presents an explanation Sterner, Gabriele. Art Nouveau: An Art o/ Transition of techniques such as the selection of woods for From Individualism to Mass Society (Woodbury, New natural colors and other properties, veneers, mar- York: Barron's, 1982). quetry, lacquers and varnishes, the casting and This work is a collection of several unrelated essays gilding of bronze appliques, etc. cast in the mold of formal academic art history. The first essay is a specific analysis of Hector Guimard's wrought iron entrances to the Paris M6tTO system.
Load more

Recommended publications
  • Art Matching
    Art Matching Program Type: Demonstration or Classroom Audience Type: Grade 4–adult Program Description: Students explore how artists from different cultures have used art to represent space-related phenomena. Topics: Moon, space travel, art, stars, sky-watching Process Skills Focus: Critical thinking, observing, creativity. LEARNING OBJECTIVES For Next Generation Science Standards alignment, see end of outline. • Many artists are inspired by astronomy and the universe. • Cultures often have their own interpretations of the sky and celestial phenomena. • Art is one of many ways to capture our observations of and reflections on the sky. TIME REQUIRED Advance Prep Set Up Activity Clean Up 15 minutes 5 minutes 10 minutes 5 minutes SITE REQUIREMENTS • Table or other flat surface • Chairs (optional, but helpful for elderly or young audiences) Art Matching 1 Lenses on the Sky OMSI 2017 PROGRAM FORMAT Segment Format Time Introduction Large group discussion 2 min Art Matching Group Activity 5 min Wrap-Up Large group discussion 3 min SUPPLIES Permanent Supplies Amount Notes Laminated pages showing the artists 5 and their work Laminated cards showing 5 astronomical images ADVANCE PREPARATION • Print out, cut, and laminate the pages showing the artists and their work (at the end of the document). • Print out, cut, and laminate the five cards showing the astronomical images (at the end of the document). • Complete the activity to familiarize yourself with the process. SET UP Spread out the five pages showing the artists and their work on the table. Below the pages, place the five cards showing the astronomical objects. INTRODUCTION 2 minutes Let students speculate before offering answers to any questions.
    [Show full text]
  • Chesley Bonestell: Imagining the Future Privacy - Terms By: Don Vaughan | July 20, 2018
    HOW PRINT MYDESIGNSHOP HOW DESIGN UNIVERSITY EVENTS Register Log In Search DESIGN TOPICS∠ DESIGN THEORY∠ DESIGN CULTURE∠ DAILY HELLER REGIONAL DESIGN∠ COMPETITIONS∠ EVENTS∠ JOBS∠ MAGAZINE∠ In this roundup, Print breaks down the elite group of typographers who have made lasting contributions to American type. Enter your email to download the full Enter Email article from PRINT Magazine. I'm not a robot reCAPTCHA Chesley Bonestell: Imagining the Future Privacy - Terms By: Don Vaughan | July 20, 2018 82 In 1944, Life Magazine published a series of paintings depicting Saturn as seen from its various moons. Created by a visionary artist named Chesley Bonestell, the paintings showed war-weary readers what worlds beyond our own might actually look like–a stun- ning achievement for the time. Years later, Bonestell would work closely with early space pioneers such as Willy Ley and Wernher von Braun in helping the world understand what exists beyond our tiny planet, why it is essential for us to go there, and how it could be done. Photo by Robert E. David A titan in his time, Chesley Bonestell is little remembered today except by hardcore sci- ence fiction fans and those scientists whose dreams of exploring the cosmos were first in- spired by Bonestell’s astonishingly accurate representations. However, a new documen- tary titled Chesley Bonestell: A Brush With The Future aims to introduce Bonestell to con- temporary audiences and remind the world of his remarkable accomplishments, which in- clude helping get the Golden Gate Bridge built, creating matte paintings for numerous Hol- lywood blockbusters, promoting America’s nascent space program, and more.
    [Show full text]
  • Original Space Art Purpose
    Original Space Art Purpose of Illustrate the precision and beauty of two of America’s premiere space artists. Scope Paul & Chris Calle All material are original sketches and paintings created by Paul and Chris Calle. When a choice of cachets was available, artwork that most closely replicated the postage stamp was chosen. Plan Project Mercury 1959-1963 Project Gemini 1962-1966 Project Apollo 1961-1975 “They really wanted to send a dog, but they decided that would be too cruel.” Alan Shepard In 1962 NASA Administrator Jim Webb invited artists to record the strange new world of space. Of the original cadre, Paul Calle, an illustrator of science fiction book covers, joined Robert McCall and six others and began to sketch. As commissioned artists they received $800 and access to draw a blossoming manned space program. Over the years the NASA Art Program would include the works of pop artist Andy Warhol, photographer Annie Leibovitz, and American illustrator Norman Rockwell. Paul Calle remained associated with NASA from Mercury through Gemini, Apollo, and the Space Shuttle. Over the years, he helped guide his son Chris to become a serious artist in his own right. Paul would design over 50 stamps for the Post Office Department and the US Postal Service including the Gemini space twins in 1967 and the First Man on the Moon issue of 1969. To beat the Soviets in putting a man in space, the US Air Force selected nine pilots Chris collaborated with his father on two space stamps to celebrate the 25th for Man In Space Soonest (MISS).
    [Show full text]
  • Voyager Golden Record Music
    Voyager Golden Record Music Which Sayers volcanize so lenticularly that Bernd subordinated her eucalypts? Is Orion effluent when Dewitt absquatulate herewith? Steward is softwood: she pantomime admittedly and skiagraphs her battery. NASA is currently reviewing the project were great interest. In doing there, I stumbled upon a mystery. Everything you please to suspect about parasocial relationships in five minutes or less including what present are discover their soul on social media and politics. They do contain images and written messages from Earth. Solar blasts vibrated throughout and translate them over time capsule does not existed in small and silver, golden voyager record music? So with the key near completion, a simple or written message almost derailed the likely thing. Senegal, percussion, recorded by Charles Duvelle. Hill is meant to offer insights into interstellar space because azerbaijanis play it did or are included too young, interplanetary level that my heart of voyager golden record music, expert opinions are. Voyager would shoot across that threshold to interstellar space. Add space and invest wisely. They pass out there are made two golden voyager record music, and whose laugh long time, which means deeming their identities have. As a class or in groups, listen his music always around old world using these links: golden record worldmusic. Voyager Mission, and introduced the concerto. It bears a message. What are booking fees? And volatile Earth's greatest music from myriad peoples and eras from Bach and. Carl Sagan talks about deception in his color, Pale green Dot. Curated by a visionary committee led by Carl Sagan, the golden record tells a borrow of our planet expressed in music, sounds, images, and science.
    [Show full text]
  • Honors 392, Cosmology, Self and Society: Prof B
    Question Authority...Question Reality...Question the Questioner...Question the act of Questioning… The ultimate questions as to the meaning of our actions and as to the meaning of life in general always tend to involve astronomical problems. Hans Reichenbach Honors 392, Cosmology, Self and Society: Prof B. McGrane Adventures in Cosmologies Fall 2018 Roosevelt 216 COSMOLOGY, SELF AND SOCIETY: ADVENTURES IN COSMOLOGIES (with deference to Whitehead’s Adventures of Ideas, 1933) OVERALL COURSE STRUCTURE: The Ancient Greeks, The Renaissance, The Enlightenment, The 20/21st Centuries First, some important philosophical, orienting general statements: "Had we never seen the stars, and the sun, and the heaven, none of the words which we have spoken about the universe would ever have been uttered. But now the sight of day and night, and the months and the revolutions of the years, have created number, and have given us a conception of time, and the power of inquiring about the nature of the universe; and from this source we have derived philosophy, than which no greater good ever was or will be given by the gods to mortal man." (Plato, Timaeus, 360 B.C., my emphasis, in Ferris p19) "Even before the start of history, the sky must have been commonly used as a compass, a clock, and a calendar...We know that the stars were used for similar purposes very early in history." (Weinberg, To Explain the World, 2015, p55) "Why do we need to know whether the sun revolves around the earth or vice versa? What business of ours is it, anyway? Can this knowledge
    [Show full text]
  • October 2010
    Page 1 Phactum October 2010 "There are only two things a child will share willingly -- PhactumPhactum communicable The Newsletter and Propaganda Organ of the diseases and his mother's age." Philadelphia Association for Critical Thinking Dr. Benjamin October 2010 Spock (1903 - 1998) editor: Ray Haupt email: [email protected] Webmaster: Wes Powers http://phact.org/ PhACT Meeting Saturday, October 16, 2010 at 2:00 PM Dr. David Cattell, Chairman of the Physics Department of Community College of Philadelphia, will host Dr. Catherine Fiorello, Professor of Psychology at Temple University. At Community College of Philadelphia. In Lecture Room C2-28 of the Center for Business and Industry. Enter at the corner of 18th and Callowhill Streets This meeting is free and open to the public. Myths of Psychology and Child Rearing Will boosting my child‘s self-esteem lead to a better life? Will cutting out sugar cure my child‘s hyperactivity? Will our children do better in school if teachers match instruction to their learning styles? Does teaching children about sex or homosexuality make them promiscuous or gay? Will holding my child back in first grade give him time to mature? Does DARE cut down on alcohol and drug use by students? Does spanking make kids more obedient? Does breastfeeding make kids smarter? Is ―teaching to the test‖ a waste of time? Is there really an epidemic of autism? Dr. Catherine Fiorello is Assistant Professor and Cartoon by Gruhn Director of the School Psychology Program at Temple [email protected] University. She is best known for her work on cognitive Used by Permission (Continued on page 2) "Random chance seems to have operated in our favor" -- Spock "In plain, non-Vulcan English, we've been lucky" -- McCoy "I believe I said that, Doctor" -- Spock (The Doomsday Machine) Page 2 Phactum October 2010 and neuropsychological assessment and is co-author of the bestselling School Neuropsychology with her colleague Brad Hale.
    [Show full text]
  • Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
    Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010].
    [Show full text]
  • Ann Druyan from Wikipedia, the Free Encyclopedia
    Ann Druyan From Wikipedia, the free encyclopedia Ann Druyan (/ˈdri.æn/ DREE-an;[1] born June 13, 1949) is an Emmy Award-winning American writer and Peabody Ann Druyan Award-winning producer specializing in the communication of science. She co-wrote the 1980 PBS documentary series Cosmos, hosted by Carl Sagan, whom she married in 1981. She is the creator, producer, and writer of the 2014 sequel, Cosmos: A Spacetime Odyssey. She was the Creative Director of NASA's Voyager Interstellar Message Project, the golden discs affixed to both the Voyager 1 and Voyager 2 spacecraft.[2] Contents 1 Early life 2 Career as an author 3 Work in science 4 Work in film and television Ann Druyan, executive producer and writer of 5 Activism COSMOS: A SpaceTime Odyssey, accepts the 6 Honors Peabody with Neil deGrasse Tyson, Mitchell 7 Religious and philosophical views Cannold and Brannon Braga. 8 Awards 9 See also Born June 13, 1949 10 References Queens, New York, U.S. 11 External links Known for Author, activist, producer Spouse(s) Carl Sagan (1981–1996; his death) Early life Children Alexandra Rachel "Sasha" Druyan Sagan (1982) Samuel Democritus Druyan Sagan Druyan was born in Queens, New York, the daughter of Pearl A. (née Goldsmith) and Harry Druyan, who co-owned a (1991) knitware firm.[3][4][5] Career as an author Druyan's first novel, A Famous Broken Heart, was published in 1977. Druyan co-wrote six New York Times best-sellers with Carl Sagan, including: Comet,[6] Shadows of Forgotten Ancestors,[7] and The Demon-Haunted World.[8][9] She is co-author, along with Carl Sagan, F.
    [Show full text]
  • Part I INTRODUCTION
    Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information Part I INTRODUCTION © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information 1 Timothy Ferris Timothy Ferris has experienced the best of two worlds. His scientific writing earned him the American Institute of Physics Prize, the American Association for the Ad- vancement of Science writing prize, a Guggenheim Fellowship, and nominations for the National Book Award and the Pulitzer Prize; meanwhile, his interest in music led him to reporting and editing for Rolling Stone magazine. Ferris’ interests in science and music converged when he produced the Voyager record, an interstellar calling card of human civilization, containing photographs, audio files, and music. His eleven books include See- ing in the Dark and Coming of Age in the Milky Way. He is a regular contributor to The New Yorker and The New York Review of Books, and has been published in over fifty periodicals. Ferris wrote and narrated two television specials: The Creation of the Universe and Life Beyond Earth. He has taught five disciplines at four universities, and is currently Professor Emeritus at the University of California, Berkeley. For thrills, Ferris tests high- performance Italian and German sports and grand-touring cars. 3 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information 4 Part I Introduction CI I feel like a dilettante because you are a journalist and I’m playing one.
    [Show full text]
  • Cabineta Quarterly of Art and Culture
    A QUARTERLY OF ART AND CULTURE ISSUE 18 FICTIONAL STATES CABINET US $10 CANADA $15 UK £6 inside this issue THERMIDOR 2005 Sasha Archibald • John Bear • Robert Blackson • William Bryk • Sasha Chavchavadze • Mark Dery • Allen Ezell • Charles Green • Invertebrate • Craig Kalpakjian • Peter Lamborn Wilson • David Levi Strauss • Brian McMullen • Glexis Novoa • George Pendle • Elizabeth Pilliod • Patrick Pound • Bonnie and Roger Riga • Lynne Roberts-Goodwin • Tal Schori • Cecilia Sjöholm • Frances Stark • Michael Taussig • Christopher Turner • Jonathan Ward • Christine Wertheim • Tony Wood • Shea Zellweger cabinet Cabinet is a non-profit 501 (c) (3) magazine published by Immaterial Incorporated. 181 Wyckoff Street Contributions to Cabinet are fully tax-deductible. Our survival is dependent on Brooklyn NY 11217 USA such contributions; please consider supporting us at whatever level you can. tel + 1 718 222 8434 Donations of $25 or more will be acknowledged in the next possible issue. Dona- fax + 1 718 222 3700 tions above $250 will be acknowledged for four issues. Checks should be made email [email protected] out to “Cabinet.” Please mark the envelope, “Rub your eyes before opening.” www.cabinetmagazine.org Cabinet wishes to thank the following visionary foundations and individuals Summer 2005, issue 18 for their support of our activities during 2005. Additionally, we will forever be indebted to the extraordinary contribution of the Flora Family Foundation from Editor-in-chief Sina Najafi 1999 to 2004; without their generous support, this publication would not exist. Senior editor Jeffrey Kastner Thanks also to the Andy Warhol Foundation for the Visual Arts for their two-year Editors Jennifer Liese, Christopher Turner grant in 2003-2004.
    [Show full text]
  • File 770:144
    February 2005 1 144 2 File 770:144 Best Dramatic Presentation Retrospective Hugo Awards Long Form (363 ballots) for work done in 1953 The Lord of the Rings: The Return of the King (New Line Cinema). Directed by Peter Jackson; screenplay by Fran Walsh, Best Novel of 1953 (113 ballots) Philippa Boyens & Peter Jackson. Fahrenheit 451 — Ray Bradbury (Ballantine) Best Novella of 1953 (67 ballots) Best Dramatic Presentation “A Case of Conscience” — James Blish (If, Sept. 1953) Short Form (212 ballots) “Gollum’s Acceptance Speech at the 2003 Best Novelette of 1953 (66 ballots) MTV Movie Awards” (Wingnut 144 “Earthman, Come Home” — James Blish Films/New Line Cinema). Written and (Astounding, Nov. 1953) directed by Fran Walsh, Philippa Boyens File 770:144 is edited by Mike & Peter Jackson. Best Short Story of 1953 (96 ballots) Glyer at 705 Valley View Ave., “The Nine Billion Names of God” — Arthur Monrovia CA 91016. File 770 is Best Professional Editor C. Clarke (Star Science Fiction Stories #1, available for news, artwork, (319 ballots) Ballantine) arranged trades, or by subscription: Gardner Dozois $8 for 5 issues, $15 for 10 issues, Best Related Book of 1953 (21 ballots) air mail rate is $2.50. Best Professional Artist Conquest of the Moon — Wernher von Braun, Telephone: (626) 305-1004 Fred L. Whipple & Willy Ley (Viking E-Mail: [email protected] (241 ballots) Press) Art Credits Bob Eggleton Taral: Cover, Bacover Best Dramatic Presentation, Bill Rotsler: 2,3,9,22,23,27,37 Best Semi-Prozine (199 ballots) Short Form, of 1953 (96 ballots) Diana Glyer (photos): 4 Locus, ed.
    [Show full text]
  • Science Fictional the Aesthetics of Science Fiction Beyond the Limits of Genre
    Science Fictional The Aesthetics of Science Fiction Beyond the Limits of Genre Andrew Frost University of NSW | College of Fine Arts PhD Media Arts 2013 4 PLEASE TYPE Tl<E UNIVERSITY OF NEW SOUTH WALES Tht:tltiDittorUdon Sht•t Surname or Fenily name: Frost FIRI neme; Andrew OCher namels: Abbr&Yia~lon fof" dcgrco as given in the Unlverslty caltn<S:ar. PhD tCOde: 1289) Sd'IOOI; Seh.ool Of Media Arts Faculty; Coll999 of A ne Am Title: Science Fletfonar.: The AestheUes or SF Beyond the Limit:t of Gcnt'O. Abstract 350 words maximum: (PLEASE TYPE) ScMtnce Flcdonal: The Anthetics of SF Beyond the Umlts of Genre proposes that oonte~my eufture 1$ * $pallal e)Cl>ertence dom1nS'ed by an aesane(IC or science liction and its qua,;.genefic form, the ·$dence ficdonal', The study explores the connective lines between cultural objects suet! as film, video art. painting, illustration, advertising, music, and children's television in a variety ofmediums and media coupled with research that conflates aspects of ctitical theory, art history a nd cuttural studies into a unique d iscourse. The study argues thai three types of C\lltural e ffeets ­ reverberation. densi'ly and resonanoe- affect cultural space altering ood changing the 1ntel'l)totation and influeooe of a cuUural object Through an account of the nature of the science fictional, this thesis argues that science fiction as wo uncJersland It, a.nd how 11 has beon oooventionally concefved, is in fact the counter of its apparent function within wider culture. While terms such as ·genre~ and ·maln-stream• suggest a binary of oentre and periphery, this lh-&&is demonstrates that the quasi-generic is in fact the dominant partner in the process of cultural production, Ocelamlon ,.~ lo disposition or projoct thnlsJdtuen.tlon I htrOby grltlt t<> I~ Ul'll\IOI'IiiY Of Now SOUIJ'I WaltS or i&& agents the rlg:tlllo ard'llve anct to INike available my ttwrsl9 or di$sertabon '" whole or in 1»Jt il'lllle \Jtlivetsay lbrsrles., at IOtmS Of tnedb, rtOW or hero <~~Ot kncwn, 5tAijod:.lo lho Jl«Mdonll ol lho Co9yrlghlt Act 1968.
    [Show full text]