Representations of Istanbul in Two Hollywood Spy Films About World War I and World War Ii
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES FILM REPRESENTATIONS OF ISTANBUL IN TWO HOLLYWOOD SPY FILMS ABOUT WORLD WAR I AND WORLD WAR II by H. ALİCAN PAMİR Thesis for the degree of Master of Philosophy October 2015 i ii UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES FILM Thesis for the degree of Master of Philosophy REPRESENTATIONS OF ISTANBUL IN TWO HOLLYWOOD SPY FILMS ABOUT WORLD WAR I AND WORLD WAR II Hüseyin Alican Pamir This thesis focuses on the representation of Istanbul in foreign spy films. Drawing on the work of Stephen Barber (2002), Charlotte Brundson (2007), David B. Clarke (1997) and Barbara Mennel (2008), the thesis proposes five city film properties, which are used when analysing Istanbul spy films. These properties are: first, ‘city landmarks, cityscapes and city spectacles’; second, ‘cinematic constructions of social life via social and power relations’; third, the ‘relationship between the protagonist and the city’; fourth, the ‘cinematic city trope and mise-en-scène’; and finally, the ‘story of a city’ or ‘the idea of a city’.
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