PER QUESTA PAGINA NON ESTRARRE PDF

ISSUE 14 PER QUESTA PAGINA NON ESTRARRE PDF

6 68 Editor’s letter collections The Pop Smash 8 artwork and photography Bodha D’Erasmo & Gilda news The Duchess of Feria 84 collections 10 V as in Vanity news photography Thomas Straub The Talented Mr. J

12 92 around the world news Moscow Art Scene Legendary Iconic

14 100 news news A Tribute to Warhol Harrods Forever

16 106 collections news At Full Blast High Jewellery Craftsmanship photography Michele Gastl photography Antonio Barrella 28 collections 110 A Very Bright Day news photography Nicola Galli Chater House illustrations Georges Greaves 114 44 news collections Tribeca Film Festival Club Dance photography Bela Borsodi 116 60 Events around the world Some Pop Words 120 illustrations Daniele Tozzi Product Summary

LIFE IN BVLGARI edited by MEMORIA PUBLISHING GROUP in collaboration with BVLGARI

EDITORIAL AND CREATIVE DIRECTION Carlo Mazzoni ART DIRECTION Giulio Vescovi/itsallgood TEXTS Cesare Cunaccia GRAPHIC DESIGN Susanna Mollica MANAGING DIRECTION Marta Mazzacano COORDINATION ON SET Carolina Fusi PRODUCER Annalaura Masciavè ILLUSTRATIONS Babeth Lafon

TRANSLATIONS Tdr Translation Company photography Michele Gastl Editor’s letter

“I think your jewellery is the ’80s. Everybody’s trying to copy this look,” said Pop icon Andy Warhol during an interview with Nicola Bulgari. In a tribute to the roaring 1980s, a pe- riod of extravagance Bvlgari captured to perfection in jewellery, Bvlgari has just launched in Rome the irreverent and bold new Wild Pop High Jewellery collection.

With creations that were pure opulence and impeccable reflections of modern roman glamour, the 1980s marked that very moment when Bvlgari established a new language in High Jewellery that still lives on today. Larger-than-life jewels that truly exemplified the innovative and provoc- ative spirit of the era as much as the rising and irresistible power of women. An aesthetic revo- lution that also involved the innovation of extraordinary jewellery making techniques: the bra- vado of post-industrial style Tubogas ribbed gold elements, Bvlgari had been working into sensational jewels since the mid-1940s, became wildly popular in those years.

Poised between Bvlgari’s creative heritage and an ultra-contemporary feel, the Wild Pop collec- tion pulsates with the energy of an inimitable era, heralding a new, glamorous and totally un- expected form of art and rediscovering the audacity in fashion and design, the free spirit of disco music, the rebel touch of glam rock or an exciting new world order on the horizon.

This summer, the spotlight will not only be on our new High Jewellery Collection. With a fresh statement of unconventional elegance, new jewels will expand the fun-loving spirit of the BVL- GARI BVLGARI collection. BVLGARI BVLGARI is perhaps the most iconic and coveted luxury symbol worldwide, its contemporary style paying tribute to Imperial Roman coins fea- turing the ruler on their faces and his name around the edge. Contemporary and cool, from single stud earrings, to mouth-watering Gelati ice-creams, these new colourful creations are designed for women who love to create a look of their very own. Furthermore, inspired by the desirable yet feared nature of the viper, Bvlgari will also be introducing new Serpenti jewels, which combine the compelling beauty of the snake’s scales with the sinuosity of its body: elegance with a hint of danger!

In the fashionable yet timeless world of Bvlgari Leather Goods, the Fall Winter Collection 2018 will soon reach our worldwide boutiques. A combination of vibrant gemstone colours, geometric shapes, luxuriant leathers and touches of pop, the collection plays according to Bvlgari’s own rules. This season sees two stars: the Serpenti Diamond Blast bag, a glamorous classic reima- gined with sharper, edgier shapes and contrasting textures, and the Pop Corn motif, a playful pattern that gives a pop update to Bvlgari’s most precious exotic skins.

To celebrate the never-ending bond between Bvlgari and Hollywood, in April we announced a long term partnership with the famous Tribeca Film festival. Bvlgari was named Official Jew- eller of the Festival and to mark this special occasion released two original short movies portray- ing contemporary Italian women who define their own paths and inspire others to do the same. A new chapter to celebrate female icons of our time, built on the powerful legacy of Bvlgari and cinema. And a celebration of gender diversity and women in control.

Be ready to welcome this extraordinarily creative and exciting Bvlgari-Summer season!

Jean-Christophe Babin CEO of BVLGARI GROUP

6 Life in BVLGARI Issue 14 News THE DUCHESS OF FERIA

Naty Abascal, an Andalusian socialite and model from Seville, today is a stylist and a writer. In New York, in the late sixties, she become Andy Warhol’s muse on Interview

Natividad Abascal y Romero-Toro, du- finii dritta sul set de Il dittatore dello reer in the Big Apple. “For me,” she says, chessa di Feria, nota come Naty Aba- stato libero di Bananas di Woody Allen, “Pop is first of all Pop Art and Andy scal. Andalusa di Siviglia, socialite e nel ruolo di una guerrigliera centro-ame- Warhol, a dear friend besides being an modella, oggi è giornalista, stylist e ricana. Adoro i gioielli, sono affascinata artist and cultural agitprop. We two scrittrice. Dal 1984 è una stella fissa dal gioco dei riflessi sul metallo, dai colori would even go out on our own, in the del Best Dressed List. A New York, nel delle pietre preziose. Bvlgari è un must – late sixties. I would hang out at the Fac- tory and I got to know that strange, am- “Bvlgari reminds me of Liz Taylor and Richard Burton, biguous, genial universe of its main an epic love story, a fatal liaison, linked by a chain of jewels” players, from Ultra Violet to Nico, with the Velvet Underground and Joe Dallesandro. I even featured on a cover 1964, Naty attira l’attenzione di Ri- proprio a New York conobbi Nicola Bul- of Interview, Andy’s magazine. There chard Avedon, mentre quattro anni gari, che allora si occupava del mercato was great energy then, perhaps we dopo diviene musa, amica intima e in- americano. Porto sempre orologi Tubo- didn’t even realise. We were complete- terprete del segno di couturier di Va- gas o Serpenti, li considero un po’ come ly submerged in a wild, truly wild, tem- lentino. Naty ha vissuto della sua car- dei feticci, sono pezzi dalla caratura ma- perature of life and creativity. From the riera iniziale nella Grande Mela. «Per gica di porta-fortuna. Bvlgari mi ricorda glossy magazines and fashion run- me – racconta Naty Abascal – Pop signi- Liz Taylor e Richard Burton, un amore ways—I was under contract to the Ei- fica prima di tutto Pop Art e Andy Warhol, che diventa epopea, una liason fatale, le- leen Ford Agency—in 1971 I ended up un amico caro, al di là della sua persona- gata da una catena di gioielli, scandita on the set of Woody Allen’s Bananas, in lità di artista e di agit prop culturale. da una scia di magnifiche gemme». the role of a Central American guerril- Uscivamo anche noi due soli, nei tardi la. I adore jewels, I am fascinated by the anni Sessanta. Ho frequentato la Factory way light reflects on metal, by the col- e ho conosciuto quell’universo strano, am- ours of the precious stones. Bvlgari is a biguo e geniale nei suoi protagonisti, da Natividad Abascal y Romero-Toro, the must—I met Nicola Bulgari right there Ultra Violet a Nico, con i Velvet Under- duchess of Feria, known as Naty Abascal. in New York, at the time he was respon- ground e Joe Dallesandro. Ebbi perfino An Andalusian socialite and model from sible for the American market. I always una cover su Interview, il magazine di Seville, today she is a journalist, stylist and wear Tubogas or Serpenti watches; I see Andy. Erano anni di grande energia, for- writer. Since 1984, she has been a perma- them as something of a fetish, they are se non ne eravamo nemmeno consapevoli. nent fixture on the International Best pieces with the magic calibre of lucky Wild, davvero selvaggia, era la tempera- Dressed List. Naty was noticed by Richard charms. Bvlgari reminds me of Liz Tay- tura di vita e di creatività in cui eravamo Avedon in New York in 1964, and four lor and Richard Burton, an epic love immersi totalmente. Dalle riviste patinate years later became Valentino’s muse and story, a fatal liaison, linked by a chain of e dalle passerelle di moda – ero sotto con- close friend, interpreter of his couturier jewels, marked by a series of magnifi- tratto all’agenzia Eileen Ford –, nel 1971 style. Naty spent the early part of her ca- cent gems.”

8 Life in BVLGARI Issue 14 News THE TALENTED MR J.

Julien Landais is a French actor, film producer and director. Versatile and charismatic, he describes himself as an introvert-extrovert

Julien Landais è attore, produttore ci- un anello. Quello che portava il poeta in- tive producer and cameos by Jon Korta- nematografico e regista francese. Ver- glese Percy B. Shelley, che incastonava una jarena, Poppy Delevingne, Morgane Po- satile, carisma e occhi di zaffiro, studi moneta romana che doveva essere capace lanski, and Daphne Guinness. “What di pianoforte, si definisce un introver- di evocare l’Italia e l’antica Roma. Mi sono does Pop and Wild Pop in particular so-estroverso. «Il cinema è la mia psica- rivolto alla casa Bvlgari, con la sua colle- mean for me? First of all, when I was nalisi – afferma Julien – mi piace poter zione Monete. L’anello è indossato dal an adolescent, the cover of an art mag- dimenticare me stesso e, da attore, imper- poeta defunto, poi dalla sua giovane azine with Jeff Koons in paradise. Pop sonare qualcun altro in una specie di ca- amante che in vecchiaia lo custodirà come Art means wild fun for all. It is tarsi». Sta per uscire sugli schermi il reliquia e talismano. Da lei infine passa rock’n’roll and cult. What could be suo film di debuttoThe Aspern Papers, alla nipote, cui lo dona poco prima di mo- more emblematic than a Marilyn by dal romanzo di Henry James, ambien- rire quale simbolo di consapevolezza e di Warhol or a flag by Jasper Johns? Pop tato in una cupa e lirica Venezia otto- crescita del potere femminile». Art is vibrant colour, powerful bright centesca. Una pellicola interpretata da colours. A temperature that I wanted Vanessa Redgrave, Jonathan Rhys to give my film, based on The Aspern Meyers e Joely Richardson, che vede Papers. Despite it taking place in the in veste di produttore esecutivo il pre- Julien Landais is a French actor, film pro- nineteenth century, I wanted it to be mio Oscar James Ivory e cameos di ducer and director. Versatile and charis- real, as if happening nowadays. Jon Kortajarena, Poppy Delevingne, matic, with bright blue eyes, he has studied On the set in Venice, I also worked Morgane Polanski e Daphne Guin- piano and describes himself as an intro- with Bvlgari. In the plot there is a story ness. «Che cosa significa Pop e in partico- vert-extrovert. “Films are my psychoa- about a ring. The one worn by the lare Wild Pop per me? Innanzitutto, nalysis,” he says, “I like being able to English poet Percy B. Shelley, set with quando ero adolescente, la copertina di una rivista d’arte con Jeff Koons in para- “What does Pop mean for me? When I was an adolescent, diso. La Pop Art vuol dire wild fun per tutti. È rock’n’roll e culto. Cosa può esser- the cover of an art magazine with Jeff Koons in paradise” ci di più emblematico di una Marilyn di Warhol o di una bandiera di Jasper forget myself and, as an actor, imper- a Roman coin that had to evoke Italy Johns? Pop Art è colore vibrante, colori sonate somebody else in a kind of ca- and ancient Rome. I turned to Bvlgari, vividi e potenti. Una temperatura che ho tharsis.” Soon to be released, his debut with its Monete collection. The ring is voluto dare al mio film tratto da The film The Aspern Papers is based on the worn by the dead poet, then by his Aspern Papers. Malgrado la narrazione novel by Henry James and set in a gloomy, young lover, who as an old lady will si svolga nel XIX secolo, volevo fosse reale, lyrical nineteenth-century Venice. Star- treasure it as a relic and talisman. Just come ai giorni nostri. ring Vanessa Redgrave, Jonathan Rhys before she dies, she gives it to her Sul set a Venezia ho lavorato anche con Meyers and Joely Richardson, the film has niece as a symbol of awareness and Bvlgari. Nel plot c’è una storia riguardo a Oscar-winning James Ivory as its execu- growth of female power.”

10 Life in BVLGARI Issue 14 News MOSCOW ART SCENE

Since 2009 Teresa Iarocci Mavica has been Director of the V-A-C Foundation in Moscow and she worked on the first exhibition that brought the genius of Warhol in Russia

Teresa Iarocci Mavica è un’italiana che del Paese intero». Passando all’ambito contemporary art is a series of dia- dopo gli studi universitari all’Orientale specifico della gioielleria, Teresa confi- logue and exchanges that never hap- di Napoli, vive a Mosca. Dal 2009 è Di- da: «in realtà non amo i gioielli. Intendo pened. Until the first exhibition of the rettore della V-A-C Foundation, fonda- quelli tradizionali, d’oro e pietre preziose. original works by Andy Warhol in ta con Leonid Mikhelson, un organi- Indosso quasi sempre bijoux d’autore, for- 2004, this was a sphere that could be smo espositivo di ricerca e produzione me astratte, gemme naturali e resine. Gli accessed via foreign magazines, which artistica moscovita che ha un distacca- unici ‘veri’ gioielli che porto, dono di mio could be consulted in the State Li- mento a Venezia, sulle Zattere. «C’è una marito, sono quelli di Bvlgari. Possiedo già brary for Foreign Literature. I worked reazione istintiva ed emotiva alla parola un mio piccolo tesoro, con pezzi della Col- on the first exhibition that brought the Pop, che rimanda a un senso di libertà. lezioni DIVAS’ DREAM, MVSA e altro. genius of Warhol, Tom Wassermann Come un’esplosione benefica che ti libera Mi viene in mente anche un profumo fem- and Basquiat to Russia, an event that da tutti i lacci, una boccata d’aria fresca e minile della Maison, Bvlgari Pour Fem- had big impact. I remember the young- una finestra aperta sulla vita. La storia dei me. Quale donna, in fondo, non vuole sen- ster’s joy and the inability to under- rapporti tra Unione Sovietica e arte mo- tirsi un po’ diva?». stand and bewilderment of older peo- derna e contemporanea americana è fatta ple. Today, the V-A-C Foundation is di mancati dialoghi, di scambi inesistenti. working on converting a former power Fino alla prima mostra con opere origina- plant in Moscow, just a stone’s throw li di Andy Warhol nel 2004, era un ambito After completing her studies at the L’Ori- from the Kremlin. Thanks to Renzo accessibile tramite le riviste estere, che si entale university in Naples, Italian-born Piano’s firm, this project intends not potevano consultare presso la Biblioteca di Teresa Iarocci Mavica went to live in Mos- only to change the architectural land- letteratura straniera. Ho lavorato alla pri- cow. Since 2009 she has been Director of scape in the centre of the Russian cap- ma esposizione che ha portato in Russia il the V-A-C Foundation, set up with Leonid ital, but also the cultural role of the segno di Warhol, di Tom Wassermann e Mikhelson, an exhibition body for re- entire country.” Moving on to the specific sector of jewellery, Teresa confides: “I “I don’t actually like jewels. Traditional ones, I mean. The only don’t actually like jewels. Traditional ones, I mean. In gold and precious ‘real’ jewels I wear are gifts from my husband, Bvlgari pieces.” stones. I nearly always wear designer costume jewellery, abstract shapes, Basquiat, un evento di impatto. Ricordo la search and artistic production in Moscow, natural gems and resins. The only ‘real’ gioia dei giovani e l’incapacità di com- which has a branch in Venice, on the Zat- jewels I wear are gifts from my hus- prendere, lo sconcerto dei meno giovani. tere promenade. “People have an in- band, Bvlgari pieces. I already have my La V-A-C Foundation oggi è impegnata stinctive, emotive reaction to the word own personal little treasure hoard, nella riconversione di una ex-centrale elet- Pop, which conjures up a sense of free- with items from the DIVAS’ DREAM, trica a Mosca a pochi passi dal Cremlino. dom. Like a beneficial explosion that MVSA and other collections. There’s Un progetto che, grazie allo studio di Ren- frees you from all your bonds, a breath also a women’s fragrance of theirs that zo Piano, non solo intende cambiare il pa- of fresh air and a window open on life. comes to mind, Bvlgari Pour Femme. norama architettonico del centro della ca- The history of the Soviet Union’s rela- What woman, deep down, doesn’t pitale russa, ma anche il ruolo culturale tionship with American modern and want to feel a bit diva?”

12 Life in BVLGARI Issue 14 News A TRIBUTE TO WARHOL

The High Jewellery collection finds inspiration in the best artistic expression from the Pop culture, mixing it with a wild exuberance

In conversation with Mrs. Lucia Silvestri and Mr. Nicola Bulgari

La collezione di Alta Gioielleria Bvlgari Lucia Silvestri racconta il lavoro che è new Wild Pop collection is, on the other 2018, dal titolo Wild Pop, è la sintesi di stato fatto. «Con il mio team – sottolinea hand, inspired by the seventies and eight- due visioni e ha come terreno di ispira- – abbiamo intrecciato un gioco di rimandi ies, when Bvlgari was influenced by the zione Andy Warhol. Il legame di conta- e di suggestioni che si riflette lungo vari effects of the pop culture. A mood em- minazioni tra l’artista americano e la aspetti degli anni Ottanta, dal mondo mu- braced by Nicola Bulgari, at the time a vi- Maison romana è tutt’oggi vivo, in un sicale a quello della moda, gli abiti e i co- sionary young creative, with first-hand approccio materico e cromatico, come lori di quel tempo, fino al futuro come lo si experience and knowledge of the turmoil ricorda Lucia Silvestri, Direttore crea- vedeva e immaginava allora. Un mix di of that period, in a New York that was tivo del marchio. «Nella collezione ci sono rottura con le convenzioni, di stravaganza, more Big Apple and melting pot than ever. molti elementi che riportano a un concetto libertà cromatica ed energia. D’altronde “The Bvlgari style of the eighties,” re- Wild Pop – afferma Lucia Silvestri – Larger than Life è il mantra che compone members Nicola Bulgari, “became a per esempio, il bracciale bianco e nero, in gran parte del nostro DNA». strong influence. Our family’s inner onice, platino e diamanti. Un tema che ap- spirit allowed us to decode and capture partiene in toto a quell’epoca, agli anni that particular moment in history. It Ottanta in special modo. È rock, classico, was Andy Warhol himself, a big fan of magico e senza tempo». Il miscelare pie- Wild Pop, the Bvlgari 2018 High End our company, who understood this and tre preziose e semi-preziose viene dagli Jewellery collection, brings together two declared, in Interview: ‘I believe that your anni Sessanta, mentre il design della visions and draws inspiration from Andy idea of jewellery is the eighties. Everyone nuova collezione Wild Pop è piuttosto Warhol. The contaminations that link the attempts to copy you. Bvlgari jewels man- ispirato agli anni Settanta e Ottanta, American artist and the Roman jewellery age to perfectly capture the moment.’” Lu- quando Bvlgari si lascia influenzare da- company is still very much alive today, in cia Silvestri talks about the work accom- gli esiti della pop culture. Un mood an approach to matter and colour, as Lu- plished. “With my team,” she stresses, “I abbracciato da Nicola Bulgari, allora cia Silvestri , the brand’s Creative Director have created interplay between refer- giovane e visionario creativo, che fre- reminds us. “There are many elements ences and ideas that reflect a whole quenta e conosce in prima persona il fermento di quel periodo, in una New York più che mai Grande Mela e mel- “It was Andy Warhol himself, a big fan of our company, who ting pot. «Lo stile di Bvlgari degli anni declared: I believe that your idea of jewellery is the eighties” Ottanta – ricorda Nicola Bulgari – di- venne molto influente. Lo spirito interiore della nostra famiglia ci permise di decifra- in the collection that can be traced series of aspects of the eighties, from re e catturare quel particolare momento back to a Wild Pop concept,” she says. the world of music to that of fashion, storico. Fu proprio Andy Warhol, grande “The black and white bracelet for ex- the clothes and colours from that peri- fan della Maison, a comprenderlo e a di- ample, in onyx, platinum and dia- od, through to the future as we saw and chiarare, su Interview: ‘Credo che la vo- monds. A theme that totally belongs to imagined it then. A mix of breaking stra idea di gioielleria sia gli anni Ot- that period, to the eighties especially. It away from conventions, of extrava- tanta. Tutti tentano di copiarvi. Sono is rock, classic, magical and timeless.” gance, freedom with colour and energy. gioielli, quelli di Bvlgari, capaci di cat- Mixing precious and semi-precious stones Besides, Larger than Life is the mantra turare perfettamente il momento’». is taken from the sixties, while design of the that makes up most of our DNA.”

14 Life in BVLGARI Issue 14 Collections

AT FULL BLAST photography Michele Gastl

WILD POP High Jewellery Collection June 2018 Rome

Wild Pop High Jewellery Collection bracelet

16 Life in BVLGARI Issue 14 Wild Pop High Jewellery Collection necklace Wild Pop High Jewellery Collection bracelet Wild Pop High Jewellery Collection necklace Wild Pop High Jewellery Collection necklace Wild Pop High Jewellery Collection necklace

Photographer’s assistant Adamo Moses; Location Studio Baobab, Rome Collections

A VERY BRIGHT DAY

photography Nicola Galli illustrations George Greaves

BVLGARI BVLGARI earrings

28 Life in BVLGARI Issue 14 BVLGARI BVLGARI rings and necklaces opposite page: Pool, 2017 BVLGARI BVLGARI Gelati ring and brooch opposite page: Courtyard, 2017 BVLGARI BVLGARI earrings opposite page: A Nice Day, 2017 BVLGARI BVLGARI necklace, ring and BVLGARI BVLGARI Gelati bracelet opposite page: Afternoon Sun, 2017 BVLGARI BVLGARI rings and bracelets opposite page: Exit, 2017 BVLGARI BVLGARI rings and bracelets opposite page: Afternoon Sun, 2017 BVLGARI BVLGARI bracelets opposite page: Rose, 2016 Collections

CLUB DANCE photography Bela Borsodi

Celebrating 70 years of Tubogas

Monete Tubogas choker, 1980; Monete bracelet, 1975

44 Life in BVLGARI Issue 14 Serpenti Tubogas watch, 2016 opposite page: Monete Tubogas necklace, 1978; Serpenti Tubogas bracelet, 1960 Monete Tubogas choker, 1974; LVCEA Tubogas watch, 2018; BVLGARI BVLGARI Tubogas bracelet, 1978 Roy Lichtenstein, Sunrise, 1965 Tubogas choker, 1980; Serpenti Tubogas watch, 2018 Serpenti Tubogas bracelet-watch, 1972 opposite page: Monete Tubogas necklace, 1983; Naturalia Farfalla Tubogas bracelet-watch, 1992 Tubogas bracelet, 1972; Serpenti Tubogas bracelet, 1960 LVCEA Tubogas watch, 2018

p. 45 - Maria Lucia Hohan dress, Oscar Tiye shoes, Sylvio Giardina black dress, Lodovico Zordanazzo shoes, Alpo gloves; p. 46 - Marco Proietti shoe; p. 47 - Valenti top, Gia Couture shoes, Alpo gloves; p. 49 - Manuel Facchini black dress, Lodovico Zordanazzo shoes; Annakiki jacket and trousers, Oscar Tiye shoes; p. 52 - Avaro Figlio top and red dress; p. 54 - Giuseppe Di Morabito top and trousers, Damiano Marini shoes, Emilio Pucci blue trousers, Alpo golves; p. 57 - Madame Pauline jacket, Oscar Tiye shoes, Albino Teodoro dress, Gia Couture shoes; p. 59 - Ermanno Scervino suit, stylist own glove

Photographer’s assistants Ignazio Nano and Luca Filoni; Digital operator Elio Rosato; Groomer Kassandra Frua De Angeli; Hair stylist Ilham Mestour; Stylist Ellen Mirck; Stylist assistant Corinna Fusco; Location Studio Allucinazione, Rome

Model Lidia Comini @ Brave Models; Arianna @ Bea Models Around the world

SOME POP WORDS

illustrations Daniele Tozzi

Don Giovanni, 2017

60 Life in BVLGARI Issue 14 Taurus, 2017 opposite page: Words into shapes, 2017 Red Girl, 2016 Hand of masters, 2015 opposite page: Pink Flamingo, 2017 Collections

THE POP SMASH artwork and photography Bodha D'Erasmo & Gilda

“Serpenti Forever” flap cover bag and wallet

68 Life in BVLGARI Issue 14 Serpenti Hypnotic top handle bag “Serpenti Forever” top handle bag and shoulder bags “Serpenti Forever” flap cover bag “Serpenti Forever” wallet and shoulder bags “Serpenti Forever” flap cover bag “Serpenti Forever” flap cover bag and “Serpenteyes Power-up” sunglasses opposite page: “Serpenti Forever” flap cover bag and Serpenti sunglasses “Serpenti Forever” flap cover bag and Canyon amber “Tie Me Zip” shelley

Photographer’s assistant Giorgia Misani; Digital operator Tea Dragano; Location Capture Image Studio Collections

V AS IN VANITY photography Thomas Straub

on this and following pages: Serpenti Viper rings and bracelets

84 Life in BVLGARI Issue 14

Around the world

LEGENDARY ICONIC

on this and following pages: Bvlgari jewellery in Casinò movie (1995) directed by Martin Scorsese with Sharon Stone and Robert De Niro

92 Life in BVLGARI Issue 14

News

HARRODS FOREVER

To mark the opening of its new Harrods London boutique, Bvlgari has created an exclusive line of jewellery featuring malachite

In occasione dell’apertura della nuova boutique presso il Department Store londinese Harrods, Bvlgari ha creato una linea di gioielleria in esclusiva recuperando una pietra sacra per gli antichi romani: la malachite. La pietra verde era considerata magica, fonte di felicità e di gioia. La collezione Forever Green la reinterpreta in chiave moderna, in onore del verde Harrods. La collezione esclusiva comprende elementi Serpenti, simbolo della seduzione, DIVAS’ DREAM, epitome del glamour e Parentesi, il Bvlgari heritage. Per l’occasione, Lucia Silvestri, Direttore Creativo Bvlgari, ha disegnato un anello di alta gioielleria con smeraldo. Oltre alla gioielleria, è stata disegnata una edizione limitata di dieci pezzi di orologeria Octo Finissimo Automatic. Questo orologio è uno tra i più sottili disponibili nel mondo e, per questa edizione speciale dedicata a Harrods, i pezzi della collezione saranno riconoscibili da originali elementi in malachite verde.

To mark the opening of its new Harrods London boutique, Bvlgari has created an exclusive line of jewellery featuring malachite, which the ancient Romans considered a sacred stone. The green stone was thought to have magic powers, a source of happiness and joy. The Forever Green collection reinterprets it with a modern twist, an homage to Harrods green. The exclusive collection comprises elements of Serpenti, a symbol of seduction, DIVAS’ DREAM, the epitome of glamour and Parentesi, Bvlgari’s heritage. For the occasion, Lucia Silvestri, Bvlgari Jewellery Creative Director, has also designed an haute jewellery ring with emerald. In addition to the jewellery, a limited edition set of ten Octo Finissimo Automatic watches has also been produced. This watch is one of the thinnest currently available in the world and, for this special edition dedicated Photographer to Harrods, the pieces of the collection will be recognisable by Chantelle Dosser; original elements in green malachite. Stylist Sophie Goodwin; Model Lady Kitty Spencer

100 Life in BVLGARI Issue 14

BVLGARI AT HARRODS

Bvlgari ha spostato e più che triplicato gli spazi della sua boutique all’interno di Harrods, ora dislocati su due piani collegati da un ascensore. La matrice stilistica proviene dal concept del flagshipstore di New Bond Street, firmato da Peter Marino nel 2016. Il tema del nuovo spazio si risolve in un viaggio attraverso duemila settecento anni di storia e di suggestioni romane, sulla griglia di ispirazioni mediterranee e del DNA del brand. Un mosaico di marmi policromi delinea la stella a otto punte traslata dal pavimento del Pantheon. Capitolino l’uso del travertino Navona, accanto al parquet in noce e al bronzo e marmo modellati nel segno del famoso architetto italiano degli anni Sessanta, Carlo Scarpa. Le nicchie e le vetrine sono unificate da un ulteriore elemento storico di Bvlgari: il rivestimento in shantung di seta Zafferano Imperiale. La Very Important Client (VIC) area è protetta da uno schermo che riproduce la Maglia Pantheon, motivo della Maison e ricalca il Salottino Taylor, l’ambiente dove l’attrice trascorreva il tempo al sicuro dai paparazzi, durante il suo soggiorno romano dei primi anni Sessanta.

Bvlgari’s Harrods boutique has moved and more than tripled in size, it is now spread over two floors connected by a lift. The stylistic matrix comes from the concept behind the flagship store on New Bond Street, designed by Peter Marino in 2016. The theme of the new space centres upon a journey through two thousand seven hundred years of history, featuring Roman and Mediterranean inspirations, and a celebration of the brand’s DNA. A polychrome marble mosaic marks out the eight- pointed star transported from the Pantheon floor. Navona travertine meets walnut parquet and bronze and marble sculpted in a nod to the famous Italian architect of the 1960’s, Carlo Scarpa. The niches and shop windows are unified by a further historic Bvlgari element: Imperial Saffron Shantung silk. The Very Important Client (VIC) area is protected by a screen that reproduces the Pantheon Mash, the Maison’s motif, reminiscent of the Taylor Room, the lounge where the actress spent time away from the paparazzi during her stay in Rome in the early sixties. News

HIGH JEWELLERY CRAFTSMANSHIP

The ’80s were all about exaggerated, stiff silhouettes. Ruffles were dramatic. But ruffles also were, and still are, a great way to bring all the attention to your captivating shoulders and neckline. These precious creations mounting 65.74 ct emeralds on the necklace and 8.22 ct on the earrings will help the precious turquoise and diamonds ruffle to the trick!

photography Antonio Barrella

106 Life in BVLGARI Issue 14

News

CHATER HOUSE

The new Bvlgari flagship store in Landmark, Hong Kong’s central business district

delle colonne che ne scandiscono lo spazio, tema ricorrente dell’architettura barocca a Roma. Otto colonne che vi impri- mono un ritmo di pieno e di vuoto, alternato e avvolgente come una composizione musicale senza tempo.

An Italian piazza under a dome that looks like the one on the Pantheon in the Eternal City: this is the new Bvlgari flagship store in Landmark, Hong Kong’s central business district. The brand’s Roman matrix, with its wealth of details borrowed from various eras in history, entwines with the futuristic vision offered by this oriental metropolis. Once again, Peter Marino’s design dimension has played an imaginary game of style, teaming tradition with the rapidly metamorphosing modernity of Hong Kong. The facades Una piazza italiana sotto una cupola che ricorda quella del combine features borrowed from the headquarters in Via Condot- Pantheon: è il nuovo flagship store Bvlgari al Landmark, il ti and references to Borromini, with a contemporary feel given by distretto centrale del business di Hong Kong. La matrice ro- quotes taken directly from Bvlgari’s creative background, such as mana del brand, ricca di riferimenti tratti da varie epoche, si the Tubogas link. Inside, it all revolves symbolically around light: intreccia alla visione di futuro offerta da una metropoli the sun of Rome symbolically filtering in from the ceiling and orientale. Ancora una volta, la dimensione progettuale di Pe- changing depending on the time of day, marking time and setting ter Marino ha saputo giocare una partita immaginaria e di the pace of a typical Italian day, which culminates in a real Italian stile, accostando la tradizione con la modernità in rapida me- tamorfosi di Hong Kong. Le facciate esterne combinano me- A new concept is the High Jewellery morie della sede di via Condotti e citazioni borrominiane, con un tracciato contemporaneo nutrito da quotes diretti section, designed specially by della vicenda creativa di Bvlgari, come la maglia Tubogas. Peter Marino for this boutique All’interno tutto ruota intorno alla luce: simbolicamente il sole di Roma filtra dalla volta e cambia nelle diverse ore del- aperitif in one of the boutique’s lounges. The eight-point star is also la giornata, scandendo i tempi e i ritmi di una giornata tipica featured. A Venini glass chandelier seals the maison’s link with the italiana, da concludersi con un vero Aperitivo Italiano in una golden age of Italian design, here represented by Carlo Scarpa, delle lounge della boutique. Non manca la stella a otto punte. Angelo Mangiarotti, and Osvaldo Borsani. A new concept is the Un lampadario in vetro Venini sancisce il legame della Mai- High Jewellery section, designed specially by Peter Marino for son con l’età aurea del design italiano, qui rappresentata da this boutique. It differs from all those realised previously around Carlo Scarpa, Angelo Mangiarotti e Osvaldo Borsani. Nuovo the world thanks to eight majestic columns that divide and sepa- il concetto dell’area High Jewellery, disegnata da Peter Mari- rate the interiors, a recurrent feature from baroque architecture in no apposta per questa boutique. Differisce da tutte quelle Rome. These columns create space and solidity, alternating and realizzate in precedenza nel mondo grazie alla maestosità welcoming like a timeless musical composition.

110 Life in BVLGARI Issue 14 “Inside, everything revolves around a central focus, tracing a journey that takes in one hundred and thirty years of history.”

“The leitmotif of Rome, fine marble, is everywhere and the eight-point star is also featured. A Venini glass chandelier seals the maison’s link with the golden age of Italian design” News

TRIBECA FILM FESTIVAL

On 26 April 2018, the presentation of the two short filmsConducting a Revolution and The tociclismo. Le protagoniste fanno parte di The Litas, un’orga- Litas, made by Bvlgari with the Tribeca Studios nizzazione globale di motocicliste agoniste basata su valori comuni come individualità e fiducia nell’abbracciare un campo d’azione legato alla matrice maschile.

Maison Bvlgari and the world of films have always enjoyed a close relationship and, spanning one hundred and thirty-five years and over forty films, have woven a tapestry of elective affinity and won- der. This ideal marriage goes from Cleopatra with Liz Taylor, via the legend of the sixties that was Dolce Vita, through to Sharon Stone in Casinò. It is a relationship now confirmed by a three- La Maison Bvlgari e il mondo del cinema intrattengono da year partnership agreement that sees Bvlgari as Official Jeweller Conducting a Revolution, a documentary about Conductor Speranza Scappucci, directed by Bella Monticelli sempre una stretta relazione e hanno intessuto, lungo una for the Tribeca Film Festival in New York City, founded in 2001 by parabola di centotrentacinque anni e di oltre quaranta film, Robert De Niro, Jane Rosenthal and Craig Hatkoff to revive Low- un mosaico di affinità elettive e di suggestioni. Un filo ideale er Manhattan, culturally and from every other aspect. The debut che va da Cleopatra di Liz Taylor, attraversando la mitologia came on 26 April 2018, with presentation of the two short films anni Sessanta della Dolce Vita, fino alla Sharon Stone diCa - Conducting a Revolution and The Litas, made by Bvlgari with sinò. Un rapporto che si rinsalda grazie alla partnership the Tribeca Studios. They tell the stories of Italian women who, triennale in qualità di Official Jeweler della Manifestazione, che il brand inaugura con il Tribeca Film festival di New York “Bvlgari is very proud of this opportunity City, fondato nel 2001 da Robert De Niro, Jane Rosenthal e Craig Hatkoff per rivitalizzare culturalmente e sotto ogni to celebrate Italian women, who, are strong, aspetto la zona di lower Manhattan. Ha debuttato il 26 aprile determined and larger than life” 2018, con la presentazione dei due cortometraggi Conducting a Revolution e The Litas, realizzati da Bvlgari con i Tribeca with courage and dedication, have achieved fame in professional Studios, che raccontano storie di donne italiane che con co- sectors or businesses traditionally dominated by males. “Bvlgari is raggio e dedizione si sono affermate in settori professionali very proud of this opportunity to celebrate Italian women,” o attività tradizionalmente appannaggio dell’universo ma- says the CEO of Bvlgari, Jean-Christophe Babin, “who, just like schile. «Bvlgari è molto fiero di avere quest’opportunità per cele- our brand, are strong, determined and larger than life”. This brare le donne italiane – afferma il CEO di Bvlgari, Jean-Chri- powerful concept is reiterated by Paula Weinstein, Executive Vice stophe Babin –, che, proprio come il nostro marchio, sono forti, President of Tribeca Enterprises. What’s more, both short films are determinate e larger than life». Un concetto potente, ribadito also directed by women. Award-winning Bella Monticelli directed da Paula Weinstein, Executive Vice President di Tribeca En- Conducting a Revolution, which focuses on the career of the or- terprises. Ambedue gli short film inoltre sono diretti da don- chestra conductor Speranza Scappucci. The other was directed by ne. La pluripremiata Bella Monticelli è regista di Conducting Nina Meredith and follows the work and personal lives of three a Revolution, imperniato sulla carriera di direttore d’orche- very different Italian females: a police officer, a filmmaker and a stra di Speranza Scappucci. Il secondo cortometraggio, sotto keen motorcyclist. They are all members of The Litas, a world- la direzione di Nina Meredith, segue le vite lavorative e per- wide all-female motorcycle collective that is based on shared val- sonali di tre figure femminili italiane molto diverse tra loro, ues such as individuality and the confidence to embrace a sphere of un’ufficiale di polizia, una filmaker e un’appassionata di -mo action typically associated with the male matrix.

The Litas, a documentary directed by Nina Meredith

114 Life in BVLGARI Issue 14 Events LOS ANGELES MILAN DESIGN WEEK

Sebastian Stan Lindsey Vonn Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood

The Mirror Cube at Bvlgari Hotel – Milan Design Week The Mirror Cube at Bvlgari Hotel – Milan Design Week

Asia Chow Naomi Campbell Jasmine Sanders 26th Annual Academy Awards Viewing Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood Party at EJAF – West Hollywood Park

Installation Brera Site – Milan Design Week Installation Brera Site – Milan Design Week

Montenapoleone Gallery & Windows Lily Aldridge Matthew McConaughey and Lee Smith Milan Design Week Montenapoleone Gallery & Windows – Milan Design Week Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood

116 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 117 Events BASEL MILAN FASHION WEEK

Accessories F/W 2018 Event at Bvlgari Hotel – Milan Fashion Week

Jean-Christophe Babin, Laura Harrier and Jon Kortajarena Bvlgari Press Party – Basel 2018 Simi and Haze Khadra Kris Wu Yun Yun Sun Accessories F/W 2018 Event at Accessories F/W 2018 Event at Accessories F/W 2018 Event at Bvlgari Hotel – Milan Fashion Week Bvlgari Hotel – Milan Fashion Week Bvlgari Hotel – Milan Fashion Week Matteo Bocelli Bvlgari Press Party – Basel 2018 HAPPY B.DAY ROMA

Bvlgari Baselworld Booth

Natale di Roma Celebration, China

Giorgia Surina Natale di Roma Celebration, Spain Natale di Roma Celebration, Germany Bvlgari Press Party – Basel 2018 Bvlgari Press Conference – Basel 2018

118 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 119 16 WILD POP High Jewellery bracelet in 24 WILD POP High Jewellery necklace in platinum with onyx elements, a marquise white gold with pavé emeralds (5.60 ct), brilliant diamond (11.40 ct) and fancy step round brilliant cut diamonds and pavé cut diamonds. diamonds.

18 WILD POP High Jewellery necklace in 26 WILD POP High Jewellery necklace rose gold with mother of pearl, coral, in rose gold with carnelian, yellow and turquoise elements and round mixed brown chalcedony, an orange mandarin rubellites (15.66 ct), a round cabochon garnet spessartite (2.43 ct), round brilliant cut emerald, round brilliant cut cut diamonds and pavé diamonds. diamonds and pavé diamonds.

20 WILD POP High Jewellery bracelet 28 BVLGARI BVLGARI rose gold single in rose gold with coral and turquoise stud earring with carnelian. elements and pavé diamonds. BVLGARI BVLGARI rose gold single stud earring with pavé diamonds.

BVLGARI BVLGARI rose gold single stud earring with onyx.

22 WILD POP High Jewellery necklace 30 BVLGARI BVLGARI rose gold flip ring in rose gold with round and mixed with jade and pavé diamonds. rubellites (26.67 ct), bead and mixed emeralds, a round brilliant cut diamond BVLGARI BVLGARI rose gold pendant and pavé diamonds. with carnelian, mother of pearl and pavé diamonds.

120 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 121 32 BVLGARI BVLGARI Gelati rose gold 40 BVLGARI BVLGARI rose gold flip ring ring with mother of pearl and pavé with mother of pearl and carnelian. diamonds. BVLGARI BVLGARI rose gold flip ring BVLGARI BVLGARI Gelati rose gold with jade and pavé diamonds. brooch with mother of pearl and pavé diamonds. BVLGARI BVLGARI rose gold bracelet with mother of pearl and onyx.

BVLGARI BVLGARI rose gold bracelet with mother of pearl, onyx and malachite.

BVLGARI BVLGARI rose gold bracelet with mother of pearl and carnelian.

34 BVLGARI BVLGARI rose gold single 42 BVLGARI BVLGARI rose gold bracelet stud earring with mother of pearl. with mother of pearl, onyx and malachite.

BVLGARI BVLGARI rose gold single BVLGARI BVLGARI rose gold bracelet stud earring with pavé diamonds. with mother of pearl and carnelian.

BVLGARI BVLGARI rose gold single stud earring with malachite.

36 BVLGARI BVLGARI necklace in rose 44 Monete Tubogas choker in gold with gold with jade and pavé diamonds. Hellenistic silver coin of Alexander the Great (326-323 BC), ca. 1980. Bvlgari BVLGARI BVLGARI Gelati rose gold Heritage Collection. bracelet with mother of pearl and pavé diamonds. Monete Tubogas bracelet in two-colour gold with Roman lmperial bronze coins BVLGARI BVLGARI rose gold flip ring from 3rd century AD, ca. 1975. Bvlgari with mother of pearl and carnelian. Heritage Collection.

38 BVLGARI BVLGARI rose gold flip ring BVLGARI BVLGARI rose gold flip ring 46 left page: right page: with jade and pavé diamonds. with mother of pearl and pavé diamonds. Serpenti Tubogas watch. Quartz Monete Tubogas necklace in gold with movement. 35 mm steel curved case with gold coin of the Kingdom of England BVLGARI BVLGARI rose gold flip ring 18 kt rose gold bezel set with brilliant-cut from 17th century, lapis lazuli and with onyx and mother of pearl. diamonds. 18 kt rose gold crown set diamonds, ca. 1978. Bvlgari Heritage with a cabochon-cut pink rubellite. Collection. BVLGARI BVLGARI rose gold bracelet Black opaline dial with guilloché soleil with mother of pearl and onyx. treatment. 5-twirl 18 kt rose gold and Serpenti Tubogas bracelet watch steel bracelet, 2016. in gold, ca. 1960. Bvlgari Heritage BVLGARI BVLGARI rose gold bracelet Collection. with mother of pearl, carnelian, lapis and malachite.

BVLGARI BVLGARI rose gold bracelet with carnelian and mother of pearl.

122 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 123 48 Monete Tubogas choker in two-colour 58 LVCEA Tubogas watch. Mechanical gold with Greek silver coins from movement with automatic winding. 4th century BC, 1974. Bvlgari Heritage 33 mm steel case with 18 kt rose gold Collection. bezel. 18 kt rose gold crown set with a pink cabochon-cut stone and diamond. LVCEA Tubogas watch. Quartz White mother of pearl dial set with movement. 28 mm steel case. diamond indexes. 18 kt rose gold and Steel crown set with a pink cabochon- steel tubogas bracelet, 2018. cut stone and diamond. Black lacquered dial set with diamond indexes. Steel tubogas bracelet, 2018.

BVLGARI BVLGARI Tubogas bracelet watch in gold, 1978. Bvlgari Heritage Collection.

52 Tubogas choker in two-colour gold 68 “Serpenti Forever” flap cover bag in with cornelian intaglio from 19th century, “Full Striped” silver and antique bronze emeralds, rubies, sapphires and brushed metallic calf leather and black diamonds, 1980. Bvlgari Heritage calf leather. Brass light gold plated Collection. hardware and snake head closure in black and white enamel, with eyes in Serpenti Tubogas watch. Quartz black onyx. movement. 35 mm 18 kt rose gold curved case set with brilliant-cut diamonds. “Serpenti Forever” wallet pouch in 18 kt rose gold crown set with a pink “Striped” silver brushed metalllic calf cabochon-cut rubellite. Black opaline leather and black calf leather. Brass light dial with guilloché soleil treatment. gold plated Serpenti head stud closure Double-spiral 18 kt rose, yellow and in black and white enamel, with black white gold bracelet, 2018. onyx eyes.

54 left page: right page: 70 Serpenti Hypnotic top handle bag in Monete Tubogas necklace in gold and Serpenti Tubogas bracelet-watch black and roman garnet “Mosaic” smooth steel with sapphire and topaz, 1983. in gold, ca. 1972. Bvlgari Heritage calf leather. Brass light gold plated metal Bvlgari Heritage Collection. Collection. closure with soft button push.

Naturalia Farfalla Tubogas bracelet- watch in gold with onyx and diamonds, 1992. Bvlgari Heritage Collection.

56 Tubogas bracelet watch in gold, steel 72 “Serpenti Forever” top handle bag “Serpenti Forever” shoulder bag and blackened steel, 1972. Bvlgari featuring a “Framed Quilted” motif in featuring a “Framed Quilted” motif in Heritage Collection. roman garnet nappa and black smooth white agate nappa and black smooth calf calf leather. Brass light gold plated leather. Brass light gold plated tempting Serpenti Tubogas bracelet-watch in tempting snake head closure in black snake head closure in black and roman white gold, ca. 1960. Bvlgari Heritage and white enamel, with eyes in black garnet enamel, with eyes in black onyx. Collection. onyx. “Serpenti Forever” shoulder bag featuring a “Framed Quilted” motif in canyon amber nappa and black smooth calf leather. Brass light gold plated tempting snake head closure in black and white enamel, with eyes in black onyx.

124 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 125 74 “Serpenti Forever” flap cover bag in 82 “Serpenti Forever” flap cover bag in heather amethyst “Factory” elaphe skin ruby red shiny croco skin. Brass light and black smooth calf leather frames. gold plated hardware and tempting snake Brass light gold plated snake head head closure in shiny black and ruby red closure in shiny black and heather enamel, with eyes in black onyx. amethyst enamel, with eyes in black onyx. Canyon amber “Tie Me Zip” shelley in fine saglione silk.

76 “Serpenti Forever” l-shaped zipped “Serpenti Forever” shoulder bag in 84 Serpenti Viper white gold ring with pavé Serpenti Viper rose gold bracelet with wallet in silver metallic karung skin and silver metallic karung skin. Brass light diamonds. Width 6 mm. pavé diamonds. Width 4 mm. black calf leather with brass light gold gold plated tempting snake head closure plated hardware. Iconic shiny black and in shiny black and glitter silver enamel, Serpenti Viper white gold ring with pavé Serpenti Viper rose gold bracelet with glitter silver enamel Serpenti head zip with eyes in black onyx. diamonds. Width 4 mm. mother of pearl. Width 6 mm. puller, with black enamel eyes. Serpenti Viper rose gold ring with pavé Serpenti Viper rose gold bracelet with “Serpenti Forever” shoulder bag royal diamonds.Width 6 mm. pavé diamonds. Width 4 mm. sapphire “Mermaid” python skin. Brass light gold plated tempting head closure Serpenti Viper rose gold ring with pavé in black and silver glitter enamel, with diamonds.Width 4 mm. eyes in black onyx. Serpenti Viper rose gold bracelet with carnelian. Width 6 mm.

Serpenti Viper white gold bracelet with grey mother of pearl and pavé diamonds. Width 4 mm. 78 “Serpenti Forever” flap cover bag in ruby red and black “Luxe” python skin. Serpenti Viper white gold bracelet with Brass light gold plated tempting snake pavé diamonds. Width 4 mm. head closure in shiny black and ruby red enamel, with eyes in black onyx.

80 left page: right page: 86 Serpenti Viper rose gold bracelet with Serpenti Viper white gold ring with pavé “Serpenti Forever” flap cover bag in “Serpenti Forever” flap cover bag in carnelian. Width 6 mm. diamonds. Width 6 mm. black and white “Pop-Corn” matte black and gold “Shaded” galuchat skin. python skin. Brass light gold plated Brass light gold plated tempting snake Serpenti Viper white gold bracelet with Serpenti Viper rose gold bracelet with hardware and tempting snake head head closure in black enamel, with eyes pavé diamonds. Width 4 mm. mother of pearl. Width 6 mm. closure in matte black and white enamel, in black onyx. with eyes in black onyx. Serpenti Viper rose gold bracelet with Serpenti sunglasses black/shading pink pavé diamonds. Width 4 mm. “Serpenteyes Power-up” sculpted frame squared angular acetate frame featuring sunglasses in black and grey multifaceted the iconic snake head in a pink gold Serpenti Viper white gold ring with pavé acetate. The double hexagonal profile color hue with red enamelled eyes and diamonds. Width 6 mm. is enriched with a scale motif on flat, crystals. round, grey lenses. Geometrical see- through temples unveil a metal soul that ends up with a hexagonal temple tip.

126 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 127 88 Serpenti Viper rose gold bracelet with pavé diamonds. Width 4 mm.

Serpenti Viper rose gold bracelet with mother of pearl. Width 6 mm.

Serpenti Viper rose gold bracelet with pavé diamonds. Width 4 mm.

Serpenti Viper rose gold bracelet with carnelian. Width 6 mm.

Serpenti Viper white gold bracelet with pavé diamonds. Width 4 mm. PER QUESTA 90 left page: right page: Serpenti Viper white gold ring with pavé Serpenti Viper rose gold bracelet with diamonds. Width 6 mm. carnelian. Width 6 mm.

Serpenti Viper white gold ring with pavé Serpenti Viper white gold bracelet with diamonds. Width 4 mm. pavé diamonds. Width 4 mm.

Serpenti Viper white gold ring with pavé Serpenti Viper rose gold bracelet with PAGINA diamonds. Width 6 mm. pavé diamonds. Width 4 mm.

Serpenti Viper rose gold bracelet with Serpenti Viper rose gold bracelet with carnelian. Width 6 mm. mother of pearl. Width 6 mm.

Serpenti Viper rose gold bracelet with Serpenti Viper rose gold ring with pavé pavé diamonds. Width 4 mm. diamonds.Width 4 mm. NON Serpenti Viper rose gold bracelet with Serpenti Viper rose gold ring with pavé mother of pearl. Width 6 mm. diamonds .Width 6 mm.

Serpenti Viper white gold ring with pavé diamonds. Width 4 mm. ESTRARRE PDF

128 Life in BVLGARI Issue 14 PER QUESTA PAGINA NON ESTRARRE PDF