The Aspern Papers
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Ano iX – nº 33 | abr-jun/2019 TRADIÇÃO EM XEQUE! CONCORRÊNCIA COM OUTRAS JANELAS FAZ COM QUE O MERCADO PRECISE MUDAR DIVERSIDADE ACESSIBILIDADE CINEMACON 2019 DEMANDA POR REPRESENTATIVIDADE SÓ AUMENTA CINEMAS ESTÃO PREPARADOS PARA RECEBER CONFIRA COBERTURA DO EVENTO NOVO PÚBLICO? www.exibidor.com.br 01-CAPA_ed33.indd 1 05/04/2019 16:23 01-CAPA_ed33.indd 2 09/04/2019 16:40 02-editorial.indd 1 05/04/2019 18:04 EDITORIAL Cinema em constante transformação EXPEDIENTE EDIÇÃO E DIREÇÃO Marcelo J. L. Lima O ano de 2019, sem sombra de dúvidas, coloca em xeque diversas tra- REDAÇÃO dições do mercado de cinema, que agora não fazem mais tanto sentido Fernanda Mendes, Renata Vomero assim. Por isso, é mais do que necessário que os players do setor tracem e Thaís Lemos diferentes estratégias das que vinham colocando em prática. PROJETO GRÁFICO E DIREÇÃO DE ARTE Nesta 33ª edição da Revista Exibidor, que comemora seu oitavo ano Raphael Grizilli em circulação, propomos o debate do que leva o espectador ao cinema. Afinal, hoje o consumidor divide sua atenção entre diversas janelas de DIAGRAMAÇÃO exibição, incluindo streaming, VOD e TV a cabo. O que o cinema pode Marcela Vianna e Raphael Grizilli fazer para não deixar morrer a experiência compartilhada de assistir a um Os cinemas de todo o mun- REVISÃO filme? Este é o tema da matéria de capa desta edição. Renata Vomero IMPRESSIONE do con am na qualidade E nem só as grandes redes vivem esse embate. Os exibidores pequenos COMERCIAL E ANÚNCIOS incomparável da USHIO. também precisam se renovar para atrair o público às salas de cinema, fazendo www.exibidor.com.br/anuncie com que o seu empreendimento seja palco não somente da exibição de filmes, Tel.: (11) 4040 4719 O SEU PÚBLICO mas de eventos diversos. -
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1 Jean Pavans Le passé visitable : la Venise de Henry James dans Les Papiers d’Aspern * C’est dans sa préface au Tome XII de la New York Edition d’un ensemble de ses romans et nouvelles que Henry James, revenant sur la rédaction de The Aspern Papers, emploie l’expression de « passé visitable » : « Je m’enchante du passé palpable, imaginable, visitable : des lointains assez proches et des mystères assez clairs, des marques et des signes d’un monde que nous pouvons atteindre comme en allongeant le bras pour saisir un objet à l’autre bout de notre propre table […] Tel est, dans mon imagination, le passé fragrant de toute, ou presque toute, la poésie de la chose à laquelle on a survécu, et qui est perdue et disparue, et pourtant dans laquelle le précieux élément de proximité, évoquant tellement d’affinités mais dénotant tellement de différences, reste appréciable. » * James arrive à Florence en décembre 1886, et il sous-loue pour trois semaines la villa Brichieri, à Bellosguardo, réservée pour deux ans par son amie la romancière Constance Fenimore Woolson, petite-nièce de Fenimore Cooper, avec qui il a noué une amitié à Londres en hiver 1880. En plus d’être une admiratrice de ses romans, elle tombe manifestement amoureuse de lui, et il feint ostensiblement de ne pas s’en rendre compte. « Constance est une vieille fille sourde et intense », écrit-il alors, « mais une brave petite femme et une parfaite lady ; étant sourde, elle me 2 pose sur mes livres des questions dont elle ne peut pas entendre les réponses. -
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Per Questa Pagina Non Estrarre Pdf
PER QUESTA PAGINA NON ESTRARRE PDF ISSUE 14 PER QUESTA PAGINA NON ESTRARRE PDF 6 68 Editor’s letter collections The Pop Smash 8 artwork and photography Bodha D’Erasmo & Gilda news The Duchess of Feria 84 collections 10 V as in Vanity news photography Thomas Straub The Talented Mr. J 12 92 around the world news Moscow Art Scene Legendary Iconic 14 100 news news A Tribute to Warhol Harrods Forever 16 106 collections news At Full Blast High Jewellery Craftsmanship photography Michele Gastl photography Antonio Barrella 28 collections 110 A Very Bright Day news photography Nicola Galli Chater House illustrations Georges Greaves 114 44 news collections Tribeca Film Festival Club Dance photography Bela Borsodi 116 60 Events around the world Some Pop Words 120 illustrations Daniele Tozzi Product Summary LIFE IN BVLGARI edited by MEMORIA PUBLISHING GROUP in collaboration with BVLGARI EDITORIAL AND CREATIVE DIRECTION Carlo Mazzoni ART DIRECTION Giulio Vescovi/itsallgood TEXTS Cesare Cunaccia GRAPHIC DESIGN Susanna Mollica MANAGING DIRECTION Marta Mazzacano COORDINATION ON SET Carolina Fusi PRODUCER Annalaura Masciavè ILLUSTRATIONS Babeth Lafon TRANSLATIONS Tdr Translation Company photography Michele Gastl Editor’s letter “I think your jewellery is the ’80s. Everybody’s trying to copy this look,” said Pop icon Andy Warhol during an interview with Nicola Bulgari. In a tribute to the roaring 1980s, a pe- riod of extravagance Bvlgari captured to perfection in jewellery, Bvlgari has just launched in Rome the irreverent and bold new Wild Pop High Jewellery collection. With creations that were pure opulence and impeccable reflections of modern roman glamour, the 1980s marked that very moment when Bvlgari established a new language in High Jewellery that still lives on today. -
LOS PAPELES DE ASPERN (The Aspern Papers) Dir
LOS PAPELES DE ASPERN (The Aspern papers) DIR. JULIEN LANDAIS SINOPSIS Ambientada en la Venecia de finales del siglo XIX, relata la historia de un editor americano resuelto a tener en sus manos las cartas que el icónico poeta romántico, Jefferey Aspern escribió a su amante y musa, Juliana Bordereau. Juliana vive en un palacio veneciano con su sobrina Tina. Pero cuando el ambicioso editor juega con los afectos de Tina, ésta empieza a entrever algo... Los papeles de Aspern relata una historia de obsesiones, pérdidas y sueños basada en la obra de Henry James del mismo nombre y está ambientada en Venecia, ciudad donde James escribió la obra. FICHA ARTÍSTICA Morton Vint ...............................................................................................JONATHAN RHYS MEYERS Juliana Bordereau ..............................................................................................VANESSA REDGRAVE Miss Tina ............................................................................................................JOELY RICHARDSON Sra. Prest ..................................................................................................................... LOIS ROBBINS Jeffrey Aspern .....................................................................................................JON KORTAJARENA Signora Colonna .................................................................................................POPPY DELEVINGNE FICHA TÉCNICA Dirección .................................. JULIEN LANDAIS Distribuidora ......................................Adso -
Reading Henry James in the Twenty-First Century
Reading Henry James in the Twenty-First Century James and His Window on the Coming Century, Eric Doussin, 2019 Reading Henry James in the Twenty-First Century: Heritage and Transmission Edited by Dennis Tredy, Annick Duperray and Adrian Harding Reading Henry James in the Twenty-First Century: Heritage and Transmission Edited by Dennis Tredy, Annick Duperray and Adrian Harding This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Dennis Tredy, Annick Duperray, Adrian Harding and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3287-9 ISBN (13): 978-1-5275-3287-8 TABLE OF CONTENTS Acknowledgements ix Introduction xi Dennis Tredy PART ONE: UNDER JAMES’S INFLUENCE Chapter One 3 Burns the Fire: Muriel Spark’s “Aspern Papers” Eric Savoy Chapter Two 19 Ghostly Transmissions: Or, Playing Doctor with Henry James Sheila Teahan Chapter Three 29 Henry James’s The Ambassadors and W. Somerset Maugham’s "The Fall of Edward Barnard”: Influence or Intertextuality? Souad Baghli Berbar Chapter Four 39 “[I]t’s a Splendid Style, but It’s a Dangerous Style”: Henry James and Elizabeth Bowen Rachel Bryan Chapter Five -
“The Aspern Papers” by HENRY JAMES Screenplay by JEAN PAVANS, JULIEN LANDAIS, HANNAH BHUIYA
Based on Jean Pavans’ Scenic Adaptation of “The Aspern Papers” by HENRY JAMES Screenplay by JEAN PAVANS, JULIEN LANDAIS, HANNAH BHUIYA Directed by JULIEN LANDAIS A Summerstorm Entertainment - Princeps Films - Cohen Media Group Production Sales Company: US Distribution: Publicity Contact: ARRI Media International Cohen Media Group DDA, [email protected] LOGLINE Based on Henry James’ eponymous novella, The Aspern Papers tells a story of obsession, grandeur lost and dreams of Byronic adventures. Set in Venice in the late 19th century, it centers on Morton Vint, an American editor fascinated by the romantic poet Jeffrey Aspern and determined to get his hands on the letters Aspern wrote to his beautiful lover and muse, Juliana Bordereau. Decades later, now the ferocious guardian of their secrets, Juliana lives in a Venetian palazzo with her niece who she seems to control and Morton tries to manipulate. SYNOPSIS Set in Venice in the late 19th century and based on Henry James’ eponymous novella, The Aspern Papers is a story of obsession, grandeur lost, and dreams of Byronic adventures. Starring Golden Globe® Winner Jonathan Rhys Myers (Match Point, “The Tudors”) as the ambitious editor Morton Vint, two-time Golden Globe® Nominee Joely Richardson (Snowden, Anonymous) as Miss Tina, and in the role of her dominating aunt Juliana Bordereau, Academy Award® & Golden Globe® winner Vanessa Redgrave (Atonement, Julia, Howard’s End). Morton Vint is fascinated by the romantic poet Jeffrey Aspern and by his icon’s short and wildly romantic life. Having travelled from America to Venice, he is determined to get his hands on the letters Aspern wrote to his beautiful lover and muse, Juliana Bordereau.