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Photographies Anciennes Et De Collection Jeudi 8 Octobre 2009 À Drouot-Richelieu

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Photographies Anciennes Et De Collection Jeudi 8 Octobre 2009 À Drouot-Richelieu Photographies anciennes et de collection Jeudi 8 octobre 2009 à Drouot-Richelieu catalogue vente OK.indd 1 11/09/09 13:30:02 catalogue vente OK.indd 2 11/09/09 13:30:11 CHAYETTE & CHEVAL SARL - S.V.V. – Agrément n° 2002-365 33 rue du Faubourg Montmartre - 75009 PARIS E.mail : [email protected] Tél : +33 (0)1.47.70.56.26 - Fax : +33 (0)1.47.70.58.88 DROUOT-RICHELIEU – salle 12 9, rue Drouot – 75009 PARIS JEUDI 8 OCTOBRE 2009 à 14 h 00 Photographies anciennes et de collection Expert : M. Claude Maire 43, boulevard Saint-Germain – 75005 PARIS Tel. : 06 75 39 21 89 – Email. : [email protected] Claude Maire est assisté de Jane Néaumet Expositions publiques : Drouot – salle 12 Mercredi 7 octobre de 11 h à 18 h Jeudi 8 octobre de 11 h à 12 h Téléphone pendant l’exposition et la vente : +33 (0)1 48 00 20 12 Vous trouverez plus d’illustrations sur le catalogue en ligne : www.chayette-cheval.com couverture : n° 236 – 2e couverture : nos 18, 155, 281 – 4e couverture : n° 10. 1 catalogue vente OK.indd 3 11/09/09 13:30:12 PRINCE ZERETELI (1864-1942) Fils d’un grand aristocrate russe qui fut aussi un poète renommé, Alexis Akakievitch Zereteli reçut une formation d’ingénieur. Dès l’âge de 32 ans, passionné d’opéra, il devient impresario et monte sa propre troupe. Pendant 10 ans, recrutant les meilleurs chanteurs et musiciens, il sillonne la Russie et rencontre partout de grands succès. En 1907, à l’exemple de Diaghilev, il organise une tournée à travers l’Europe et les Etats-Unis avec une troupe dont Feodor Chialapine est la vedette. En 1917, il quitte la Russie et s’installe en France. Là, de nouveau, il présente des opéras, toujours de culture russe. En 1929, il s’associe au Colonel de Basil pour monter la saison de l’opéra russe à Paris. La crise économique de l’époque réduit rapidement son activité, les financements de spectacle se montrant difficiles. Il évolue alors, entre autres, dans l’entourage du Colonel de Basil qui, à Monte-Carlo, crée ses Ballets Russes. Les archives que nous présentons sont un témoignage de cette époque. Zereteli meurt en 1942 en cédant ses archives à un proche. Celui-ci, en continuant, après la mort du Prince, à archiver des photographies, nous permet – en images – de voir l’épilogue de la grande histoire des Ballets Russes initiée par Diaghilev. Les photographies des lots nos 1 à 141 ont servi, pour la plupart d’entre elles, à illustrer les programmes de ballet. Il eut été fastidieux de signaler les titres et pages des programmes dans lesquels étaient reproduites les photographies ci-après. La quasi-totalité des épreuves est légendée en cyrillique. Nous avons traduit* ces légendes et les avons reportées dans les descriptions lorsque cela était nécessaire. 1. Photographe non identifié Ballets Russes et Ballets de Monte-Carlo » 24,4 cm et 12,3 x 17,2 cm. Elena Smirnova (1888-1934), vers 1915 fondé par René Blum et Wassiliy de Basil. 300/400 € Tirage argentique d’époque 22 x 16,2 cm Livret imprimé, 36 pages, 20,5 x 13,1 cm, maintenu sur un carton de montage. Imprimerie de Monaco, 1932. ET : Une 10. Maurice GOLDBERG (1881-1949) Signature du photographe sur l’image : « Jean invitation pour un ballet de Nijinska, sans Irina Baronova (1919-2008), Nina Verchinina Mau…13 Bd M.Lem…Bruxelles ». Dédicace date (1932). (1910-1995) et Andreï Eglevsky (1917-1977), du modèle sur l’image : « A mon cher Prince, 150/200 € 1934 de la part de celle qui l’aime sincèrement Tirage argentique d’époque 24 x 18,9 cm. Elena Smirnova ». 5. Max ERLANGER DE ROSEN (18..-1961) Timbre humide du photographe et 2 trous d’épingles aux coins inférieurs de Ballets, vers 1935 légende au dos. Photographie reproduite à l’épreuve. Jeux de Printemps (décor), Ballade de la Geôle l’antépénultième page du programme des 100/150 € de Reading, Ma Mère l’Oye, La Pantoufle de Ballets Russes de Monte-Carlo de mai 1934. Vair. 4 tirages argentiques d’époque d’environ 300/400 € 2. Portrait d’Elsa Krüger, 1916 12,5 x 17,3 cm. Timbre du photographe et Tirage argentique d’époque, ovale, 14,4 x légendes aux dos. 11. HOUSTON ROGERS 10,5 cm. Timbre à sec du photographe et On y joint 2 tirages du même auteur. Portrait de Marie Rambert (1888-1982), légende au dos. 200/300 € vers 1930 150/200 € Tirage argentique d’époque 22,3 x 18,6 cm. 6. Max ERLANGER DE ROSEN Timbre du photographe en marge, sous 3. A.V. BOCHMANN Ballets, vers 1935 l’image et au dos. Légende au dos. Nadiajda Nicolayeva et Helena Lucom, Prince Igor, Gisèle (A. Eglevsky), Suite Fantasque, 100/150 € Classe de Nicolas Legat, vers 1910 et non identifié. 4 tirages argentiques Tirage argentique d’époque 14,5 x 10 cm d’époque de 15,7 x 11 cm à 17,3 x 12,4 cm 12. HOUSTON ROGERS collé sur un carton de montage. Signature environ. Timbre humide du photographe et Maude Lloyd (1908-2004), vers 1935 sur le carton de montage : « photo A.V. légende aux dos. Tirage argentique d’époque 14,5 x 10,6 cm. Bochmann Riga » et longue légende sous 200/300 € Timbre humide du photographe, timbre l’image, sur le carton de montage : « Helena humide de « Daphne Deane imprésario » Lukome et Nadiajda Nicolayeva (Legat) 7. Studio IRIS et légende au dos : « Maude Lloyd dans le cours de l’artiste de grand mérite et Tania Lipkovskaya, vers 1935 Première danseuse of Ballet Rambert who étoile de sa majesté : N.G. Legat ». Au dos, Tirage argentique d’époque 14,8 x 10,3 cm. are appearing at the repertory theatre for portrait au crayon intitulé : « Nicolas Legat ». Timbre humide du studio et légende au dos. two weeks on june …(illisible) in Bar aux Nicolas Legat (1869-1937), qui forma les plus 80/100 € Folies-Bergere ». Retouches d’époque pour grands danseurs de son temps, dont Nijinski, publication. s’éprit sur le tard de la jeune N. Nicolayeva 8. Raoul BARBA On y joint du même photographe une scène et l’épousa. Notre photographie précède Ballets : Ballets Nijinska et autres, vers 1935 de Bar aux Folies Bergère, Maude Lloyd et manifestement cet épisode. 4 tirages argentiques d’époque, environ Walter Gore, vers 1935. Tirage argentique 300/400 € 11,7 x 16,4 cm chaque. d’époque 28 x 23,5 cm. Signature du 100/150 € photographe et étiquette dactylographiée 4. Ballet du Colonel DE BASIL sur l’image. Timbre humide du photographe, Carte de vœux photographique, 1935 9. Basil et les Ballets Russes de Monte-Carlo, timbre humide : « Daphne Deane Tirage argentique d’époque 10 x 15,5 cm. vers 1935 impresario » et légende au dos. On y joint : Les statuts de la « Société des 2 tirages argentiques d’époque 14,1 x 200/250 € * Nous remercions pour les traductions et conseils Andreï Koriakov, historien, auteur de L’Emigration Russe en Photos, éd. YMCA Press, Paris, 1999-2009. Trois volumes parus. Le 4e (Le Grand Exode Russe) est attendu au mois d’octobre 2009. catalogue vente OK.indd 4 11/09/09 13:30:15 5 3 9 6 10 3 catalogue vente OK.indd 5 11/09/09 13:31:07 13 14 15 16 18 19 20 21 13. Studio IRIS au Théâtre du Châtelet – Photo Iris ». Timbre humide au dos : « La mention Photo Léonide Massine (1896-1979) dans Union 200/300 € Choumoff est formellement obligatoire Pacific, vers 1934 copyright by Choumoff Faubourg St-Jacques Tirage argentique d’époque 14,3 x 10,2 cm. 16. Trois portraits de Igor Youskevitch Paris ». Timbre du studio et légende au dos. (1912-1994) : 500/600 € 150/200 € ANDREW, vers 1936. Tirage argentique d’époque 14,8 x 19,6 cm. Timbre à sec du 19. Dorothy WILDING (1893-1976) 14. BATTLES photographe sur l’image, et légende au dos : Anton Dolin et Naoumova dansant, vers 1925. Portrait d’Olga Alexandra Spessivtseva « ‘’Présage’’ Igor Yousskevitch ». Tirage argentique d’époque 19,4 x 15,9 cm. (1895-1991), 1929 Un portrait de I. Youskevitch dans L’Oiseau Timbre humide du photographe et légende Tirage argentique d’époque 22,1 x 16,4 cm. de Feu par un anonyme, vers 1935 au dos. Signature du photographe sur l’image. Au dos, Tirage argentique d’époque 24 x 19,7 cm. 500/600 € timbre humide du photographe et légende Légende au dos. manuscrite : « Olga Alexandrovna Stark (fille Studio IRIS, portrait vers 1935 20. CONSTANTINE du vice-amiral) à l’Opéra Russe de Paris Tirage argentique d’époque 14,1 x 9,7 cm. Trois photographies de Lotte Goslar 1929 ». Nom du studio et légende sur l’image. (1907-1997), vers 1940 On y joint du même photographe un portrait 200/300 € Tirages argentiques d’époque d’environ de danseuse non identifiée vers 1935. Tirage 24,4 x 19,3 cm chaque. Signature du d’époque 22,1 x 16,5 cm. 17. ARMAND photographe sur l’image. Aux dos, timbre 100/150 € Ethery Pagava (née en 1932), vers 1950 humide du photographe et, pour 2 épreuves, Tirage argentique d’époque 22,2 x étiquette dactylographiée : « Lotte Goslar in 15. Studio IRIS 15,8 cm. Timbre à sec et timbre humide du dance satire : ‘’Femme Fatale’’ » et « Lotte Ballets Russes de Monte-Carlo, Les Présages, photographe, légende. Goslar in : ‘’Intoxication’’ ». vers 1936 80/120 € 200/300 € Tirage argentique d’époque 16,8 x 29,6 cm.
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