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Wheeler River Project Provincial Technical Proposal and Federal Project Description
Wheeler River Project Provincial Technical Proposal and Federal Project Description Denison Mines Corp. May 2019 WHEELER RIVER PROJECT TECHNICAL PROPOSAL & PROJECT DESCRIPTION Wheeler River Project Provincial Technical Proposal and Federal Project Description Project Summary English – Page ii French – Page x Dene – Page xx Cree – Page xxviii PAGE i WHEELER RIVER PROJECT TECHNICAL PROPOSAL & PROJECT DESCRIPTION Summary Wheeler River Project The Wheeler River Project (Wheeler or the Project) is a proposed uranium mine and processing plant in northern Saskatchewan, Canada. It is located in a relatively undisturbed area of the boreal forest about 4 km off of Highway 914 and approximately 35 km north-northeast of the Key Lake uranium operation. Wheeler is a joint venture project owned by Denison Mines Corp. (Denison) and JCU (Canada) Exploration Company Ltd. (JCU). Denison owns 90% of Wheeler and is the operator, while JCU owns 10%. Denison is a uranium exploration and development company with interests focused in the Athabasca Basin region of northern Saskatchewan, Canada with a head office in Toronto, Ontario and technical office in Saskatoon, Saskatchewan. Historically Denison has had over 50 years of uranium mining experience in Saskatchewan, Elliot Lake, Ontario, and in the United States. Today, the company is part owner (22.5%) of the McClean Lake Joint Venture which includes the operating McClean Lake uranium mill in northern Saskatchewan. To advance the Project, Denison is applying an innovative approach to uranium mining in Canada called in situ recovery (ISR). The use of ISR mining at Wheeler means that there will be no need for a large open pit mining operation or multiple shafts to access underground mine workings; no workers will be underground as the ISR process is conducted from surface facilities. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Guilt Payment 1 Possession Sickness 13 the St
Copyright Library of Congress Catalog Card Number: 83–71242 ISBN 0–910043–01–9 Copyright 1983 by Ty Pak Published by Bamboo Ridge Press and the Hawaii Ethnic Resources Center: Talk Story, Inc. All rights reserved. This book, or parts thereof, may not be reproduced in any form without permission. Printed in the United States. Guest editor: James Harstad Cover and book design: Phyllis Y. Miyamoto “A Fire” was first published in Bamboo Ridge, The Hawaii Writers’ Quarterly, No. 7 (June-August 1980): 28–36. It was reprinted in Asian and Pacific Literature, Vol. I (1982: Hawaii State Department of Education), 443–450. “Steady Hands” was first published in Bamboo Ridge, The Hawaii Writers’ Quarterly, No. 13 (December 1981-February 1982): 27–34. This project was supported by a grant from the National Endowment for the Arts (NEA) in Washington, D.C., a federal agency. It was also supported, in part, by a grant from the State Foundation on Culture and the Arts (SFCA). The SFCA is funded by grants from the Hawaii State Legislature and by grants from the NEA. Bamboo Ridge Press P.O. Box 61781 Honolulu, Hawaii 96839–1781 (808) 599–4823 10 9 8 7 6 5 4 3 96 97 98 99 iv Contents Title Page iii Introduction vi Guilt Payment 1 Possession Sickness 13 The St. Peter of Seoul 23 Identity 48 The Boar 53 Steady Hands 62 Nostalgia 69 A Fire 78 A Second Chance 85 A Regeneration 108 Exile 125 The Water Tower 138 The Grateful Korean 152 Copyright iv v Introduction It is not the mission of that most civilized of American institutions, the National Geographic Society, to document conflict between peoples. -
English Department Suggested Summer Reading Choices
English Department Suggested Summer Reading Choices For more information on any of the following titles, and additional book selections visit one of the following websites for book reviews: http://www.nytimes.com/pages/books/ http://www.reviewsofbooks.com/ http://www.barnesandnoble.com/bookstore.asp?r=1&popup=0 FICTION Allison, Dorothy Bastard Out of Carolina Allende, Isabel The House of Spirits Alvarez, Julia How the Garcia Girls Lost their Accents, In The Time of the Butterflies Anderson, Sherwood Winesburg, Ohio (Stories) Atwood, Margaret Cat’s Eye, The Handmaid’s Tale, Alias Grace Austen, Jane Emma, Mansfield Park, Persuasion, Northanger Abbey, Sense and Sensibility, Pride and Prejudice Baldwin, James If Beale Street Could Talk Bellow, Saul Seize the Day, Henderson the Rain King Best American Short Stories from any year Borges, Jorge Luis Labyrinths Bronte, Charlotte Villette, Northanger Abbey, Bronte, Emily Wuthering Heights Buck, Pearl S. The Good Earth Camus, Albert The Stranger Capote, Truman, In Cold Blood, Breakfast at Tiffany’s Cather, Willa My Antonia, O Pioneers Cervantes, Miguel de Don Quixote Chabon, Michael, The Amazing Adventures of Kavalier and Klay, The Yiddish Policeman’s Union, Wonder Boys Chevalier, Tracy Girl With A Pearl Earring Chopin, Kate The Awakening Cisneros, Sandra Woman Hollering Creek Crane, Stephen The Red Badge of Courage Cunningham, Michael At Home at the End of the World Defoe, Daniel Robinson Crusoe Dickens, Charles David Copperfield, A Tale of Two Cities Dostoevsky, Fyodor Crime and Punishment Dumas, Alexander The Count of Monte Cristo du Maurier, Daphne Rebecca Eggers, Dave What is the What Eliot, George The Mill on the Floss, Silas Marner Ellison, Ralph Invisible Man Erdrich, Louise Love Medicine, The Beet Queen, Tracks, The Painted Drum, et. -
Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Baylor University Commencement May Seventh and Eighth, Two Thousand Twenty-One
B AYLOR U NIVERSITY C OMMEN C EMENT May Seventh and Eighth, Two Thousand Twenty-one McLane Stadium . Waco, Texas Baylor University Commencement May Seventh and Eighth, Two Thousand Twenty-one Table of Contents 2 Program for Friday Morning The School of Engineering and Computer Science The School of Education The College of Arts & Sciences The Graduate School 3 List of Degrees Presented in Friday Morning Ceremony 8 Program for Friday Afternoon The School of Music The College of Arts & Sciences The Graduate School 9 List of Degrees Presented in Friday Afternoon Ceremony 14 Program for Saturday Morning The Robbins College of Health and Human Sciences The Diana R. Garland School of Social Work The Louise Herrington School of Nursing The Graduate School 15 List of Degrees Presented in Saturday Morning Ceremony 20 Program for Saturday Afternoon The Hankamer School of Business The Graduate School 21 List of Degrees Presented in Saturday Afternoon Ceremony 26 Commencement Traditions A History of Baylor Commencement Academic Regalia The Diploma Graduating with Latin Honors Baylor Interdisciplinary Core Official Baylor Ring Senior Class Gift 28 Faculty Ushers for Commencement Faculty Marshals for Commencement Ceremony Musicians 29 General Information The National Anthem Back Cover “That Good Old Baylor Line” 1 The School of Engineering and Computer Science, The School of Education, The College of Arts & Sciences, and The Graduate School Friday, May 7, 2021, Nine o’clock in the Morning – McLane Stadium Prelude Presentation of Degree Candidates Ceremonial Piece on CWM Rhondda by William Mac Davis President Livingstone The Earle of Oxford’s March by William Byrd, arranged by Assisted by Dr. -
PBS Newshour Coverage Of
Prehistoric Road Trip | 13 American Masters/Terrence McNally | 18 WCRB’s Updated Mobile App | 27 wgbh.org ON AIR, ONLINE, ON THE GO MEMBER GUIDE | JUNE 2020 Summer is a critical time to keep kids engaged in learning, and we’re here to help. This past spring, students everywhere used our distance learning tools to keep growing and exploring the world around them. In partnership with PBS, our special blocks of commercial-free public media programs provided critical at-home learning for 6th through 12th graders across the country. As always, PBS LearningMedia gave teachers and students alike access to thousands of free, standards-based lesson plans and activities so they didn’t have to skip a beat. Your support made this momentum possible, and we won’t stop here. Our efforts will continue through the summer, giving kids the resources they need to keep moving forward. Whether it’s learning about the summer solstice or Freedom Summer, we’re here for kids and it’s all because of you. wgbh.org/distancelearning PBSLearningMedia.org Where to Tune in From the President TV Voices of Diversity f we’ve learned anything over the past few months, I it’s how our own worlds can be compressed into a Digital broadcast FiOS RCN Cox Charter TV YouTube Comcast few small rooms. Public media programs have always brought the world to WGBH 2 2.3 2 2 2 2 2 * us, and this month we’re pleased to continue that mission, sharing cultures WGBH 2 HD 2.1 802 502 602 1002 782 n/a from across the globe and close to home. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Possibility-Space and Its Imaginative Variations in Alice Munro’S Short Stories
POSSIBILITY-SPACE AND ITS IMAGINATIVE VARIATIONS IN ALICE MUNRO’S SHORT STORIES Ulrica Skagert . Possibility-Space and Its Imaginative Variations in Alice Munro’s Short Stories Ulrica Skagert Stockholm University ©Ulrica Skagert, Stockholm 2008 ISBN 978-91-7155-770-4 Cover photograph: Edith Maybin. Courtesy of The New Yorker. To the memory of my father who showed me the pleasures of reading. Abstract Skagert, Ulrica, 2008. Possibility-Space and Its Imaginative Variations in Alice Munro’s Short Stories. Pp.192. Stockholm: ISBN: 978-91-7155-770-4 With its perennial interest in the seemingly ordinary lives of small-town people, Alice Munro’s fiction displays a deceptively simple surface reality that on closer scrutiny reveals intricate levels of unexpected complexity about the fundamentals of human experience: love, choice, mortality, faith and the force of language. This study takes as its main purpose the explora- tion of Munro’s stories in terms of the intricacy of emotions in the face of commonplace events of life and their emerging possibilities. I argue that the ontological levels of fiction and reality remain in the realm of the real; these levels exist and merge as the possibilities of each other. Munro’s realism is explored in terms of its connection to possibilities that arise out of a particu- lar type of fatality. The phenomenon of possibility permeates Munro’s stories. An inves- tigation of this phenomenon shows a curious paradox between possibility and necessity. In order to discuss the complexity of this paradox I introduce the temporal/spatial concept of possibility-space and notions of the fatal. -
Climate Change and Freshwater Fisheries
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/282814011 Climate change and freshwater fisheries Chapter · September 2015 DOI: 10.1002/9781118394380.ch50 CITATIONS READS 15 1,011 1 author: Chris Harrod University of Antofagasta 203 PUBLICATIONS 2,695 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: "Characterizing the Ecological Niche of Native Cockroaches in a Chilean biodiversity hotspot: diet and plant-insect associations" National Geographic Research and Exploration GRANT #WW-061R-17 View project Effects of seasonal and monthly hypoxic oscillations on seabed biota: evaluating relationships between taxonomical and functional diversity and changes on trophic structure of macrobenthic assemblages View project All content following this page was uploaded by Chris Harrod on 28 February 2018. The user has requested enhancement of the downloaded file. Chapter 7.3 Climate change and freshwater fisheries Chris Harrod Instituto de Ciencias Naturales Alexander Von Humboldt, Universidad de Antofagasta, Antofagasta, Chile Abstract: Climate change is among the most serious environmental challenge facing humanity and the ecosystems that provide the goods and services on which it relies. Climate change has had a major historical influence on global biodiversity and will continue to impact the structure and function of natural ecosystems, including the provision of natural services such as fisheries. Freshwater fishery professionals (e.g. fishery managers, fish biologists, fishery scientists and fishers) need to be informed regarding the likely impacts of climate change. Written for such an audience, this chapter reviews the drivers of climatic change and the means by which its impacts are predicted. -
Luther College Catalog 2010–11 Decorah, Iowa Record 2009–10, Announcements 2010–11
Luther College Catalog 2010–11 Decorah, Iowa Record 2009–10, Announcements 2010–11 The college published its first catalog in 1872—Katalog for det norske Luther - college i Decorah, Iowa, 1861- 1872. It was prepared by [President Laur.] Larsen and ran to 48 pages. It contained a list of officials and faculty members, a history of the college, an outline and a defense of the plan and courses of instruction, a section on discipline and school regulations, and a detailed listing of students at the college from the time of its founding. Larsen’s precise scholarship is apparent on every page. Not until 1883 was a second catalog published, this time in English. —from Luther College 1861–1961, pp. 113-114, by David T. Nelson EQUAL OPPORTUNITY: It is the policy of Luther College to provide equal educational opportunities and equal access to facilities for all qualified persons.The college does not discriminate in employment, educational programs, and activities on the basis of age, color, creed, disability, gender identity, genetic information, national origin, race, religion, sex, sexual orientation, veteran status, or any other basis protected by federal or state law. The provisions of this catalog do not constitute an irrevocable contract between the student and the college. The college reserves the right to change any provision or requirement at any time during the student’s term of residence. Contents Introducing Luther ........................................................ 5 An Overview of Luther College ....................................................6