Strange Humors US 23/9/10 14:18 Page 5

Total Page:16

File Type:pdf, Size:1020Kb

Strange Humors US 23/9/10 14:18 Page 5 572529 bk Strange Humors US 23/9/10 14:18 Page 5 Maureen Hurd Rutgers Wind Ensemble WIND BAND CLASSICS The opportunity to record Michael Daugherty’s Brooklyn Bridge has given Photo: Larry Levanti The Rutgers Wind Ensemble Maureen Hurd a unique chance to come full circle. While a resident of New York presents concerts at the highest City, her great-great-grandfather, Robert Lipton, an Irish immigrant, attended the artistic level, performing both opening of the Brooklyn Bridge in 1883, not long after landing in New York from masterworks of the wind Ireland at the age of seventeen. Lipton later continued his journey westward, repertoire and new works, STRANGE HUMORS putting down roots in and becoming mayor of a bucolic town in Iowa where Hurd including pieces composed was born and raised. Now a Brooklyn resident herself, Hurd has performed as expressly for the group. In 2005, soloist, chamber musician and orchestral clarinetist throughout Europe, Asia and the group performed at the Mackey • Daugherty • Syler North America. She has appeared at Carnegie’s Zankel Hall and with the CBNDA National Conference Metropolitan Opera Orchestra and in performances of contemporary chamber held at New York University and music at New York’s Merkin Hall and with the Chamber Music Society of Lincoln also presented a concert at Maureen Hurd, Clarinet • Todd Quinlan, Timpani Center in Alice Tully Hall. She has been a frequent featured performer at Carnegie Hall later that spring. International Clarinet Association ClarinetFests® and she has appeared in concert The Ensemble played in Town Rutgers Wind Ensemble • William Berz in Japan, South Korea, France, England, Canada and Mexico. She has also Hall in 2000 and Symphony Photo: Danika Knop recorded for the MSR Classics and Marquis Classics labels, most recently a CD Space in 2009, both in New York including première recordings of clarinet works by Evan Hause, William Bolcom, Alan Shulman and Morton City. It has performed at regional CBDNA and MENC conferences and has presented 17 performances at New Gould. Hurd earned all of her graduate degrees including the Doctor of Musical Arts degree from the Yale School of Jersey Music Education Association conventions since 1993. The Ensemble has recorded 21 compact discs, which Music where she studied with David Shifrin and Charles Neidich and worked with materials in the Benny Goodman have collectively earned 33 Grammy Entry Listings. Its first disc on the Naxos label featured the music of Karel Papers of the Irving S. Gilmore Music Library. Hurd earned the Bachelor of Music degree at Iowa State University. Husa, H. Owen Reed, and William Schuman (8.572230). In the words of Classical New Jersey critic William Allin Having joined the faculty of the Mason Gross School of the Arts, Rutgers University in 2002, she frequently Storrer, the Rutgers Wind Ensemble is “the Rolls Royce of wind ensembles.” performs recitals and gives master-classes, lectures and clinics at clarinet festivals, universities and conferences throughout the United States and abroad. She is a Conn-Selmer Artist. William Berz Todd Quinlan William Berz is Professor of Music at the Mason Gross School of the Arts of Rutgers, The State University of New Jersey. He has given the premières of many Todd Quinlan currently lives in Houston, Texas where he is a free-lance performer new works for winds, and has won the praise of many distinguished composers, and teaches private percussion lessons. He was appointed Director of Operations including Charles Wuorinen, Karel Husa, Norman Dello Joio, David Del Tredici, for the Eastern Music Festival where he has spent the past five summers as a Roger Nixon, Walter Hartley, Martin Ellerby, Adam Gorb, Jonathan Newman, percussionist for the Eastern Philharmonic Orchestra, the orchestra-in-residence at Steven Bryant, Eric Whitacre, Kenneth Lampl, John Mackey, Daniel Ott, Mark the festival. His Bachelor of Music Performance, Magna Cum Laude, is from Zuckerman, Eric Moe, Michael Daugherty, Frank Ticheli, and H. Owen Reed. He Boston University. He was a graduate student at the Mason Gross School of the served as Music Director and Conductor of the New Brunswick Chamber Arts at Rutgers when this recording of Raise the Roof was produced. Quinlan’s Orchestra from 1988 until 1994 and of the New Jersey State Youth Orchestra from private teachers include Timothy Genis, Chris Deviney, Alan Abel, She-e Wu, and 1984 to 1987. From 1984 until 1989 he was Assistant Conductor of The Jupiter Markus Rhoten. Symphony and Naumburg Orchestra, both of New York City. In addition to his work as a conductor, he is active as a researcher and writer. He has published many articles and presented sessions in music education and conducting. 8.572529 5 6 8.572529 572529 bk Strange Humors US 23/9/10 14:18 Page 2 Strange Humors: John Mackey (b. 1973): Strange Humors • Michael Daugherty (b. 1954): Michigan Governor’s Award (2004). In 2005, The University of Michigan Symphony Band with American Music Center in New York, and the 1993 of the heavens. He finds it pointless and in Raise the Roof • Brooklyn Bridge • James Syler (b. 1961): The Hound of Heaven Daugherty received the Lancaster Symphony Orchestra Michael Wayne, solo clarinetist, gave the première of Arnald Gabriel Composition Award. He has been on the section III he decides to turn to the little Composer’s Award, and in 2007, the Delaware Brooklyn Bridge on 25th February, 2005 at the national adjunct faculty at the University of Texas at San children. He believes he can find happiness John Mackey (b. 1973): Strange Humors the son of a dance-band drummer and the oldest of five Symphony Orchestra selected Daugherty as the winner CBDNA conference held in New York. (The Rutgers Antonio since 2001. From 1998-2001 he was on the here, but just as the children begin to respond brothers, all professional musicians. He studied music of the A. I. duPont Award. Also in 2007, Daugherty was Wind Ensemble also performed at the conference.) faculty at Florida Atlantic University in Boca Raton, they are suddenly taken away by death. He is The original version of Strange Humors dates from composition at the University of North Texas (1972-76), named “Outstanding Classical Composer” at the Detroit Daugherty has provided the following note: Florida and from 1995-1998 at Flagler College in St. now a desperate soul who, in section IV, in one 1998 and was for string quartet and djembe. Mackey the Manhattan School of Music (1976-78) and computer Music Awards and received the American Bandmasters Augustine, Florida. last attempt turns to nature for repose. But wrote it while pursuing his graduate degree at The music at Boulez’s IRCAM in Paris (1979-80). He Association Ostwald Award for his composition Raise As I have lingered and walked across the The Hound of Heaven is a programmatic work nature, as beautiful as it is, is unable to fill the Juilliard School. It was soon adapted for use by the received his doctorate from Yale University in 1986 the Roof for Timpani and Symphonic Band. His music is Brooklyn Bridge over the years, the stunning based on a poem of the same name by British poet void in his heart and again he hears the footfall Parsons Dance Company, with choreography by Robert where his teachers included Jacob Druckman, Earle published by Peermusic Classical and since 2003 by vistas of the New York skyline have inspired me Francis Thompson. The allegorical title describes God of his pursuer. There is nothing left now. He has Battle. In a review of this performance, The New York Brown, Roger Reynolds, and Bernard Rands. During Boosey and Hawkes. to compose a panoramic clarinet concerto. Like as the loving hound who is in pursuit of the lost hare, the tried everything and in section V he is smitten Times found the piece to be “a sultry score.” It this time, he also collaborated with jazz arranger Gil Raise the Roof was composed in 2003 for timpani the four cables of webs of wire and steel that individual soul. The work is in six sections: “I Fled to his knees. In a dream he sees his past life represents a merging of musical cultures. According to Evans in New York, and pursued further studies with and orchestra, on commission by the Detroit Symphony hold the Brooklyn Bridge together, my ode to Him, Down the Nights,” “The Gold Gateways of the wasted on foolish pursuits, none of which has Mackey, the work attempts to merge pseudo-African composer György Ligeti in Hamburg, Germany (1982- Orchestra. Daugherty adapted the work for band in 2007. this cultural icon is divided into four Stars,” “Within the Little Children’s Eyes,” Nature’s – given him love and happiness. The chase is hand-drumming and pseudo-middle eastern folk-music. 84). After teaching music composition from 1986-1990 That version received its premier by the University of movements. Each movement of the clarinet Share with Me,” “And Smitten Me to My Knee,” and “I over. In section VI the loving Hound of Heaven Mackey was commissioned to transcribe it for band by at the Oberlin Conservatory of Music, Daugherty joined Michigan Symphony Band on 30th March, 2007 at the concerto is a musical view from the Brooklyn am He Whom Thou Seekest!” An antiphonal trumpet stands over him and the gloom which he the American Bandmasters Association, and this version the University of Michigan School of Music, Theatre & National Conference of CBDNA held in Ann Arbor. Bridge: I. East (Brooklyn and Brooklyn speaks between each section and serves as the musical thought would follow this surrender is only the was given its première in March 2006 by the Baylor Dance in Ann Arbor, Michigan where, since 1991, he Daugherty writes that the piece was inspired by the Heights); II.
Recommended publications
  • The GIA Historical Music Series
    GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days.
    [Show full text]
  • High School Choral Festival
    The presents The 2019 NJACDA High School Choral Festival May 21, 2019 May 22-24, 2019 Rowan University Rutgers University Start planning now for NJACDA 2020! May 19, South Location TBA May 20, May 21, May 22, Rutgers University Co-sponsored by: American Choral Directors Association Mason Gross School of the Arts New Jersey Chapter Nicholas Auditorium Dr. Deborah Simpkin King, Coordinator Rutgers University Mr. John Wilson, Assistant Coordinator Dr. Patrick Gardner, Host Dr. Brandon Williams, Host printed from: NJACDAevents.info on 21-May-2019 7:19:59 Powered by TCPDF (www.tcpdf.org) Tuesday, May 21, 2019 Northern Burlington Regional HS Men's Ensemble 9:40 am Northern Burlington Regional HS David R Taylor, Conductor Tshotsholoza Jeffery Ames When the Earth Stand Still Dan MacDonald Tell My Father Gregory Boyd Vineland High School Select Choir 10:00 am Vineland High School Lori Cummines, Conductor Son de Camaguey Cuban Folk Song arr.Stephen Hatfield Earth Song Frank Ticheli Elijah Rock Traditional Spiritual arr.Moses Hogan Northern Burlington Regional HS Women's Chorale 10:20 am Northern Burlington Regional HS David R Taylor, Conductor Dreamland Kevin Memley Grace Quackenboss accompanist Revelation Z Randall Stroope Grace Quackenboss accompanist Elijah Rock Rollo Dilworth Vineland High School Varsity Singers 11:00 am Vineland High School Lori Cummines, Conductor True Colors Billy Steinberg, Tom Kelly arr.Jessie Hampsch All The Way Home Sarah Quartel lyr.Rudyard Kipling The Seal Lullaby Eric Whitacre Will the Circle Be Unbroken Traditional Appalachian arr.J. David Moore lyr.Cathy Winter, Betsy Rose & Marcia Taylor MHS Concert Choir 11:20 am Moorestown High School Sergey Tkachenko, Conductor The Awakening Joseph M.
    [Show full text]
  • Program Note and Composers Bios W
    Hanukkah Happens XXVIII, Modern Masterworks Temple Emanuel, Newton Dec. 24, 2018 Program Notes The Program The Zamir Chorale of Boston and Cantor Elias Rosemberg are delighted to present an exciting concert featuring some of the greatest synagogue music of the past hundred years. The program highlights a wide variety of styles. Jeremiah Klarman’s “Hodu” gives us the Hallel in a style that combines a classical aesthetic with Hassidic, rock and jazz influences. Ken Lampl’s “Adson Olam” and Ari Sussman’s “Yihyu Leratson” weave a trance-like mystical aura. Ernest Bloch’s “Kedushah” is from his neo-romantic choral orchestral masterpiece, Sacred Service. Max Helfman’s “Hashkivenu,” Max Janowski’s “Avinu Malkenu,” and Michael Isaacson’s “Sim Shalom” emphasize beautiful lyrical melodies. Israel Goldfarb gave us many memorable congregational tunes, and we will hear his well-known “Shalom Aleichem,” composed just 100 years ago. We mark another centenary, the 100th birthday of Leonard Bernstein, with his “Hashkivenu,” “Kedushah,” and “Secret Songs,” as well as the ebullient “Hatsi Kaddish” by Bernstein’s assistant Jack Gottlieb, and the magnificent dramatic “Un’saneh Tokef” by Bernstein’s mentor, Prof. Solomon Braslavsky. The Composers Kenneth Lampl (b. 1964) is an American-born composer and lecturer known for his film, television and choral music. He is currently head of the Australian National University School of Music in Canberra. After an early career as a jazz musician, he studied composition at Rutgers and Juilliard. Among his prizes are the "Prix Ravel" in composition from the American Conservatory in Fontainebleau, France, the Cincinnati Symphony Orchestra Young Composers Award, the ASCAP Award for Young Composers, the Joseph H.
    [Show full text]
  • Back to the Future Howard Shore:The Cell
    Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.
    [Show full text]
  • George Duning, Awards and More 28 Twenty Years Gone 5 Record Label Camille Fielding Remembers Jerry
    Original Music Soundtracks for Motion Pictures and TV V OLUME 5, NUMBER 2 The Good, the Bad, and the Oscars... page 19 ANY GIVEN COMPOSER Oliver Stone’s Score-O-Matic CD REVIEWS An Uncommonly Positive Batch! JERRYJERRY FIELDINGFIELDING A 20th AAnniversary 20th ReminiscenceAnniversary Tribute Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada CONTENTS FEBRUARY 2000 cover story departments 24 Music by Jerry Fielding 2 Editorial On the 20th anniversary of the legendary Words of wisdom composer’s passing, we reminisce about his work and its impact. 4 News By Nick Redman George Duning, awards and more 28 Twenty Years Gone 5 Record Label Camille Fielding remembers Jerry. Round-up What’s on the way 6 Now Playing Movies and CDs in Twenty years after his death, he f e a t u r e s release remains a one-of-a-kind. 8 Concerts page 24 Live performances 19 The Good, the Bad around the globe and the Oscars 10 Upcoming Film How shall we remember the soundtracks of Assignments 1999? Here’s a rollicking wrap-up of the year. Who’s writing what By Jonathan Z. Kaplan, Doug Adams, Jeff Bond and Jesus Weinstein 13 Mail Bag Phantom premonitions 22 Top Picks for ’99 The “keepers” of the year. 16 Downbeat Roustabouts and rumbles 30 Any Given Composer Oliver Stone assembles a crack team of musicians 33 Score for his football epic. Our special “C.H. How do 12 cameras, six editors, By Jeff Bond Levenson All-Positive and nine composers work for one Reviews” installment director? page 30 32 Power Plays The unintended, unexpected success of 34 Pocket Reviews NFL’s greatest hits.
    [Show full text]
  • Peter Thomas
    Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 9 Williams’s Award Page 48 GoldenGolden AgeAge GreatsGreats HollywoodHollywood composerscomposers onon postagepostage stampsstamps! PPAPILLONAPILLON REVISITEDREVISITED GoldsmithGoldsmith doesdoes Devil’sDevil’s IslandIsland PETERTHOMASPETERTHOMAS MeetMeet thethe kingking ofof GermanGerman schwingschwing CDREVIEWSCDREVIEWS TheThe latestlatest releasesreleases Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada FSM Presents Silver Age Classics • Limited Edition CDs Now available: FSMCD Volume 2, Number 8 The Complete Unreleased Original Soundtrack Jerry Goldsmith came into his own as a creator of thrilling western scores with 1964’s Rio Conchos,a hard-bitten action story that starred Richard Boone, Stuart Whitman and Tony Franciosa. Rio Conchos was in many ways a reworking of 1961’s The Comancheros (FSMCD Vol. 2, No. 6, music by Elmer Bernstein), but it lacked the buoyant presence of John Wayne and told a far darker and more nihilistic tale of social outcasts thrown together on a mission to find a hidden community of Apache gun-runners. It was the dawn of a new breed of grittier, more psychologically hon- est westerns, and Jerry Goldsmith was the perfect composer to provide these arid and violent tales with a new musical voice. Goldsmith had already scored several westerns before Rio Conchos, including the acclaimed contemporary west- ern Lonely Are the Brave. But Rio Conchos saw Goldsmith marshal- ing his skills at writing complex yet melodically vibrant action music, with several early highlights of his musical output contained by Jerry Goldsmith within. The composer’s title music is characteristically spare and One-Time Pressing of 3,000 Copies folksy, belying the savage intensity of what is to follow, yet his main theme effortlessly forms the backbone for the score’s violent set- pieces and provides often soothing commentary on the decency and nobility buried beneath the flinty surfaces of the film’s reluc- tant heroes.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1998
    BOSfON SYMPHONY ORCHESTRA SEMI OZAWA, MUSIC DIRECTOR Taiigiew@d 19 9 8 HOLSTEN GALLERIE J 1 DALE CHIHULY New Works Elm Street, Stockb ridge, MA 01262 (Next to Post Office) (413) 298-3044 fax: (413) 298-3275 www.holstengalleries.com Celebrating twenty years in our newly renovated and expanded gallery space Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Seventeenth Season, 1997-98 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman I l.irlan E. Anderson Nader F. Darehshori Julian T. Houston Robert P. O' Block ( .abriella Beranek Deborah B. Davis Edna S. Kalman ex-officio Vincent O'Reilly fames F. Cleary Nina L. Doggett George Krupp [ohn V. ( !ogan,Jr. Charles K. Gifford, Mrs. August R. Meyer Peter C. Read Julian ( lohen ex-officio Richard P. Morse Hannah H. Schneider William F. ( lonnell AvramJ. Goldberg Mrs. Robert B. Margaret Williams- E. William M. Cm/ier, Jr. Thelma Goldberg Newman DeCelles, ex-officio Life Trustees Vernon R. Alden Archie C. Epps Mrs. George I. Richard Smith David B. Arnold, Jr. Mrs. John H. Kaplan Sidney Stoneman LP. Barger Fitzpatrick George H. Kidder John Hoyt Stookey Leo L. Beranek Dean W. Freed Irving W. Rabb John L. Thorndike Abram I. Collier Mrs. John L. Mrs. George Lee Nelson Grandin Sargent J. Darling, Jr. Other Officers of the Corporation 1 nomas 1). \la\ and John Ex Rodgers, Assistant Treasurers Daniel R.
    [Show full text]
  • Program JAZZ CHOIR CONCERT CHOIR CHAMBER CHOIR
    Program JAZZ CHOIR Can’t Buy Me Love . arr. Audrey Snyder Misty . .arr. Ed Lojeski Voice Dance . .Greg Jasperse I’ll Be Seeing You . arr. Darmon Meader God Only Knows . arr. Tomas Bergquist Accompanist: Diane Eickelman * * * * * La donne è mobile from “Rigolleto” . Giuseppe Verdi (1813-1901) Soloist: Erik Sandefur Accompanist: Diane Eickelman * * * * * CONCERT CHOIR Non Nobis, Domine . .Rosephanye Powell Gloria in altissimis Deo from “Christmas Oratorio” . Camille Saint-Saens Cody Saunders, Student Conductor Set Me As A Seal . Richard Nance James August, French Horn Cantate Canticum Novum . Dan Forrest Accompanist: Diane Eickelman * * * * * God Help the Outcasts from “The Hunchback of Note Dame”. .Alan Menken (b. 1949) Soloist: Dana Hough Les Papillons . Ernest Chausson (1855-1899) Soloist: Paula Edens Accompanist: Diane Eickelman * * * * * CHAMBER CHOIR Cantemus! . Lajos Bardos Torren Friberg, Student Conductor Sicut Cervus . Giovanni Pierluigi da Palestrina Veni Creator Spiritus . .Linda Kachelmeier Soloist: Dana Hough Adon Olam . Kenneth Lampl Et in Spiritum from “Credo” . David Volk Even When He Is Silent . .Kim Andre Arnesen Salmo 150 . .Ernani Aguiar COMBINED CHOIRS Ain’t Got Time to Die . .Hall Johnson Soloists: Andy Beurman, Cody Saunders, Josh Floyd Accompanist: Diane Eickelman CSU Pueblo Jazz Choir Soprano Alto Tenor Bass Alana Buglewicz Paula Edens Tony Cirka Sam Abenth Alyssa Frazier Dana Hough Damian Leon-Sinks Trysten Garcia Nicole Whitaker-Barrett Rachel Pope Erik Sandefur Tyrone Parks Ryan Walter Cody Saunders CSU Pueblo
    [Show full text]
  • Zamir Chorale of Boston
    Zamir Chorale of Boston A Gala Golden Anniversary Concert zamir chorale rh nzv of boston Honoring Founder & Artistic Director Joshua Jacobson 19 01969–20 1320 Centre Street, Suite 306 5 Newton, MA 02459 www.zamir.org • [email protected] Tuesday, June 4, 2019, 7:30 pm Sanders Theatre, Cambridge zamir chorale rhnzv of boston 9 1 0 –2 501969 We are delighted to celebrate Zamir@50 with you. Tonight’s gala concert is the culmination of our year-long celebration Joshua R. Jacobson of Zamir’s jubilee and an opportunity to honor our friend, Maestro Joshua Jacobson. Toward the end of my senior year in college, I received a phone call from Stanley Sperber. Stanley had been my Over the past five decades, the Zamir Chorale of music counselor at Camp Yavneh in the early 1960s and Boston has consistently been a key player in the was responsible for my transition from a guitar-playing cultural life of our community and an international leader folkie to a student of classical music and an aspiring choral in Jewish choral music. Whether reviving old classics, sharing conductor. In 1960, Stanley had started a youth chorus current favorites, or commissioning exciting new pieces, Zamir, in Manhattan comprised of teenagers who had sung under Josh’s inspiring leadership, has made Jewish music an important part together in the summers at Camp Massad. The ensemble of the lives of so many people. was dedicated to the performance of Israeli and Jewish music. Eventually, they gave their chorus a name: Zamir. In the past 50 years, Zamir has performed hundreds of concerts throughout North America; produced over 30 recordings and videos; commissioned 31 new works; Stanley was phoning to invite me to start a Zamir Chorale in Boston.
    [Show full text]
  • Inner Harmony
    Find Your Inner Harmony Morris County’s Original Holistic Health Center Hatha Yoga in the Iyengar Tradition Thai Yoga Bodywork Group and Private Yoga Classes Yoga Alliance Certified Teacher Training Thai Yoga Certification Workshops Health Consultations and Referrals FREE First Yoga Class with Coupon a $17 dollar value new students only Class Schedule, Information: www.yogainboonton.com Tony Rivers, E-RYT RiversEdge Holistic Health & Fitness 518 Main Street Boonton, NJ 07005 973-263-4994 for Appointments 2 Dr. Anne J. Matlack Artistic Director Anne Matlack (BA Music cum laude, Yale University; MM, DMA Choral Conducting, University of Cincinnati College-Conservatory of Music) has been Artistic Director of Harmonium Choral Society since 1987. During her tenure as Artistic Director, the 100-voice choral society has been recognized for its musical excellence and innovative programming. In addition to her work with Harmonium, Dr. Matlack is celebrating her 25th year as Organist/Choirmaster at Grace Episcopal Church in Madison. There she directs a full program of children and adult choirs and a concert series, Grace Community Music. Her excellent all-volunteer adult chorus performs Evensongs and large choral works every year and her children’s choir training program follows Royal School of Church Music standards and has 60 children ages 7-18 singing every week in three different levels. Grace Church and Harmonium singers joined to serve as Choir-in Residence at Winchester Cathedral in the summer of 2015. Dr. Matlack serves on the New Jersey Board of the American Choral Directors Association as Repertoire and Standards Chair for Community Choirs. She is active as an adjudicator and cli- nician.
    [Show full text]
  • DARK NIGHT of the SOUL: PROGRAM NOTES March 7 & 8, 2015
    DARK NIGHT OF THE SOUL: PROGRAM NOTES March 7 & 8, 2015 Jerusalem: A Meditation for Peace Kenneth Lampl (b. 1964) An den Wassern zu Babel Heinrich Schütz (1585-1672) Farlorn Alemen Andrea Clearfield (b. 1960) Farlorn Alemen Du Bist Avek world premiere, choral version Mayn Land world premiere, choral version Elena Bird Zolnick, Susan Gepford, Ken Short Pietà Ruth Zumstein, violin Reed Criddle (b. 1981) Cloth of Glory Terrence Thornhill, cello David L. Brunner (b. 1953) little man in a hurry Helen Raymaker, piano Eric Whitacre (b. 1970) ************************INTERMISSION************************** Mille Regretz Josquin des Prez (c. 1450-1521) Agnus Dei from Missa Mille Regretz Cristóbal Morales (c. 1500-1553) Laura Winslow, Jake Sachs, Emilie Bishop Moro, lasso, al mio duolo Carlo Gesualdo (1566-1613) Love Lost: Four satirical poems on love Paul Sjolund (b. 1935) One Perfect Rose When You’re Away Careless Talk Your Little Hands Tell Me, Where is Fancy Bred (Bk. II) Matthew Harris (b. 1956) Chamber Singers ****************************************************************** Ashes Trevor Weston (b. 1967) Semi-chorus: Anna Roberts, Mickey McGrath, Alice Allen, Alyssa Casazza Matthew Onigman, PJ Livesey, George Aronson, Devin McGuire Hear My Prayer, O Lord Henry Purcell (1659-1695) Dark Night of the Soul Ola Gjeilo (b. 1978) Marilyn Kitchell Daniel, Daniel, Servant of the Lord arr. Undine S. Moore (1904-1989) Emanuel Meli, Ted Roper The Rain is Over and Gone Paul Halley (b. 1956) Donna Ward Piano: Helen Raymaker Organ: Ian Tomesch Cello: Terrence Thornhill Violin I: Ruth Zumstein Violin II: Rebecca Harris Viola: Maggie Speier Drums: Joe Keefe Electric Bass: Devin McGuire We seldom admit that we experience life in our own minds and hearts in the “dark night of the soul.” How do we mourn, how do we celebrate? Do we notice—or are we just a “little man in a hurry?” Music can express both longing and comfort, sometimes simultaneously.
    [Show full text]