The Cord Weekly (October 31, 1969)

Total Page:16

File Type:pdf, Size:1020Kb

The Cord Weekly (October 31, 1969) The CORD WEEKLY VOL. 10 NO. 8 WATERLOO LUTHERAN UNIVERSITY FRIDAY, OCTOBER 31, 1969 Faculty enthusiastic about WLU-UniWat co-operation photos by Shane These buildings could become increasingly important as areas for co-operation between WLU and the University of Waterloo Following President Peters' letter urging co-operation between Waterloo Lutheran University and the Univer- sity of Waterloo, several departments here are consider- ing negotiations. Marshall walks out of SAC meeting Although a committee of senior members of both uni- versities is being set up, various departments are going The growing crisis in the Stu- tributing to slander and will be and council members were dis- ahead on their own. dents' Administrative Council fin- sued." satisfied with how the meeting Dr. Neale Tayler, Dean of Arts strict in any way our co-operation ally exploded Wednesday night She refused to agree to an in- had progressed. with other nearby universities and Science, outlined the pros- as President Lauren Marshall camera meeting. "Why don't you cats impeach pective co-operation as a medi- such as Guelph and McMaster." found herself Asked where she got her infor- her and get it over with already," um by which academic programs The geography department has confronted bv coun oil mation concerning the nine uni- was one student's comment. would be further co-ordinated. also been co-operating with Uni- The preliminary report versities that she said had join- Both Meg van Alstine and Jim Tayler said the administration wat. Some students from both of the committee investigating ed the Student Consumer Assoc- Lawson, Vice-president: Extern- was asking individual depart- universities ax*e taking courses Trans Canada Student iation, she answered she did not al and Internal respectively ments to discuss the matter first, at the other. There is also some Services and the said Student Association have the information on file but Miss Marshall had before any assessment would be exchange of professors. Dr. Me- Consumer threatened to raised many questions concern- had received it verbally from call for the resignations of any made from an administrative Murray explained department ing Miss Marshall's involvement Donald Loeb. Repeatedly asked if executive member if they knew point of view. heads from Ontario universities with these she checked Loeb's information, of a motion coming up "It could be we offer all courses have been meeting as a commit- organizations. of which Asked about Miss Marshall answered "I got she was herself necessary for our undergraduates; tee for some time, so co-opera- the inconsistency unaware. in her recent statement regard- all my information from Donald "I would like to make it we interested," added tion is not a new idea. He is not known but are ing Loeb." at this Tayler. "We are not interested fearful that WLU is going to be her activities, Miss Marshall time that in an executive emphasized, meeting in competing." engulfed by Uniwat, but believes "I have acted in the Miss Marshall also said Matthew Lauren told every mem- best of ber 'if a bomb Graduate studies would be one co-operation will "benefit both interests council. What's Hudson had told her Stewart falls at this meet- the use of bringing facts Saxe, ing and you don't tell of the main areas of interest, universities, and should strength- out that president of Canadian Uni- me about just it should such an agreement become en them. We can take advantage confuse the issue." versity Press, was being sued for beforehand, when the meeting is pro- of mutual strength," he said. Regarding the letter sent by libelous statements appearing in is through, you are off the execu- a reality. At present there " Marshall tive,' said Miss van vision for post-graduate psycholo- Professor MacLulich of the Bi- Miss to the universities the House Organ. CUP's news- Alstine. gy students to take one of their ology department had no idea in Ontario in which she stated letter. Saxe denied he was being Lawson reiterated Miss Mar- were a Masters 7 courses at Uniwat. of what these discussions could retractions expected follow- sued. shall said "if there is bomb and ing I have Dr. Mary Kay Lane, professor lead to. He said he could con- the publication of allegedly Danny Haughn informed coun- no warning. I will de- of psychology, said "We have jecture about things that might libelous statements in the Cord, cil he had asked Hudson about mand your resignations." been co-operating with the Uni- be done but could predict noth- she replied "I did not see a copy this matter, and Hudson had de- Further evidence of discrepan- versity of Waterloo for years. ing concrete. He thought it might of that letter until it went out nied talking to Miss Marshall cies was presented and it was Psychologists tend to stick togeth- be possible for students of WLU in the Cord." about it at any time. pointed out by Sue Brown, Chair- fourth year at Uni- Although Donald Loeb. Execu- man of the Student Secretariat er as a professional group, no to take their First saying "no" and then degree in tive member of Trans Canada alt evidence was documented, and matter what institution they work wat for an honours "yes," to queries regarding finan thought that stu- Student Services, signed Miss did not need an answer. for. We see their psychology de- science. He also cial investment. Miss Marshall here for Marshall's name to the letter, Answering challenges of the partment socially, and our stu- dents might do research countered "If you want to say I of Arts degree from Lauren repealed she had not seen right to continue the meeting dents and faculty are welcome a Master have financial involvement, say the letter. "I cannot answer for without Miss Marshall there to at their weekly psychology sem- Uniwat. it, and then prove it in court." Dr. Heller, chairman of the Donald Loeb at this time," she answer on her own behalf, arts inars." Several inconsistencies in her Professor Glenn Carroll, Dean chemistry department said noth- added. representative Phil Nicol claim- statements and activities this School of Business and ing but good could come of co- Anticipating reaction from in ed Miss Marshall should have of the matter were pointed out to which Economics, commented "the Uni- operation. He felt co-operation council and interested students. been there but since she left of been science Miss Marshall stated "I know she replied. 'It's none of your her own accord, there was no versity Waterloo has not will strengthen WLU's " rea- of damned business noted as having a strong eco- program as it would be inter- there are complaints against me son why the meeting should be nomics department, but they are meshed with the strong research I am under advice of legal coun- Following an appeal to the stu- discontinued. growing very rapidly. They have program at the University of Wa- sel that if anything of a defama- dents in which she said. "I stand Meg van Alstine added. "We're only a few business courses so terloo. Dr. Heller said as far as tory or slanderous nature is said on my record as president and not always sure of all the rules. most of the co-operation would he knew, everyone was enthusi- in this meeting, legal action will SAC can either accept or reject But we tried to get her to an- Miss Marshall be in the area of economics." astic about the agreement. be taken." me." left the meet- swer questions and she walked Carroll pointed out there is Professor Secord, acting head "If any petition containing ing. out. We have to live by the rules, presently co-operation in the areas of the Mathematics department, slanderous material is circulated, The president's exit did not therefore the onus is on the stu- of computer work and guidance. felt the agreement would have no anyone who signs it will be con end the meeting Many students dents." "We have a terminal hooked up great effect on his department. to their big computer, and their Emphasizing he spoke only for guidance department sends stu- himself, Secord added: dents down to us. I see as many "Our courses are of a general Union of Students is University Canadian dead as sixty students a year who are nature whereas the of disillusioned with their programs Waterloo courses are more spec- Following the defeat of Refer- onto students was the death blow dents conference recently, it was in engineering and the other sci- ialized." enda at the Universities of Tor- to an already crippled organiza- announced CUS would continue ences. They come down here for He found the idea of "co-opera- tion. in a more moderate vein How- onto and Carleton, the Canadian counselling because there is no tion" vague and did not know Vice-president of CUS, Michael ever. this idea was later aban- one at U. of W. who can tell whether it would mean sharing Union of Students decided that O'Sullivan, felt the union's 1968 doned. A press release explain- them about a career in business." the computer facilities. Waterloo it was to be no more. congress at the University of ed, "recognizing that a reduction Professor Carroll also added a Lutheran already shares compu- From a membership of 44 uni- Guelph painted a sufficiently in activities means a real reduc- note of caution: "I think co-oper- ters on the faculty level. versities five years ago. CUS is dark picture of the views of the tion with satisfaction, the coun- ation with the University of Wa- The English department was now left with \2 in all of English people involved that CUS was cil decided it would phase out all terloo is a very good thing, but not prepared to make a state- and French Canada.
Recommended publications
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • Being Mother, Academic, & Wife: an Interpretive Inquiry
    University of Alberta Being Mother, Academic, & Wife: An Interpretive Inquiry by Danielle Leigh Fullerton A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Counselling Psychology Department of Educational Psychology Edmonton, Alberta Spring 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-55349-7 Our file Notre reference ISBN: 978-0-494-55349-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • BWTB Playlist April17th 2016
    1 Playlist April 17th 2016 9AM The Beatles - A Hard Day’s Night - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ seventh single release for EMI’s Parlophone label. The title is a Ringoism, coined by the drummer sometime in 1963 and used by John in his book “In His Own Write.” With the film nearly completed the last bit of business was to give the film a name. The project was being filmed with the working title “Beatlemania.” On April 13, 1964 The Beatles met with key personnel from the studio and bounced title ideas. It was felt they’d find no better suggestion than Ringo’s off- hand remark “it’s been a hard day’s night” and John volunteered to write the title song that evening. The next morning he brought the song in and taught it to Paul. Paul cleaned up the middle section and the two played it for producer Walter Shenson. Two days later The Beatles would formally record the song. It was a rarity for an outsider to be allowed in the studio or control booth while The Beatles rehearsed and recorded. An exception was made for the director of the “A Hard Day’s Night” film, Richard Lester. Lester was in the control booth and offered many suggestions during the morning while this key song was worked out, much to the dismay of producer George Martin. It was Lester’s suggestion that the song open dramatically (as it would open the film), and fade out at the end in a cinematic way.
    [Show full text]
  • Descriptive Metadata in the Music Industry 1
    DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 1 Descriptive Metadata In The Music Industry: Why It Is Broken And How To Fix It Tony Brooke December 2014 Author Note Tony Brooke is a media asset manager in San Francisco, California. He holds a Master’s degree in Library and Information Science (with a concentration in media asset management and audiovisual metadata) from San José State University, and has been an audio engineer in San Francisco since 1992. Correspondence regarding this should be made to Tony Brooke, Silent Way Media Asset Management, San Francisco, (415) 826-2888. http://www.silentway.com/research This is a corrected postprint of an article originally published in two parts, February- March 2014 in the Journal of Digital Media Management. Keywords: metadata, standards, music, descriptive, open, proprietary, database, identifier, credits, schema, persistent DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 2 Table Of Contents Abstract 3 Introduction 4 Descriptive Metadata: Now And Then 5 Terminology 8 Reasons for the Lack of Descriptive Metadata 17 The Silos 20 The DDEX Suite of Standards and CCD 30 Part Two 33 Why Hasn’t This Been Fixed Yet? 33 Toward A Globally Unique Abstracted Persistent Identifier (GUAPI) 40 Proposed Study: Quantifying Descriptive Metadata Value 49 Research Questions 49 Participants 50 Data Collection Instrument 50 Procedure 51 Conclusion And Recommendations 53 References 59 Appendix: Acronym Reference 67 Document Control Version history Version Date Version notes 1.0 June 19, 2013 Initial draft, circulated privately, APA citations. 1.1 July 14, 2013 Revised draft. 2.0 October 15, 2013 Significant rewrite, with different conclusion.
    [Show full text]
  • Ingesting Text
    Ingesting text This is from Section 15.3 of the Modern Data Science with R book. Using rvest Take a look at the Wikipedia List of songs recorded by the Beatles. In the book the second list of Other songs is used. I have used the Main Songs list. A great reference for regex (commands like gsub) is the r4ds book, see Chapter 14 about strings library(rvest) ## Loading required package: xml2 library(tidyr) library(methods) library(mdsr) ## Loading required package: dplyr ## ## Attaching package: 'dplyr' ## The following objects are masked from 'package:stats': ## ## filter, lag ## The following objects are masked from 'package:base': ## ## intersect, setdiff, setequal, union ## Loading required package: lattice ## Loading required package: ggformula ## Loading required package: ggplot2 ## Loading required package: ggstance ## ## Attaching package: 'ggstance' ## The following objects are masked from 'package:ggplot2': ## ## geom_errorbarh, GeomErrorbarh ## ## New to ggformula? Try the tutorials: ## learnr::run_tutorial("introduction", package = "ggformula") ## learnr::run_tutorial("refining", package = "ggformula") ## Loading required package: mosaicData ## Loading required package: Matrix ## ## Attaching package: 'Matrix' 1 ## The following object is masked from 'package:tidyr': ## ## expand ## ## The 'mosaic' package masks several functions from core packages in order to add ## additional features. The original behavior of these functions should not be affected by this. ## ## Note: If you use the Matrix package, be sure to load it BEFORE
    [Show full text]
  • Billy Joel's Turn and Return to Classical Music Jie Fang Goh, MM
    ABSTRACT Fantasies and Delusions: Billy Joel’s Turn and Return to Classical Music Jie Fang Goh, M.M. Mentor: Jean A. Boyd, Ph.D. In 2001, the release of Fantasies and Delusions officially announced Billy Joel’s remarkable career transition from popular songwriting to classical instrumental music composition. Representing Joel’s eclectic aesthetic that transcends genre, this album features a series of ten solo piano pieces that evoke a variety of musical styles, especially those coming from the Romantic tradition. A collaborative effort with classical pianist Hyung-ki Joo, Joel has mentioned that Fantasies and Delusions is the album closest to his heart and spirit. However, compared to Joel’s popular works, it has barely received any scholarly attention. Given this gap in musicological work on the album, this thesis focuses on the album’s content, creative process, and connection with Billy Joel’s life, career, and artistic identity. Through this thesis, I argue that Fantasies and Delusions is reflective of Joel’s artistic identity as an eclectic composer, a melodist, a Romantic, and a Piano Man. Fantasies and Delusions: Billy Joel's Turn and Return to Classical Music by Jie Fang Goh, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Jean A. Boyd, Ph.D., Chairperson Alfredo Colman, Ph.D. Horace J. Maxile, Jr., Ph.D.
    [Show full text]
  • Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis
    Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION zur Erlangung des akademischen Grades Doktor der technischen Wissenschaften eingereicht von Alexander Schindler Matrikelnummer 9926045 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Ao.univ.Prof. Dr. Andreas Rauber Diese Dissertation haben begutachtet: arXiv:2002.00251v1 [cs.MM] 1 Feb 2020 (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION submitted in partial fulfillment of the requirements for the degree of Doktor der technischen Wissenschaften by Alexander Schindler Registration Number 9926045 to the Faculty of Informatics at the Vienna University of Technology Advisor: Ao.univ.Prof. Dr. Andreas Rauber The dissertation has been reviewed by: (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklaerung zur Verfassung der Arbeit Alexander Schindler Beckmanngasse 4/12, 1140 Wien Hiermit erklaere ich, dass ich diese Arbeit selbstqendig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollstaendig angegeben habe und dass ich die Stellen der Arbeit - einschliesslich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe.
    [Show full text]
  • LSUG Sept. 16Th 2012
    PLAYLIST SEPT. 16TH 2012 HR.1 HR 1 The Beatles - Wait - Rubber Soul (Lennon-McCartney) Lead vocals: John and Paul Recorded June 17, 1965 during the “Help!” sessions, the song was left unfinished when The Beatles had hit the deadline to submit the album. Five months later, as the deadline to submit “Rubber Soul” was upon them, they grabbed the unfinished song, threw on some overdubs and decreed it finished. Specifically, they added a tone pedal guitar, tambourine, maracas, and more vocals on November 11, 1965, the final day of recording for “Rubber Soul.” On U.S. album: Rubber Soul - Capitol LP The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9, 1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.” On U.S.
    [Show full text]
  • Acoustic Sounds Winter Catalog Update
    VOL. 8.8 VOL. 2014 WINTER ACOUSTICSOUNDS.COM ACOUSTIC SOUNDS, INC. VOLUME 8.8 The world’s largest selection of audiophile recordings Published 11/14 THE BEATLES IN MONO BOX SET AAPL 379916 • $336.98 The Beatles get back to mono in a limited edition 14 LP box set! 180-gram LPs pressed in Germany by Optimal Media. Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz. The release includes all nine original mono mixed U.K. albums plus the original American- Cut to lacquer on a VMS80 lathe compiled mono Magical Mystery Tour and the Mono Masters, a three LP collection of Exclusive 12” 108-page hardbound book non-album tracks also compiled and mastered from the original analogue tapes. with rare studio photos! All individual albums available. See acousticsounds.com for details. FOUR MORE FROM THE FAB FOUR New LP Reissues - Including QRP Pressings! The below four Beatles LPs will be pressed in two separate runs. First up are 10,000 European-pressed copies. After those are sold through, the label will then release the Quality Record Pressings-pressed copies. All four albums are 180-gram double LPs! The Beatles 1967-1970 The Beatles 1962-1966 1 Love ACAP 48448 $35.98 ACAP 48455 $35.98 ACAP 60079 $35.98 ACAP 48509 $48.98 (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) ACAP 484480 $35.98 ACAP 484550 $35.98 ACAP 600790 $35.98 ACAP ACAP 485090 $48.98 (European-pressed version; (European-pressed
    [Show full text]
  • Downbeat's July
    JULY 2016 VOLUME 83 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,
    [Show full text]
  • Cover Songs in Modern Culture. Master Thesis
    Cover Songs in Modern Culture A Live Cover Concert as a Musicological Phenomenon Elena Alexandrovna Blagova Master’s Thesis in Musicology Department of Musicology University of Oslo April 2018 !2 Cover Songs in Modern Culture A Live Cover Concert as a Musicological Phenomenon Elena Alexandrovna Blagova Master’s Thesis in Musicology Department of Musicology University of Oslo April 2018 !3 Copyright 2018 Cover Songs in Modern Culture: A Live Cover Concert as a Musicological Event Elena Alexandrovna Blagova http://www.duo.uio.no Publisher: Reprosentralen, University of Oslo !4 Abstract The quantity of cover songs on today’s music market rises questions about its “quality”. The meaning of the term covering in general and in particular, the demand for more or less covering in modern culture through the perception of the modern society and the cover trend itself are the “qualities” of the event, which were investigated in this thesis. To research such problems a live cover concert was made and 24 people from the audience were interviewed right after the concert as part of this case study. To maximize the comprehension of the results, the repertoire of the performances included 10 cover songs from various periods and genres of pop and rock music. The interviews were meant to reveal and develop the relationship between the remaking process and the contemporary world. People were asked about a definition of a cover song, the relevance of comparison, the interpretation, which touched them the most, and a kind of impression they got within the concert. Although the expectation was such that people would prefer music pieces of their own generation, the interviewed have demonstrated surprising views and, moreover, independent thinking.
    [Show full text]
  • Dreampath Podcast Transcript of Interview with Musician Jeff Hamilton Host, Bryan G
    DreamPath Podcast Transcript of Interview with Musician Jeff Hamilton Host, Bryan G. Smith Date: 12-11-2019 Bryan: Bryan Smith here, and welcome to the DreamPath Podcast, where I try to get inside the heads of talented creatives from all over the world. My goal is to demystify and humanize the creative process and make it accessible to everyone. Now let's jump in. Bryan: Jeff Hamilton's on the show today. Jeff is a multi-instrumentalist audio recording engineer, live audio engineer, tour manager, stage tech and touring side man for bands like Uriah Heep and Dennis DeYoung from Styx. He's also a member of multiple bands, one of which is about to embark on an international tour with dates in Montreal, Canada, and Moscow, Russia. Jeff played with the Violent Femmes for 10 years and also served as their producer and audio engineer on their "We Can Do Anything" album and on their Happy New Year EP. If you grew up in the 80's or even the 90's you probably remember the Violent Femmes hits Blister in the Sun and Added Up, which many say defined the early to mid 80's sound and vibe with a minimalist style of punk rock that really transcended punk and made its way into the musical consciousness of just about every young person from that era. Bryan: In this interview, we hear how Jeff met the Femmes and was brought in as a touring musician with them as well as their audio engineer and producer for studio albums.
    [Show full text]