The Library Is Metamodern
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
From Postmodernism to Metamodernism
FROM POSTMODERNISM TO METAMODERNISM: CHANGING PERSPECTIVES TOWARDS IRONY AND METANARRATIVES IN JULIAN BARNES’S A HISTORY OF THE WORLD IN 10 AND ½ CHAPTERS AND THE NOISE OF TIME A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY MELTEM ATEŞ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH LITERATURE SEPTEMBER 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Çiğdem Sağın Şimşek Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Assist. Prof. Dr. Elif Öztabak Avcı Supervisor Examining Committee Members Assoc. Prof. Dr. Nil Korkut Naykı (METU, FLE) Assist. Prof. Dr. Elif Öztabak Avcı (METU, FLE) Assist. Prof. Dr. Selen Aktari Sevgi (Başkent Uni., AMER) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Meltem Ateş Signature : iii ABSTRACT FROM POSTMODERNISM TO METAMODERNISM: CHANGING PERSPECTIVES TOWARDS IRONY AND METANARRATIVES IN JULIAN BARNES’S A HISTORY OF THE WORLD IN 10 AND ½ CHAPTERS AND THE NOISE OF TIME Ates, Meltem M.A., English Literature Supervisor: Assist. -
Slow Expansion. Neomodernism As a Postnational Tendency in Contemporary Cinema
TRANSMISSIONS: THE JOURNAL OF FILM AND MEDIA STUDIES 2016, VOL.1, NO. 2, PP. 100-117. Miłosz Stelmach Jagiellonian University Slow Expansion. Neomodernism as a Postnational Tendency in Contemporary Cinema Abstract The article presents a theoretical overview of a distinctive strand of contemporary cinema identified in the text as neomodernism (as defined by Rafał Syska). It focuses on works of filmmakers such as Béla Tarr, Aleksander Sokurov or Tsai Ming-liang and their followers and tries to present them as a part of informal postnational artistic movement developing in cinema from mid-90s onward. The aim of the article is to examine critically the journalistic and reductive category of slow cinema usually applied to auteurs mentioned above and propose term more burdened with cultural connotations and thus open for nuanced historical and theoretical studies. The particular attention is given to the international character of neomodernism that negates the traditional boundaries of national schools as well as the division of centre-periphery in world cinema shaped by the first wave of postwar modernist cinema. Neomodernism rather moves the notion of centre to the institutional level with the growing importance of festivals, film agents and public fund that take the place of production companies as the main actors in the transnational net of art-house cinema circulation. Key words: contemporary cinema, modernism, slow cinema, postnational cinema, neomodernism Introduction Over the course of the last two decades, the debate over cinema and modernism has taken the form of a dialectical struggle since two distinctive theoretical standpoints emerged, of which the more traditional and still dominant is rooted in art history and literary studies of the post-war years. -
English Artist L
ISSN 2616-7581 (Print) 2019 • 2(1) • 8-18 Питання культурології ISSN 2617-4030 (Online) ТЕОРІЯ ТА ІСТОРІЯ КУЛЬТУРИ Питання культурології ISSN 2410-1311 (Print) 2020 • 36 • 14-23 ISSN 2616-4264 (Online) DOI: 10.31866/2410-1311.36.2020.221039 UDC 008:[130.2:141.78 METAMODERNISM AS A CONCEPT OF CULTURAL STUDIES Iryna Petrova Doctor of Art Studies, Professor, ORCID: 0000-0002-8146-9200, e-mail: [email protected], Kyiv National University of Culture and Arts, 36, Ye. Konovaltsia St., Kyiv, Ukraine, 01133 For citation: Petrova, I. (2020). Metamodernism as a Concept of Cultural Studies. Issues in Cultural Studies, (36), 14-23. doi: https://doi.org/10.31866/2410-1311.36.2020.221039. Abstract The essence of metamodernism as a concept of cultural studies is analysed in the article. The article points out the expediency of conceptualization of the cultural features of the (post) postmodernism era, on the one hand, and the need to develop adequate approaches, different from the traditional ones, for the implementation of a cultural analysis of a new research direction and modern world trends, on the other. The purpose of the article deals with a critical understanding of metamodernism as a contemporary concept of cultural studies. Comparative, analytical, and systematic methods were used to achieve the research objectives. The application of these methods allows us to substantiate the intertextuality of traditional cultural strategies that encourage the creation of a new discursive field; to “read” the changing and unpredictable cultural processes of the 21st century; to analyse the significant issues of metamodernism in the context of the relevance of the present-day needs. -
Egoism and the Post-Anarchic: Max Stirner's New Individualism
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESLS SIGNATURE PAGE Tl IESIS SUBMITTED IN PARTIAL FULFILLMENT OF Tl IE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERA TUR.E AND WRITING STUDIES THESIS TJTLE: Egoism and the Post-Anarchic: Max Stimer's New Individualism AUTHOR: Kristian Pr'Out DATE OF SUCCESSFUL DEFEN E: May 911' 2019 --- THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. Oliver Berghof August 5, 2019 TIIESIS COMMITTEE CHAIR DATE Francesco Levato 8/5/19 TIIESIS COMMITTEE MEMBER DATE Heidi Breuer �-11 THESIS COMMITTEE MEMBER DATE Pr’Out 1 Egoism and the Post-Anarchic: Max Stirner’s New Individualism Kristian Pr’Out Pr’Out 2 Table of Contents Preface 3 Chapter 1 Max Stirner: Biographers and Interpreters 13 Stirner and The Dialectic: A Genealogy of Liberalism 23 Fichte and the Unique One: Speaking the Intangible 32 Chapter 2 Stirner and the Case for Anarchism 39 Stirner’s Egoism Meets Classical Anarchism 48 Welsh’s Dialectical Egoism and Post-Anarchist Individualism 64 Chapter 3 May 1968 and Its Impact 67 Post-Anarchism: A Contemporary Theoretical Model 82 Narrative and the Critique of Modernity 89 ‘Ownness,’ Power, and The Material 92 Conclusion: A Revenant Returns 102 Bibliography 104 Pr’Out 3 Preface In the 19th century, the influence of Georg W. F. Hegel was widespread. His works influenced anarchists, communists, the moderately liberal, and the staunchly traditional. In Hegel’s Phenomenology of Spirit (1977), history operates in certain movements - namely, that of a world spirit that ushers in new and different epochs (6-7). -
This Thesis Has Been Approved by the Honors
1 This thesis has been approved by The Honors Tutorial College and the Department of English ______________________________ Dr. Thom Dancer Professor, English Thesis Adviser ______________________________ Dr. Carey Snyder Honors Tutorial College, DOS, English ______________________________ Dr. Jeremy Webster Dean, Honors Tutorial College 2 Between Artifice and Actuality: The Aesthetic and Ethical Metafiction of Vladimir Nabokov and David Mitchell ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in English ______________________________________ by Trent A. McDonald April 2014 3 Acknowledgments The most important person to the completion of this thesis is Dr. Thom Dancer, the best thesis adviser one could hope for. His tireless support, strong critical eye, and passionate enthusiasm for contemporary literature have made this thesis as good as it possibly could be. All of the mistakes herein should not reflect on him and should only be credited to me. My parents, Missy and Scott McDonald, are of course responsible for my attending Ohio University. Without them I would have nothing. My Director of Studies, Dr. Carey Snyder, has been of great importance to my academic life over these past four years. The faculty of Ohio University also deserve my thanks for changing my mind about so many things; I must single out in particular Dr. Josephine Bloomfield, Dr. Joseph McLaughlin, Dr. Steve Hayes, Kristin LeMay, Dr. Samuel Crowl and Dr. Matthew Stallard. The Honors Tutorial College and Dean Jeremy Webster, former Assistant Dean Jan Hodson, and current Assistant Dean Cary Frith have my eternal gratitude for the opportunities they have given to me. -
Pragmatism, Postmodernism and Education
DOCUMENT RESUME ED 378 181 SP 035 703 AUTHOR Hytten, Kathy TITLE Pragmatism, Postmodernism and Education. PUB DATE 13 Nov 94 NOTE 25p.; Presented at the Annual Meeting of the American Educational Studies Association (Chapel Hill, NC, November 13, 1994). PUB TYPE Speeches/Conference Papers (150) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS Constructivism (Learning); *Educational Philosophy; Elementary Secondary Education; Higher Education; *Modernism; Philosophy; Theories IDENTIFIERS *Postmodernism; *Pragmatism ABSTRACT Four ideas characterize postmodernity: skepticism toward grand narratives, critique of the assumption of a unified human subject, problematization of the notion of representation, and a celebration of otherness and difference. Drawbacks to applying postmodern theories to education include: postmodernism is illequipped to deal with morally and politically charged, normative educational issues; its focus on the local and the particular is often too narrow; too strong an emphasis on antirepresentationalism results in the inability to make normative decisions; and exaltation of differences leaves little room for effective communal action and dialogue. In light of these weaknesses, philosophical pragmatism is useful and appealing. Like postmodernists, pragmatists are skeptical of grand theories and static knowledge claims, eschew quests for certainty, view all theories as partial and hypothetical, understand knowledge to be socially constructed, and downplay representationalism. Pragmatists, unlike postmodernists, retain a moral vision, a belief in the ethical significance of both the present and what is to come, and faith in humans' ability to bring about a more desirable future. What distinguishes postmodernism and pragmatism are notions of community, dialogue, and democracy which allow individuals to best live in a world characterized by uncertainty, change, and instability. -
POSTMODERN THEORY and the Subiecï of FEMNSM by Natalie
POSTMODERN THEORY AND THE SUBIECï OF FEMNSM by Natalie Kristina Baydack A thesis submitted to the Department of Political Studies in conformity with the requirernents of the Degree of Master of Arts Queen's University Kingston. Ontario, Canada April 1998 copyright O Nataiie Kristina Baydack, 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services semices bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the excIusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, disûibute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimes reproduced without the author's ou autrement reproduits sans son pemission. autorisation. This thesis examines the relevance and utility of postmodern perspectives on subjectivity to feminist theory. In feminist theory today there is widespread agreement that the univenal humanist su bject, dong with dl pnnciples of integrity . autonomous selfhood and continuous identity over time, are nothing more substantial than discursive products of repressive patriarchal regimes. -
Oscillation Between Modernism to Postmodernism in Shakespeare‘S Hamlet
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 1, No. 4, pp. 327-336, April 2011 © 2011 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.1.4.327-336 Oscillation between Modernism to Postmodernism in Shakespeare‘s Hamlet Noorbakhsh Hooti English Department, Faculty of Arts, Razi University, Kermanshah, Iran Email: [email protected] Abstract—The universality and uniqueness of Shakespeare is his unyielding and resisting insistence on not surrendering to the fossilized logos and metanarratives. He has remained a genius, whose resisting and challenging views have surpassed time and place. This paper makes an attempt to show the dominant traits of modernism and postmodernism in Hamlet. The focal point of the study is to unfold the shift of modern and postmodern traits of the characters and as well as their oscillation between modern and postmodern world. By spotlighting Shakespeare’s modern and postmodern notions in his Hamlet, the study wants to put on show the affinity of Shakespeare with the 20th and 21th century generations, who vacillate between modern and postmodern world. Index Terms—modernism, postmodernism, oscillation, logos, metanarratives I. INTRODUCTION Different researchers have worked on Shakespeare‘s tragedies, especially his well-appreciated Hamlet. The main focus of this paper is to analyze the selected situations of the leading characters namely Hamlet, Claudius and Gertrude in Hamlet in both modern and postmodern bedrocks. Before reaching this analysis, the researcher gives a brief introduction of Modernism and Postmodernism. II. MODERNISM Literary modernism is a twentieth-century movement which takes new aspects of literature, as concerned with the changing situation of the society, into account. -
Moving on to the Past
Moving on to the Past Metamodernism in Neo-Victorian Biofiction MA Thesis Rozemarijn Zwitser MA Literary Studies: European Literature First Supervisor: Dr. D. Kersten Second Supervisor: Dr. C.J.J. Louttit 1 October 2020 Zwitser | 4361741 | 2 ABSTRACT Door Metamodernisme in drie neo-Victoriaanse bioficties te bestuderen, toont dit onderzoek aan dat het Metamodernisme begrepen kan worden als een culturele logica die zowel verder gaat van als voortbeweegt met het Postmodernisme. Daarnaast beargumenteert deze scriptie hoe hedendaagse neo-Victoriaanse biofictie met de inherente Postmodernistische kwaliteiten van pastiche en hyperrealiteit niet langer enkel als Postmodernistisch kan worden geïnterpreteerd. De bioficties in dit onderzoek demonstreren hoe deze kwaliteiten als Metamodernistisch kunnen worden geïnterpreteerd. De resultaten van dit onderzoek tonen aan dat een academische re-evaluatie van ‘rewriting’ aan de orde is. Het onderzoek vult een leemte in het academische veld van biofictie, neo-Victorian studies, en Metamodernisme, omdat een dergelijk onderzoek waarbij deze drie aspecten worden gecombineerd nog niet heeft plaatsgevonden. Daarnaast biedt deze scriptie ook een mogelijke methode die in vervolgonderzoek naar Metamodernisme in hedendaagse literatuur kan worden overgenomen en geperfectioneerd. KEY WORDS Metamodernism, neo-Victorianism, biofiction, Modernism, Postmodernism, rewriting Zwitser | 4361741 | 3 CONTENTS ABSTRACT ............................................................................................................................. -
On Postmodern Feminist Legal Theory
On Postmodern Feminist Legal Theory Maxine Eichner° Postmodernism has, in the past two decades, swept through the academy. While there is no agreement regarding what, exactly, postmod- ernism means,' it is clear that many of the principles associated with it " B.A., Yale College, 1984; J.D., Yale Law School. 1988. A number of people have read drafts and given me comments along the way that made this a much better artcle. including Susan Bickford, Katharine Bartlett, John McGowan. Stephen Leonard. Michael Lienesch, Stephen Kellert, Christina Ewig, Christina Reilly. Carisa Showden. and the edi- tors of the Harvard Civil Rights-Civil Liberties Law Review. Conversations sith Louis Bilionis, Thomas Spragens, and Maria Savasta Kennedy helped me clarify views atspecific points in the article. Two scholars, in particular, read and responded to my work with far more attention and care than I could even have hoped: Pamela Conover and Marion Crain. The results of their thoughtful engagement show, I hope. throughout this Article. Finall) my thanks to Eric Stein who, as usual, tirelessly and uncomplainingly edited countless drafts. IScholars, even those generally considered amenable to postmoderism, disagree over what the term means and whether it is even a helpful designation. In John McGowan's words: Everyone begins the discussion of postmodernism by asking what the word could possibly mean ....One of the reasons that postinodernismt has been so slippery a term is that we don't know whether it names the kind of theorizing now rampant in the academy, the kind of architecture now cluttering our downtowns. and the kind of novels being written by Salman Rushdie, Gabriel Garcia Mirquez. -
Metamodernism As We Perceive It (Quick Review)
European Scientific Journal December 2013 /SPECIAL/ edition vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 METAMODERNISM AS WE PERCEIVE IT (QUICK REVIEW) Dali Kadagishvili, Full Prof. Grigol Robakidze University, Georgia Abstract Metamodernism is a new moment in philosophy, art, literature, fashion, photography, economics, politics and other spheres of human activities. It is expressed through variety of mindsets, practices, forms and genres. Its prerequisites were Modernist and Postmodernist movements, the roots of which were found in the early XIX and then in the midst of the XX century. Metamodernism comprises changes and oscillations in style and manner of thinking and behavior. The prefix meta is a term of Greek origin and means “after, between, beyond” that is Metamodernism is a movement that emerged and covered the period after Postmodernism. Its features completely distinguish from its predecessor: Metamodernism is serious, sincere, it oscillates from one polarity to another, between diametrically opposed ideas, like enthusiasm and irony, naivety and knowingness, totality and fragmentation, bright and plain and so on, whereas Postmodernism is playful, insincere, unsteady and ironic. Robin van den Akker and Timotheus Vermeulen, the researchers from the Netherlands, describe Metamodernism as a nonstop action, a “constant repositioning” between position and mindsets, something like a “pendulum swinging” between the above mentioned polarities. The article is a quick review of identity of Metamodernism in culture, particularly, in poetry and architecture, as these fields give an easier chance to see the characteristic features of the movement and its results in the development of the XXI century culture more distinctly. Keywords: Modernism, postmodernism, metamodernism, surrealism, oscillate Introduction: Metamodernism combines elements of modernism and postmodernism as the prerequisites of it were Modernist and Postmodernist movements, which substantially contributed to the formation of current metamodernist tendency. -
Postmodern Philosophy and Legal Thought
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 Postmodern Philosophy and Legal Thought Douglas E. Litowitz Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Litowitz, Douglas E., "Postmodern Philosophy and Legal Thought" (1997). Dissertations. 3666. https://ecommons.luc.edu/luc_diss/3666 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Douglas E. Litowitz LOYOLA UNIVERSITY CIITCAGO POSTMODERN PIITLOSOPHY AND LEGAL THOUGHT VOLUME I (CHAPTERS 1 TO 5) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PIITLOSOPHY DEPARTMENT OF PIITLOSOPHY BY DOUGLAS E. LITOWITZ CIITCAGO, ILLINOIS JANUARY, 1997 Copyright by Douglas E. Litowitz, 1996 All rights reserved. ii TABLE OF CONTENTS VOLUME I (Chapters One through Five) Chapter 1. INTRODUCTION: UNDERSTANDING POSTMODERNISM GENERALLY . 1 1.1 Overview of the Project . 1 1. 2 Structure of the Manuscript . 7 1. 3 Understanding Modernism and Postmodernism . 11 (i) Historical Emergence of Postmodernism . 11 (ii) Theoretical Emergence of Postmodernism ..... 15 1.4 Death of Grand Narratives .................. 18 2. METHODOLOGICAL ISSUES IN POSTMODERN LEGAL PHILOSOPHY . 34 2 .1 Internal and External Legal Theory . 35 (i) Anglo-American Legal Theory tends to be Internal .................. 49 (ii) Postmodern Legal Theory tends to be External .