ECORFAN Journal-Republic of Peru Museums And

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ECORFAN Journal-Republic of Peru Museums And 1 Article ECORFAN Journal-Republic of Peru June 2018 Vol.4 No.6 1-11 Museums and Heritage. Analysis of the Museum of the Mummies of Guanajuato Museos y Patrimonio. Análisis del Museo de las Momias de Guanajuato MORALES, Betzabeth Dafne*† Universidad de Guanajuato, Departamento de Gestión y Dirección de Empresas, División de Ciencias Económico Administrativas,Fraccionamiento 1, Colonia El Establo s/n C.P.36250 ID 1st Author: Betzabeth Dafne, Morales / ORC ID: 000-0001-9176-6391, Researcher ID Thomson: X-2395-2018, CVU CONACYT ID: 952932 Received March 18, 2018; Accepted June 14, 2018 Abstract Resumen The present investigation has generally like La presente investigación tiene como objetivo objective to study the Museum of the Mummies general estudiar el Museo de las Momias de of Guanajuato, in a wide context and related to Guanajuato, en un contexto amplio y the patrimony of a tourist attraction like destiny. relacionado al patrimonio como atractivo A qualitative methodology is used, and it is turístico de un destino. Se utiliza una documentary, analyzing the environment, the metodología cualitativa, y es de carácter theory and the Importance of Museums Within documental, analizando el entorno, la teoría y la tourism activity, in order to place the Museum of importancia de los museos dentro de actividad the Mummies as a heritage tourist resource turística, con la finalidad de situar al Museo de worthy of being Studied, in Regarding ITS las Momias como un recurso turístico history and ITS current moment, since it patrimonial digno de ser estudiado, en cuanto a Represents the most visited museum in the State su historia y su momento actual, toda vez que of Guanajuato and the third in the country. representa al museo más visitado del Estado de Similarly, an interview was Conducted With the Guanajuato y al tercero en el país. De igual director of the museum to know current figures, forma, se realizó una entrevista a la directora del as well as operational and administrative issues. museo para conocer cifras actuales, así como temas operativos y administrativos. Museums, Mummies, Heritage, Guanajuato Museos, Momias, Patrimonio, Guanajuato Citation: MORALES, Betzabeth Dafne. Museums and Heritage. Analysis of the Museum of the Mummies of Guanajuato. ECORFAN Journal-Republic of Peru. 2018, 4-6: 1-11. * Correspondence to Author (email: [email protected]) † Researcher contributing first author. © ECORFAN Journal - Republic of Peru www.ecorfan.org/republicofperu 2 Article ECORFAN Journal-Republic of Peru June 2018 Vol.4 No.6 1-11 Introduction The museum allows visitors to immerse in the past providing accessible information, Cultural tourism offers a wide variety of intellectual and culturally relevant (Merriman, attractions, its main letter heritages and as part of 1991, seen in Cetin et al, 2011). Historically, this heritage are the museums, which are museums have always been concerned about the classified into different types based on exposures preservation of culture and communication of containing, in the type of participant observation this (Antoine & Carmona, 2014), and have or not to invite visitors. played their role in terms of education and culture mainly. Gamboa (2000) mentions the development of museums and the importance of the first Rico (2008) notes that the revalue an museum known in history created by object that has ceased to play the role for which Philadelphus in Alexandria, who opened their it was created, is given a special value, which doors to scholars and philosophers. In Greece, grows over time and social acceptance, same as there were also places for the safeguarding of being endorsed by a cultural institution human knowledge, where artwork is mainly recognized internationally as is the museum, its sheltered in temples, as in Rome, where he also signification is generated, and the object to be did in gardens, baths and theaters, mainly integrated into the museum becomes an essential preserving paintings and statues. During the element of the exhibition discourse, having been Middle Ages the churches became museum rescued, revalued and reinterpreted by the contain manuscripts, jewels and relics of saints. community. In the Renaissance museum change towards a more scientific purpose, where the first modern It also mentions two ways of approaching museum between 1560 and 1576 was created. these objects: For the bourgeoisie of the sixteenth and 1. its value as a document, highlighting its seventeenth form important collections becomes originality, and an activity of the wealthy, and museums were 2. its value as material culture, providing the seen as exclusive and elitist places, were context in which it occurred, and the social institutions where only the upper class of tourists values involved processing. and students mainly in France could visit (Bourdieu, 2010, seen in Feo, 2011). According to the statutes of the International Council of Museums (ICOM Museums, libraries and archives acronym) adopted at the 22nd General Assembly containing work done by man throughout its in Vienna in 2007, it has adopted the definition history so their universal value. Museums can of the museum as follows: attract tourists interested in learning independent, who often are trained in the subject "The museum is a non-profit, permanent, and have some appreciation of what is to be serving society and its development, open to the observed (Diaz de la Torre & Palacios, 2016). public, which acquires, conserves, researches, communicates and exhibits the tangible and Museums and heritage interpretation intangible heritage of humanity and its environment purposes education, study and The museum is one of many ways to approach recreation " (ICOM, s / f). the past and to revalue the assets, you can even say that there is a relationship between the Some authors like Shi & Chen (2008, seen process of museological with social in De Sevilha et al, 2016) point out that the patrimonialization of Cultural Property (Rico, purpose of the museum should be the generation 2008). Likewise, a museum can display the ties of knowledge in order to improve the between our historic past with our present educational level of visitors, because these understanding the processes by which a society institutions develop social functions in which it remembers and represents its past (Velázquez, includes collecting, storing and studying 2011), if not, knowledge of the past does not you historical relics. can improve understanding of our time (Gamboa, 2000). ISSN-On line: 2414-4819 MORALES, Betzabeth Dafne. Museums and Heritage. Analysis ECORFAN® All rights reserved. of the Museum of the Mummies of Guanajuato. ECORFAN Journal-Republic of Peru. 2018. 3 Article ECORFAN Journal-Republic of Peru June 2018 Vol.4 No.6 1-11 On the other hand, it is noted as the Perry (1993, seen in Cetin et al, 2011) fundamental mission of museums, preservation, mentions that for a museum to be successful exemplification and dissemination of the must meet two aspects: the first is that the visitor meaning of history, nature, culture, technology must be able to have fun during the visit, and the and science (Pearce, 1994; Prezios, 1995; second is that it can also learn something. If you Rayward & Twidale, 1999; Simpson, 1996, seen meet these two attributes, surely the museum in Cetin, 2011). will be considered as an attractive able to meet the expectations of visitors and thereby Meanwhile, Gamboa (2000) considers the contribute to the repeat visits to the same site. museum a permanent institution nonprofit, open to the public, serving society and its In the case of museums, you can combine development, which acquires, conserves, various aspects such as performance, researches, communicates and exhibits the motivation, experience and satisfaction. Based tangible and intangible heritage, and its on an analysis of various experiences in heritage environment for the purposes of education, study interpretation Ramos (s / f) expert interpretation and recreation. of cultural and natural heritage, who points out the importance of mediation between heritage It has now been seen that museums should and visitors, through professional guides, audio not be seen only exhibitions of works of art or guides and print media, as well as exhibitions science, because they also perform various and museizaciones, pathways and online tools activities related to the collection, sorting, that allow visitors to create their own maintain and restore objects of the exhibits, as interpretation of heritage. Because the well as studies on the collection, hence in some interpretation begins when you choose what you cases museums have research centers, and even want to show heritage should think about what stores that offer items that serve as a memento of you want to communicate to tourists because too the visit. much information can be useless for him and very costly for wealth managers. With a more complex definition of the museum, Hernandez and Rubio (2009: 92) Considers the interpretation of heritage as consider it as one where the most valuable something unconscious and involuntary for institution that possesses is its exposure and it is tourists, more like a mental process, as an "a space for the experience of aesthetic feelings, intellectual experience, which is generated in a to show objects, collect evidence scientific, process of integration when the tourist comes organize research and build a platform of into contact with part of the heritage that knowledge from collections of pieces to the supposedly was It allows and is exposed, so environment of a particular object of knowledge when the tourist part means that psychologically and museological ". accepts the proposal, activating the mental processes that lead to reading an information The museum should be seen as a social and panel, to convert content into self-knowledge. cultural space where the encounter between Therefore, it differentiates between cultural visitors and heritage is conceived, "not as a tourists depending on their behavior, for it finished product, but as a social process" (Rico, separates into two audiences: 2008: 32).
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