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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
Dandelion Wine
Reading Guide Dandelion Wine By Ray Bradbury ISBN: 9780380977260 Introduction Twelve-year-old Douglas Spaulding arises on an early June morning in a small bedroom in the cupola of his grandparents' house. As Douglas looks out the window, the small town of Green Town, Illinois awakens, and Doug is filled with the joy of being alive. And so begins the summer of 1928 as re- imagined by Ray Bradbury in his novel Dandelion Wine, a rich, evocative tale of a summer long past and its memories, joys, and frustrations. The central metaphor of the novel is the creation of Dandelion Wine, which becomes a distillation of the summer's days and may be reopened and revisited during the bleak winter months to come. Throughout the summer, Douglas and his brother, Tom, also record, in a notepad, specific incidents and lessons learned. One of the first lessons Douglas learns is that adults and children are different species. The brothers also come to the conclusion that old people were never children. But while the summer seems idyllic, darker things, such as change and death, lurk in the background. Douglas is exposed to these through a series of events that include the loss of best friend (who moves away) and the death of his great-grandmother. The ravine and a serial killer called the "Lonely One" are embodiments of the fear of death and change. As a result of these events, Douglas falls into a fever, but is saved by the town's junk man, Mr. Jonas, who gives the boy two bottles of pure winter air, which break the fever. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Teacher (Last Name) Title and Author of Book Brief Summary Secura the Hate You Give--Angie Thomas “Sixteen-Year-Old Star
Teacher Title and author Brief summary (Last of book Name) Secura The Hate You “Sixteen-year-old Starr Carter moves between two worlds: Give--Angie the poor neighborhood where she lives and the fancy Thomas suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.” This book addresses controversial issues of interest to many adolescents and includes scenes and language that reflect mature content. Imbarus Out of the Dr. Aura Imbarus vividly details Christmas Day 1989, Transylvania when she, her parents and hundreds of shoppers drew Night--Aura sudden sniper fire as Romania descended into the Imbarus violence of a revolution that challenged one of the most draconian regimes in the Soviet bloc. Aura recalls a grisly execution that rocked the world and led to five harrowing days of bloody chaos as she and her family struggled to survive. The next day, Communist-controlled television released photos showing that dictator Nicolae Ceausescu and his wife had been assassinated-though many Romanians, the author included, believed the executions had been staged since Ceausescu was known for using stand-ins to pose for him. Nevertheless, Aura tries to convince herself that life post-revolution will be different, but little changes. On May 7, 1997, with two pieces of luggage and a powerful dream, Aura and her new husband flee to America. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
The 2019 Bram Stoker Award Finalists – the Bram Stoker Awards
The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards MENU SIDEBAR THE 2019 BRAM STOKER AWARD FINALISTS The 2019 Bram Stoker Awards® Final Ballot Special Internet Mailer The Horror Writers Association (HWA) is pleased to release the Final Ballot for the 2019 Bram Stoker Awards®. The HWA (see http://www.horror.org/) is the premier writers organization in the horror and dark fiction genre, with over 1,600 members. We have presented the Bram Stoker Awards® in various categories since 1987 (see http://www.thebramstokerawards.com/). The HWA Board of Trustees and the Bram Stoker Awards® Committee congratulate all of those appearing on the Final Ballot. Notes about the voting process will appear after the ballot listing. 2019 Bram Stoker Awards® Final Ballot Superior Achievement in a Novel Goingback, Owl – Coyote Rage (Independent Legions Publishing) Malerman, Josh – Inspection (Del Rey) Miskowski, S.P. – The Worst is Yet to Come (Trepidatio Publishing) Murray, Lee – Into the Ashes (Severed Press) Wendig, Chuck – Wanderers (Del Rey) http://www.thebramstokerawards.com/front-page/the-2019-bram-stoker-award-finalists/[2/21/2020 9:36:35 PM] The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards Superior Achievement in a First Novel Amor, Gemma – Dear Laura (Independently Published) Guignard, Eric J. – Doorways to the Deadeye (JournalStone) Lane, Michelle Renee – Invisible Chains (Haverhill House Publishing) Read, Sarah – The Bone Weaver’s Orchard (Trepidatio Publishing) Starling, Caitlin – The Luminous Dead (Harper Voyager) Superior Achievement in a Young Adult Novel Bérubé, Amelinda – Here There Are Monsters (Sourcebooks Fire) Dávila Cardinal, Ann – Five Midnights (Tor Teen) Gardner, Liana – Speak No Evil (Vesuvian Books) Marshall, Kate Alice – Rules for Vanishing (Viking Books for Young Readers) Nzondi – Oware Mosaic (Omnium Gatherum) Salomon, Peter Adam – Eight Minutes, Thirty-Two Seconds (PseudoPsalms Press) Superior Achievement in a Graphic Novel Bunn, Cullen – Bone Parish Vol. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Australian SF News 26
SNOW QUEEN Wins Hugo THE 1981 HUGO AWARDS were presented at THE BEST NON-FICTION Award went to Carl DENVENTION, 39th World Science Fiction Sagan's "Cosmos", the book based on Convention, held in Denver,Colorado , his TV series. THE BEST PROFESSIONAL on the Sunday evening of the 6th of EDITOR Award went to Edward L.Ferman, September. The BEST NOVEL AWARD went to editor of The Magazine of Fantasy and THE SNOW QUEEN by Joan Vinge. (Dial and Science Fiction. Michael Whelan won the Dell USA and Sidgwick & Jackson and BEST PROFESSIONAL ARTIST. BEST FANZINE Futura U.K.). Gordon R.Dickson won was again won by Locus. BEST FAN ARTIST both THE BEST NOVELLA and THE NOVELETTE AWARD went to Victoria Poyser. The late Awards with "Lost Dorsai" (Destinies Susan Wood was voted the BEST FAN WRITER February /March '80) and "The Cloak and Award. "The Empire Strikes Back" won the the Staff"(Analog - August '80). Co BEST DRAMATIC PRESENTATION Award. The Guest of Honor at the World Con with multi-talented Somtow Sucharitkul was C.L.Moore, Clifford D.Simak, won the the recipient of the JOHN W. CAMPBELL ?EST SHORT STORY Award with "Grotto of, Award for Best New Writer. JOAN VINGE the Dancing Deer" (Analog - April '80). Photo Jay K.Klein Baltimore To Hold 1983 - Melbourne Bids For 1985 BALTIMORE won the bid to hold the 1983 getting around to the various venues. World SF Convention. Australia put up One professional correspondent reports a very good show,but not good enough that it was a waste of money for her against the very strong bid by the and other editorial friends. -
Son-Wsfa 192 Miller 1975-08-20
SON OF THE WSFA JOONAL . SF/Fantasy News/Info ’Zine '(Supplement to THE WSFA JOURNAL) — Vol,32“^ G?1927 Editor & Publisher: Don Miller----------jO^ ea,, 8/()2.00 —------------- 20 Aug, ■.197$ In This Issue — , IN THIS ISSUE; IN BRIEF (misc. notes/announcements)■ ............................... pg 1 ODDS & ENDS: THE FOREIGN SCENE; MISCELLANY .....................................................; pg 2 THE STEADY STREAM....: Of Announcements, Books, Prozines, Semi-Pro zines, -h- & Fanzines (Genzines & Personalzines) Received During July T7U.............. pp. 3-10 THE CON GAI®: Sept. 197$ ............................................... pg 16 ' In Brief — . _ ■ .: Lots of last-minute things to pass on: (1) Effo w/issue #193? SOTWJ will be no more, but will be simply ".THE JOURNAL SUPPLEMENT". And TWJ will be renamed "THE SF&F JOURNAL". There will be other changes—in scheduling, in pricing, in distri bution, in contents, and in relationships—see the attached M-PRESS Information Sheet. The retrenchment is finally complete, and our policies finalized. Please read the info sheet carefully, and let us know asap whether you want your subs under the revised Class A or B (you will be automatically under Class A unless you tell us otherwise—libraries and overseas subbers included). #}/ (2) Mark Owings just phoned in a bit of AUSSIECON news: 197 b Hugo Awards: BEST NOVEL, The Dispossessed, by Ursula K. LeGuin (Harper, 3FBC, Gollancz, Avon); BEST NOVELLA, "A Song for Lya", by George R.R. Martin (ANALOG 6/?U); BEST NOVELETTE, "Adrift Just Off the Islets of Langerhans: Latitude 38°$b’N, Longitude 77°OO '13"W", by Harlan Ellison (F&SF io/?b); BEST SHORT STORY, "The Hole Man", by Larry Niven (ANALOG l/?b); BEST DRAMATIC PRESENTATION, Young Frankenstein; BEST PROFESSIONAL EDITOR, Ben Bova; BEST. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.