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Grant Resume
AFTON GRANT, SOC STEADICAM / CAMERA OPERATOR - STEADICAM OWNER FEATURES DIRECTOR • D.P. PRODUCERS CHAPPAQUIDDICK (A-Cam/Steadi) John Curran • Maryse Alberti Apex Entertainment THE CATCHER WAS A SPY (Steadicam-Boston Photog) Ben Lewin • Andrij Parekh PalmStar Media MANCHESTER BY THE SEA (Steadicam) Kenneth Lonergran • Jody Lee Lipes B Story URGE (A-Cam/Steadi) Aaron Kaufman • Darren Lew Urge Productions AND SO IT GOES (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment THE SKELETON TWINS (A-Cam) Craig Johnson • Reed Morano ASC Duplass Brothers Prods. THE HARVEST (Steadicam) John McNaughton • Rachel Morrison Living Out Loud Films AFTER THE FALL - Day Play (B-Cam/Steadi) Anthony Fabian • Elliot Davis Brenwood Films THE INEVITABLE DEFEAT OF MISTER & PETE (A-Cam/Steadi) George Tillman Jr. • Reed Morano ASC State Street Films KILL YOUR DARLINGS (A-Cam/Steadi) John Krokidas • Reed Morano ASC Killer Films THE ENGLISH TEACHER (Steadicam) Craig Zisk • Vanja Cernjul ASC Artina Films INFINITELY POLAR BEAR (Steadicam) Maya Forbes • Bobby Bukowsk Paper Street Films THE MAGIC OF BELLE ISLE (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment MOONRISE KINGDOM (Steadicam) Wes Anderson • Robert Yeoman, ASC Scott Rudin Productions FUGLY! (Steadicam) Alfredo De Villa • Nancy Schreiber, ASC Rebel Films THE OTHER GUYS (2nd Unit B-Cam) Adam McKay • Oliver Wood, BSC Columbia Pictures THE WACKNESS (Steadicam) Jonathan Levine • Petra Korner Shapiro Levine Productions PLEASE GIVE (Addtl Steadicam) Nicole Holofcener • Yaron Orbach Feelin’ Guilty THE WOMAN (Steadicam) Lucky McKee • Alex Vendler Moderncine PETUNIA (Steadicam) Ash Christian • Austin Schmidt Cranium Entertainment THE NORMALS (Steadicam) Kevin Patrick Connors • Andre Lascaris Gigantic Pictures TELEVISION DIRECTOR • D.P. -
Individual EEG Measures of Attention, Memory, and Motivation Predict Population Level TV Viewership and Twitter Engagement
RESEARCH ARTICLE Individual EEG measures of attention, memory, and motivation predict population level TV viewership and Twitter engagement 1,2☯ 1☯ 1 Avgusta Y. ShestyukID *, Karthik Kasinathan , Viswajith Karapoondinott , Robert T. Knight2,3, Ram Gurumoorthy1 1 R&D department, Nielsen Consumer Neuroscience, Berkeley, California, United States of America, 2 Helen Wills Neuroscience Institute, University of California, Berkeley, California, United States of America, 3 Department of Psychology, University of California, Berkeley, California, United States of America a1111111111 a1111111111 ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 Abstract Television (TV) programming attracts ever-growing audiences and dominates the cultural zeitgeist. Viewership and social media engagement have become standard indices of pro- OPEN ACCESS gramming success. However, accurately predicting individual episode success or future Citation: Shestyuk AY, Kasinathan K, Karapoondinott V, Knight RT, Gurumoorthy R show performance using traditional metrics remains a challenge. Here we examine whether (2019) Individual EEG measures of attention, TV viewership and Twitter activity can be predicted using electroencephalography (EEG) memory, and motivation predict population level measures, which are less affected by reporting biases and which are commonly associated TV viewership and Twitter engagement. PLoS ONE with different cognitive processes. 331 participants watched an hour-long episode from one 14(3): e0214507. https://doi.org/10.1371/journal. pone.0214507 of nine prime-time shows (~36 participants per episode). Three frequency-based measures were extracted: fronto-central alpha/beta asymmetry (indexing approach motivation), Editor: Vilfredo De Pascalis, La Sapienza University of Rome, ITALY fronto-central alpha/theta power (indexing attention), and fronto-central theta/gamma power (indexing memory processing). -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Sag – Aftra Television
SAG – AFTRA www.christinaderosa.com TELEVISION (Partial) Mood Swings Series Regular Pure Flix Gravesend Series Regular Amazon Fam Co-Star CBS Black-ish Recurring ABC Jane The Virgin Recurring CW Devious Maids Co-Star Lifetime The Dog Who Saved Summer (MOW) Supporting Lead ION General Hospital Recurring ABC The Astronaut Wives Club Co-Star ABC Hart of Dixie Co-Star CW Foreclosed (MOW) Supporting Lifetime Sam & Cat Co-Star Nickelodeon Taxi Brooklyn Co-Star NBC/EuropaCorp Everybody Hates Chris Guest Star CW Reno 911! Guest Star Comedy Central Worst Week Guest Star CBS Christmas Twister (MOW) Supporting Lead ION The Dog Who Saved Halloween (MOW) Supporting ION Gila (MOW) Lead Syfy Piranhaconda (MOW) Supporting Syfy Entourage Co-Star HBO The Whole Truth Co-Star ABC FILM (Partial) Inheritance Supporting Vaughn Stein Bad Moms Supporting Jon Lucas/Scott Moore A Brother’s Honor Supporting Lane Shefter Bishop The Matchmaker’s Playbook Supporting Tosca Musk Woman on the Edge Supporting Lead Trey Haley Evil Bong 3-D: The Wrath of Bong Lead Charles Band Junk Lead Kevin Hamedani The Grind Lead John Millea Extreme Movie Supporting Epstein/Jacobson Sink Hole Supporting Scott Wheeler The Group Supporting Lawrence Trilling TRAINING Acting - Pamela Shae, Ivana Chubbuck, The Groundlings, Lesly Kahn, Stephen Book, Tim Phillips, Lewis Smith Actors Academy, John Sudol, Larry Moss, Anthony Hopkins Master Class Professional Singer - Nick Cooper, Bob Garrett -- Musical Theater - CMU, Boston Conservatory BA - UCLA School of Theatre, Film & Television SPECIAL SKILLS Professional Singer - Soprano Belt, Dialects - New York, Italian, Spanish, Mexican, Southern . -
Dossier De Presse Lundi 2 Juillet 2018
DOSSIER de PRESSE Lundi 2 juillet 2018 Karin VIARD Présidente du jury Michel CÔTÉ Eye HAÏDARA Laurent HASSID Camélia JORDANA Thomas LILTI Raphaël PERSONNAZ Ludivine SAGNIER Karin VIARD Présidente Actrice de porcelaine » s’est imposée comme une actrice incontournable du cinéma français. Elle n’hésite pas à alterner les projets et les genres, passant du troublant Je suis un assassin de Thomas Vincent (2003) à la comédie populaire de François Ozon, Potiche (2010) ou au film moins médiatique mais à l’engagement artistique fort : Les Derniers jours du monde des frères Larrieu (2009). En 2011, Karin Viard joue dans la comédie aux millions d’entrées de Dany Boon Rien à déclarer puis incarne une © Gerard Giaume / H&K © Gerard mère de famille sourde et muette aux côtés de Louane et François Damiens dans La Famille Bélier d’Éric Lartigau, l’un des plus beaux succès cinéma de 2014. Les différents rôles de Karin Viard dessinent une multitude de portraits de femmes. Qu’elles soient émancipées, « Je n’imaginais pas faire autre chose que comédienne » ; fragiles, colorées, effacées, émouvantes, excessives ou c’est avec ambition et des rêves de comédie plein la libres, chacune d’elles nous plonge dans les méandres tête que la jeune Karin Viard quitte sa Normandie natale d’une féminité plurielle, jamais uniforme. Et les réalisateurs pour la capitale. À la fin des années 1980, elle rencontre et réalisatrices n’hésitent pas à lui confier de beaux rôles Étienne Chatiliez qui lui offre le rôle d’une rousse féminins : inspectrice d’une brigade de protection de pulpeuse dans Tatie Danielle. -
Taxi Brooklyn Episode Guide Episodes 001–012
Taxi Brooklyn Episode Guide Episodes 001–012 Last episode aired Wednesday September 10, 2014 www.nbc.com c c 2014 www.tv.com c 2014 www.nbc.com The summaries and recaps of all the Taxi Brooklyn episodes were downloaded from http://www.tv.com and http: //www.nbc.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 The Price for the Course . .3 2 Brooklyn Heights . .7 3 Cherchez Les Femmes . 11 4 Precious Cargo . 15 5 Ambush . 19 6 Love Hurts . 23 7 Black Widow . 25 8 Deadline Brooklyn . 27 9 Double Identity . 29 10 The Longest Night . 31 11 Frenchmen Can’t Jump . 33 12 Revenge . 35 Actor Appearances 37 Taxi Brooklyn Episode Guide II Season One Taxi Brooklyn Episode Guide The Price for the Course Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Wednesday June 25, 2014 Writer: Gary Scott Thompson Director: Olivier Megaton Show Stars: Chyler Leigh (Detective Caitlyn ’Cat’ Sullivan), Jacky Ido (Leo Romba), James Colby (Captain John Baker), Jose´ Zu´ niga˜ (Detective Eddie Es- posito), Jennifer Esposito (Dr. Monica Pena), Bill Heck (Gregg James), Ally Walker (Frankie Sullivan), Raul Casso (Ronnie) Guest Stars: Brain Sutherland (Cat’s Father), Andrea Leigh (Liz Kaplan), Kiva Daw- son (Anna Miller), Adam C. Edwards (Terry Banks), John-Patrick Driscoll (Crime Scene Unit Tech 1), James Andrew Walsh (Polanski), Mike Adler (Bearded Guy), Flint Beverage (Steve Henderson), Phil E. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Satoko Ichinose Hair Makeup
SATOKO ICHINOSE HAIR STYLIST_MAKEUP ARTIST U.S.A A Member of I.A.T.S.E. Local 798 TV SERIES year title job title director production company 2020 MANIFEST S3 Key Hair NBC 2019 ALMOST FAMILY Hair FOX Department Head 2017 THE WHO WAS SHOW Hair Netflix Department Head 2018 YOU Key Hair LIFE TIME 2018 BULL Hair CBS Department Head 2015 UNBREAKABLE KIMMY SCHMIDTI SEASON1,2,4 Key Hair Tristram Shapeero (EP1) Netflix Stylist 2016 DIVORCE SEASON 1 Hair Stylist HBO for Sarah Jessica Parker 2017 FRIENDS FROM COLLEGE Hair Nicolas Stroller Netflix Department Head 2016 MASTER OF NONE SEASON 1 Key Hair James Ponsoldt (Ep101) NetFlix 2013 TAXI BROOKLYN- Season 1 Hair Olivier Megaton_EP1 TF1 france / NBC Department Head 2013 THE FOLLOWING SEASON 1 Hair Stylist/ FOX 2nd Unit Dept Head Hair 2012 30 ROCK SEASON 7 Hair Stylist NBC to Jane Krakowski FILM year title job title director production company 2014 NIGHT AT THE MUSEUM III Additional Shawn Levy TCF VANCOUVER PRODUCTIONS Hair Stylist LTD 2014 THE OUTSKIRTS Dept Head Peter Hutchings OTS Entertainmnet Hair 2013 A LONG WAY DOWN Key Hair Pascal Chaumeil A Long Way Down Production Stylist (NY Unit) 2013 TRACERS Additional Daniel Benmayor Melbarken Inc Hair Stylist 2012 NOAH Additional Darren Aronofsky Paramount Overseas Prodcutions Hair Stylist 2013 TEENAGE MUTANT NINJA TURTLES Additional Jonathan Liebesman Paramount Pictures Hair Stylist 2011 NOUS YORK Additional Hervé Mimran, Géraldine Nakache Hair Stylist 2013 THE TOWN THAT DREADED SUNDOWN Hair Alfonso Gomez-Rejon Blumhouse Productions Department Head -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
PRESENTATION.Pdf
LES AUTEURS Le 19e salon du livre de la ville d’Eu organisé par la municipalité de Eu, en partenariat avec la Maison de la presse Pradels et la librairie « l’Encre Marine », se déroulera le samedi 21 mai 2016 dans l’ancienne caserne des sapeurs-pompiers et dans la cour d’honneur du Château. Plus de 70 auteurs de romans, biographies, polars et BD se partageront les lieux. Un espace consacré aux auteurs jeu- nesse complètera cette manifestation qui, après avoir pris pour thème les voyages et la nature en 2015, offrira une tribune à plusieurs auteurs ayant consacré un ouvrage à l’Histoire, petites et grande. L’entrée au salon du livre est libre. Ouverture de 10h à 12h30 et de 14h à 18h. LES Auteurs… Histoire LORPHELIN Patrick DROUOT Jean-Claude DE DECKER Michel THELEN Jacques GRANGET Joël GERSAL Frédérick APPLETON William DE CARBONNIERES Thierry LEFEBVRE Alain Roman BUREL Claire DE WAILLY Henry DUPLESSY-ROUSEE Carole LOEB Caroline GUERBETTE Gérard RENAULT Murielle BESNEHARD Dominique DELPART Raphaël DI MARCO Elyssea Avec la participation de... MISEROLE Ludovic FABIEN La Bibliothèque pour Tous BOUYER Christian KA Olivier Le club de Scrabble MORIN Danielle LAFFARGE Marlène Les Amys du Vieil Eu PETIT Olivier VESTEÄLEN Krystin BLIN Jean-René LEBRUN Alain Poésie JAHOUEL Pascal JAILLOND Denis SOLOY Claude BEAUSOLEIL Claude PENNA Jacques Jeunesse GLOTTIN Jean-Jacques Les conférences ADDE Jean-Michel JEANJEAN André DE GUERVILLE Anne MILANDA Cyrille PAKITA DE LAVALETTE Béatrice Au cours de la journée, quatre confé- LOUP FARNEL Joseph rences se dérouleront dans la salle du LUCIEN BREL Bruno Carrosse.