Arielle Jacobs

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Arielle Jacobs AEA, SAG/AFTRA BROADWAY Aladdin Jasmine The New Amsterdam Theatre Casey Nicholaw Wicked Nessarose Gershwin Theatre Joe Mantello In the Heights Nina Rosario Richard Rodgers Theatre Thomas Kail INTERNATIONAL Aladdin Jasmine Capital Theatre, Sydney AU Casey Nicholaw REGIONAL THEATRE Between The Lines Delilah Kansas City Rep Into The Woods Baker's Wife Dreamcatcher Theatre, Miami RENT Mimi Sugarloaf Performing Arts Center Disney's High School Musical 1 & 2 Gabriella Montez AtlantaTOTS/PittsburghCLO Two Gentlemen of Verona Julia Shakespeare Theatre Company Rose of Corazon Rosa American Theater Festival The King and I Royal Wife Bucks County Playhouse Cinderella Cinderella (u/s) North Shore Music Theater Honor Song for Crazy Horse Ensemble Mountain View Center, CA Crazy For You Polly The McCarter Theatre Center FILM Tower of Silence Supporting Indie Feature Erik Flynn Patton Water Lillies Lead Indie Feature James Hsaio Silver Screen Dreams Lead Indie Feature Nicholas Bouiet The Unfortunate Truth Lead Indie Feature Jacob Anderson The Revivals Supporting Indie Feature Chad Darnell Dissection Lead Indie Feature CC Webster Loss Lead Indie Feature Sasha Nathwani The Hitchhiker Lead Indie Feature Maryan Kashaverz Letting Go Lead Indie Feature Dennis Lisberger TELEVISION Taxi Brooklyn Guest Star NBC Commander in Chief Co-Star NBC Disney's 365 Featured Disney Channel WORKSHOPS AND READINGS Head Over Heels Mopsa Ed Iskander Nightingale Feiyan Moises Kaufman MASK: The Musical Angel Richard Maltby, Jr. The Boy from New York City Reina Floyd Mutrux It Shoulda Been You Annie Brian Hargrove & Barbara Anselmi TRAINING Bachelor of Music, NYU Graduated Magna Cum Laude MUSICAL THEATER Stagedoor Manor, ACT Conservatory, NYU/Cap21 Musical Theater Summer Program ACTING Margie Haber Studios, Lesly Kahn & Co., Stan Kirsch, Catlin Adams, Acting Lab (LA) VOICE Clark Harris, Deborah Lifton, Michael Ricciardone, SF Conservatory of Music DANCE (Jazz, Tap, Ballet) Justin Ross, Lainie Munro, Germaine Salzberg COMMERCIALS Erica Palgon (Susan Shopmaker Casting) SKILLS ACCENTS Spanish, Latina, British, Southern, French ATHLETICS Yoga, Cheerleading, Horseback Riding, Hula-hooping, Bowling, Billiards, Basketball, Volleyball, Golf OTHER Driver's License, Valid Passport, Fire-spinning/Poi, Cert. Scuba Diver, Reiki, Massage Therapy Page 1 of 2 AWARDS Winner BroadwayWorld: BEST FEATURED ACTRESS in a Musical for IN THE HEIGHTS, 2010 Nominated for BEST SUPPORTING ACTRESS for WATER LILLIES at the B-Movie Film Festival, 2006 Page 2 of 2 .

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Grant Resume
AFTON GRANT, SOC STEADICAM / CAMERA OPERATOR - STEADICAM OWNER FEATURES DIRECTOR • D.P. PRODUCERS CHAPPAQUIDDICK (A-Cam/Steadi) John Curran • Maryse Alberti Apex Entertainment THE CATCHER WAS A SPY (Steadicam-Boston Photog) Ben Lewin • Andrij Parekh PalmStar Media MANCHESTER BY THE SEA (Steadicam) Kenneth Lonergran • Jody Lee Lipes B Story URGE (A-Cam/Steadi) Aaron Kaufman • Darren Lew Urge Productions AND SO IT GOES (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment THE SKELETON TWINS (A-Cam) Craig Johnson • Reed Morano ASC Duplass Brothers Prods. THE HARVEST (Steadicam) John McNaughton • Rachel Morrison Living Out Loud Films AFTER THE FALL - Day Play (B-Cam/Steadi) Anthony Fabian • Elliot Davis Brenwood Films THE INEVITABLE DEFEAT OF MISTER & PETE (A-Cam/Steadi) George Tillman Jr. • Reed Morano ASC State Street Films KILL YOUR DARLINGS (A-Cam/Steadi) John Krokidas • Reed Morano ASC Killer Films THE ENGLISH TEACHER (Steadicam) Craig Zisk • Vanja Cernjul ASC Artina Films INFINITELY POLAR BEAR (Steadicam) Maya Forbes • Bobby Bukowsk Paper Street Films THE MAGIC OF BELLE ISLE (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment MOONRISE KINGDOM (Steadicam) Wes Anderson • Robert Yeoman, ASC Scott Rudin Productions FUGLY! (Steadicam) Alfredo De Villa • Nancy Schreiber, ASC Rebel Films THE OTHER GUYS (2nd Unit B-Cam) Adam McKay • Oliver Wood, BSC Columbia Pictures THE WACKNESS (Steadicam) Jonathan Levine • Petra Korner Shapiro Levine Productions PLEASE GIVE (Addtl Steadicam) Nicole Holofcener • Yaron Orbach Feelin’ Guilty THE WOMAN (Steadicam) Lucky McKee • Alex Vendler Moderncine PETUNIA (Steadicam) Ash Christian • Austin Schmidt Cranium Entertainment THE NORMALS (Steadicam) Kevin Patrick Connors • Andre Lascaris Gigantic Pictures TELEVISION DIRECTOR • D.P.
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Virtual Live Auction 5 Pm on Sunday, September 20
Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend.
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Individual EEG Measures of Attention, Memory, and Motivation Predict Population Level TV Viewership and Twitter Engagement
RESEARCH ARTICLE Individual EEG measures of attention, memory, and motivation predict population level TV viewership and Twitter engagement 1,2☯ 1☯ 1 Avgusta Y. ShestyukID *, Karthik Kasinathan , Viswajith Karapoondinott , Robert T. Knight2,3, Ram Gurumoorthy1 1 R&D department, Nielsen Consumer Neuroscience, Berkeley, California, United States of America, 2 Helen Wills Neuroscience Institute, University of California, Berkeley, California, United States of America, 3 Department of Psychology, University of California, Berkeley, California, United States of America a1111111111 a1111111111 ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 Abstract Television (TV) programming attracts ever-growing audiences and dominates the cultural zeitgeist. Viewership and social media engagement have become standard indices of pro- OPEN ACCESS gramming success. However, accurately predicting individual episode success or future Citation: Shestyuk AY, Kasinathan K, Karapoondinott V, Knight RT, Gurumoorthy R show performance using traditional metrics remains a challenge. Here we examine whether (2019) Individual EEG measures of attention, TV viewership and Twitter activity can be predicted using electroencephalography (EEG) memory, and motivation predict population level measures, which are less affected by reporting biases and which are commonly associated TV viewership and Twitter engagement. PLoS ONE with different cognitive processes. 331 participants watched an hour-long episode from one 14(3): e0214507. https://doi.org/10.1371/journal. pone.0214507 of nine prime-time shows (~36 participants per episode). Three frequency-based measures were extracted: fronto-central alpha/beta asymmetry (indexing approach motivation), Editor: Vilfredo De Pascalis, La Sapienza University of Rome, ITALY fronto-central alpha/theta power (indexing attention), and fronto-central theta/gamma power (indexing memory processing).
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Sag – Aftra Television
SAG – AFTRA www.christinaderosa.com TELEVISION (Partial) Mood Swings Series Regular Pure Flix Gravesend Series Regular Amazon Fam Co-Star CBS Black-ish Recurring ABC Jane The Virgin Recurring CW Devious Maids Co-Star Lifetime The Dog Who Saved Summer (MOW) Supporting Lead ION General Hospital Recurring ABC The Astronaut Wives Club Co-Star ABC Hart of Dixie Co-Star CW Foreclosed (MOW) Supporting Lifetime Sam & Cat Co-Star Nickelodeon Taxi Brooklyn Co-Star NBC/EuropaCorp Everybody Hates Chris Guest Star CW Reno 911! Guest Star Comedy Central Worst Week Guest Star CBS Christmas Twister (MOW) Supporting Lead ION The Dog Who Saved Halloween (MOW) Supporting ION Gila (MOW) Lead Syfy Piranhaconda (MOW) Supporting Syfy Entourage Co-Star HBO The Whole Truth Co-Star ABC FILM (Partial) Inheritance Supporting Vaughn Stein Bad Moms Supporting Jon Lucas/Scott Moore A Brother’s Honor Supporting Lane Shefter Bishop The Matchmaker’s Playbook Supporting Tosca Musk Woman on the Edge Supporting Lead Trey Haley Evil Bong 3-D: The Wrath of Bong Lead Charles Band Junk Lead Kevin Hamedani The Grind Lead John Millea Extreme Movie Supporting Epstein/Jacobson Sink Hole Supporting Scott Wheeler The Group Supporting Lawrence Trilling TRAINING Acting - Pamela Shae, Ivana Chubbuck, The Groundlings, Lesly Kahn, Stephen Book, Tim Phillips, Lewis Smith Actors Academy, John Sudol, Larry Moss, Anthony Hopkins Master Class Professional Singer - Nick Cooper, Bob Garrett -- Musical Theater - CMU, Boston Conservatory BA - UCLA School of Theatre, Film & Television SPECIAL SKILLS Professional Singer - Soprano Belt, Dialects - New York, Italian, Spanish, Mexican, Southern .
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Save Century II Newsletter #6 - the Truth Comes Out!
Save Century II Newsletter #6 - The Truth Comes Out! The Wichita Eagle published a story on March 3 reporting that the Broadway musical, “Hamilton,” is coming to Wichita. Anyone questioning the Riverfront Legacy Plan to demolish Century II will recall that “Hamilton” has often been used as an example of a Broadway production that could not come to Wichita because of the physical limitations of Century II - the stage was 11 feet too shallow. According to the American Theater Guild, the performance will not leave pieces of the set in the trucks as feared. Rather, “the Hamilton production will be of the same size and quality as the one at the Richard Rodgers Theatre in New York and currently on tour” and will “100% be the full-sized tour seen in all other markets and equity [produced].” The Wichita Eagle clarified the actual reason for not getting Hamilton before the 2021-22 season was strictly related to ticket sales. Riverfront Legacy backers and the public relations firms they’ve hired to spread their propaganda have used the Hamilton excuse to convince Wichita citizens, Music Theatre Wichita staff, and City Council members that Century II should be destroyed. For too long, special interests have had their way with City Hall and we're still waiting on an Ethics Policy from City Council. We ask that you keep reading, listening, and thinking. We owe thanks to reporters and opinion writers at the Wichita Eagle, the Wichita Business Journal and reporters at local TV and radio stations for their investigative reporting. Check out three of the
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Mactheatre Theatre Departme
Think You Need A BFA? ................................................................................................................... 3 Is a BFA Degree Part of the Recipe for Musical Theater Success? ................................................. 7 A Little Quiz ................................................................................................................................... 12 Broadway's Big 10: Top Colleges Currently Represented on Currently Running Shows .............. 14 Monthly College Planning Guide For Visual & Performing Arts Students. ................................... 18 Theatre and Musical Theatre College Audition Timeline in a Nutshell ........................................ 48 Gain An Edge Over The Summer ................................................................................................... 50 6 Keys To Choosing The Perfect College For The Arts. ................................................................. 53 The National Association for College Admission Counseling Performing and Visual Arts Fairs in Houston & Dallas. ......................................................................................................................... 55 Unifieds ......................................................................................................................................... 58 TX Thespian Festival College Auditions......................................................................................... 68 Theatre College-Bound Resource Index. .....................................................................................
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Taxi Brooklyn Episode Guide Episodes 001–012
Taxi Brooklyn Episode Guide Episodes 001–012 Last episode aired Wednesday September 10, 2014 www.nbc.com c c 2014 www.tv.com c 2014 www.nbc.com The summaries and recaps of all the Taxi Brooklyn episodes were downloaded from http://www.tv.com and http: //www.nbc.com and processed through a perl program to transform them in a LATEX ﬁle, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 The Price for the Course . .3 2 Brooklyn Heights . .7 3 Cherchez Les Femmes . 11 4 Precious Cargo . 15 5 Ambush . 19 6 Love Hurts . 23 7 Black Widow . 25 8 Deadline Brooklyn . 27 9 Double Identity . 29 10 The Longest Night . 31 11 Frenchmen Can’t Jump . 33 12 Revenge . 35 Actor Appearances 37 Taxi Brooklyn Episode Guide II Season One Taxi Brooklyn Episode Guide The Price for the Course Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Wednesday June 25, 2014 Writer: Gary Scott Thompson Director: Olivier Megaton Show Stars: Chyler Leigh (Detective Caitlyn ’Cat’ Sullivan), Jacky Ido (Leo Romba), James Colby (Captain John Baker), Jose´ Zu´ niga˜ (Detective Eddie Es- posito), Jennifer Esposito (Dr. Monica Pena), Bill Heck (Gregg James), Ally Walker (Frankie Sullivan), Raul Casso (Ronnie) Guest Stars: Brain Sutherland (Cat’s Father), Andrea Leigh (Liz Kaplan), Kiva Daw- son (Anna Miller), Adam C. Edwards (Terry Banks), John-Patrick Driscoll (Crime Scene Unit Tech 1), James Andrew Walsh (Polanski), Mike Adler (Bearded Guy), Flint Beverage (Steve Henderson), Phil E.
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VIRTUAL CONCERT II Monday, August 3Rd at 7:00 Pm
VIRTUAL CONCERT II Monday, August 3rd at 7:00 pm SONG TITLE WRITTEN BY PERFORMED BY Main Street, Nowhere Alex Ratner Jelani Remy And the Years Go By Jaime Lozano & Florencia Cuenca Neena Beber Now Billy Recce Billy Recce Annie and Me Divya Maus Doron JéPaul Mitchell I Don’t Want to Go Tom Gualtieri & Jonathan Burke David Sisco Presentation by NaTasha Yvette Williams on behalf of Black Theatre United Here to Guide Russell Kaplan & Aurelia Williams Sara Wordsworth The Kevin I Used to Be Nicky Phillips & Jordan Cole Sarah Ziegler You Bake Andy Roninson Thom Sesma So What? Timothy Huang Arielle Jacobs Thanks for joining us this evening. We are happy to present this concert free of charge, but please consider a donation to Black Theatre United, an organization dedicated to helping protect Black people, Black talent and Black lives of all shapes and orientations ContemporaryMusicalTheatre.com Virtual Concert II * August 3, 2020 Page 1 in theatre and communities across the country. For more information, please visit their website. The Writers: Tom Gualtieri & David Sisco met at the BMI Lehman Engel Musical Theatre Workshop in 2003 and have been collaborating ever since. Together, they have written Falling to Earth, a contemporary adaptation of the Pygmalion myth, and with Michael Zam (“Feud”), they are currently developing a musical adaptation of Henry James’ The Wings of the Dove. Tom and David have produced two concerts at 54 Below - What are They Talkin’ About? and Departures, - and were featured writers for the After the Storm benefit at Joe’s Pub. They are the creators of a new video project entitled “Draw the Circle Wide,” which features interviews with Broadway guest artists about the need for equity in our industry along with premieres of new songs written for the artists themselves by Gualtieri & Sisco.
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Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ��ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance.
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FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue
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The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
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Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W.
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