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SAG – AFTRA www.christinaderosa.com TELEVISION (Partial) Mood Swings Series Regular Pure Flix Gravesend Series Regular Amazon Fam Co-Star CBS Black-ish Recurring ABC Jane The Virgin Recurring CW Devious Maids Co-Star Lifetime The Dog Who Saved Summer (MOW) Supporting Lead ION General Hospital Recurring ABC The Astronaut Wives Club Co-Star ABC Hart of Dixie Co-Star CW Foreclosed (MOW) Supporting Lifetime Sam & Cat Co-Star Nickelodeon Taxi Brooklyn Co-Star NBC/EuropaCorp Everybody Hates Chris Guest Star CW Reno 911! Guest Star Comedy Central Worst Week Guest Star CBS Christmas Twister (MOW) Supporting Lead ION The Dog Who Saved Halloween (MOW) Supporting ION Gila (MOW) Lead Syfy Piranhaconda (MOW) Supporting Syfy Entourage Co-Star HBO The Whole Truth Co-Star ABC FILM (Partial) Inheritance Supporting Vaughn Stein Bad Moms Supporting Jon Lucas/Scott Moore A Brother’s Honor Supporting Lane Shefter Bishop The Matchmaker’s Playbook Supporting Tosca Musk Woman on the Edge Supporting Lead Trey Haley Evil Bong 3-D: The Wrath of Bong Lead Charles Band Junk Lead Kevin Hamedani The Grind Lead John Millea Extreme Movie Supporting Epstein/Jacobson Sink Hole Supporting Scott Wheeler The Group Supporting Lawrence Trilling TRAINING Acting - Pamela Shae, Ivana Chubbuck, The Groundlings, Lesly Kahn, Stephen Book, Tim Phillips, Lewis Smith Actors Academy, John Sudol, Larry Moss, Anthony Hopkins Master Class Professional Singer - Nick Cooper, Bob Garrett -- Musical Theater - CMU, Boston Conservatory BA - UCLA School of Theatre, Film & Television SPECIAL SKILLS Professional Singer - Soprano Belt, Dialects - New York, Italian, Spanish, Mexican, Southern .

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Grant Resume
AFTON GRANT, SOC STEADICAM / CAMERA OPERATOR - STEADICAM OWNER FEATURES DIRECTOR • D.P. PRODUCERS CHAPPAQUIDDICK (A-Cam/Steadi) John Curran • Maryse Alberti Apex Entertainment THE CATCHER WAS A SPY (Steadicam-Boston Photog) Ben Lewin • Andrij Parekh PalmStar Media MANCHESTER BY THE SEA (Steadicam) Kenneth Lonergran • Jody Lee Lipes B Story URGE (A-Cam/Steadi) Aaron Kaufman • Darren Lew Urge Productions AND SO IT GOES (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment THE SKELETON TWINS (A-Cam) Craig Johnson • Reed Morano ASC Duplass Brothers Prods. THE HARVEST (Steadicam) John McNaughton • Rachel Morrison Living Out Loud Films AFTER THE FALL - Day Play (B-Cam/Steadi) Anthony Fabian • Elliot Davis Brenwood Films THE INEVITABLE DEFEAT OF MISTER & PETE (A-Cam/Steadi) George Tillman Jr. • Reed Morano ASC State Street Films KILL YOUR DARLINGS (A-Cam/Steadi) John Krokidas • Reed Morano ASC Killer Films THE ENGLISH TEACHER (Steadicam) Craig Zisk • Vanja Cernjul ASC Artina Films INFINITELY POLAR BEAR (Steadicam) Maya Forbes • Bobby Bukowsk Paper Street Films THE MAGIC OF BELLE ISLE (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment MOONRISE KINGDOM (Steadicam) Wes Anderson • Robert Yeoman, ASC Scott Rudin Productions FUGLY! (Steadicam) Alfredo De Villa • Nancy Schreiber, ASC Rebel Films THE OTHER GUYS (2nd Unit B-Cam) Adam McKay • Oliver Wood, BSC Columbia Pictures THE WACKNESS (Steadicam) Jonathan Levine • Petra Korner Shapiro Levine Productions PLEASE GIVE (Addtl Steadicam) Nicole Holofcener • Yaron Orbach Feelin’ Guilty THE WOMAN (Steadicam) Lucky McKee • Alex Vendler Moderncine PETUNIA (Steadicam) Ash Christian • Austin Schmidt Cranium Entertainment THE NORMALS (Steadicam) Kevin Patrick Connors • Andre Lascaris Gigantic Pictures TELEVISION DIRECTOR • D.P.
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WHAM Buys Local Channel
Report Information from ProQuest March 01 2014 11:31 Table of contents 1. WHAM buys local channel Bibliography Document 1 of 1 WHAM buys local channel Author: Chao, Mary ProQuest document link Abstract: Mary Chao Staff writer The parent company of WHAM-TV (Channel 13) has acquired the local CW affiliate, which airs shows such as Girlfriends, Everybody Hates Chris, Smallville and Gilmore Girls. Full text: Mary Chao Staff writer The parent company of WHAM-TV (Channel 13) has acquired the local CW affiliate, which airs shows such as Girlfriends, Everybody Hates Chris, Smallville and Gilmore Girls. The CW affiliate, WRWB (cable Channel 16), had been a joint venture of Time Warner Cable and Warner Brothers. Now it will be operated by Clear Channel Television's WHAM and will be renamed CW-WHAM, said Chuck Samuels, vice president and general manager of Channel 13, who will head both stations. Terms of the deal were not disclosed. The CW was created when Warner Brothers merged with UPN, taking the "C" from CBS, which owned UPN, and the "W" from Warner. The Rochester station will remain on cable Channel 16 and will also be available as WHAM-DT on digital channel 13.2. Samuels said the station will complement Channel 13. "The CW has a very different target audience," he said. "While most networks such as ABC target (ages) 18 to 49, the CW targets 18 to 34, even 12 to 34." The CW will help WHAM's already established news brand by reaching out to younger audiences, Samuels said. WRWB's operations in downtown Rochester will be consolidated into WHAM's facilities in Henrietta.
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Individual EEG Measures of Attention, Memory, and Motivation Predict Population Level TV Viewership and Twitter Engagement
RESEARCH ARTICLE Individual EEG measures of attention, memory, and motivation predict population level TV viewership and Twitter engagement 1,2☯ 1☯ 1 Avgusta Y. ShestyukID *, Karthik Kasinathan , Viswajith Karapoondinott , Robert T. Knight2,3, Ram Gurumoorthy1 1 R&D department, Nielsen Consumer Neuroscience, Berkeley, California, United States of America, 2 Helen Wills Neuroscience Institute, University of California, Berkeley, California, United States of America, 3 Department of Psychology, University of California, Berkeley, California, United States of America a1111111111 a1111111111 ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 Abstract Television (TV) programming attracts ever-growing audiences and dominates the cultural zeitgeist. Viewership and social media engagement have become standard indices of pro- OPEN ACCESS gramming success. However, accurately predicting individual episode success or future Citation: Shestyuk AY, Kasinathan K, Karapoondinott V, Knight RT, Gurumoorthy R show performance using traditional metrics remains a challenge. Here we examine whether (2019) Individual EEG measures of attention, TV viewership and Twitter activity can be predicted using electroencephalography (EEG) memory, and motivation predict population level measures, which are less affected by reporting biases and which are commonly associated TV viewership and Twitter engagement. PLoS ONE with different cognitive processes. 331 participants watched an hour-long episode from one 14(3): e0214507. https://doi.org/10.1371/journal. pone.0214507 of nine prime-time shows (~36 participants per episode). Three frequency-based measures were extracted: fronto-central alpha/beta asymmetry (indexing approach motivation), Editor: Vilfredo De Pascalis, La Sapienza University of Rome, ITALY fronto-central alpha/theta power (indexing attention), and fronto-central theta/gamma power (indexing memory processing).
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Taxi Brooklyn Episode Guide Episodes 001–012
Taxi Brooklyn Episode Guide Episodes 001–012 Last episode aired Wednesday September 10, 2014 www.nbc.com c c 2014 www.tv.com c 2014 www.nbc.com The summaries and recaps of all the Taxi Brooklyn episodes were downloaded from http://www.tv.com and http: //www.nbc.com and processed through a perl program to transform them in a LATEX ﬁle, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 The Price for the Course . .3 2 Brooklyn Heights . .7 3 Cherchez Les Femmes . 11 4 Precious Cargo . 15 5 Ambush . 19 6 Love Hurts . 23 7 Black Widow . 25 8 Deadline Brooklyn . 27 9 Double Identity . 29 10 The Longest Night . 31 11 Frenchmen Can’t Jump . 33 12 Revenge . 35 Actor Appearances 37 Taxi Brooklyn Episode Guide II Season One Taxi Brooklyn Episode Guide The Price for the Course Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Wednesday June 25, 2014 Writer: Gary Scott Thompson Director: Olivier Megaton Show Stars: Chyler Leigh (Detective Caitlyn ’Cat’ Sullivan), Jacky Ido (Leo Romba), James Colby (Captain John Baker), Jose´ Zu´ niga˜ (Detective Eddie Es- posito), Jennifer Esposito (Dr. Monica Pena), Bill Heck (Gregg James), Ally Walker (Frankie Sullivan), Raul Casso (Ronnie) Guest Stars: Brain Sutherland (Cat’s Father), Andrea Leigh (Liz Kaplan), Kiva Daw- son (Anna Miller), Adam C. Edwards (Terry Banks), John-Patrick Driscoll (Crime Scene Unit Tech 1), James Andrew Walsh (Polanski), Mike Adler (Bearded Guy), Flint Beverage (Steve Henderson), Phil E.
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Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland.
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FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue
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The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
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Ken Whittingham Is an American Television Director Who Has Been in the Industry for Over 25 Years
DIRECTOR BIOGRAPHIES KEN WHITTINGHAM (Director – Episodes 101 & 102) Ken Whittingham is an American television director who has been in the industry for over 25 years. He has directed episodes for a wide variety of television series including “Parks and Recreation,” “Brooklyn Nine- Nine,” “Suburgatory,” “Parenthood,” “About a Boy,” “30 Rock,” “The Middle,” “The Office,” “Entourage,” “Community,” “Scrubs,” “My Name is Earl,” “Everybody Hates Chris,” “Rules of Engagement,” “Gilmore Girls,” “King of Queens,” “The Bernie Mac Show,” “Yes, Dear,” “Still Standing,” and many more. Whittingham has been nominated for multiple NAACP Image Awards for “30 Rock,” “Parenthood,” “Entourage,” and “Everybody Hates Chris” and has won four times. He won for Outstanding Directing for a Comedy Series for the “Parks and Recreation” episode “How a Bill Becomes a Law;” “30 Rock” for episode “The Funcooker;” and for “The Office” episodes “Phyllis’s Wedding” and “Michael’s Birthday.” PETER SEGAL (Director – Episode 103) Peter Segal is an award-winning film and television director, producer, and writer whose movies have grossed over $1.1 billion to date. He recently directed Robert De Niro, Sylvester Stallone and Kevin Hart in Warner Bros. boxing comedy Grudge Match. Before that, he teamed up with Steve Carell and Anne Hathaway and Dwayne Johnson in the big screen adaptation of Mel Brooks and Buck Henry’s legendary television series Get Smart, which made $230 million worldwide. In fact, that movie became Segal’s fifth consecutive film to gross over $100 million in domestic box office. A frequent collaborator with Adam Sandler, Segal has directed the actor in such films as 50 First Dates, with Drew Barrymore; Anger Management, which also starred Jack Nicholson, and The Longest Yard, currently the highest-grossing comedy remake of all time and the second-highest grossing sports comedy in history.
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Everybody Hates Chris
“Everybody Hates Puberty” Story and Screenplay by John Strong www.johnstrongpresents.com FADE IN: INT. BOYS BEDROOM – MORNING CHRIS lies in bed asleep. His eyes dart back and forth behind his closed lids. He smiles, babbles to himself. ADULT CHRIS V.O. My parents told me about puberty. Said it was natural, and happened to everyone. I wish they could have given me a heads up about when it would happen. INT. SCHOOL – DAY – FANTASY Chris is sitting in class, surrounded by students. They chat it up, await the teacher. In walks a female SUBSTITUTE TEACHER (20’s). She looks like a video model, voluptuous, and oozing sex appeal. Music accompanies her entrance, she moves in slow motion. She straddles the desk, dances seductively. She and Chris lock eyes, the rest of the students disappear. She continues to dance, exclusively for him. He likes it, in fact he like it a little too much. FEMALE VOICE Chris... Chris... INT. BOY’S BEDROOM – RESUME The fantasy ends as Rochelle walks in the room and makes a beeline for Chris’s bed. Drew’s bed is empty. The clock reads 6:15. www.johnstrongpresents.com ROCHELLE Now I know, you not still lying in that bed! It is too early in the morning for you to be trying my nerves boy. She walks over and snatches the covers off. He is lying flat on his back, still asleep. Rochelle looks down. He has a not so huge boner. 2. ROCHELLE Oh my God! What are you doing with THAT!!! Chris wakes up, his mother is looming over him.
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Satoko Ichinose Hair Makeup
SATOKO ICHINOSE HAIR STYLIST_MAKEUP ARTIST U.S.A A Member of I.A.T.S.E. Local 798 TV SERIES year title job title director production company 2020 MANIFEST S3 Key Hair NBC 2019 ALMOST FAMILY Hair FOX Department Head 2017 THE WHO WAS SHOW Hair Netflix Department Head 2018 YOU Key Hair LIFE TIME 2018 BULL Hair CBS Department Head 2015 UNBREAKABLE KIMMY SCHMIDTI SEASON1,2,4 Key Hair Tristram Shapeero (EP1) Netflix Stylist 2016 DIVORCE SEASON 1 Hair Stylist HBO for Sarah Jessica Parker 2017 FRIENDS FROM COLLEGE Hair Nicolas Stroller Netflix Department Head 2016 MASTER OF NONE SEASON 1 Key Hair James Ponsoldt (Ep101) NetFlix 2013 TAXI BROOKLYN- Season 1 Hair Olivier Megaton_EP1 TF1 france / NBC Department Head 2013 THE FOLLOWING SEASON 1 Hair Stylist/ FOX 2nd Unit Dept Head Hair 2012 30 ROCK SEASON 7 Hair Stylist NBC to Jane Krakowski FILM year title job title director production company 2014 NIGHT AT THE MUSEUM III Additional Shawn Levy TCF VANCOUVER PRODUCTIONS Hair Stylist LTD 2014 THE OUTSKIRTS Dept Head Peter Hutchings OTS Entertainmnet Hair 2013 A LONG WAY DOWN Key Hair Pascal Chaumeil A Long Way Down Production Stylist (NY Unit) 2013 TRACERS Additional Daniel Benmayor Melbarken Inc Hair Stylist 2012 NOAH Additional Darren Aronofsky Paramount Overseas Prodcutions Hair Stylist 2013 TEENAGE MUTANT NINJA TURTLES Additional Jonathan Liebesman Paramount Pictures Hair Stylist 2011 NOUS YORK Additional Hervé Mimran, Géraldine Nakache Hair Stylist 2013 THE TOWN THAT DREADED SUNDOWN Hair Alfonso Gomez-Rejon Blumhouse Productions Department Head
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Unmistaken Identity
Eastern Illinois University The Keep January 2006 1-13-2006 Daily Eastern News: January 13, 2006 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2006_jan Recommended Citation Eastern Illinois University, "Daily Eastern News: January 13, 2006" (2006). January. 5. http://thekeep.eiu.edu/den_2006_jan/5 This Article is brought to you for free and open access by the 2006 at The Keep. It has been accepted for inclusion in January by an authorized administrator of The Keep. For more information, please contact [email protected]. “Tell the truth and don’t be afraid.” SECTION N Men’s basketball wins in OT: page 12A FRIDAY JANUARY 13 2006 VOLUME 91, ISSUE 05 thedailyeasternnews.com 90th Anniversary Eastern Illinois University, Charleston UNMISTAKEN IDENTITY Bars not oblivious or she may ask for identification as well. Some businesses, like the Panther Paw, may ask for to fake ID use more than one ID, to make sure that the two match up. There are also certain other features BY ROB SIEBERT on an ID card that may give away forgeries. STAFF REPORTER On the other hand, some bouncers simply quiz suspicious customers on their credentials. In a town filled with bars and college stu- “We just drill them for any information on dents, it may come as no surprise that fake iden- the ID,” said Stephanie Stiles, a manager at the tification cards are an issue to be dealt with in Uptowner. Charleston. If caught with false identification, a person “The problem’s pretty rampant in may receive an ordinance violation, a fine and be Charleston,” said Mike Knoop, owner of Roc’s forced to appear in court.
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CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in
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