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GARY HILBORN SAG-AFTRA AEA Tel: 347.693.4121 Hilborn.Gary@Gmail.Com 6’ Tall / Athletic Build / Brown Hair / Blue-Green Eyes

GARY HILBORN SAG-AFTRA AEA tel: 347.693.4121 [email protected] 6’ tall / athletic build / brown hair / blue-green eyes www.garyhilborn.com TELEVISION Daredevil GUEST Netflix - Dir. Julian Holmes The Sinner GUEST USA - Dir. Tucker Gates Quantico GUEST ABC – Dir. Constantine “Gus” Makris The Blacklist RECURRING NBC – Dir. Michael Watkins et al. Taxi Brooklyn GUEST NBC – Dir. Fred Berthe Blue Bloods CO-STAR CBS – Dir. Felix Alcala I Love You…But I Lied GUEST LMN – Dir. Michael Selditch Gossip Girl CO-STAR CW – Dir. Anna Mastro Conan O’Brien Show / Triumph Segment GUEST TBS – Dir. Robert Smigel Momsters GUEST ID – Prod. Roseanne Barr Hustling GUEST Web – Dir. Sebastian La Cause Comedienne GUEST Web – Dir. Will Sullivan One Life to Live RECURRING ABC – Dir. Larry Carpenter et al. All My Children RECURRING ABC – Dir. Casey Childs et al. As the World Turns GUEST CBS – Dir. Jennifer Pepperman THEATRE - representative roles The Tempest Ferdinand Shakespeare on the Green Sweet, Sweet Spirit Jimmy (originated role) Manhattan Theatre Works A View from the Bridge Eddie (Best Actor nom. BroadwayWorld Awards) The Secret Theatre The Love Junkies of Hell’s Kitchen Mickey (originated role) Theater for the New City The (All-Male) Importance of Being Earnest Merriman Sanford Meisner Theatre Picasso at the Lapin Agile Picasso Empty Space Players Five Women Wearing the Same Dress Tripp Studio 206 Barefoot in the Park Paul Bringhurst Theatre A Bright Room Called Day Baz Bringhurst Theattre Conquest of the South Pole Buscher Theatre Marigny Dancing at Lughnasa Michael Bringhurst Theatre Amadeus Mozart City Park Players The Boys Next Door Norman The Warehouse Theatre A Toast to the End of the World Scott (originated role) Contemporary Arts Center A Midsummer Night’s Dream Lysander CPP’s Shakespeare in the Park Much Ado About Nothing Benedick CPP’s Shakespeare in the Park FILM Rainbow City (pilot presentation) LEAD Dir. Jonathan Frakes In Stereo SUPPORTING Dir. Mel Rodriguez Jane Wants a Boyfriend SUPPORTING Dir. Will Sullivan Home SUPPORTING Dir. Jono Oliver The Search for Agent Z LEAD Dir. Ryan Schmitz The Picture of Dorian Gray SUPPORTING Dir. Duncan Roy Say it with Flowers LEAD Dir. Auston Marek Ace High LEAD Dir. Josh Crute Anya LEAD Dir. Dustin McLean Apathy & Delirium LEAD Dir. Will Sullivan The Job LEAD Dir. Dave Fazzio Compromised SUPPORTING Dir. Kelly Poor Me and My Deadbeat Husband SUPPORTING Dir. Deirdre Morales TRAINING & EDUCATION Mercedes Ruehl acting / scene study Karen Kohlhaas acting / scene study Atlantic Theater acting Louisiana State University theatre & speech ACCENTS, SKILLS, SPORTS, ETC. British, Irish, Southern, Cajun, New York firearms training, fight training/stage combat, boxing, baseball, bowling, cyclicng, swimming, weight training US Passport .

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Grant Resume
AFTON GRANT, SOC STEADICAM / CAMERA OPERATOR - STEADICAM OWNER FEATURES DIRECTOR • D.P. PRODUCERS CHAPPAQUIDDICK (A-Cam/Steadi) John Curran • Maryse Alberti Apex Entertainment THE CATCHER WAS A SPY (Steadicam-Boston Photog) Ben Lewin • Andrij Parekh PalmStar Media MANCHESTER BY THE SEA (Steadicam) Kenneth Lonergran • Jody Lee Lipes B Story URGE (A-Cam/Steadi) Aaron Kaufman • Darren Lew Urge Productions AND SO IT GOES (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment THE SKELETON TWINS (A-Cam) Craig Johnson • Reed Morano ASC Duplass Brothers Prods. THE HARVEST (Steadicam) John McNaughton • Rachel Morrison Living Out Loud Films AFTER THE FALL - Day Play (B-Cam/Steadi) Anthony Fabian • Elliot Davis Brenwood Films THE INEVITABLE DEFEAT OF MISTER & PETE (A-Cam/Steadi) George Tillman Jr. • Reed Morano ASC State Street Films KILL YOUR DARLINGS (A-Cam/Steadi) John Krokidas • Reed Morano ASC Killer Films THE ENGLISH TEACHER (Steadicam) Craig Zisk • Vanja Cernjul ASC Artina Films INFINITELY POLAR BEAR (Steadicam) Maya Forbes • Bobby Bukowsk Paper Street Films THE MAGIC OF BELLE ISLE (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment MOONRISE KINGDOM (Steadicam) Wes Anderson • Robert Yeoman, ASC Scott Rudin Productions FUGLY! (Steadicam) Alfredo De Villa • Nancy Schreiber, ASC Rebel Films THE OTHER GUYS (2nd Unit B-Cam) Adam McKay • Oliver Wood, BSC Columbia Pictures THE WACKNESS (Steadicam) Jonathan Levine • Petra Korner Shapiro Levine Productions PLEASE GIVE (Addtl Steadicam) Nicole Holofcener • Yaron Orbach Feelin’ Guilty THE WOMAN (Steadicam) Lucky McKee • Alex Vendler Moderncine PETUNIA (Steadicam) Ash Christian • Austin Schmidt Cranium Entertainment THE NORMALS (Steadicam) Kevin Patrick Connors • Andre Lascaris Gigantic Pictures TELEVISION DIRECTOR • D.P.
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Individual EEG Measures of Attention, Memory, and Motivation Predict Population Level TV Viewership and Twitter Engagement
RESEARCH ARTICLE Individual EEG measures of attention, memory, and motivation predict population level TV viewership and Twitter engagement 1,2☯ 1☯ 1 Avgusta Y. ShestyukID *, Karthik Kasinathan , Viswajith Karapoondinott , Robert T. Knight2,3, Ram Gurumoorthy1 1 R&D department, Nielsen Consumer Neuroscience, Berkeley, California, United States of America, 2 Helen Wills Neuroscience Institute, University of California, Berkeley, California, United States of America, 3 Department of Psychology, University of California, Berkeley, California, United States of America a1111111111 a1111111111 ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 Abstract Television (TV) programming attracts ever-growing audiences and dominates the cultural zeitgeist. Viewership and social media engagement have become standard indices of pro- OPEN ACCESS gramming success. However, accurately predicting individual episode success or future Citation: Shestyuk AY, Kasinathan K, Karapoondinott V, Knight RT, Gurumoorthy R show performance using traditional metrics remains a challenge. Here we examine whether (2019) Individual EEG measures of attention, TV viewership and Twitter activity can be predicted using electroencephalography (EEG) memory, and motivation predict population level measures, which are less affected by reporting biases and which are commonly associated TV viewership and Twitter engagement. PLoS ONE with different cognitive processes. 331 participants watched an hour-long episode from one 14(3): e0214507. https://doi.org/10.1371/journal. pone.0214507 of nine prime-time shows (~36 participants per episode). Three frequency-based measures were extracted: fronto-central alpha/beta asymmetry (indexing approach motivation), Editor: Vilfredo De Pascalis, La Sapienza University of Rome, ITALY fronto-central alpha/theta power (indexing attention), and fronto-central theta/gamma power (indexing memory processing).
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Sag – Aftra Television
SAG – AFTRA www.christinaderosa.com TELEVISION (Partial) Mood Swings Series Regular Pure Flix Gravesend Series Regular Amazon Fam Co-Star CBS Black-ish Recurring ABC Jane The Virgin Recurring CW Devious Maids Co-Star Lifetime The Dog Who Saved Summer (MOW) Supporting Lead ION General Hospital Recurring ABC The Astronaut Wives Club Co-Star ABC Hart of Dixie Co-Star CW Foreclosed (MOW) Supporting Lifetime Sam & Cat Co-Star Nickelodeon Taxi Brooklyn Co-Star NBC/EuropaCorp Everybody Hates Chris Guest Star CW Reno 911! Guest Star Comedy Central Worst Week Guest Star CBS Christmas Twister (MOW) Supporting Lead ION The Dog Who Saved Halloween (MOW) Supporting ION Gila (MOW) Lead Syfy Piranhaconda (MOW) Supporting Syfy Entourage Co-Star HBO The Whole Truth Co-Star ABC FILM (Partial) Inheritance Supporting Vaughn Stein Bad Moms Supporting Jon Lucas/Scott Moore A Brother’s Honor Supporting Lane Shefter Bishop The Matchmaker’s Playbook Supporting Tosca Musk Woman on the Edge Supporting Lead Trey Haley Evil Bong 3-D: The Wrath of Bong Lead Charles Band Junk Lead Kevin Hamedani The Grind Lead John Millea Extreme Movie Supporting Epstein/Jacobson Sink Hole Supporting Scott Wheeler The Group Supporting Lawrence Trilling TRAINING Acting - Pamela Shae, Ivana Chubbuck, The Groundlings, Lesly Kahn, Stephen Book, Tim Phillips, Lewis Smith Actors Academy, John Sudol, Larry Moss, Anthony Hopkins Master Class Professional Singer - Nick Cooper, Bob Garrett -- Musical Theater - CMU, Boston Conservatory BA - UCLA School of Theatre, Film & Television SPECIAL SKILLS Professional Singer - Soprano Belt, Dialects - New York, Italian, Spanish, Mexican, Southern .
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Taxi Brooklyn Episode Guide Episodes 001–012
Taxi Brooklyn Episode Guide Episodes 001–012 Last episode aired Wednesday September 10, 2014 www.nbc.com c c 2014 www.tv.com c 2014 www.nbc.com The summaries and recaps of all the Taxi Brooklyn episodes were downloaded from http://www.tv.com and http: //www.nbc.com and processed through a perl program to transform them in a LATEX ﬁle, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 The Price for the Course . .3 2 Brooklyn Heights . .7 3 Cherchez Les Femmes . 11 4 Precious Cargo . 15 5 Ambush . 19 6 Love Hurts . 23 7 Black Widow . 25 8 Deadline Brooklyn . 27 9 Double Identity . 29 10 The Longest Night . 31 11 Frenchmen Can’t Jump . 33 12 Revenge . 35 Actor Appearances 37 Taxi Brooklyn Episode Guide II Season One Taxi Brooklyn Episode Guide The Price for the Course Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Wednesday June 25, 2014 Writer: Gary Scott Thompson Director: Olivier Megaton Show Stars: Chyler Leigh (Detective Caitlyn ’Cat’ Sullivan), Jacky Ido (Leo Romba), James Colby (Captain John Baker), Jose´ Zu´ niga˜ (Detective Eddie Es- posito), Jennifer Esposito (Dr. Monica Pena), Bill Heck (Gregg James), Ally Walker (Frankie Sullivan), Raul Casso (Ronnie) Guest Stars: Brain Sutherland (Cat’s Father), Andrea Leigh (Liz Kaplan), Kiva Daw- son (Anna Miller), Adam C. Edwards (Terry Banks), John-Patrick Driscoll (Crime Scene Unit Tech 1), James Andrew Walsh (Polanski), Mike Adler (Bearded Guy), Flint Beverage (Steve Henderson), Phil E.
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FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue
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The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
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Satoko Ichinose Hair Makeup
SATOKO ICHINOSE HAIR STYLIST_MAKEUP ARTIST U.S.A A Member of I.A.T.S.E. Local 798 TV SERIES year title job title director production company 2020 MANIFEST S3 Key Hair NBC 2019 ALMOST FAMILY Hair FOX Department Head 2017 THE WHO WAS SHOW Hair Netflix Department Head 2018 YOU Key Hair LIFE TIME 2018 BULL Hair CBS Department Head 2015 UNBREAKABLE KIMMY SCHMIDTI SEASON1,2,4 Key Hair Tristram Shapeero (EP1) Netflix Stylist 2016 DIVORCE SEASON 1 Hair Stylist HBO for Sarah Jessica Parker 2017 FRIENDS FROM COLLEGE Hair Nicolas Stroller Netflix Department Head 2016 MASTER OF NONE SEASON 1 Key Hair James Ponsoldt (Ep101) NetFlix 2013 TAXI BROOKLYN- Season 1 Hair Olivier Megaton_EP1 TF1 france / NBC Department Head 2013 THE FOLLOWING SEASON 1 Hair Stylist/ FOX 2nd Unit Dept Head Hair 2012 30 ROCK SEASON 7 Hair Stylist NBC to Jane Krakowski FILM year title job title director production company 2014 NIGHT AT THE MUSEUM III Additional Shawn Levy TCF VANCOUVER PRODUCTIONS Hair Stylist LTD 2014 THE OUTSKIRTS Dept Head Peter Hutchings OTS Entertainmnet Hair 2013 A LONG WAY DOWN Key Hair Pascal Chaumeil A Long Way Down Production Stylist (NY Unit) 2013 TRACERS Additional Daniel Benmayor Melbarken Inc Hair Stylist 2012 NOAH Additional Darren Aronofsky Paramount Overseas Prodcutions Hair Stylist 2013 TEENAGE MUTANT NINJA TURTLES Additional Jonathan Liebesman Paramount Pictures Hair Stylist 2011 NOUS YORK Additional Hervé Mimran, Géraldine Nakache Hair Stylist 2013 THE TOWN THAT DREADED SUNDOWN Hair Alfonso Gomez-Rejon Blumhouse Productions Department Head
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CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in
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8 × 50' Or 4 × 100'
8 × 50’ or 4 × 100’ Format 8×50’ / 4×100’ Production year 2017-2018 Commissioning Broadcasters Language French Budget Ca. 13 Million € France 2, ZDF Germany Genre Mystery (€ 1,6 M / hour) Crime Thriller Production Companies STORIA TELEVISION (coproduction XIII, mini-series Flight of the Storks, series No Limit and Taxi Brooklyn), MAZE PICTURES (The Happy Prince, Director: Rupert Everett starring Colin Firth, Emily Watson, Tom Wilkinson / TV Series Maltese) Producers Thomas Anargyros, Sabine Barthelemy (Storia Television) Philipp Kreuzer, Jörg Schulze (maze pictures) Commissioning Editors Fanny Rondeau, Jean-François Luccioni (France 2) Doris Schrenner, Sebastian Lückel (ZDF) Writer Jean-Christophe Grangé (Based on his novel Crimson Rivers) Directors Ivan Fegyveres (Section Zero – Canal+), Olivier Barma (La Stagiaire - France 3, Les Bleus, Central Nuit - France 2), Julius Berg (La Foret – France 3, Mata Hari – Channel One, Profilage – TF1) Cast Olivier Marchal (Braquo, Les Innocents, Section zero) as Pierre Niémans Erika Sainte (Baron Noir – Canal+) as Camille Delaunay Ken Duken (Inglorious Bastards, Tempel, Tatort, Berlin Falling) Nora Waldstätten (Carlos, World Without End) Produced by STORIA TELEVISION in co-production with MAZE PICTURES and UMEDIA for FRANCE TELEVISION and ZDF in cooperation with and distributed by ZDF ENTERPRISES Synopsis A breathtaking and gripping series set in a world full of gruesome criminal cases, sadistic killers, creepy rituals and mysterious incidents. Based on the bestselling novel and after the successful feature adaptations THE CRIMSON RIVERS I + II, the author Jean-Christophe Grangé sends his fearless hero Pierre Niémans with a new partner on his side once again on a thrilling hunt for the evil.
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Arielle Jacobs
Arielle Jacobs AEA, SAG/AFTRA BROADWAY Aladdin Jasmine The New Amsterdam Theatre Casey Nicholaw Wicked Nessarose Gershwin Theatre Joe Mantello In the Heights Nina Rosario Richard Rodgers Theatre Thomas Kail INTERNATIONAL Aladdin Jasmine Capital Theatre, Sydney AU Casey Nicholaw REGIONAL THEATRE Between The Lines Delilah Kansas City Rep Into The Woods Baker's Wife Dreamcatcher Theatre, Miami RENT Mimi Sugarloaf Performing Arts Center Disney's High School Musical 1 & 2 Gabriella Montez AtlantaTOTS/PittsburghCLO Two Gentlemen of Verona Julia Shakespeare Theatre Company Rose of Corazon Rosa American Theater Festival The King and I Royal Wife Bucks County Playhouse Cinderella Cinderella (u/s) North Shore Music Theater Honor Song for Crazy Horse Ensemble Mountain View Center, CA Crazy For You Polly The McCarter Theatre Center FILM Tower of Silence Supporting Indie Feature Erik Flynn Patton Water Lillies Lead Indie Feature James Hsaio Silver Screen Dreams Lead Indie Feature Nicholas Bouiet The Unfortunate Truth Lead Indie Feature Jacob Anderson The Revivals Supporting Indie Feature Chad Darnell Dissection Lead Indie Feature CC Webster Loss Lead Indie Feature Sasha Nathwani The Hitchhiker Lead Indie Feature Maryan Kashaverz Letting Go Lead Indie Feature Dennis Lisberger TELEVISION Taxi Brooklyn Guest Star NBC Commander in Chief Co-Star NBC Disney's 365 Featured Disney Channel WORKSHOPS AND READINGS Head Over Heels Mopsa Ed Iskander Nightingale Feiyan Moises Kaufman MASK: The Musical Angel Richard Maltby, Jr. The Boy from New York City Reina Floyd
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Sunny Side of the Doc 2014
Sunny Side of the Doc 2014 www.tvfrance-intl.com STAND B4 Discover French Content Be there or be square! Biarritz, 7-11 Sept. 2014 www.tvfrance-intl.com ■ Doc en Stock / Film en Stock - Royal Dinner © Doc en Stock ■ TF1 International - No Limit © François Lefebre / EuropaCorp Television ■ Cyber Group Studios - Mia © Cyber Group Studios / Sardine Productions 2013 “Mia” is a trademark of Kutoka Interactive Inc. used under license by Sardine Productions Inc. All rights reserved. ■ ARTE France - A Season at the Juilliard School © Rosebud Productions ■ Mediatoon Distribution - Linkers © 2013 Enanimation / Ellipsanime Productions / Rai Fiction / Canal J SAS pour Gulli / Word Dong Man Company ■ France Télévisions Distribution - Way(s) to School © Winds / E. Guionet ■ Gaumont - Me, Myself and Mum © 2012 Photo: Thierry Valletoux - Gaumont / Rectangle Productions / LGM ■ 10 Francs - Social Business: a New Path for Capitalism? © Orama & Cie ■ Roissy Films - Taxi Brooklyn © EuropaCorp Television / TF1 ■ Zodiak Rights - Braquo - series 3 © photo : Thibault Grabherr / CAPA Drama – graphic design : Olotropp ■ PGS Entertainment - Alvinnn!!! and The Chipmunks ™ © 2013 Bagdasarian Productions LLC / OuiDo Productions ■ Film & Picture - Richelieu, the Purple and the New Act - Paris Blood © David Helman / Alchimic Films ■ Ampersand - The Incredible African Wildlife © Noémie Primas ■ Newen Distribution - Polo © Fabrique d’images / Bayard Jeunesse Animation ■ Ina - French Football Team © FFF 2014AP06-WCM - 160x240.indd 1 04/04/14 15:21 TV France International 5, rue Cernuschi 75017 Paris T. +33 (0)1 40 53 23 00 – F. +33 (0)1 40 53 23 01 www.tvfrance-intl.com [email protected] Xavier Gouyou Beauchamps TV France International, the association of French Television program exporters, includes President 150 production and distribution companies which [email protected] represent close to 90% of all French television international sales.
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Série Series and APA Proceedings 2013
2ND SEASON FROM 3RD TO 6TH JULY 2013 PROCEEDINGS 10TH TV CREATIVITY DAY SUMMARY SERIE SERIES – 3-6 July 2013 Opening of Série Series festival p4 Eurodata : the revival of the series market : who, where and how ? p5 Mr Selfridge (GB) – Case study p6 The creation of series in Spain – Discussion p8 Ma Meuf (France) – Case study p10 Eurodata: the new trends of the creation market p12 Crossing Lines (Germany – France) – Case study p14 The sound on series – Discussion p16 A discussion with… John Yorke p20 A discussion with… Nicolas Colin p22 A discussion with… Emmanuel Schwartzenberg p24 Format : a new perspective in development for creating drama – Discussion p25 Line of Duty (GB) – Case study p28 Moone Boy (Ireland) - Case study p30 Rita (Denmark) – Case study p32 Braunschlag (Austria)- Case study p34 Utopia (GB) – Case study p36 Turkey: a new eldorado for TV series ? – Discussion p38 Downton Abbey (GB) – Case study p40 Un Village français / The Line (France) – Case study p43 Una Mamma Imperfetta (Italy) – Case study p46 Death of a Pilgrim (Sweden) – Case study p48 Dos au Mur – Do not cross the line (France) – Case study p50 30 degrees in February (Sweden) – Case study p52 Real Humans – Saison 2 (Sweden) – Case study p54 Scènes de ménages / Couples who clash (France) – Case study p56 According to Robert (Netherlands) – Case Study p58 Clan (Belgium) – Case Study p60 Broadcasters’ Conclave p62 Série Series evening events and ceremonies p64 APA – 10th TV Creativity Day – 4th July 2013 Opening of APA TV Creativity Day p68 Speech made by Gilles
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