The Last Tyrants of Athens
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The Romanization of Attic Ritual Space in the Age of Augustus
The Romanization of Attic Ritual Space in the Age of Augustus Item Type text; Electronic Thesis Authors Benavides, Makayla Lorraine Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:30:47 Link to Item http://hdl.handle.net/10150/633170 THE ROMANIZATION OF ATTIC RITUAL SPACE IN THE AGE OF AUGUSTUS by Makayla Benavides ____________________________ Copyright © Makayla Benavides 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 1 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certify that we have read the thesis prepared by Makayla Benavides titled The Romanizationof Attic Ritual Space in the Age ofAugustus and recommend that it be accepted as fulfillingthe dissertation requirement for the Master's Degree. Date: .r- / - :.?CJ/ 5f David Soren Date: S - I - 2..o I � Mary E Voyatzis David Gilman Romano Date: ----- [Committee Member Name} Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfillingthe Master's requirement. -
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
The Temple Classics
THE TEMPLE CLASSICS Edited by W. H. D. ROUSE M.A. First iss_t *f titis Edition, J898 ; R#printtd t908 , 191o PRINTZD IN OJUgAT BH|TAIN In compliance with eurre,lt copyright law, the Univer- sity of Minnesota Bindery produced this facsimile on permanent-durable paper to replace the irreparably deteriorated original volume owned by the University Library. 1988 TO THE MOST HIGH AND MIGHTV PRINCESS ELIZABETH By the Grace of God, of F.mghmd, France, It_ Ireland Queen, Defender of the Fltith, etc. U_DER hope of your Highness' gracious and accus- To the . tomed favour, I have presumed to present here wiaeamd _unto your Majesty, Plutarch's Lives translated, as virtuo,,- • a book fit to be protected by your Highness, and Queea -meet to be set forth in English--for who is , fitter to give countenance to so many great states, - than such an high and mighty Princess ._ who is fitter to revive the dead memory of their _', fame, than she that beareth the lively image of ...their vertues ? who is fitter to authorise a work _of so great learning and wisedom, than she whom all do honour as the Muse of the world ? Therefore I humbly beseech your Majesty, to -_suffer the simpleness of my translation, to be covered under the ampleness of your Highness' pro- _gtecfion. For, most gracious Sovereign, though _-this book be no book for your Majesty's self, =who are meeter to be the chief stone, than a '_student therein, and can better understand it in Greek, than any man can make in English: ' U;k_. -
Cleruchy"Money
SOME ATHENIAN "CLERUCHY"MONEY In the Tresor des mlionnaiesd'Athenes Jean Svoronos has assembled on plate 25 a heterogeneous collection of bronze coins under the description " Monnaies des clerouques atheniens, 255 a 229." 1 The fifty pieces are arranged in nine distinct series and distributed among five supposed cleruchies: Methana, Aegina, Eleusis, Skiathos, and Peparethos.2 Although it is my belief that all of these bronzes are incorrectly attributed, it is planned in the confines of the present paper to discuss only 1 Grateful acknowledgment is made to Professor and Mrs. T. Leslie Shear, to Professor Oscar Broneer, and to Mr. W. K. Pritchett for their kindness in reading the manuscript in whole or in part and for their helpful suggestions regarding it. To Professor Earle Caley I am indebted for the three new analyses referred to in Appendix I, and to Miss Gladys Davidson for permission to reproduce on Plate I a coin from her collection. Members of the Agora staff have been most kind in furnishing topographical data. 2 Methana 1-4. Ob. Head of Zeus r. laureate, border of dots. Re. A 0 E Athena standing r., holding a patera and an owl; border of dots. 5-10. Ob. Head of Artemis r., border of clots. Re. Same as above. A egina 11-12. Ob. Head of Artemis r., border of dots. Re. A (0 E Artemis clad in short chiton advancing r. with a torch in both hands, all in wreath. Eleusis ? 13-14. Ob. Head of Athena r. in crested Corinthian helmet, border of dots. -
University of Groningen Sulla and the Invention of Roman Athens Kuin, Inger N. I
University of Groningen Sulla and the Invention of Roman Athens Kuin, Inger N. I. Published in: Mnemosyne DOI: 10.1163/1568525X-12342370 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Kuin, I. N. I. (2018). Sulla and the Invention of Roman Athens. Mnemosyne, 71(4), 616 – 639 . https://doi.org/10.1163/1568525X-12342370 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 01-10-2021 Mnemosyne 71 (2018) 616-639 brill.com/mnem Sulla and the Invention of Roman Athens Inger N.I. -
'Sulla Epaphroditos'?
CHAPTER ONE WHY ‘SULLA EPAPHRODITOS’? A good starting point for this discussion is provided by the events that took place in Boeotia during and immediately after the Mithridatic War. The literary sources indeed offer many interesting, if isolated, ele- ments, which may be viewed as symptoms of more widespread patterns. What matters most to this discussion, however, is that the history of the region during this period is closely linked to the panhellenic sanctuar- ies, a front of the Sullan campaign in Greece, which turned out to be decisive in his relations with the Greek world as a whole. Sulla’s depredation of the Greek sanctuaries is reported by Plutarch, who links the siege of Athens directly to Sulla’s need for fresh re- sources.1 Interestingly, he stresses an aspect of Sulla’s conduct before and after the conquest of Athens: his striking, even appalling indiffer- ence towards Greek religious institutions and sanctuaries. According to Plutarch, when Sulla sent Caphis of Titheora, a Greek member of his entourage, to collect the treasure of the Delphic Amphictyony, his envoy was extremely wary and ended by bursting into tears in front of the priests of Apollo, fearing the possible consequences of such an impi- ous act. When he wrote to Sulla claiming that he had witnessed some unfortunate presages, he received a mocking reply and was ordered to withdraw the treasure at any rate.2 Plutarch makes it clear that only political convenience—mainly determined by the need to keep the favour of his army—mattered to Sulla at that stage.3 Piety could happily be left aside and rediscovered after the victory. -
Virtues for the People Aspects of Plutarchan Ethics PLUTARCHEA HYPOMNEMATA
virtues for the people aspects of plutarchan ethics PLUTARCHEA HYPOMNEMATA Editorial Board Jan Opsomer (K.U.Leuven) Geert Roskam (K.U.Leuven) Frances Titchener (Utah State University, Logan) Luc Van der Stockt (K.U.Leuven) Advisory Board F. Alesse (ILIESI-CNR, Roma) M. Beck (University of South Carolina, Columbia) J. Beneker (University of Wisconsin, Madison) H.-G. Ingenkamp (Universität Bonn) A.G. Nikolaidis (University of Crete, Rethymno) Chr. Pelling (Christ Church, Oxford) A. Pérez Jiménez (Universidad de Málaga) Th. Schmidt (Université de Fribourg) P.A. Stadter (University of North Carolina, Chapel Hill) VIRTUES FOR THE PEOPLE ASPECTS OF PLUTARCHAN ETHICS Edited by GEERT ROSKAM and LUC VAN DER STOCKT Leuven University Press © 2011 Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium) All rights reserved. Except in those cases expressly determined by law, no part of this publication may be multiplied, saved in an automated datafile or made public in any way whatsoever without the express prior written consent of the publishers. ISBN 978 90 5867 858 4 D/2011/1869/3 NUR: 735-732 Design cover: Joke Klaassen Contents Efficiency and Effectiveness of Plutarch’s Broadcasting Ethics 7 G. Roskam – L. Van der Stockt 1. Virtues for the people Semper duo, numquam tres? Plutarch’s Popularphilosophie on Friendship and Virtue in On having many friends 19 L. Van der Stockt What is Popular about Plutarch’s ‘Popular Philosophy’? 41 Chr. Pelling Plutarch’s Lives and the Critical Reader 59 T.E. Duff Greek Poleis and the Roman Empire: Nature and Features of Political Virtues in an Autocratic System 83 P. -
Athens DIRECTIONS
Athens DIRECTIONS WRITTEN AND RESEARCHED BY John Fisher and Paul Hellander NEW YORK • LONDON • DELHI www.roughguides.com 2 Tips for reading this e-book Your e-book Reader has many options for viewing and navigating through an e-book. Explore the dropdown menus and toolbar at the top and the status bar at the bottom of the display window to familiarize yourself with these. The following guidelines are provided to assist users who are not familiar with PDF files. For a complete user guide, see the Help menu of your Reader. • You can read the pages in this e-book one at a time, or as two pages facing each other, as in a regular book. To select how you’d like to view the pages, click on the View menu on the top panel and choose the Single Page, Continuous, Facing or Continuous – Facing option. • You can scroll through the pages or use the arrows at the top or bottom of the display window to turn pages. You can also type a page number into the status bar at the bottom and be taken directly there. Or else use the arrows or the PageUp and PageDown keys on your keyboard. • You can view thumbnail images of all the pages by clicking on the Thumbnail tab on the left. Clicking on the thumbnail of a particular page will take you there. • To bookmark a page, click on the Bookmark tab on the left. Select New Bookmark from the dropdown menu and add your own description. • You can use the Zoom In and Zoom Out tools (magnifying glass) to magnify or reduce the print size: click on the tool, then enclose what you want to magnify or reduce in a rectangle. -
Attic Inscriptions in UK Collections British School at Athens
Attic Inscriptions in UK Collections British School at Athens Stephen Lambert AIUK VOLUME BRITISH SCHOOL 2 AT ATHENS 2018 AIUK Volume 2 Published 2018 AIUK is an AIO Papers series ISSN 2054-6769 (Print) ISSN 2054-6777 (Online) Attic Inscriptions in UK Collections is an open access AIUK publication, which means that all content is available without Attic Inscriptions charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the in UK Collections full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n a This paper is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Licence. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. This paper is part of a systematic publication of all the Attic inscriptions in UK collections by Attic Inscriptions Online as part of a research project supported by the Arts and Humanities Research Council (AHRC). PRINCIPAL PROJECT AIO ADVISORY INVESTIGATOR TEAM BOARD Stephen Lambert Peter Liddel Josine Blok Polly Low Peter Liddel Robert Pitt Angelos P. Matthaiou Finlay McCourt Douglas Olson Irene Vagionakis P.J. Rhodes For further information see atticinscriptions.com PREFACE As with volume 1 of AIUK, on the Athenian inscription in Petworth House, preparation of volume 2 has entailed revisiting material I first worked on some twenty years ago, when preparing an edition of the stone inscriptions in the British School at Athens (BSA), Attic and non-Attic, ABSA 95, 2000, 485-516 (summarised at SEG 50.1705). -
Views of Rome in Athenian Inscriptions Connor Q
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 4-23-2017 The oS vereign Ideal: Views of Rome in Athenian Inscriptions Connor Q. North [email protected], [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Classics Commons Recommended Citation North, Connor Q., "The oS vereign Ideal: Views of Rome in Athenian Inscriptions" (2017). Classics Honors Projects. 23. http://digitalcommons.macalester.edu/classics_honors/23 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. The Sovereign Ideal: Views of Rome in Athenian Inscriptions By Connor Q. North Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted April 23rd, 2017 N o r t h | 1 Chapter 1: Introduction At the peak of Athenian influence in the fifth century BCE its envoys addressed independent states in the same terms that the defeated Athens would later describe Rome.1 The course of events that led to the effective annexation of Athens in 27 BCE illustrates the gradual erosion of Athenian authority in easy contrast to the ascent of Rome; and yet, the rhetorical evidence that survives for us in the literary and epigraphic record reveals no such decline.2 Instead, -
The Roman View of Parthia in the Early Principate
Defining the alter orbis: The Roman View of Parthia in the Early Principate. by Steven Hill University of Wales, Trinity Saint David Classics Department Under the Supervision of Dr. Kyle Erickson 5th April 2013 1 Master’s Degrees by Examination and Dissertation Declaration Form. 1. This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed… Steven Hill Date 5/04/2013……………………………………………………... 2. This dissertation is being submitted in partial fulfilment of the requirements for the degree of …Master of Arts…………………………………………................. Signed …… Steven Hill…………………………………………………………………. Date 5/04/2013………………………………………………………………..…………... 3. This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed candidate: …Steven Hill…………………………………………….………………. Date: 5/04/2013 …………………………………………………….………………………. 4. I hereby give consent for my dissertation, if accepted, to be available for photocopying, inter- library loan, and for deposit in the University’s digital repository Signed (candidate)…Steven Hill…………………………………….………….…………... Date…5/04/2013……………………………………………….…………….…………….. Supervisor’s Declaration. I am satisfied that this work is the result of the student’s own efforts. Signed: ………………………………………………………………………….. Date: ……………………………………………………………………………... 2 Table of Contents Abstract 4 Introduction 5 Chapter One: Knowledge 11 Chapter Two: Interpretation 24 Chapter Three: Effect 44 Conclusion 56 Bibliography 59 Index of Images 71 3 Abstract During the reign of Augustus the idea of Parthian Empire as an alter orbis was developed. For the Romans of the early Principate, the kingdom of the Arsacids represented the antithesis of their own values, embodying the vices of despotism and licentiousness. -
From the Gracchi to Nero: a History of Rome 133 BC to AD 68
From the Gracchi to Nero ‘Still the best introduction to Roman history’ Miriam Griffin, University of Oxford, UK ‘For a concise, factual narrative of the Roman world’s trau- matic transformation from Republic to Empire, [it] remains unsurpassed. As a foundation for university and college courses, it is invaluable.’ Richard Talbert, University of North Carolina, Chapel Hill, USA ‘Without a rival as a guide to the intricacies of Republican politics.’ Greg Woolf, University of St. Andrews, UK ‘A classic textbook: clear, authoritative and balanced in its judgements . it has established itself as the fundamental modern work of reference for teachers, sixth-formers and university students . it is still the best and most reliable modern account of the period.’ Tim Cornell, University of Manchester, UK ‘This book is a modern classic. It provides a clear narrative of the two centuries from 133 B.C. to 68 A.D., but it is espe- cially valuable for Scullard’s extensive footnotes which pro- vide undergraduates with both the ancient sources and the most important scholarly contributions.’ Ronald Mellor, University of California at Los Angeles, USA H. H. Scullard From the Gracchi to Nero A history of Rome from 133 b.c. to a.d. 68 With a new foreword by Dominic Rathbone London and New York First published 1959 by Methuen & Co. First published in Routledge Classics 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Avenue, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010.