How to Optimize Knowledge Construction in the Brain ✉ Marlieke Tina Renée Van Kesteren 1,2,3 and Martijn Meeter1,3
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20 Memory Techniques
20 Memory Techniques Experiment 1,viththese techniques to develop a.flexible, custom-made memm}" system that fits your stJ:fe qf learning the content <ifyour courses and the skills <~/'your,sport. 17w 20 techniques are divided intnfour categories, each 1-vhichrepresents a general principlefiJr improving mem.ory. Organize it 1. Be selective. To a large degree, the art of memory is the a,t of selecting what to remember in the first place. As you dig into your textbooks, playbooks. and notes, make choices about what is most important to learn. Imagine that you are going to create a test on the material and consider the questions you would ask. When reading, look for chapter previews, summaries, and review questions. Pay attention to anything printed in bold type. A !so notice visual elements, such as charts, graphs, and illustrations. All of these are clues pointing to what's important. During lectures, notice what the instructor emphasizes. During practice, focus on what your coach requires you to repeat. Anything that presented visually-on the board, on overheads, or with slides-is also key. 2. Make it meaningful. One way to create meaning is to learn from the general to the specific. Before tackling the details, get the big picture. Before you begin your next reading assignment, for example, skim it lo locate the main idea. If you're ever lost, step back and recall that idea. The details might make more sense. You can also organize any list of items-even random ones-in a meaningful way to make them easier to remember. -
Memory-Modulation: Self-Improvement Or Self-Depletion?
HYPOTHESIS AND THEORY published: 05 April 2018 doi: 10.3389/fpsyg.2018.00469 Memory-Modulation: Self-Improvement or Self-Depletion? Andrea Lavazza* Neuroethics, Centro Universitario Internazionale, Arezzo, Italy Autobiographical memory is fundamental to the process of self-construction. Therefore, the possibility of modifying autobiographical memories, in particular with memory-modulation and memory-erasing, is a very important topic both from the theoretical and from the practical point of view. The aim of this paper is to illustrate the state of the art of some of the most promising areas of memory-modulation and memory-erasing, considering how they can affect the self and the overall balance of the “self and autobiographical memory” system. Indeed, different conceptualizations of the self and of personal identity in relation to autobiographical memory are what makes memory-modulation and memory-erasing more or less desirable. Because of the current limitations (both practical and ethical) to interventions on memory, I can Edited by: only sketch some hypotheses. However, it can be argued that the choice to mitigate Rossella Guerini, painful memories (or edit memories for other reasons) is somehow problematic, from an Università degli Studi Roma Tre, Italy ethical point of view, according to some of the theories of the self and personal identity Reviewed by: in relation to autobiographical memory, in particular for the so-called narrative theories Tillmann Vierkant, University of Edinburgh, of personal identity, chosen here as the main case of study. Other conceptualizations of United Kingdom the “self and autobiographical memory” system, namely the constructivist theories, do Antonella Marchetti, Università Cattolica del Sacro Cuore, not have this sort of critical concerns. -
Elaborative Encoding, the Ancient Art of Memory, and the Hippocampus
View metadata, citation and similar papers at core.ac.uk brought to you by CORE BEHAVIORAL AND BRAIN SCIENCES (2013) 36, 589–659 provided by RERO DOC Digital Library doi:10.1017/S0140525X12003135 Such stuff as dreams are made on? Elaborative encoding, the ancient art of memory, and the hippocampus Sue Llewellyn Faculty of Humanities, University of Manchester, Manchester M15 6PB, United Kingdom http://www.humanities.manchester.ac.uk [email protected] Abstract: This article argues that rapid eye movement (REM) dreaming is elaborative encoding for episodic memories. Elaborative encoding in REM can, at least partially, be understood through ancient art of memory (AAOM) principles: visualization, bizarre association, organization, narration, embodiment, and location. These principles render recent memories more distinctive through novel and meaningful association with emotionally salient, remote memories. The AAOM optimizes memory performance, suggesting that its principles may predict aspects of how episodic memory is configured in the brain. Integration and segregation are fundamental organizing principles in the cerebral cortex. Episodic memory networks interconnect profusely within the cortex, creating omnidirectional “landmark” junctions. Memories may be integrated at junctions but segregated along connecting network paths that meet at junctions. Episodic junctions may be instantiated during non–rapid eye movement (NREM) sleep after hippocampal associational function during REM dreams. Hippocampal association involves relating, binding, and integrating episodic memories into a mnemonic compositional whole. This often bizarre, composite image has not been present to the senses; it is not “real” because it hyperassociates several memories. During REM sleep, on the phenomenological level, this composite image is experienced as a dream scene. -
Memory in Mind and Culture
This page intentionally left blank Memory in Mind and Culture This text introduces students, scholars, and interested educated readers to the issues of human memory broadly considered, encompassing individual mem- ory, collective remembering by societies, and the construction of history. The book is organized around several major questions: How do memories construct our past? How do we build shared collective memories? How does memory shape history? This volume presents a special perspective, emphasizing the role of memory processes in the construction of self-identity, of shared cultural norms and concepts, and of historical awareness. Although the results are fairly new and the techniques suitably modern, the vision itself is of course related to the work of such precursors as Frederic Bartlett and Aleksandr Luria, who in very different ways represent the starting point of a serious psychology of human culture. Pascal Boyer is Henry Luce Professor of Individual and Collective Memory, departments of psychology and anthropology, at Washington University in St. Louis. He studied philosophy and anthropology at the universities of Paris and Cambridge, where he did his graduate work with Professor Jack Goody, on memory constraints on the transmission of oral literature. He has done anthro- pological fieldwork in Cameroon on the transmission of the Fang oral epics and on Fang traditional religion. Since then, he has worked mostly on the experi- mental study of cognitive capacities underlying cultural transmission. After teaching in Cambridge, San Diego, Lyon, and Santa Barbara, Boyer moved to his present position at the departments of anthropology and psychology at Washington University, St. Louis. James V. -
VIVEKANANDA and the ART of MEMORY June 26, 1994 M. Ram Murty, FRSC1
VIVEKANANDA AND THE ART OF MEMORY June 26, 1994 M. Ram Murty, FRSC1 1. Episodes from Vivekananda’s life 2. Episodes from Ramakrishna’s life 3. Their memory power compared by Swami Saradananda 4. Other srutidharas from the past 5. The ancient art of memory 6. The laws of memory 7. The role of memory in daily life Episodes from Vivekananda’s life The human problem is one of memory. We have forgotten our divine nature. All the great teachers of the past have declared that the revival of the memory of our divinity is the paramount goal. Memory is a faculty and as such, it is neither good nor bad. Every action that we do, every thought that we think, leaves an indelible trail of memory. Whether we remember or not, the contents are recorded and affect our daily life. Therefore, an awareness of this faculty and its method of operation is vital for healthy existence. Properly employed, it leads us to enlightenment; abused or misused, it can torment us. So we must learn to use it properly, to strengthen it for our own improvement. In studying the life of Vivekananda, we come across many phenomenal examples of his amazing faculty of memory. In ‘Reminiscences of Swami Vivekananda,’ Haripada Mitra relates the following story: One day, in the course of a talk, Swamiji quoted verbatim some two or three pages from Pickwick Papers. I wondered at this, not understanding how a sanyasin could get by heart so much from a secular book. I thought that he must have read it quite a number of times before he took orders. -
Converging Cognitive Enhancements
Converging Cognitive Enhancements ANDERS SANDBERGa AND NICK BOSTROMb aOxford Uehiro Centre for Practical Ethics, Faculty of Philosophy, bOxford Future of Humanity Institute, Faculty of Philosophy & James Martin 21st Century School, Oxford University, Oxford, OX1 1PT, United Kingdom ABSTRACT: Cognitive enhancement, the amplification or extension of core capacities of the mind, has become a major topic in bioethics. But cognitive enhancement is a prime example of a converging technology where individual disciplines merge and issues transcend particular local discourses. This article reviews currently available methods of cognitive enhancement and their likely near-term prospects for convergence. KEYWORDS: cognitive enhancement; cognition; intelligence; biotechnol- ogy; collective enhancement; mental training; converging technologies CONVERGING COGNITIVE ENHANCEMENTS There are few resources more useful than cognitive ability. While other resources are necessary or desirable, cognition enables them to be used for achieving personal goals. While there is little evidence that high intelli- gence causes happiness there appears to be ample evidence that low intel- ligence increases the risk for accidents, negative life events, and low income (Gottfredson 1997, 2004) while higher intelligence promotes health (Whalley and Deary 2001) and wealth. We also need better cognition in order to bal- ance an increasingly complex society where information becomes more avail- able and our actions have more far-reaching consequences (Heylighen 2002a, 2002b). There may also be an intrinsic existential value in being able to per- ceive, understand, and interact well with the world. Cognitive enhancement may be defined as the amplification or extension of core capacities of the mind through improvement or augmentation of internal or external information processing systems. -
The Pulpit & the Memory Palace
Copyright by Ryan Tinetti 2019 !iii THESIS ABSTRACT The following thesis considers the benefits of classical rhetoric for contemporary preaching, with special reference to the classical memorization technique known as the method of loci (or Memory Palace). The goal for this research is to discern how the method of loci can help pastors to “preach by heart,” that is, to internalize the sermon such that they can preach it without notes as though it were an extemporaneous Spirit- prompted utterance. To this end, the thesis is structured around two parts. Following an Introduction that sets out the practical challenges to preaching by heart that attend many pastors, Part 1 provides a survey of classical rhetoric, especially the so-called “modes of persuasion” and “canons of rhetoric,” before then turning specifically to the canon of Memoria (“memory”) and its concomitant practice of the Memory Palace. Part 2 applies the insights of the first part to the process of sermon preparation more broadly, and then walks through the practice of the Memory Palace for preaching in particular. A Conclusion recapitulates the argument and demonstrates the method of loci in practice. !iv To Anne, who knows me by heart !v TABLE OF CONTENTS Abstract iv Acknowledgements vii Introduction: Preaching by Heart 1 Part 1: Classical Rhetoric and the Method of Loci 22 Chapter 1: An Overview of Classical Rhetoric 23 Chapter 2: Memoria and the Method of Loci 43 Part 2: Contemporary Preaching and the Memory Palace 64 Chapter 3: Applying Classical Rhetoric to Sermon Preparation 65 Chapter 4: Constructing the Memory Palace 79 Conclusion: At Home in the Word 104 Bibliography 122 Biography 127 !vi ACKNOWLEDGMENTS To complete a project such as this thesis is to create a profound sense of indebtedness and gratitude to the many people who made it possible. -
The Psychology of Creativity
History of Creativity Research 1 The Psychology of Creativity: A Historical Perspective Dean Keith Simonton, PhD Professor of Psychology University of California, Davis Davis, CA 95616-8686 USA Presented at the Green College Lecture Series on The Nature of Creativity: History Biology, and Socio-Cultural Dimensions, University of British Columbia, 2001. Originally planned to be a chapter in an edited volume by the same name, but those plans were usurped by the events following the 9/11 terrorist attack, which occurred the day immediately after. History of Creativity Research 2 The Psychology of Creativity: A Historical Perspective Psychologists usually define creativity as the capacity to produce ideas that are both original and adaptive. In other words, the ideas must be both new and workable or functional. Thus, creativity enables a person to adjust to novel circumstances and to solve problems that unexpectedly arise. Obviously, such a capacity is often very valuable in everyday life. Yet creativity can also result in major contributions to human civilization. Examples include Michelangelo’s Sistine Chapel, Beethoven’s Fifth Symphony, Tolstoy’s War and Peace, and Darwin’s Origin of Species. One might conclude from these observations that creativity has always been one of the central topics in the field. But that is not the case. Although psychology became a formal discipline in the last few decades of the 19th century, it took several generations before the creativity attracted the attention it deserves. This neglect was even indicated in the 1950 Presidential Address that J. P. Guilford delivered before the American Psychological Association. Nevertheless, in the following half century the field could claim two professional journals – the Journal of Creative Behavior and the Creativity Research Journal – several handbooks (e.g., Sternberg, 1999), and even a two-volume Handbook of Creativity (Runco & Pritzker, 1999). -
Stories to Make Us Human: Twenty-First-Century Dystopian
MELISSA CRISTINA SILVA DE SÁ Stories to Make Us Human: Twenty-First-Century Dystopian Novels by Women BELO HORIZONTE 2020 MELISSA CRISTINA SILVA DE SÁ Stories to Make Us Human: Twenty-First-Century Dystopian Novels by Women Tese de doutorado apresentada ao Programa de Pós-Graduação em Estudos Literários da Facul- dade de Letras da Universidade Federal de Minas Gerais, como requisito parcial para obtenção do título de Doutora em Letras: Estudos Literários. BELO HORIZONTE 2020 To the ones who dare to dream new worlds. Acknowledgements Research as extensive as the one required for a Ph.D. dissertation cannot be done without the support of many people and institutions. I want to express my gratitude to all the ones that were part of this process for their patience and unconditional dedication. Without any particular order, I recognize the importance of the following: Instituto Federal de Minas Gerais – IFMG – for the eighteen-month paid leave that allowed me to do my research. I also thank my fellow professors at the institution, namely Anderson de Souto and Thadyanara Martinelli, who spent their time talking to me about the crazy new worlds I studied between classes. Professor Julio Jeha, my advisor, who helped me to refine all my arguments and consider diverse viewpoints. I thank you for making me a better and more mature researcher. Also, the meetings at Intelligenza were quite memorable. Diego Malachias, my husband and colleague, whom I met at the beginning of this journey. What a story we have to tell! Thank you for being such a fantastic companion – both in life and academia. -
Moonwalking with Einstein
Moonwalking With Einstein jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjjjjjj Let’s Connect! jjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjj jjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjj jjjjjjjjjjjjjj jjjjjjjjjjjjjjjjjj jjjjjjjjjjjjjj jjjjjjjjjjjjjj Moonwalking With Einstein, Joshua Foer My Rating (From 0-5) Complexity (From 0-10) 5 Summary What makes an expert? Is it the amount of years they have under their belt? Or a specific certification? In this book, Joshua Foer will challenge our preconceived notions of expertise. He’ll show us how the tops in each field aren’t just better because they’ve been there long enough, or have the certifications, but instead because they’ve trained their memory to hold enough valuable memories so that when a situation presents they rely on intuition rather than analysis. My Takeaway In the coming future algorithms will fundamentally transform the world we see today. From analysis based fields like accounting to finance, to creative fields like journalism, nursing, you name it and algorithms will have more value than humans in each job role. But it’s not all doom and gloom. What the algorithms can’t do, and will never do (we think), is replace the inherent intuition each of us has. These are the big ideas, the solutions that seem out of nowhere and come about in split seconds. The author points to stories of experts in SWAT, and how they can sense danger ten seconds before any of the entry or mid-level officers. He also supports this with the best chess players. No matter the niche, each expert pulls from intuition, from long term memory, NOT analysis – what the computer can do. -
Openness to Experience: a Four-Factor Model and Relations to Creative Achievement in the Arts and Sciences
SCOTT BARRY KAUFMAN Opening up Openness to Experience: A Four-Factor Model and Relations to Creative Achievement in the Arts and Sciences ABSTRACT Openness to experience is the broadest personality domain of the Big Five, includ- ing a mix of traits relating to intellectual curiosity, intellectual interests, perceived intelligence, imagination, creativity, artistic and aesthetic interests, emotional and fan- tasy richness, and unconventionality. Likewise, creative achievement is a broad con- struct, comprising creativity across the arts and sciences. The aim of this study was to clarify the relationship between openness to experience and creative achievement. Toward this aim, I factor analyzed a battery of tests of cognitive ability, working mem- ory, Intellect, Openness, affect, and intuition among a sample of English Sixth Form students (N = 146). Four factors were revealed: explicit cognitive ability, intellectual engagement, affective engagement, and aesthetic engagement. In line with dual- process theory, each of these four factors showed differential relations with personality, impulsivity, and creative achievement. Affective engagement and aesthetic engagement were associated with creative achievement in the arts, whereas explicit cognitive ability and intellectual engagement were associated with creative achievement in the sciences. The results suggest that the Intellectual and Openness aspects of the broader openness to experience personality domain are related to different modes of information processing and predict different -
Transference of Memory Strategies to Academic Learning and Memory
Transference of Memory Strategies to Academic Learning and Memory Sports Nicholas Solomon Ellis, Department of Communication Sciences and Disorders Faculty Sponsors Drs. Crystal Randolph, & Ruth Renee Hannibal Department of Communication Sciences and Disorders Abstract Methodology Results (continued) Memory is the process of recalling what has been learned and retained The participant is a college student who began to learn MTs in September memory techniques were higher for the memory games than especially through associative mechanisms. Anatomically, this includes 2015. The participant initially learned the MTs to learn Spanish vocabulary the academic assessment. electrical impulses fired in our brains to relay information. When we and then subsequently used the MTs to help learn course content. The learn new information, we use our memories to help recall the participant was given 2 tasks, one academic learning assessment and 2 Percentage of Responses Attributable to Memory information stored in our brains. Without memory, there is no access to Techniques memory sports games. The academic learning assessment was created by a 120 using stored information. Mnemonics are techniques used to improve professor in the participant’s major department and included 12 questions and enhance memory. Other memory techniques include but are not from content learned in courses taken Fall 2015. The questions were 100 s e s limited to, the method of loci, peg systems, and phonetic systems. n 80 developed based on Bloom’s taxonomy and were related to language o p s E From these systems spawned competitions, memory sports, which R development, phonetics, and general knowledge of CSD. Each section f o 60 e g have created remarkable feats of memorization.