Laurent Terzieff
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Of Gods and Men
Mongrel Media Presents OF GODS AND MEN A Film by Xavier Beauvois (120 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. PREAMBLE In 1996 the kidnapping and murder of the seven French monks of Tibhirine was one of the culminating points of the violence and atrocities in Algeria resulting from the confrontation between the government and extremist terrorist groups that wanted to overthrow it. The disappearance of the monks – caught in a vice between both sides- had a great and long-lasting effect on the governments, religious communities and international public opinion. The identity of the murderers and the exact circumstances of the monks‟ deaths remain a mystery to this day. -
Topaz (1969 Film) Actors List (Cast)
Topaz (1969 film) Actors List (Cast) John Forsythe https://www.listvote.com/lists/film/actors/john-forsythe-315217/movies Michel Subor https://www.listvote.com/lists/film/actors/michel-subor-561288/movies Sándor Szabó https://www.listvote.com/lists/film/actors/s%C3%A1ndor-szab%C3%B3-1293775/movies Ben Wright https://www.listvote.com/lists/film/actors/ben-wright-2895601/movies Tina Hedström https://www.listvote.com/lists/film/actors/tina-hedstr%C3%B6m-548189/movies Ann Doran https://www.listvote.com/lists/film/actors/ann-doran-450047/movies Abel Fernandez https://www.listvote.com/lists/film/actors/abel-fernandez-2821506/movies Carlos Rivas https://www.listvote.com/lists/film/actors/carlos-rivas-2939437/movies Lew Brown https://www.listvote.com/lists/film/actors/lew-brown-15462667/movies Philippe Noiret https://www.listvote.com/lists/film/actors/philippe-noiret-106482/movies Roberto Contreras https://www.listvote.com/lists/film/actors/roberto-contreras-691844/movies Alfred Hitchcock https://www.listvote.com/lists/film/actors/alfred-hitchcock-7374/movies Michel Piccoli https://www.listvote.com/lists/film/actors/michel-piccoli-295257/movies Dany Robin https://www.listvote.com/lists/film/actors/dany-robin-279382/movies Sonja Kolthoff https://www.listvote.com/lists/film/actors/sonja-kolthoff-4959435/movies Carlos Rivas https://www.listvote.com/lists/film/actors/carlos-rivas-2459757/movies Frederick Stafford https://www.listvote.com/lists/film/actors/frederick-stafford-670311/movies Gregory Gaye https://www.listvote.com/lists/film/actors/gregory-gaye-3116367/movies -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. -
PROGRAMMATION Cine MEAUX CLUB
CINE MEAUX CLUB SAISON XIV septembre 2011 - juin 2012 L’ASSO C IATION CINÉ MEAUX CLUB Le CINÉ MEAUX CLUB est une association qui a pour objet de promouvoir la culture ciné- matographique et de la diffuser par les films en organisant des débats. L’adhésion à l’association Ciné Meaux Club est de 7 € pour la saison 2011/2012. Vous pouvez adhérer au guichet du Majestic ou par correspondance en nous faisant parve- nir vos coordonnées (nom, prénom, adresse postale, adresse électronique, âge, pro- fession) et votre règlement. En retour, nous vous remettrons votre carte d’adhérent, qu’il conviendra de présenter au guichet du cinéma Majestic avant chaque séance. La carte permet d’accéder aux séances ciné-club, aux séances commerciales complé- mentaires ainsi qu’aux séances Recadrage du Majestic au tarif de 5 €. Toutes les séances associatives non commerciales sont accompagnées d’une inter- vention d’un spécialiste du cinéma. Néanmoins, la programmation comme la présen- ce des intervenants ou des réalisateurs (leçons de cinéma) restent sous réserves. La Fédération des ciné-clubs s’efforce de fournir à ses adhérents les meilleures copies existantes des films programmés. Toutefois, certains films n’existent que dans des co- pies dans un état médiocre, mais a priori passable. Le Ciné Meaux Club prend donc le parti de projeter ces films du répertoire, sans pouvoir garantir que la projection se déroule sans incident. L’ÉQUIPE DU CINÉ MEAUX CL UB PRÉSIDENTS D’HONNEUR PRÉSIDENT Bertrand Tavernier Jérôme Tisserand Philippe Torreton VI C E -PRÉSIDENT PARRAIN D’HONNEUR Noé Merle N. T. -
Dossier De Presse 10E Semaine Du
e ÉDITION1 0 2013 14-19 JANVIER À PARIS 20-27 JANVIER PARTOUT EN FRANCE BRUXELLES GENÈVE MONTRÉAL QUÉBEC TÉLÉVISION Murmurer Bruit au travail au Bruit Attention Fichier son Niveau sonore Niveau MALENTENDANCE PROJECTION Amplication musique de Instrument Baladeur 3D expression SONORISATION Calme Otorhinololaryngologiste HAUT-PARLEUR Chaos MESURE Réverbération La voix au théâtre au voix La Bruit de fond THÉÂTRE Zone d’écoute TECHNOLOGIES MUSICIEN SONOGRAMME DÉCIBEL TÉLÉPHONE Repère sonore Repère Studio d’enregistrement Studio AUDIOPROTHÈSE Environnement CRIER Santé auditive cinéma au sonores niveaux Les Santé Bruit et violence dans les lieux publics Auditeur Espace public CASQUE Expression musicale et pédagogie et musicale Expression ORCHESTRE Silence diffusion et Enregistrement Sciences DIFFUSION Troubles auditifs +Lð BRUIT CINÉMA Le son spatialisé VACARME INTERNET RELATION IMAGE ET SON Réflexion PAYSAGE SONORE Bébé Qualité sonore Entente expression OUÏE APPAREILLAGE S’entendre Surdité SONNERIE LaVOIX AMPLIFICATION SemaineECHO Ingénieur du son Enregistrement et diffusion Bien-être La pédagogie de l’écoute HOMME OREILLES Audition MUSIQUE ALARME ENTENDRE HARMONIE BRUIT ENFANT ŒUVRE Clavier maître Ecoute Interaction desdu tout-petits avec Son leur environnement sonore CHANTER SOCIÉTÉ NATURE Violence RISQUES AUDITIFS MICROPHONE S’ÉCOUTER Sweetspot RADIO SON SPATIALISÉ Acoustique et environnement sonore MIXAGE VOISINAGE Correction acoustique isolation absorption MALAUDITION Les métiers du son Symphonie TRAITEMENT ACOUSTIQUE localisation CHORALE -
Autour De La Question De L'acteur Et L'équipe De Film Entretien Avec
Autour de la question de l’acteur et l’équipe de film Entretien avec Philippe Laudenbach1 par Bérénice Bonhomme J Né en 1936, Philippe Laudenbach se forme au Conservatoire de Paris (CNSAD). Il sert sur scène aussi bien les auteurs classiques que les contemporains : Ionesco, Valéry, Aymé, Sartre, Pirandello, Molière, Brecht, Agatha Christie, Slawomir Mrozek, Jean- Claude Grumberg ou Ronald Harwood. Au cours d’une carrière au cinéma de plus de cinquante ans, Philippe Laudenbach a tourné avec les plus grands : Alain Resnais, François Truffaut, Claude Lelouch, Claude Sautet, Éric Rohmer, Jean-Jacques Beineix, Claude Miller, Xavier Beauvois, entre autres. Il a participé régulièrement à des premières œuvres (notamment celles de Arnaud Desplechin, Olivier Assayas…). Il travaille aussi très régulièrement à la télévision, pour des téléfilms ou des séries (par exemple, Les Prédateurs de Lucas Belveaux, où il incarnait François Mitterrand, ou Braquo II en 2011). * Faire partie de la même équipe À partir d’un moment où l’on vous contacte pour un rôle, on entre dans une « équipe ». Ce n’est pas uniquement une aventure avec un réalisateur et on est curieux de rencontrer l’équipe. Je ne fais pas de distinction entre l’équipe technique et l’équipe acteur. Peut- être un peu à la cantine, par automatisme. Les gens s’y regroupent par spécialités. On y voit les gens du décor avec les gens du décor, les gens du son 1 Entretien réalisé le 15 novembre 2019. 339 2021 © Création Collective au Cinéma avec le son. Mais on a tous en tête l’idée du film et on est tous sensibles à la façon dont chacun entre dans le film. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
1 Rapport D'activité 2010
Rapport d’activité 2010 RAPPORT D’ACTIVITÉ 2010 Rapport d’activité 2010 TABLE DES MATIERES Editorial ....................................................................................................................................................................... 3 I LES ACTIVITES PROPOSEES AU PUBLIC EN 2010..........................................................................................5 1 La programmation des films ................................................................................................................................ 6 2 Les expositions.................................................................................................................................................. 10 3 L’action culturelle............................................................................................................................................... 12 4 La Bibliothèque du film ...................................................................................................................................... 20 5 La Librairie et le restaurant................................................................................................................................ 22 6 Les invités de la Cinémathèque ........................................................................................................................ 23 II LES COLLECTIONS............................................................................................................................................25 1 Enrichissement -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
L'amore Secondo Truffaut
L’amore secondo Truffaut Gianfranco Bettin Lattes The extensive filmography of the French filmmaker is revisited under the perspective of the phenomenology of love in order to understand his views on the subject. The essay traces also the interesting intertwining between the sentimental biography of Truffaut and his films. “Perché la vita è fatta in modo tale che non si può fare a meno di amare e di essere amati” (François Truffaut, intervista a “Télérama”, 8 marzo1976) La vita e lo schermo. Perché riflettere sull’opera di un regista cinematografico mi- tizzato dalla critica e da un certo tipo di pubblico1, adottando l’amore come 1 Lo spazio a disposizione non consente una ricostruzione, nemmeno breve, dei contenuti narrativi dei vari film citati. Per questo dato, peraltro indispensabile, si rinvia all’ottimo lavoro di Paola Malanga, Tutto il cinema di Truffaut, Baldini Castoldi Dalai, Milano, 2008. Tengo, poi, SOCIETÀMUTAMENTOPOLITICA, ISSN 2038-3150, vol. 2, n. 4, pp. 285-316, 2011 www.fupress.com/smp – © Firenze University Press 286 SOCIETÀMUTAMENTOPOLITICA filtro di lettura? Prima di tutto perché l’amore rappresenta uno dei fili condut- tori unificanti dell’intera filmografia truffautiana. Sul punto Truffaut stesso non potrebbe esser più esplicito: «Sì. È il soggetto più importante. Il soggetto dei soggetti. Merita che gli si consacri metà di una carriera (come Bergman) o tre quarti (come Renoir). Perché ogni racconto ha un suo valore, come un amore che è unico. Immagini un tipo che nella vita non leggerà che romanzi d’amore e vedrà solo film d’amore. Io credo che quest’uomo accederà ad una certa for- ma di cultura, di conoscenza molto preziosa. -
Henri-Georges Clouzot's L'enfer
Edinburgh Research Explorer Henri-Georges Clouzot's L'Enfer Citation for published version: Schmid, M 2014, 'Henri-Georges Clouzot's L'Enfer: Modern cinema at the crossroads of the arts', Modern Language Review, vol. 109, no. 1, pp. 75-95. https://doi.org/10.5699/modelangrevi.109.1.0075 Digital Object Identifier (DOI): 10.5699/modelangrevi.109.1.0075 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Modern Language Review Publisher Rights Statement: Schmid, M. (2014). Henri-Georges clouzot's l'enfer: Modern cinema at the crossroads of the arts. Modern Language Review, 109(1), 75-95. 10.5699/modelangrevi.109.1.0075 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 1 HENRI-GEORGES CLOUZOT’S L’ENFER: MODERN CINEMA AT THE CROSSROADS OF THE ARTS ‘Le créateur est le catalyseur intuitif de toutes les informations de son temps.’ Victor Vasarély Henri-Georges Clouzot occupies an ambiguous place in the history of French cinema.