National Register Nomination Case Report HEARING DATE: JANUARY 17, 2018
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Oral History Interview with Maxine Albro and Parker Hall, 1964 July 27
Oral history interview with Maxine Albro and Parker Hall, 1964 July 27 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface ORAL HISTORY INTERVIEW WITH MAXINE ALBRO HALL AND PARKER HALL CONDUCTED JULY 27, 1964, BY MARY MCCHESNEY, IN CARMEL, CALIF. Interview MARY McCHENSNEY: First, I'd like to ask you a few questions about where you had your art school training. According to this little brochure that you have from your last exhibition, which was in January this year, did you say you studied in San Francisco? MAXINE ALBRO: Well -- first I began at the California School of Fine Arts and then I went for one winter to the Art Students League in New York. Then the next year I went to the Ecole de la Grande Chaumiere in Paris and then after coming home, I decided to go to Mexico and study with Diego Rivera. I did get down to Mexico and I did study fresco painting with Diego's assistant but I never studied with Diego, himself. I watched him (Diego) as he worked and got acquainted with him and we talked a little bit, a little bit in Spanish, a little bit in English. I enjoyed talking and watching him but I never studied with Diego. Although watching Diego was very beneficial to me. MS. McCHESNEY: What was the name of the man you studied with, Diego's assistant? MS. ALBRO: Paul O'Higgins was his assistant. He was an American young man and helped Diego in many ways. -
Fort Mason Extension SPUR Preso 101911
Extending Success: Streetcars to Ft. Mason Rick Laubscher, Doug Wright, Rich Hillis SPUR, October 19, 2011 Historic Streetcars: Huge SF Success ! “Trolley Festival” started Trolley Festival, 1983 momentum 28 years ago ! Used Market St. surface track ! Chamber-City joint project ! Mayor Feinstein was champion ! Community support led to: ⊕" 5-summer run ⊕" Adoption of permanent F-line F-line, Pier 39, 2000 ! F-line open 1995; to Wharf 2000 ! Today: 23,000+ daily riders ⊕" Most popular vintage line in U.S. ⊕" Service increased to meet demand ⊕" Still more service needed Rail’s Role: Commerce, Commuters, Defense Ferry Bldg. 1927 ! Waterfront rail – 1900-c.1960s ⊕" State Belt freight RR served piers ⊕" Supplies, troops carried to Fort Mason & Presidio on Army track ⊕" 25 streetcar lines served waterfront ♦"World’s 2nd busiest transit hub ! Maritime & defense evolved ⊕" Waterfront’s face changed forever ⊕" Today: recreation, visitor oriented Troop Train at Crissy Field 1941 Fort Mason Streetcar History ! Muni’s H-line served Fort Mason 1914-1948 Fort Mason Streetcar Revival ! Historic waterfront streetcar line repeatedly proposed ⊕" 1970: San Francisco Tomorrow suggests waterfront route ⊕" 1979: First Muni Embarcadero streetcar proposal included in plan ⊕" 1980: GGNRA General Management Plan proposes historic streetcar shuttle from Aquatic Park to Crissy Field ⊕" 1985: I-280 Transfer Study evaluates Caltrain-Fort Mason route ⊕" 2000: F-line extension opens to Wharf ⊕" 2001: Fort Mason Center, Fisherman’s Wharf Merchants, Market Street Railway -
San Francisco Museum & Historical Society Complete List of Argonaut Articles
San Francisco Museum & Historical Society Complete List of Argonaut Articles Vol. 1, No. 1 Spring, 1990 Great San Francisco Fire and Earthquake of 1906: Arthur C. Poore My Experiences and Impressions Vol. 1, No. 1 Spring, 1990 Provincial Italian Cuisines - San Francisco’s Role Deanna Paoli Gumina as Conservator of the Italian Heritage Vol. 2, No. 1 Fall, 1991 1906 Afterquakes: Unsung Heroes and Political Mae Silver Scandal Vol. 2, No. 1 Fall, 1991 What Really Happened to Police Chief Biggy? Kevin Mullen Vol. 3, No. 1 Winter, 1992 Lone Mountain & Laurel Hill Cemeteries Deanna L. Kastler Vol. 3, No. 1 Winter, 1992 Vigilante Rebirth: The Civil War Union League Dr. Robert J. Chandler Vol. 4, No. 1 Summer, 1993 Histories and Mysteries Don Herron Vol. 4, No. 1 Summer, 1993 Call Building: San Francisco’s Forgotten Ellen Klages Skyscraper Vol. 4, No. 1 Summer, 1993 History of Union Square Gregory J. Nuno Vol. 5, No. 1 Spring, 1994 Pictures of an Exposition: Isaiah W. Taber and the Rodger C. Birt San Francisco Midwinter Fair Vol. 5, No. 1 Spring, 1994 San Francisco’s Fallen Starr: The Death and Richard H. Peterson Legacy of Thomas Starr King in Calif.1860-64 Vol. 5, No. 1 Spring, 1994 Limantour Claims Michael Griffith Vol. 5, No. 1 Spring, 1994 Love Book, the Counterculture, and the Catholic Jeffrey M. Burns City Vol. 5, No. 2 Fall, 1994 Crissy Field: The Last Word in Airfields Stephen A. Haller Vol. 5, No. 2 Fall, 1994 Pedro Benito Cambon, OFM: Mission Builder Par Frank J. Portman Excellence Vol. -
Maynar Dixon Artist Biography
MATTHEWS GALLERY 669 CANYON ROAD SANTA FE, NM 87501 505.992.2882 www.thematthewsgallery.com Maynard Dixon (1875-1946) “Travel East to see the real West,” said Charles Lummis to Maynard Dixon. Dixon was born on a ranch near Fresno, California. His friend and mentor Lummis was a journalist, photographer and poet who walked from Cincinnati to Los Angeles in 1884, a 2,200-mile journey that took him through New Mexico in the dead of winter. Despite the severe hardships of the journey, Lummis fell in love with the Southwest and became a staunch advocate for historic preservation projects and the rights of the Pueblo Indians. Inspired by Lummis’ tales, Dixon set out on his own Southwestern adventure in 1900. In California, he had studied under tonalist painter Arthur Mathews and worked extensively as an illustrator, but the trip to Arizona and New Mexico swung his artwork in a new direction. He took a horseback ride through the West the following year and developed a heavy impasto style, capturing endless vistas with a vibrant palette. Back in San Francisco, he sold paintings and watercolors dressed in his cowboy uniform: boots, a bolo tie and a black Stetson. The booming market for illustrations of the Wild West kept Dixon well-fed at the turn of the century. In 1905, he married artist Lillian West Tobey. The following years were wrought with calamity: most of Dixon’s early work was destroyed in the San Francisco earthquake of 1906, and a move to New York in 1907 left Dixon frustrated and uninspired. -
Oral History Interview with Maxine Albro and Parker Hall
Oral history interview with Maxine Albro and Parker Hall Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Maxine Albro and Parker Hall AAA.albro64 Collection Overview Repository: Archives of American Art Title: Oral history interview with Maxine Albro and Parker Hall Identifier: AAA.albro64 Date: 1964 July 27 Creator: Albro, Maxine, 1903-1966 (Interviewee) Hall, Parker (Interviewee) McChesney, -
1 America's Parks: Cultural
AMERICA’S PARKS: CULTURAL LANDSCAPES OF THE NEW DEAL Susan Ives The Living New Deal University of California, Department of Geography Berkeley, CA 94720-4740 [email protected] (415) 987-6764 Abstract It is hard to imagine that the worst economic crisis in our nation’s history was the time of the greatest expansion and development of our parks and public lands. In fact, the Great Depression and government’s all-out response to it catalyzed a “Golden Age of parks,” though the connection is largely forgotten today. The New Deal (1933-1942)—a collection of 43 newly styled “relief” programs—was a massive federal investment to stimulate the economy and get millions of unemployed Americans working again. Upon taking office in 1933, President Franklin Roosevelt reorganized the National Park Service, doubled the size of its holdings, and established the Civilian Conservation Corps (CCC) to carry out what has been called the largest environmental protection and restoration program ever undertaken in our country. Over its 9-year existence, the CCC enrolled more than 3 million men. Most were teenagers from families struggling with too many mouths to feed. The “CCC boys” called themselves Roosevelt’s Tree Army. They lived in military-style camps where they gained job skills, purpose, (and an average of 11.5 pounds). They earned about a dollar a day. They restored millions of acres of ruined forests and farmland, and developed hundreds of state and national parks still in use today. By contrast, state and national parks today are starved for funds and in need of billions of dollars for deferred maintenance. -
Armchair Travel Destination - United States of America San Francisco Conservatory of Flowers
Armchair Travel _ Destination - United States of America _ San Francisco Conservatory of Flowers The Conservatory of Flowers at Golden Gate Park opened in Golden Gate Park in 1879. A powerful storm destroyed the glass and wood greenhouse in 1998, causing the conservatory to temporarily close. In 2003, the conservatory reopened after extensive reconstruction. The Conservatory features more than 1,700 varieties of tropical plants, from palms to cycads to cacao. In its five galleries, this modern horticultural museum displays many endangered species from over 50 countries and focuses on conservation education. © Copyright [email protected] 2017. All Rights Reserved 1 Armchair Travel _ Destination - United States of America _ San Francisco City Hall Designed by Arthur Brown Jr. as a civic center, the San Francisco City Hall was part of the American Renaissance movement—a period when the United States experienced a rebirth in literature, art, architecture, and music. It was built to replace the previous city hall, which was destroyed in an earthquake in 1906. The current city hall, which occupies two city blocks, opened its doors in 1915. © Copyright [email protected] 2017. All Rights Reserved 2 Armchair Travel _ Destination - United States of America _ San Francisco Alcatraz The U.S. government built a lighthouse on Alcatraz Island in 1854. Beginning in 1859, Alcatraz, otherwise known as the Rock, served as a fortress and military prison to defend San Francisco Bay. Due to high operating costs, the government turned Alcatraz over to the Federal Bureau of Prisons in 1934. The Rock was a federal penitentiary until 1963. -
Schwartz, Ellen (1987). Historical Essay
VOLUME 1 The Nahl Family tTVt a c ^ _____^ 2 — / * 3 7 ? Z ^ ^ y r f T ^ - l f ------ p c r ^ ----- - /^ V - ---- - ^ 5Y 4 / *y!— ^y*i / L.^ / ^ y p - y v i r ^ ------ 4 0001 California Art Research Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION fssay a/M? ^iMiograp/uca/ iwprov^w^^ts Ellen Schwartz MICROFICHE CARDS 1-12 Laurence McGilvery La Jolla, California 1987 0002 California Art Research Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION uzz'r^ a?? ^z'sfon'ca/ Msay awtf ^zMognip^zca/ ZTMprov^zM^Mfs Ellen Schwartz MICROFICHE CARD 1: CONTENTS Handbook 0003-0038 Volume 1 0039-0168 Table of contents 0041-0044 Prefatory note 0046 Introduction 0047-0058 The Nahl Family 0060-0066 Charles Christian Heinrich Nahl 0066-0104 "Rape of the Sabines" 0045 "Rape of the Sabines" 0059 "Rape of the Sabines" 0092 Hugo Wilhelm Arthur Nahl 0105-0122 Virgil Theodore Nahl 0123-0125 Perham Wilhelm Nahl 0126-0131 Arthur Charles Nahl 0132 Margery Nahl 0133-0140 Tabulated information on the Nahl Family 0141-0151 Newly added material on the Nahl Family 0152-0166 Note on personnel 0167-0168 Volume 2 0169-0318 Table of contents 0171-0172 William Keith 0173-0245 "Autumn oaks and sycamores" 0173 Newly added material 0240-0245 Thomas Hill 0246-0281 "Driving the last spike" 0246 Newly added material 0278-0281 Albert Bierstadt 0282-0318 "Mt. Corcoran" 0282 Newly added material 0315-0318 Newly -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
New Deal Was the New Deal a Good Deal?
TEACHING WITH PRIMARY SOURCES New Deal Was the New Deal a good deal? Since shortly after the treaty that ended World War I, the world economy struggled. Germany was straddled with harsh reparation debts and their economy stalled. Farm income in the United States fell dramatically with the end of wartime price supports, and with nearly half of the U.S. population living in rural areas, American buying power plunged. At the same time, the U.S. imposed tariffs on imported items, helping manufacturing but raising prices for consumers. The stock market boomed, and investors poured money into stocks far beyond their earning capacity. Eventually, these and other factors combined to bring the stock market crash of 1929 and the beginning of the greatest economic downturn ever experienced in the United States. Herbert Hoover and the Market Crash Herbert Hoover was elected president in 1928 and assumed office while prosperity was still running high. When the market crashed in October, he and many other economists saw it as a temporary slide and predicted quick recovery. As unemployment continued to rise and business slumped, Hoover proposed some new efforts by the federal government. His main idea was to provide incentives and financial supports to business to get firms hiring and selling again. He favored lower taxes and a balanced budget. He also encouraged greater volunteer contributions to charities for the poor and unemployed, but he opposed any direct relief efforts to individuals fearing the welfare would discourage the unemployed from looking for work. New Deal Programs Anger against Hoover grew rapidly through 1931 and 1932, leading to the election of Franklin Delano Roosevelt. -
An Art-Lovers Guide to the Exposition
An Art−Lovers guide to the Exposition Shelden Cheney An Art−Lovers guide to the Exposition Table of Contents An Art−Lovers guide to the Exposition..................................................................................................................1 Shelden Cheney..............................................................................................................................................1 Foreword........................................................................................................................................................2 The Architecture and Art as a Whole.............................................................................................................2 The Court of Abundance................................................................................................................................5 Court of the Universe.....................................................................................................................................9 Court of the Four Seasons............................................................................................................................14 The Court of Palms and the Court of Flowers.............................................................................................17 The Tower of Jewels, and the Fountain of Energy......................................................................................19 Palaces Facing the Avenue of Palms...........................................................................................................22