DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 91, 1971

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 91, 1971 THURSDAY B 2 FRIDAY -SATURDAY 16 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS PAUL C. REARDON SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager Assistant Managers THOMAS W. MORRIS DAVID ROCKEFELLER JR Business Affairs Audience and Public Affairs MARY H. SMITH Concerts and Artists FORRESTER C. SMITH DANIEL R. GUSTIN Director of Development Administrator of Educational Affairs DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood RICHARD C WHITE Assistant to the Manager program copyright © 1972 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS 1091 Accompanist to: The Boston Symphony Baldwin Piano & Organ Company • • Phone 426-0775 BALDWIN 160 Boylston Street Boston, Massachusetts 02116 PIANOS • ORGANS 50 Middlesex Turnpike • Burlington, Massachusetts 01803 • Phone 273-0450 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman VERNON ALDEN Vice-Chairman LEONARD KAPLAN Secretary HAZEN H. AYER FRANCIS W. HATCH JR MRS FRANK G. ALLEN DAVID O. IVES ROBERT C. ALSOP MRS C. D. JACKSON LEO L BERANEK HOWARD W. JOHNSON DAVID W. BERNSTEIN W. SEAVEY JOYCE MRS CURTIS B. BROOKS MRS LOUIS I. KANE |. CARTER BROWN GEORGE H. KIDDER MRS LOUIS W. CABOT LEON KIRCHNER MRS NORMAN L. CAHNERS MAURICE LAZARUS LEVIN H. CAMPBELL III LAWRENCE K. MILLER GEORGE H. A. CLOWES JR FRANK E. MORRIS SILVIO O. CONTE MRS STEPHEN V. C. MORRIS JOHN L COOPER JOHN T. G. NICHOLS ROBERT CUTLER LOUVILLE NILES NELSON J. DARLING JR DAVID R. POKROSS HENRY B. DEWEY MRS BROOKS POTTER RICHARD A. EHRLICH HERBERT W. PRATT BYRON K. ELLIOTT MRS FAIRFIELD E. RAYMOND ARCHIE C. EPPS III MRS GEORGE R. ROWLAND PAUL FROMM MRS GEORGE LEE SARGENT CARLTON P. FULLER DONALD B. SINCLAIR MRS ALBERT GOODHUE MRS L. LEE STANTON MRS JOHN L GRANDIN JR JOHN HOYT STOOKEY STEPHEN W. GRANT STOKLEY P. TOWLES SAMUEL A. GROVES ROBERT G. WIESE VINCENT C. ZIEGLER SYMPHONY HALL BOSTON MASSACHUSETTS 1093 fiAteaVti HI- RISE CONSTRUCTION Deftly engineered by Zelinka Matlick in wool worsted gabardine. White belt and buttons. Green or ivory. Misses' sizes. $145. Coats. BOSTON • CHESTNUT HILL • SOUTH SHORE • NORTHSHORE • BURLINGTON • WELLESLEY BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor JOSEPH SILVERSTEIN Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertmaster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Stephen Geber contra bassoon Rolland Tapley Robert Ripley Richard Roger Shermont Luis Leguia Plaster Max Winder Carol Procter Harry Dickson Jerome Patterson horns Gottfried Wilfinger Ronald Feldman Charles Yancich Fredy Ostrovsky Joel Moerschel Harry Shapiro Leo Panasevich Jonathan Miller David Ohanian Sheldon Rotenberg Ralph Pottle Stanley Benson basses Alfred Schneider Henry Portnoi Gerald Gelbloom William Raymond Sird Rhein trumpets Ikuko Mizuno Joseph Hearne Armando Ghitalla Cecylia Arzewski Bela Wurtzler Roger Voisin Leslie Martin Andre Come John Salkowski Gerard Goguen second violins John Barwicki Clarence Knudson Robert Olson trombones Fahnestock chair Lawrence Wolfe William Marshall William Gibson Michel Sasson flutes Ronald Barron Ronald Knudsen Doriot Anthony Dwyer Gordon Hallberg Leonard Moss Walter Piston chair William Waterhouse James Pappoutsakis tuba Ayrton Pinto Paul Fried Chester Schmitz Amnon Levy Laszlo Nagy piccolo timpani Michael Vitale Everett Spencer Larrison Lois Schaefer Firth Marylou Speaker Darlene Gray oboes percussion Ronald Wilkison Ralph Gomberg Charles Smith Harvey Seigel Arthur Press John Holmes assistant timpanist Wayne Rapier violas Thomas Gauger Burton Fine Frank Epstein Charles 5. Dana chair english horn Reuben Green Laurence Thorstenberg harps Eugene Lehner Bernard Zighera George Humphrey clarinets Ann Hobson Jerome Lipson Harold Wright Robert Karol librarians Bernard Kadinoff Pasquale Cardillo Vincent Mauricci Peter Hadcock Victor Alpert Eb clarinet Earl Hedberg William Shisler Joseph Pietropaolo Robert Barnes bass clarinet stage manager Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer Investments have different rhythms too! Some people want their investments to perform vivace while others prefer a steadier pace. Whichever pace suits you, Boston Safe Deposit and Trust Company can develop a personal financial plan to meet your needs. ^^ As part of the Boston Company we can offer you opportunities in real A£kk> estate, oil and gas and securities. Call us soon. ^^5 BOSTON SAFE DEPOSITAND TRUST COMPANY ONE BOSTON PLACE, BOSTON, MASSACHUSETTS 02106 /BOSTON^ |symphony\ IorchestraJ ^s&^ CONTENTS Program for February 24, 25 and 26 1972 1099 Future programs Friday-Saturday series 1146 Thursday B series 1147 Program notes Liszt - Piano concerto no. 1 in E flat 1111 by James Lyons Bruckner - Symphony no. 8 in C minor 1113 by George H. L. Smith A life of music 1130 by Louis Speyer The Music Director 1137 The soloist 1138 Seiji Ozawa to be Music Director 1110 ANDREW RAEBURN Program Editor and Assistant to the Music Director 1097 2530 137 2530 048 2530 078 2530 038 Deutsche Grammophon Records, Mu are distributed in the USA by Polydo NINETY-FIRST SEASON 1971-1972 Thursday evening February 24 1972 at 8.30 Friday afternoon February 25 1972 at 2 o'clock Saturday evening February 26 1972 at 8.30 WILLIAM STEINBERG conductor LISZT Piano concerto no. 1 in E flat NICOLE HENRIOT intermission BRUCKNER Symphony no. 8 in C minor Allegro moderato Scherzo: allegro moderato - trio: langsam Adagio (feierlich langsam; doch nicht schleppend) Finale: feierlich, nicht schnell Nicole Henriot plays the Baldwin piano The concert on Friday will end about 4.05; the other concerts will end about 10.35 The Boston Symphony Orchestra records exclusively for Deutsche Grammophon BALDWIN PIANO DEUTSCHE GRAMMOPHON AND RCA RECORDS 1099 The Museum of Science has a piece of the Rock. The Rock of Gibraltar has been our trademark since 1 896. And we thought a two-ton piece of its 1 000-foot limestone cliffs would make a good gift for the Museum of Science Rock Garden of the World The Rock Garden is their growing collection of the world's unique geological formations. So someday soon, take your family through the fascinating world inside the Museum of Science. And see a piece of the Rock while you're there. The Museum of Science is open daily 1 a.m. to 5 p.m., Saturdays 10 a.m. to 5 p.m., Sundays 1 1 a.m. to 5 p.m. Prudential . YOU ARE ALWAYS WELCOME to save money at the largest Co-operative Bank in the Commonwealth SAVINGS AND CERTIFICATE ACCOUNTS. DEPOSITS UP TO $40,000. ALL ACCOUNTS INSURED IN FULL. NO NOTICE REQUIRED. MERCHANTS CO-OPERATIVE BANK Conveniently located 125 Tremont at Park Street, Boston 02108 ANDREWS S. MACALASTER, President INDUSTRIAL SCHOOL FOR CRIPPLED CHILDREN 241 ST. BOTOLPH STREET BOSTON Provides For The Handicapped Child In A Free, Private, Day School A 12 Year Academic Program Vocational Training • Recreation Health Program • Transportation The Industrial School for Crippled Children solicits funds for its operation either through Bequests, Annuities or Life Insurance. In case of a life agreement a donor gives capital to the Industrial School for Crippled Children and in return receives income for life. Donors are invited to discuss these matters with the Treasurer. Treasurer, CHARLES E. COTTING, 10 Post Office Square, Boston CHARLES H. TAYLOR MRS. CHARLES E. COTTING President Chairman Ladies Committee 1101 There are discerning devotees who want pre-Symphony dining to be a bravura performance. The Ritz is for them. The Ritz-Carlton Boston BOSTON Tel. 742-4142 pokari's Internationally Famous Italian Restaurants HYANNIS Contemporary Prints + Pottery Tel. 775-6700 8 Story St., Harvard Sq., Tel. 661-1596 art/aSi the old PRINT& FRAME shop. inc. 42 BROMFIELD STREET BOSTON, MASS. 02108 542-7195 CONTEMPORARY GRAPHICS 1102 Qlfeflanna/ftic. /fo trousseau swt/se o/'/jos/o/r some women are afraid of this man j His name is Wayne Collins. He is exclusively associated with Wellington Hall Ltd. and is a professional interior designer — that's why some women may be a little afraid. However, Wayne is a professional who knows his business. And that business is to advise you and assist you in selecting furnishings for your home. No one knows better than you what your life style is . finding furnishings and accessories to complement your way of life is Wayne's job.
Load more

Recommended publications
  • Boston Symphony Orchestra Archives
    Pftft.. Slower • .. ina• alumna •••• ■■••••■•••=411• 'I 4 mp • • ••• •• Mman•IMMIln. • ■•••••■•■ ••••■••■•••■•••■■ •••• =Mr • NOW". • • =Mir • 11••■••••■••1111••••1•11• ■•111•141•111111 NUM/ 11/MIIMIN MAIMM•MIM / •• la. ••MINM/ ..MIN MI ••`' GAM MI =MO OW GM womall AMMONIUM mm,•••• ■• ".••••• rnio gradually taster 111•^ •IIMI ._./Mat MINNIP MUM OM -AM DINIIMINIMP MAIIIIIMINIMIMM•••••■ •1•1 MM. IMMIMMIIMMIO MM. MIIMMIMMO IMMIN••••••• OPP"' a tempo (lively) 111111.1. -.la a ••••••••■• • •• . • •■•■ 011•1111111MMIMINIAMmIM m••• ■ ■ ■ ■ ■ ■ ■ ■ np. ••••• •••• A •• •• •••• • •• •11 OM MI MI MOM MOMMIll NI . •• maim ININIMIMMIM. ••• s4•4411•1• / a Ma . (1.• • •,41411•1~m MIHM11.11•••• 0 ■• IL • u damns. ••••■••••••••••• ••••• • •-••••,••• .ma• • ...•••■•••••••• mar- ••••• • • •••111111 • 4 . • 11.1111.1111111 Man a 4.M1 ... OM • 1■•••• ■••■=1IN•1•11••11 •IIMMIMIMMINIIIIIIMINIM-1• •••••••••••••••• NOMIM MAIM AMU MIMI MID IIIMIIIIP - IIIIIIMMIDIMIU•MIME V- • . • • 1•■•••■•••• al•IIMIMIIIII••••••••• ••••■••••••••• V M-4111•1111•111•IM • MS MI••••••■ •••• MMUMMIIMINAMMOMIIM •■•• • ••••■•• MINIam•• • • M ■•■•■ ••••••111M4•• IIIMIll. 111111.111. 511111.1111 111 ads MIIMNIM■• ■ • I 1••••••• IMAMS •111.401MMIIIIMI IIMI ■MIIIMMIMIMM • -.MMMMIMI ••• MINIMMOINNIMMIIMMMIIIMUM- ONO WM. Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 16, 18, 21 October 1975 at 8:30 pm 17 October 1975 at 2:00 pm 25 November 1975 at 7:30 pm Symphony Hall, Boston Ninety-fifth season
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
    [Show full text]
  • William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op
    William Steinberg Bolero, La Valse, Pavane Pour Une Infante Defunte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero, La Valse, Pavane Pour Une Infante Defunte Country: UK Released: 1959 Style: Impressionist MP3 version RAR size: 1841 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1716 mb Rating: 4.8 Votes: 202 Other Formats: DTS APE MP1 AA AC3 XM AIFF Tracklist Hide Credits Bolero A1 –William Steinberg Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Pavane Pour Une Infante Defunte B1 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra La Valse B2 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Companies, etc. Printed By – Garrod & Lofthouse Ltd. Other versions Category Artist Title (Format) Label Category Country Year William Steinberg Conducting William Steinberg The Pittsburgh Symphony Conducting The Orchestra / Maurice Ravel - Capitol P8475 Pittsburgh P8475 US 1959 Bolero, La Valse, Pavane Pour Records Symphony Orchestra Une Infante Defunte (LP, / Maurice Ravel Album, Mono) Related Music albums to Bolero, La Valse, Pavane Pour Une Infante Defunte by William Steinberg Mendelssohn - Bruch - Nathan Milstein, The Pittsburgh Symphony Orchestra, William Steinberg - Concerto In E Minor Op. 64, Concerto No.1 In G Minor, Op. 26 Beethoven / Steinberg Conducting The Pittsburgh Symphony Orchestra - Beethoven Symphony No. 7 Strauss : William Steinberg Conducting The Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op. 28 / Death And Transfiguration, Op. 24 Milstein, Pittsburgh Symphony Orchestra, Steinberg, Tchaikovsky - Violin Concerto In D Major Steinberg Conducts The Pittsburgh Symphony Orchestra - Beethoven - Symphony No. 6 "Pastoral" William Steinberg Conducting The Pittsburgh Symphony Orchestra - Symphony No.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
    [Show full text]
  • Boston Symphony Orchestra
    Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New
    [Show full text]
  • Henri Rabaud À L'opéra De Paris Sous L'ère Jacques Rouché (1915-1945)
    Les colloques de l’Opéra Comique Henri Rabaud et son temps. Mai 2013 Sous la direction d’Alexandre DRATWICKI et Agnès TERRIER Henri Rabaud à l’Opéra de Paris sous l’ère Jacques Rouché (1915-1945) Claire PAOLACCI Premier Grand Prix de Rome en 1894, Henri Rabaud séjourne à la villa Médicis puis entame une brillante carrière de chef d’orchestre et de compositeur. En 1908, les nouveaux directeurs de l’Opéra de Paris, Lémistin Broussan et André Messager, le nomment premier chef d’orchestre du théâtre. Il obtient de grands succès mais leur successeur, Jacques Rouché, ne le reconduit pas à cette charge1. En revanche, même si ses ouvrages sont plus propres à être donnés à l’Opéra- Comique qu’à l’Opéra, Rouché crée, au cours de sa direction, trois de ses œuvres lyriques (La Fille de Roland (1922), Mârouf, savetier du Caire (1928) et Rolande et le mauvais garçon (1934)) et lui commande une musique symphonique pour accompagner le premier drame cinématographique projeté au Palais Garnier : Le Miracle des loups de Raymond Bernard (1924). Nous étudierons ces créations afin de saisir dans quelle mesure elles s’inscrivent dans la politique artistique de Jacques Rouché et quelle est la place particulière occupée par Henri Rabaud dans la programmation de l’Opéra de Paris entre 1915 et 1945. La Fille de Roland, drame lyrique patriotique Alors que sa prise de fonction est perturbée par le déclenchement de la Première Guerre mondiale, Jacques Rouché obtient l’autorisation de rouvrir l’Opéra. Il souhaite proposer une programmation très patriotique pour soutenir l’effort de guerre.
    [Show full text]
  • Boston Symphony Orchestra Archives
    .ff Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 26 November 1975 at 8:30 p.m. (Wednesday) 28 November 1975 at 2:00 p.m. 29 November 1975 at 8:30 p.m. 2, 4 December 1975 at 8:30 p.m. Symphony Hall, Boston Ninety-fifth season Baldwin Piano Deutsche Grammophon Records Program Program Notes Colin Davis conducting Felix Mendelssohn (1809-1847) Incidental Music from 'A Midsummer Night's Dream' Mendelssohn: Incidental Music from 'A Midsummer Night's Dream' The Incidental Music to Shakespeare's comedy was per- formed complete under Seiji Ozawa's direction at the 1975 I. Overture Berkshire Festival, and these excerpts were last played by II. Scherzo the Boston Symphony with Erich Leinsdorf in 1962. III. Nocturne The instrumentation calls for 2 flutes, 2 oboes, 2 clarinets, IV. Wedding March 2 bassoons, 2 horns, 2 trumpets, tuba, timpani, cymbals, triangle and strings. Sibelius: Tapiola, Tone Poem Op. 112 Youthful miracles are seldom repeated. Mendelssohn composed his Overture to 'A Midsummer Night's Dream' Intermission at seventeen (1826), with a miraculous deftness and deli- cacy, an elfin imagination and humor then unmatched. Yet, near the end of his life (1843), Mendelssohn did match the Sibelius: Symphony No. 6 Op. 104 miracle. He was invited by the King of Prussia to compose incidental music for a Berlin production of Ein Sommernachts- I. Allegro molto moderato traum. His youthful enthusiasm for Shakespeare surged II. Allegretto moderato back. With the most felicitous ease he wove the early III. Poco vivace themes into new pieces and ideas flowed with the Roman- Allegro molto N.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
    97th SEASON . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors. Tax consultants. Estate planners. Investment managers. To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS Hans H. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. Partner, Choate, Hall Dwight L. Allison, Jr. Chairman, Putnam of the Chairman of the Board Vice Chairman Management & Stewart Board David C. Crockett Company, Inc. William W.Wolbach Donald Hurley Deputv to the Chairman J. John E. Rogerson Vice Chairman Partner, of the Board of Trustees Goodwin, Partner, Hutchins & of the Board Procter Hoar and to the General & Wheeler Honorary Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, Inc. F. Stanton Deland, Jr. Mrs. George L. Sargent Shop Companies, Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporations Director of Various Charles W. Schmidt Corporations President, S.D. Warren Lovett C.
    [Show full text]
  • München, [30. Mai] 1. – 5. Juni 1908
    415 Tonkünstlerfest (44. Jahresversammlung) München, [30. Mai] 1. – 5. Juni 1908 Festdirigenten: Felix Mottl, Alois Obrist, Ludwig Hess Festchor: Konzertgesellschaft für Chorgesang zu München Ens.: Kgl. Bayr. Hoforchester, Kgl. Württemberg. Hofkapelle 1. Aufführung: Opernvorstellung München, Künstlertheater der Ausstellung, Samstag, 30. Mai, 18:30 Uhr 1. Christoph Willibald Gluck: Die Maienkönigin, Schäferspiel 2. Hermann Bischoff: Das Tanzlegendchen, Tanzgedicht 2. Aufführung: Opernvorstellung München, Prinzregententheater, Montag, 1. Juni, 18:00 Uhr Friedrich Klose: Ilsebill, dramatische Sinfonie Text: Hugo Hofmann 3. Aufführung: Erstes Orchesterkonzert München, Kgl. Odeon, Dienstag, 2. Juni, 19:30 Uhr Ltg.: Alois Obrist Ens.: Kgl. Würtemberg. Hofkapelle Konzertflügel: Steinway & Sons, New York- Hamburg 1. Paul August von Klenau: Sinfonie für großes Orchester f- Moll (UA) 1. Adagio, Allegro maestoso 2. Adagio expressivo 3. Allegro scherzando, Allegro molto, Adagio 2. Ernest Schelling: Suite fantastique für Klavier und Sol.: Ernest Schelling (Kl.) Orchester 1. Allegro marziale 2. Scherzo 3. Intermezzo (Adagio) 4. Molto vivace 3. Max von Schillings: Glockenlieder, 4 Gesänge für Tenor Ltg.: Max von Schillings und Orchester op. 22 Sol.: Ludwig Hess (T) Text: Carl Spitteler: Glockenlieder ( ≡) Motto: Carl Spitteler ( ≡) 1. Die Frühglocke 2. Ein Bildchen 3. Die Nachzügler. Der Fein. Der Findig. Der Kündig 4. Mittagskönig und Glockenherzog 416 4. Jan Pieter Hendrik van Gilse: Erhebung, Sinfonie Nr. 3 für Sol.: Mientje van Lammen (S) eine hohe Sopranstimme und großes Orchester (UA) Text: aus dem Hohelied ( ≡) Motto: aus dem Hohelied ( ≡) 1. Langsam. Elegisch 2. Leidenschaftlich und heftig bewegt 3. Sehr langsam und schwermütig. Langsam, ruhig und ausdrucksvoll. Eine Sopranstimme: „Halt ein!“ 4. Lebhaft und sehr kräftig, stellenweise im Ausdruck eines übermütigen Walzers 5.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • The Interest of These Performances Lies First and Foremost
    The interest of these performances lies first and foremost - not to mention finally and most importantly- in the tempos: in the way they are chosen, establi shed, and shrewdly modified by Fiedler in the course of performances which so interestingly live, move and have their being. There are other points of interest. The nature of the use of string portamentos: in the case of Fiedler and the Berlin Philharmonic, the selective and highly discriminating use of it. But it is tempo which is of paramount interest ... Richard Osborne, Gramophone, November 2000 (excetpt) Producer's Note Max Fiedler (1859 - 1939) is one of only two conductors with a direct link to Brahms to have recorded hi s works; the other is Felix Weingartner. Yet, as Christopher D yment pointed out in a pair of articl es published in Classical Record Collector a decade ago (Summer and Autumn, 2002), it would be an overstatement to call him a protCgC of the composer. Fiedler knew Brahms personally, and likely heard him conduct on a few occasions; however, it was as a follower of Hans von Bulow that Fiedler learned what he believed to be the authentic Brahms style, a highly subjective, rhythmically free approach that was at odds with the more restrained Classicism of Fritz Steinbach, who provided a model for the young Weingartner. Nevertheless, by early in the last century, Fiedler had earned the reputation in Germany as a Brahms specialist, and it was in that capacity that he made his only commercial records for Grammophon/ Polydor, all of which are presented here.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970
    SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY — SATURDAY 12 TUESDAY A 5 EIGHTY-NINTH SEASON 1969-1970 I£a#i/> Exquisite Sound .. From the palaces f of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made mm in the original design. The //.' w¥ ear^y instruments shown in y drawings on the tomb of m Rameses II (1292-1225 B.C.) were richly decorated but mm lacked the fore-pillar. Later the "Kinner" developed by the Sr Hebrews took the form as we |Jr know it today. The pedal harp ||F was invented about 1720 by a Wr Bavarian named Hochbrucker and mm through this ingenious device it be- W came possible to play in eight major f and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ANDREW HEISKELL PHILIP K.
    [Show full text]