10 Books from Holland London Bookfair Issue
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On the Life and Times of the Dutch Blasphemy Law (1932-2014)
The Fall and Rise of Blasphemy Law EDITED BY Paul Cliteur & Tom Herrenberg tt LEIDEN UNIVERSITY PRESS ;. i': .r' ', 4 On the Life and Times of the Dutch Blasphemy Law (1932 -2014) Pctul Cliteur & Tom Herrenberg Cliteur, Paul, and Herrenberg, Tom, " On the Life and Times of the Dutch Blasphemy Law (L993-2014)" , in: The FaII ønd Rise of Press, Leiden 20L6, pp' 71-71'1' TNTRSDUCTT9N Bløsphemy Løw, Leiden University when the Dutch criminal code entered into force in 18B6 it did not contain a general provision against blasphemy. In r88o, during a debate in Parliament about the Criminal Code, the minister of justice at the time, Mr. "God Anthony Ewoud Jan Modderman (1838-1885), opined that is able to preserve His own rights by Himself; no human laws are required for this proposal irrpor".,,'yet, five dãcades later things had changed. A legislative ãf z5 April r93r entitled "Amendment to the Criminal Code with provisions regarding certain utterances hurtful to religious feelings"' sought to add t-o provisions relating to the defamation of religion to the Criminal Code- Article l47 no. r was intended to criminalise "he who verbally, in writing, or in image, publicly exPresses himself by scornful blasphemy in a manner offensive to religious feelingsJ' In addition, Article 4z9bis made it illegal for people to 'displa¡ in a place visible from a public road, words or images that, as e"pressions of scornful blasphemy, are hurtful to religious feelings."3 In this chapter we will give an account of this blasphemy law. We will address the law's evolution in chronological order and start by describing the parliamentary debate on the introduction of the law in the r93os. -
Spring 2019 2 Books from Holland
10 Books from Holland London Book Fair Issue ederlands N letterenfonds dutch foundation for literature Spring 2019 2 Books from Holland Frequently Asked Questions 10 Books from Holland? Who decides the contents? Do you subsidise production costs? Our editors. We want to showcase the best fiction from the This is possible in the case of editions of poetry, illustrated Netherlands for our audience of literary publishers. Most titles children’s books or graphic novels. For regular fiction and have been published recently and have enjoyed good sales, non-fiction, we support translation costs only. excellent reviews and one or more literary awards or nomina- tions. Though sometimes one of these factors is enough. Equally We would like to invite a Dutch author for a promotional visit. important is the question: ‘Does it travel?’ Our advisors talk to If you organise a good programme and offer the author publishers from all over the world and while it is impossible to accommodation, we can cover the travel costs. say with certainty which novels will travel where, we have the expertise to make an educated guess. How to apply for the Amsterdam Fellowship. Every September, we organise a fellowship (4 days) for publish- At book fairs, do you talk about these books exclusively? ers and editors. We do not have an application procedure, but While we like to discuss our catalogue, there are always other you can always send us an e-mail stating your interest. titles: books that have just appeared or are about to come out or books that just missed our selection. -
Literature of the Low Countries
Literature of the Low Countries A Short History of Dutch Literature in the Netherlands and Belgium Reinder P. Meijer bron Reinder P. Meijer, Literature of the Low Countries. A short history of Dutch literature in the Netherlands and Belgium. Martinus Nijhoff, The Hague / Boston 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/meij019lite01_01/colofon.htm © 2006 dbnl / erven Reinder P. Meijer ii For Edith Reinder P. Meijer, Literature of the Low Countries vii Preface In any definition of terms, Dutch literature must be taken to mean all literature written in Dutch, thus excluding literature in Frisian, even though Friesland is part of the Kingdom of the Netherlands, in the same way as literature in Welsh would be excluded from a history of English literature. Similarly, literature in Afrikaans (South African Dutch) falls outside the scope of this book, as Afrikaans from the moment of its birth out of seventeenth-century Dutch grew up independently and must be regarded as a language in its own right. Dutch literature, then, is the literature written in Dutch as spoken in the Kingdom of the Netherlands and the so-called Flemish part of the Kingdom of Belgium, that is the area north of the linguistic frontier which runs east-west through Belgium passing slightly south of Brussels. For the modern period this definition is clear anough, but for former times it needs some explanation. What do we mean, for example, when we use the term ‘Dutch’ for the medieval period? In the Middle Ages there was no standard Dutch language, and when the term ‘Dutch’ is used in a medieval context it is a kind of collective word indicating a number of different but closely related Frankish dialects. -
The Anchor, Volume 78.21: March 18, 1966
Hope College Hope College Digital Commons The Anchor: 1966 The Anchor: 1960-1969 3-18-1966 The Anchor, Volume 78.21: March 18, 1966 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1966 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 78.21: March 18, 1966" (1966). The Anchor: 1966. Paper 10. https://digitalcommons.hope.edu/anchor_1966/10 Published in: The Anchor, Volume 78, Issue 21, March 18, 1966. Copyright © 1966 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1960-1969 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1966 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. Dr. Purcell Views Marriage COLLEGE And the Career Woman Dr. Mary Lou Purcell, chair- man of the Home and Community Division of Stephens College. Co- lumbia, Mo., will present an ad- dress titled "Men and Women anc or Together in the Same World" next Tuesday at 10.30 a.m. in the OLLAND, MICHIGAN Chapel. The address will deal with part- nership in marriage and with the 78th ANNIVERSARY - 21 Hope College, Holland. Michigan March 18, 1966 position of the career woman in American society. At 12:15 p.m. Tuesday, Dr. Purcell will attend Presents 'Thought and SouV Music a luncheon with members of the faculty and administration and their wives. At 5:15 p.m. there will be a dinner for AWS Board mem- bers and Dr. -
Refor T Resumes
REFOR TRESUMES ED 013 706 RE 000 239 READING FOR THE GIFTED-- GUIDED EXTENSION Cf READING SKILLS THROUGH LITERATURE. FART 1, APPRECIATING THECONTEIBUTION., OF ONE AUTHOR... BY- CURTIS, ALICE AND OTHERS LOS ANGELES CITY SCHOOLS, CALIF. REPORT NUMBER LACS- ItSTR- BULL -EC -112 FUC DATE 66 EDRS PRICE MF--$0.50 HC-$4.46 112F. DESCRIPTORS- *TEACHING GUIDES, *GIFTED, CHILCRENSBCOKS, *LITERATURE APPRECIATION, *READING INSTRUCTION,GRADE 5, GRADE 6, *INTERMEDIATE GRADES, LOS-ANGELES CITYSCHOOLS, THIS TEACHING GUIDE IS PRESENTED TO ASSIST THE TEACHER IN WHOSE CLASSES ARE ONE OR MORE GIFTEDPUPILS READING ABOVE GRADE LEVEL. (ESIGNED FOR USE WITH GIFTED PUPILSAT GRACES FIVE AND SIX: PART 1 PROVIDES GUIDANCE FORTEACHING THE CONTRIBUTIONS OF ONE AUTHOR TO CHILDREN'S LITERATURE.THE METHOD USES THREE GROUPINGS OF COOKS. THE "A" COOK,"ALONG CAME A DOG" BY MEINDERT CE JONG, IS USEDTO STIMULATE THE CHILDREN TO READ THE V" AND "C" BOOKS AND ISANALYZED IN DETAIL. THE FOUR "0" COOKS, ALSO BY CE JONG, ARE INDIVIDUALLY READ, DISCUSSED, EVALUATED, AND COMPARED TO THE "A"00% AND TO EACH OTHER. THE FIFTEEN "C" COOKS ARE NOT INDIVIDUALLY ANALYZED, BUT ARE READ INDEPENDENTLY. THEY PROVIDEA RICHER BACKGROUND FOR AN IN -DEPTH ANALYSIS OF THE "A" AND "B"BOOKS_ AND SHOULD BE READ CONCURRCNTLY WITH THE OTHERS. GUIDANCE FOR THE TEACHER INCLUDES SUGGESTIONS FOR MOTIVATINGTHE PUPILS, FOR INTRODUCING THE STORY, FOR SETTING UP PURPOSES FOR READING, FOR TEACHING VOCABULARY, AND FOR GUIDING OUESTIC4IS FOR DISCUSSING IMPORTANT ELEMENTS OF CHARACTERIZATION,PLOT DEVELOPMENT, AND STYLE. SYNOPSES ARE GIVEN FOR EACH OFTHE "B" AND "C" BOOKS. BACKGROUND INFORMATION ABOUT THE AUTHOR AND THE ILLUSTRATOR IS PROVIDED. -
Cosmopolitan Ethics and the Limits of Tolerance: Representing the Holocaust in Young Adult Literature
COSMOPOLITAN ETHICS AND THE LIMITS OF TOLERANCE: REPRESENTING THE HOLOCAUST IN YOUNG ADULT LITERATURE Rachel L. Dean-Ruzicka A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Beth Greich-Polelle, Advisor Dr. Nancy W. Fordham Graduate Faculty Representative Dr. Kimberly Coates Dr. Vivian Patraka © 2011 Rachel L. Dean-Ruzicka All Rights Reserved iii ABSTRACT Beth Greich-Polelle, Advisor This dissertation critically evaluates the concepts of tolerance and toleration and how these two ideas are often deployed as the appropriate response to any perceived difference in American culture. Using young adult literature about the Holocaust as a case study, this project illustrates how idealizing tolerance merely serves to maintain existing systems of power and privilege. Instead of using adolescent Holocaust literature to promote tolerance in educational institutions, I argue that a more effective goal is to encourage readers’ engagement and acceptance of difference. The dissertation examines approximately forty young adult novels and memoirs on the subject of the Holocaust. Through close readings of the texts, I illustrate how they succeed or fail at presenting characters that young adults can recognize as different from themselves in ways that will help to destabilize existing systems of power and privilege. I argue this sort of destabilization takes place through imaginative investment with a literary “Other” in order to develop a more cosmopolitan worldview. Using the theories of Judith Butler, Kwame Anthony Appiah, and Gerard Delanty I contended that engagement with and appreciation of difference is possible when reading young adult Holocaust literature. -
Book of War, Mortification and Love J Printed with Blood
Ruud Linssen Book of war, mortification and love j Printed with blood. Read at own risk. Ruud Linssen Book of war, mortification and love About our voluntary suffering ! Underware Den Haag | Helsinki | Amsterdam 2010 Ruud Linssen znxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxnc for Roos Book of war, mortification and love Robin, Rosa About our voluntary suffering Chapter 1: The unmarked letter Chapter 2: Beyond the doctor’s advice Chapter 3: Among lepers Chapter 4: A grove Chapter 5: The meaning of life f Second warning: This book is printed with blood of the author. Continue reading at own risk. 8 Foreword Foreword 9 znxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxnc znxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxnc The history of this book is as perplexing as its content. Since When he delivered the final text, he mentioned that every releasing the typeface Fakir in 2006, we’ve been thinking sentence had been rewritten at least 5 times. Also: ‘this book about an appropriate sampler for this type family. Not being changed my life.’ It gave him a new dimension, as he had never satisfied with our ideas for a Fakir publication at that time, thought about the subject that much. We couldn’t believe we froze the whole publication until an idea would arise that to be true. ‘Yes, it is. Suffering has already been a major theme in which would satisfy us. my life for many years. But not voluntary suffering. This makes a big That happened one year later. In the first year of exist- difference.’ ence of the blackletter Fakir, activities around the typeface The writing of this book became an example of voluntary arose with the theme of voluntary suffering. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/111167 Please be advised that this information was generated on 2021-10-02 and may be subject to change. `Aan een boom zo volgeladen met Gard Siviki, mist men die ene mispel niet': Gard Sivik versus Podium, 1960-1964. z JEROEN DERA GARD SIVIK EN VIJFTIG Wanneer over het avant-gardetijdschrift Gard Sivik wordt geschreven, gebeurt dat doorgaans tegen de achtergrond van de koerswijziging die het onderging, namelijk die `van een Vlaams experimenteel tijdschrift naar een Nederlands nieuw-realistisch blad.' 2 Het is met name die tweede aandui- ding die in de literatuurgeschiedschrijving domineert. In zijn geschiedenis van de Nederlandse poëzie schrijft Redbad Fokkema bijvoorbeeld: [D]e dichters die in de jaren zestig aan het woord kwamen, boekten (...) succes (...) in Gard Sivik (1955-1964), Barbarber (1958-1971) en in De Nieuwe Stijl (1965-1966). Deze tijdschriften ver-tegenwoordigen in Nederland verschillende vormen van het nieuwe realisme, `ontsprongen uit een treffen met de werkelijkheid', zo schreef Hans Sleutelaar. En dit dan in tegenstelling tot de Vijftigers, die poëzie vooral lieten ontspringen aan een treffen met de taal - overigens zonder de werkelijkheid als inspira- tiebron te ontkennen.3 De door Fokkema gesignaleerde oppositie tussen Vijftigers en nieuw-realis- ten is evident. In de poëtica van de Zestigers 4 - in de redactie van Gard Sivik met name gerepresenteerd door Armando, Sleutelaar, Vaandrager en Ver- hagen - is geen ruimte voor moeilijk gebruik van taal en beeldspraak, maar komt een radicale nuchterheid centraal te staan: `Het "niet-poëtische", het alledaagse en banale wordt steeds belangrijker. -
Rediscovered Classics 2018.Pdf
Loekie Zvonik Who Was the Hatter? ……………………………………………………… • “The combination of literary ingenuity and Zvonik’s compelling and elegant writing style make The Hatter a surprisingly modern novel.” – Wout Vlaeminck, author • English sample available Didier and Hermine experience a short affair while studying at the University of Gent. By coincidence they meet again, twelve years later, to travel together to a congress in Vienna. Their past infatuation turns into an intense friendship, in which Hermine inadvertently becomes Didier’s muse. Didier is a classic romanticist, with a great fascination for the dark side of life, from which even Hermine is not able to save him. In this breathtaking chronicle of a death foretold, Hermine reconstructs the last weeks of his life. In a serene, elegant and subtle style she tries to unravel his motives. In doing so, trying to answer the question to what extent it is possible to love someone, and to keep one’s distance at the same time. Who Was the Hatter? was published in 1975. The novel received high praise and was awarded with the VBVB Debuutprijs a year later. A compelling work, which in many ways parallels the dramatic relationship between Sylvia Plath and Ted Hughes. Loekie Zvonik (1935 – 2000) was the pseudonym of Hermine Louise Marie Zvonicek. She wrote three novels and a number of short stories. Zvonik studied German philology in Gent. There she met fellow student Dirk De Witte, who later became a writer who was obsessed with the theme of suicide in literature. In December 1970, De Witte ended his -
The Conservative Embrace of Progressive Values Oudenampsen, Merijn
Tilburg University The conservative embrace of progressive values Oudenampsen, Merijn Publication date: 2018 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): Oudenampsen, M. (2018). The conservative embrace of progressive values: On the intellectual origins of the swing to the right in Dutch politics. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. sep. 2021 The conservative embrace of progressive values On the intellectual origins of the swing to the right in Dutch politics The conservative embrace of progressive values On the intellectual origins of the swing to the right in Dutch politics PROEFSCHRIFT ter verkrijging van de graad van doctor aan Tilburg University op gezag van de rector magnificus, prof. dr. E.H.L. Aarts, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op vrijdag 12 januari 2018 om 10.00 uur door Merijn Oudenampsen geboren op 1 december 1979 te Amsterdam Promotor: Prof. -
Coetzee, Reve, and the Post-Secular
Coetzee, Reve, and the Post-Secular Research Master‟s Thesis Ted Laros August 15, 2010 Utrecht University, Faculty of Humanities Program: Literary Studies: Literature in the Modern Age Thesis Supervisor: Prof. Paulo de Medeiros Second Reader: Prof. David Pascoe Laros 2 As for grace, no, regrettably no: I am not a Christian, or not yet. —J. M. Coetzee to David Attwell in Doubling the Point BEKENTENIS Voordat ik in de Nacht ga die voor eeuwig lichtloos gloeit, wil ik nog eenmaal spreken, en dit zeggen: dat ik nooit anders heb gezocht dan U, dan U, dan U alleen. —Gerard Reve, Nader tot U Laros 3 Contents Acknowledgments 4 1. Introduction: Literature and the Post-Secular 5 2. “Post-Secular Fiction”: The Post-Secular Hermeneutics of John A. McClure 14 2.1. Characteristics of Post-Secular Fiction 15 2.2. The Practical Projects that Post-Secular Fiction Converses with 19 2.3. The Theoretical Projects that Post-Secular Fiction Converses with 24 2.3.1. The Logic of (Partial) Belief 25 2.3.2. “Weak Religion” 27 2.3.3. “Crasser Supernaturalism” 33 2.3.4. “Preterite Spiritual” Communalism/“Neo-Monastic” Politics 35 2.4. Conclusion 41 3. Coetzee and the Post-Secular 43 3.1. A Change of Heart 44 3.2. Between the Real and the Anti-Real 59 3.3. “Ora et labora”/“A Project of Love” 66 3.4. Conclusion 73 4. Reve and the Post-Secular 76 4.1. A Profoundly Weakened Religiosity 81 4.2. “De dag is vol tekenen” 99 4.3. A Homosexual Covenant 102 4.4. -
To Download the Catalogue
Jan van Mersbergen The Rider ………………………………………………… “A Dutch Western, with a thrilling, bullet-riddled finale.” – Volkskrant**** Nominated: Dutch Booksellers’ Award Third print-run Her boyfriend is the leader of a gang that terrorises half of the city. Still Sandra feels attracted to him. Why does she trust him without thinking twice? Why does she negate the welmeant advice of her father? As danger becomes imminent, she is forced to leave the city to stay with her grandfather. With Sandra on the farm not only two generations, but also the city and the countryside as well as humans and nature are confronted with each other. The connecting factor in van Mersbergen’s sensitive story is the old horse on the meadow. With him the grandfather can share his lot, with him the granddaugther can overcome her insecurities. But the listening ear of the horse that seems to be closing the gap between man and girl, cannot keep reality at a distance. One day Sandra sees the silhouette of her lover in the distance, coming closer. Jan van Mersbergen (1971) made his debut in 2001 with the novel Bite the Dust, which was nominated for the Dutch Debutantenprijs. To the Other Side of the Night was awarded the BNG Literatuurprijs and nominated for the Libris Literatuurprijs, the AKO Literatuurprijs, and the Gouden Boekenuil. His most recent novel The Last Escape received the prestigious F. Bordewijkprijs. Van Mersbergen’s books have been published in Germany, the UK, France, Turkey, Spain, Serbia and Slovenia. 256 pages, 72,000, published in November 2016 by Cossee Publishers Promoted by the Dutch Foundation for Literature who also provides a translation grant: www.letterenfonds.nl/en/grants | For more information, please contact Stella Rieck: [email protected] or visit www.cossee.com/foreignrights Marijn Sikken Exit Ahead ………………………………………………… Promising Dutch debut Winner of the Write Now! award Before long the village will celebrate its centenary.