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Arto Lindsay in VOKE

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Arto Lindsay in VOKE Arto Lindsay IN VOKE Arto Lindsay INVOKE Produced by Arto Lindsay and Melvin Gibbs with Andres Levin, except tracks 6 & 10 produced by Arto Lindsay and Melvin Gibbs with Kassin and Berna Ceppas. Recorded by Patrick Dillett; Sohrab Habibion; Berna Ceppas and Kassin; Antoine Midani; Pablo Lopes and Kiko Klaus; Andres Levin; Melvin Gibbs. Assisted by Lucas Marcier at Mono, Duda at Ilha dos Sapos, Dave Boyle at The Boiler Room, Juan Garcia at The Magic Shop, Geoff Sanoff at Stratosphere. Additional digital editing at Mono by Daniel Carvalho and Fabiano. Mixed by Patrick Dillett at Stratosphere Sound. Assisted by Geoff Sanoff. Mastered by Paul Angelli at DVD Labs, Cambridge, MA. 1. Illuminated (Lindsay/Levin/Gibbs) 3:39 Eu vislumbro, eu prevejo Tambor: Gilmar, Jorge du Peixe ©2002 Firma Ltd. (BMI); Cool Banana Music/EMI Music Mas não tenho o dom de prevenir Keys: Stephen Barber, Melvin Gibbs (ASCAP) I’m a student of just one master Nem o dom de depender Guitar: Arto Lindsay I’m only afraid of one monster 4. Over/Run (Lindsay/Levin) 4:32 Você me espera e eu escrevo ©2002 Firma Ltd. (BMI); Archetext Music (BMI); Trama I stand illuminated Costuro uma capa It’s over/run, but still promising 3. Ultra Privileged (Lindsay/Levin) 4:29 All my visions crowd down to one bead of sweat Profetizo, não profilaxio All that’s left is curiosity My whole life bears down on one hour Na selvageria Your ultra privileged pajamas It’s gone awry, but don’t let sighs be I stand illuminated Em meio ao crescimento incontido Got me scratching at every door Sustain and nourishment Na abundância de lábios sobre lábios A finger to every lip It’s over/run, but still promising I know the world holds many words O monte de vênus escalo A blowing horn on every jeep Falling just this side of finally Pearls hang down in necklaces Alço lá do alto Islands come round in archipelagoes Your ultra privileged phenomena Won’t make it and Every door in the world I get all my light from one light bulb Predigo What grows over it Opens onto your streets I stand illuminated Can’t pronounce the name for it Irate, I foresee Every hand on every hip And what would replace it I’m devoted to a telling detail My head on a plate I hope, I hope Your hidden variables Will have no place for it I’m awash in overall impressions You’re not too good at hiding them Hope not, hope not in darkness All the wind have no air for it I stand illuminated While walking in your sleep In the forest, in the room You go into your strobe thing It’s taut and true, but still off the mark I only roll down the one staircase Mouth opens, voice roars When the red on your skin starts to sting Nothing left, unsightly, unseen I only have foresight the first time I glimpse, I forecast Pushed astray, don’t go trembling I stand illuminated All these hidden variables But I don’t have the gift of preventing Make my life terrible Remembering Programming, guitar, keys: Andres Levin Nor the gift for depending Dexterity itself yields It’s over/run, but still promising Bass: Melvin Gibbs You wait for me, and I write All those round numbers Bare except for humidity Keys, guitar: Stephen Barber And if there is one It’s dark and tart I sew a cape Will you make a smallest motion Puddles reflecting Prophesy, not prophylactisize ©2002 Firma Ltd. (BMI); Cool Banana Music/EMI Music Cheekbones, fog (ASCAP); Archetext Music (BMI) In the wilderness The conspicuous and the mighty Way too flattering In the midst of uncurbed growing The holy, the figures of speech The abundance of lips over lips Your ultra privileged riddles 2. Predigo (Lindsay/Nação Zumbi/Gibbs) 3:47 Vambora correndo, vem logo correndo, velocidade I scale the mound of Venus They hold no mystery for me Todo brabo, antevejo Soar from on high Programming, guitar, keys: Andres Levin Minha cabeça num prato Guitar, loops: Andres Levin Keys, horn arrangement: Stephen Barber Bass, guitar: Melvin Gibbs Tomara que, tomara que Guitar: Lucio Maia Bass: Dengue Bass: Melvin Gibbs Organ: Stephen Barber Que não, que não, na escuridão Trap drums: Pupillo Drums: Skoota Warner No mato, na sala Percussion: Toca Clarinets: Bobby Malach ©2002 Firma Ltd. (BMI); Cool Banana Music/EMI Music Boca abre, voz brada Percussion and tambor: Marco Percussion: Nanny Assis (ASCAP) 5. Invoke (Lindsay/Gibbs) 4:26 Violin: Sandy Park 7. In The City That Reads Delegada Violin arrangement: Stephen Barber (Lindsay/Tare/Geologist/Bear/Deaken) 3:31 I call your image to mind Percussion: Nanny Assis The deputy is fine Call and recall In the city that reads She is a girlfriend of mine ©2002 Firma Ltd. (BMI); Archetext Music (BMI) Tactile and olfactory signs There’s never enough And, feline, dons the brown and the black I list your numerable Never enough enoughs As if they were the same shade 6. You Decide (Lindsay/Moraes/Kassin/Ceppas) 4:25 And innumerable parts Ever spilling ever pouring When all the night watchmen of Rio All your limbs Voice on my shoulder As if the world was Are fast asleep Together in a single motion Voice in your wet chest Made of tiles This solitary cat watches The night pass by Where is that place you go Not quite to the top Feast after feast goes bad Before you feel your best Many many winds hold their heads She’s beautiful and happy We gather in the hollows Piano, guitar, chorus: Avey Tare But still slightly spoiled There’s no rest to be had Somewhere we can condense Drums, voice: Panda Bear At dawn if it’s not raining We gather at the gathers Keys, voice: Deaken I invoke, I invoke, I invoke She strolls her rounds Where events get dense Keys: Geologist And makes it clear to those I summon your side effects Guitar: Arto Lindsay Somebody better get up Who keep on sleeping Your side kicks, a side stick Give that place to rest a rest ©2002 Firma Ltd. (BMI); Otter Guild That she is in charge Summon and apply Of the dreams they’re dreaming Resonance and slapback You decide, you decide 8. Delegada (Lindsay/Marisa Monte/Mendes) 3:06 I summon illusions Let the weather decide Guitar: Cesar Mendes Especially the flimsy underpinnings Want to hide, want to hide É linda a delegada Keys, clarinet arrangement: Stephen Barber Clarinets: Bobby Malach Of temporary things Need to scream to confide Ela é minha namorada You decide, you decide I invoke, I invoke, I invoke E, gata, veste marrom e preto ©2002 Firma Ltd. (BMI); Monte Songs/EMI; Tapajós/EMI Como se fossem uma cor só When you are most cruel On my knees in a new memory Most autocratic, most most Quanda os vigias do Rio 9. Uma (Lindsay/Lucas Santana) 3:24 Wrapped up, set up Where is that place you go Todos já dormem Criança, criança tu Being visualized Where you make goodness good? A gata espia sozinha Panting and life-size A noite a passar Só criaram uma I call out to you Hands in white gloves, going bareback Criaram uma só Up to my waist Muttering, brushing back É linda e alegre Esse ser particular In a howling wind Windows blue at the top Sem deixar de ser dengosa Único no olhar And all the trash it brings Slowing it down to a rush Na madrugada quando não chove Único no andar Dá suas voltas por aí Acoustic guitar, electric guitars, drums: Davi Moraes Nu, puro singular I invoke, I invoke, I invoke Deixando claro pra todos Programming, bass, electribe: Kassin Onde não tinha, há Bass: Melvin Gibbs Programming, MSIO synth: Berna Ceppas Que seguem dormindo Drums: Skoota Warner Que ela é quem manda Só existe uma Keys: Mark Batson ©2002 Firma Ltd. (BMI); ZB Produções; Trama Nos sonhos que estão a sonhar Uma de uma vez Cada sol no seu céu You can hold onto my 11. Unseen (Lindsay/Cantuária) 3:58 Ai ai ai que coisa boa Um galho no ar Responsibility O beijnho do meu bem Um solo a brilhar What was just a voice Dito assim parece `a toa Forgive me Luz serena total Is no voice at all O feitiço que ele tem What words do to me Luz em tudo o que há Nothing to hum, to echo or distort And whatever lash you use Ai ai ai que coisa boa All the while storms gather Uma Use sparingly Que gostinho divinal Oh, forgivingly Underneath the leaves Quando eu ponho a minha boca Child, child, you My voice runs out of grief Nesses lábios de coral Do and do and do They only made one But don’t relent Why did you take your eyes away from me? Beija-me Made just one Don’t relent And all they’ve seen Kiss me This particular being And all they keep unseen Just wink at it Rest your face right next to mine Unique in gaze Away from me? Unique in stride Go into a blinking fit Kiss me I’d give up my life for a kiss from you Naked, pure, singular Go intermittent What’s across the sea See dots for eyes Kiss me Where nothing was, is Is cross with me now I want to inhale your perfume There’s only one Forgive me My sadness runs wild and greedy Kiss me with all your loving One at a time My inexhaustibility There’s not enough meaning around Or I will die of jealousy Every sun in its sky It can afford you To mean all this to me One branch in the air It could spoil you Ai, ai, ai what a good thing One soil ashine Guitars, cardboard box: Vinicius Cantuária My honey’s little kiss is Light, serene total Forgive me Programming: Melvin Gibbs If put that way, it seems a careless thing Light on all there is I need absolution Violins: Sandy Park The witchcraft that it brings Go on, absolve me Violin arrangement: Stephen Barber Ai, ai, ai what a good thing Regente, surdo: Marivaldo Paim What flavor divine Clemency, clemency, clemency Surdos: Patinho, Marcio Peeter, Pato Rouco, Mario Pam ©2002 Firma Ltd.
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