Can Shakira Conquer the World?
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Carson Memorial Unveiled
Vol. 63, No. 46 Published in the interest of the 7th Infantry Division and Fort Carson community Nov. 18, 2005 Visitisit thethe FortFort CarsonCarson WWeb site at www.carson.army.mil Carson memorial unveiled Story and photo by of the history of the Blue Star Spc. Aimee Millham Memorials. Mountaineer staff The project was started in 1944 by Standing outside Gate 1 in the middle New Jersey Garden Clubs as a highway of a small circle of garden landscape, beautification project. With the there is now a Blue Star Memorial approval of the highway commissioner honoring all the men and women who of New Jersey, the club planted 10,000 have served and are still serving in the dogwood trees along a six-mile stretch U.S. Armed Forces. of highway to serve as a living memorial The memorial, which was funded to all service members. by USAA, was unveiled in a ceremony The project was named after the Nov. 10 and was dedicated to Fort blue star in the Armed Services’ flag. Carson in honor of its Soldiers by the It became a nationwide project a Cheyenne Mountain Garden Club. few years after its inception, and today “We owe so much to those who the Blue Star Memorial highway system serve,” said Joan Franson, regional includes more than 70,000 miles of director of the National Garden Clubs highway, and there is at least one Blue — the organization which runs the Blue Star highway in each state. Star Memorial project nationwide. The memorials are not limited to Franson went on to attribute highways though. -
Reverbnation Crowd Review
ReverbNation Crowd Review The Timekeeper • Color Theory • 200 reviewers • March 31, 2017 Standard Insight Track Rating Summary Generally, listener reaction to this song was mixed. When asked to rate this song on a scale from 1 to 10, reviewers reported a 6.7 on average, which ranks this song in the 68th percentile of all songs analyzed by Crowd Review. Most listeners rated your song a 7, and did want to hear your song again after listening to it once. When reviewing your song, the most commonly selected words were vocals, lyrics, good, music, beat. According to a sentiment analysis of those written reviews, listener comments 6.7 were generally neutral. Based on the results of this study, this song probably needs a little more work before it’s ready for promotion to a wider audience. 6.7/10 - 68th percentile Song Rating Position Reviewer Rating Distribution Your Song 60 s r e n 40 e t s i L f o r e b m 20 u N 1 2 3 4 5 6 7 8 9 10 Rating 0 1 2 3 4 5 6 7 8 9 10 All songs Songs in this genre Rating 1 Comment Sentiment Analysis Would you want to hear this song again? 100 90 80 70 60 % 50 No: 42% 40 30 Yes: 59% 20 10 0 Positive Neutral Negative This Song Av erage Would you want to hear this song again? tone love melody 100 artist thought 90 bad softtimehear instruments 80 singer quality 70 electronic beat goodgreat 60 enjoyed % track feel 50 weird vocals voice 40 pretty nice listen 30 music lyrics pianosongs 20 reminds unique 10 work mix soundedinteresting 0 kind Yes No instrumentation This Song Av erage 2 Songwriting Analysis Song Component Rating Average Summary Your song reminded people of Depeche Mode, and made people feel Mellow, Thoughtful and Interested. -
Alicia Bognanno on Managing Your Creative Time
March 16, 2018 - As told to Brandon Stosuy, 2052 words. Tags: Music, Process, Inspiration, Focus. On managing your creative time An interview with musician Alicia Bognanno People often say your music reminds them of grunge, or the ’90s, or vintage Sub Pop. When you’re creating work, and people are referencing things from other eras and bands, does it get in the way of the creative process? When I’m writing, I try to steer away from it. It’s something I didn’t think about before, when I was writing the first record, and before that record was released. The comparisons used to drive me a little bit crazy, because I was born in 1990. Like, I clearly didn’t grow up with Nirvana! I was aware of them based on their hits on the radio. I didn’t experience that scene firsthand, and it wasn’t a huge thing in my life when I was younger. I do understand that a lot of the bands I like came out of that era, but I didn’t think of them as specifically ’90s bands. I thought of them as bands I loved. But I try and put a positive spin on it in thinking, “Well, we’re going to be categorized. If that’s where we’re going to be categorized, then I’m happy with it.” I’d rather be there than the other things people say. “Garage rock.” We’re not a garage rock band. “Punk rock.” I don’t think we’re much of a punk band either. -
Ra of Ea Scr R Fin Tro No We Be Th Ing His Li N Roman Mythology
n Roman mythology, Romulus and Remus were the first to n Roman mythology, Romulus and Remus were the first to be raised by wolves. Twin boys of possibly divine ancestry, be raised by wolves. Twin boys of possibly divine ancestry, abandoned to the elements by a vengeful king but rescued abandoned to the elements by a vengeful king but rescued and nurtured by a she-wolf. They’d grow up to found the and nurtured by a she-wolf. They’d grow up to found the city of Rome, seat of Western Civilization and cradle city of Rome, seat of Western Civilization and cradle to the modern world. The names Romulus and Remus are enshrined by to the modern world. The names Romulus and Remus are enshrined by history. But take the wolf from their story and they’re just two boys lost history. But take the wolf from their story and they’re just two boys lost in the wilderness. The values that gave rise to Rome are the values the in the wilderness. The values that gave rise to Rome are the values the boys learned from the pack. boys learned from the pack. They’re also the values we of Raised by Wolves revere today—social They’re also the values we of Raised by Wolves revere today—social connection, caring, nurturing, loyalty. To us it’s ironic that the phrase connection, caring, nurturing, loyalty. To us it’s ironic that the phrase ‘raised by wolves’ has come to mean a lack of civility. Because the virtues ‘raised by wolves’ has come to mean a lack of civility. -
Z:\TRANSCRIPTS\2018\0208DED NACIQI REV.Wpd
1 UNITED STATES OF AMERICA DEPARTMENT OF EDUCATION + + + + + OFFICE OF POSTSECONDARY EDUCATION + + + + + NATIONAL ADVISORY COMMITTEE ON INSTITUTIONAL QUALITY AND INTEGRITY + + + + + MEETING + + + + + THURSDAY FEBRUARY 8, 2018 + + + + + The Advisory Committee met in the National Ballroom of the Washington Plaza Hotel located at 10 Thomas Circle, Northwest, Washington, D.C., at 8:30 a.m., Arthur Keiser, Chairman, presiding. 2 MEMBERS PRESENT ARTHUR KEISER, Chairman FRANK H. WU, Vice Chair SIMON BOEHME ROBERTA DERLIN, PhD JOHN ETCHEMENDY, PhD GEORGE FRENCH, PhD BRIAN W. JONES, PhD RICK F. O'DONNELL SUSAN D. PHILLIPS, PhD CLAUDE O. PRESSNELL, JR., PhD ARTHUR J. ROTHKOPF RALPH WOLFF STEVEN VAN AUSDLE, PhD FEDERICO ZARAGOZA, PhD STAFF PRESENT JENNIFER HONG, NACIQI Executive Director HERMAN BOUNDS, Director, Accreditation Group ELIZABETH DAGGETT, Staff Analyst NICOLE HARRIS, Staff Analyst VALERIE LEFOR, Staff Analyst STEPHANIE McKISSIC, Staff Analyst SALLY MORGAN, Office of the General Counsel CHUCK MULA, Staff Analyst 3 ALSO PRESENT SHARON BEASLEY, Accreditation Commission for Education in Nursing BARBARA BRITTINGHAM, New England Association of Schools and Colleges ANNE COCKERHAM, Accreditation Commission for Midwifery Education ANTOINETTE FLORES, Center for American Progress BARBARA GELLMAN-DANLEY, Higher Learning Commission RONALD HUNT, Accreditation Commission for Midwifery Education PETER JOHNSON, Accreditation Commission for Midwifery Education CHERYL JOHNSON-ODIM, Higher Learning Commission DAWN LINDSLEY, Oklahoma Department of Career and Technology Education MARCIE MACK, Oklahoma Department of Career and Technology Education BETH MARCOUX, Commission on Accreditation in Physical Therapy Education HEATHER MAURER, Accreditation Commission for Midwifery Education CATHERINE McJANNETT, Accreditation Commission for Education in Nursing PATRICIA O'BRIEN, New England Association of Schools and Colleges KAREN PETERSON, Higher Learning Commission MARSAL P. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Top 40 Singles Top 40 Albums
20 October 2002 CHART #1331 Top 40 Singles Top 40 Albums TIDE IS HIGH NO SUCH THING BELIEVE BOUNCE 1 Atomic Kitten 21 John Mayer 1 Disturbed 21 Bon Jovi Last week 24 / 2 weeks Gold / VIRGIN/EMI Last week 17 / 17 weeks SONY Last week 0 / 1 weeks WARNER Last week 19 / 2 weeks UNIVERSAL COMPLICATED IN A LITTLE WHILE FORTY LICKS STARS - THE BEST OF THE CRAN... 2 Avril Lavigne 22 Uncle Kracker 2 Rolling Stones 22 The Cranberries Last week 1 / 14 weeks Platinum / BMG Last week 26 / 3 weeks EW/WARNER Last week 3 / 2 weeks Platinum x2 / VIRGIN/EMI Last week 20 / 3 weeks Gold / UNIVERSAL ROUND ROUND FEEL IT BOY GREATEST HITS SONGS FOR THE DEAF 3 Sugababes 23 Beenie Man feat. Janet Jackson 3 Little River Band 23 Queens Of The Stone Age Last week 3 / 3 weeks UNIVERSAL Last week 18 / 3 weeks VIRGIN / EMI Last week 11 / 9 weeks Platinum x2 / CAPITOL/EMI Last week 22 / 6 weeks UNIVERSAL BOYS OF SUMMER LOVE AT FIRST SIGHT ELVIS 30 # 1 HITS BEAUTIFUL COLLISION 4 DJ Sammy 24 Kylie Minogue 4 Elvis Presley 24 Bic Runga Last week 4 / 10 weeks SHOCK/BMG Last week 21 / 16 weeks Gold / FMR Last week 1 / 3 weeks Platinum x2 / BMG Last week 16 / 15 weeks Platinum x2 / SONY CLEANIN' OUT MY CLOSET BOP BOP BABY LET GO STANLEY CLIMBFALL 5 Eminem 25 Westlife 5 Avril Lavigne 25 Lifehouse Last week 8 / 4 weeks UNIVERSAL Last week 27 / 12 weeks BMG Last week 2 / 6 weeks Platinum / BMG Last week 26 / 2 weeks UNIVERSAL GIDDY UP TWO WRONGS The Eminem Show SEA CHANGE 6 Katchafire 26 Wyclef Jean 6 Eminem 26 Beck Last week 5 / 9 weeks Gold / SHOCK/BMG Last week 22 / 14 weeks Platinum / SONY Last week 4 / 20 weeks Platinum x5 / UNIVERSAL Last week 28 / 2 weeks UNIVERSAL GANGSTA LOVIN' CLAV DUB MISSUNDAZTOOD READ MY LIPS - REVISED EDITION 7 Eve feat. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.