Hanna Barbara

Total Page：16

File Type：pdf, Size：1020Kb

HANNA BARBARA BIOGRAPHY Hanna and barbera, american motion-picture animators and partners in hanna-barbera productions, founded in 1957. William hanna (in full william denby hanna; b. July 14, 1910, melrose, new mexico, u.S.—d. March 22, 2001, hollywood, california) and joseph barbera (in full joseph roland barbera; b. March 24, 1911, new york, new york, u.S.—d. December 18, 2006, los angeles, california) collaborated for more than half a century. William hanna joined a california engineering firm after studying engineering and journalism. He switched careers to cartooning in 1930 and in 1937 joined metro-goldwyn-mayer as a director and story man in the animation department. Joseph barbera was working as a bank accountant with the irving trust company in new york city during the early 1930s when he started submitting cartoons to magazines; he sold his first to collier’s magazine and decided to forsake banking for cartooning. He joined mgm as a sketch artist in the same year as hanna. At mgm, hanna and barbera created the tom and jerry characters and produced more than 200 films in the series between 1940 and 1957. They won seven oscars from the academy of motion picture arts and sciences for their cartoons between 1943 and 1952. After 1957, when they formed their own company, they made a prodigious number of cartoon series for television. They were derided for employing cut-rate, limited animation techniques, which allowed for the timely production of television cartoons, but they were praised for the quality of writing found in their most successful productions, including huckleberry hound, yogi bear, the flintstones, and the jetsons..

Copy Link

Recommended publications

Ll Be Your Huckleberry
I’ll Be Your Huckleberry It is amazing what will spark a memory. I was transferring a client’s film today and the Christmas scene that appeared on the screen was of a young boy who had just received an inflatable punching bag in the image of Huckleberry Hound. I had one of those. And I certainly remember Hanna-Barbera’s Huckleberry Hound being a favorite cartoon when I was growing up. But my memory played a trick on me. I would have sworn that the Huckleberry Hound Show that I watched as a youngster consisted of three segments: Huckleberry himself; Yogi Bear and Boo-Boo (whose segment eventually became more popular than those of the titular star); and (I thought) Quick Draw McGraw with his sidekick “bing bing bing” Ricochet Rabbit. But I was wrong. Quick Draw had his own show. The third segment for Huck, as he is familiarly known to his young fans, involved a pair of mice, Pixie and Dixie, and the object of their abuse, the cat Mr. Jinx. Just goes to show how memories can tend to distort and blend together over time. A few trivia tidbits about this cartoon from my past: Huckleberry Hound debuted in 1958 and featured a slow moving, slow talking blue dog who held a multitude of jobs and always seemed to succeed due to either luck or an obstinate persistence. Huck was voiced by Daws Butler who also provided the voices for Wally Gator, Yogi Bear, Quick Draw McGraw, and Snagglepuss. Daws Butler fashioned the voice of Yogi Bear after Art Carney’s portrayal of Ed Norton in The Honeymooners.
[Show full text]
Tesis En El Extranjero Y Mi Amazon.Com Personalizado
UNIVERSIDAD CATÓLICA ANDRÉS BELLO Facultad de Humanidades y Educación Escuela de Comunicación Social Mención Artes Audiovisuales “Trabajo de Grado” DE PIEDRADURA A SPRINGFIELD ANÁLISIS DEL LENGUAJE AUDIOVISUAL EN DOS SERIES DE DIBUJOS ANIMADOS Tesista María Dayana Patiño Perea Tutor: Valdo Meléndez Materán CARACAS, VENEZUELA 2004 A mis padres, Higgins y Francia. AGRADECIMIENTOS A Dios, por todas sus bendiciones. A mi papá, mi gran amor. Tu me has enseñado a sentarme y pensar, a levantarme y seguir y a luchar para conseguir mi lugar en esta vida. Eres mi mejor ejemplo y mi más grande orgullo. A mi mamá, por tu amor, tu nobleza, tu sabiduría y tu apoyo incoanaal ndicional, no importa la hora ni las distancias. Eres la mujer más maravillosa del mundo y yo tengo la suerte de que seas mi compañía y mi descanso en cada paso que doy. A mis hermanos, hermanas, cuñadas, tíos y primos, porque cada uno, alguna vez, sacó un momento de su tiempo para preguntar ¿cómo va la tesis? y, considerando el tamaño, ¿a quién se le puede olvidar una pregunta que te han hecho unas doscientas veces?...Los quiero a todos, infinitas gracias. A María Bethania Medina, Gabriela Prado y Carolina Martínez por el apoyo moral y los momentos de ocio, justificados o no, las quiero muchísimo. Gracias por tanto aguante. A Olivia Liendo, amiga, gracias por tantas sesiones de consulta cibernética y por ser, además, mi sensei y despertador personal. A Luis Manuel Obregón, mi compañero de tesis ad honorem . Primo, gracias por todo el tiempo y el apoyo que me diste para salir adelante en esto (y gracias también por todo el delivery)...muchacho, you rock! A Sasha Yánez, por la compañía durante tantos trasnochos y las conversaditas en el balcón.
[Show full text]
Tom and Jerry
Tom and Jerry Tom of Tom and Jerry fame must be one of the all time favorite cartoon cats. This cat and mouse cartoon series kicked of on February 20, 1940 with the short "Puss Gets the Boot". Distributed by MGM, directed by Bill Hanna and Joe Barbera and produced by Rudolf Ising, this Academy Award nominee ran for just over 9 mins. Apart from the cat being referred to as "Jasper" and not Tom, and the mouse not having a name, this first adventure pretty much established the Tom and Jerry format. Cat views mouse as a tasty snack. Cat chases mouse but is usually outwitted. Plenty of violence, mayhem and destruction. Lots of visual gags, little dialogue. This basically is the formula for every successful cat and mouse animated cartoon, and no other feline and rodent pair were better performers of the formula than Tom and Jerry. The first series of Tom and Jerry pictures, directed by Hanna and Barbera for MGM, 1940 -1957, were absolute masterpieces of animation. Beautifully drawn, very fast paced action all the way and lovable, likable characters. Tom nearly always came off the worst in any encounter with cute little Jerry mouse. The cat would often be gullible enough to accept a lighted stick of dynamite from the rodent, stand there admiring it until it exploded, leaving him nothing but a black smudge with a pair of blinking, disbelieving eyes. Hilariously impossible things happened in these early T&J shorts, the duo would hit each other with anything they could lay their hands on, push each other of off buildings, shoot each other and commit every conceivable (and inconceivable) act of violence to their opponent.
[Show full text]
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks.
[Show full text]
The Chase Is On! Infamous Cat-And-Mouse Rivals Tom & Jerry
October 28, 2020 The chase is on! Infamous cat-and-mouse rivals Tom & Jerry partner with Macy’s on a zany animatronic float to celebrate their new movie and the 94th Annual Macy’s Thanksgiving Day Parade® BURBANK, CA – October 28, 2020 – On November 26th Macy’s and Warner Bros. team up to bring fans a completely new spectacle of fun and fantasy, as beloved frenemies Tom and Jerry showcase their famous brand of comic chaos with an eye-popping float in the 94th Annual Macy’s Thanksgiving Day Parade®. An American holiday tradition for more than 90 years with more than 50 million fans nationwide, the Parade is fitting partnership for the timeless pop culture icons as Tom and Jerry share in the good wishes of the season and offer fans a taste of what to expect in the big-screen event film “Tom & Jerry,” opening March 5, 2021. Titled “Tourist Trap,” the hilarious and engaging float features animatronics as well as smoke and other effects to spoof city life by throwing Tom into a series of wild squash-and-stretch sight gags the likes of which have entertained audiences everywhere. Among the indignities Tom endures are run-ins with a steamroller, a truck, a deceptively innocent-looking pretzel stand and a sewer gator. He even inflates like a mini Parade balloon as Jerry, ever the instigator, flies above the pandemonium in a drone helicopter. The float itself, a casualty of the endless mayhem, will lurch and limp down the Parade route. The animated/live-action adventure “Tom & Jerry,” starring Chloë Grace Moretz, Michael Peña, Rob Delaney, Colin Jost, and Ken Jeong, debuts in theaters on March 5, 2021.
[Show full text]
Congressional Record—Senate S11311
October 11, 2004 CONGRESSIONAL RECORD — SENATE S11311 SENATE RESOLUTION 467—EX- SENATE RESOLUTION 468—DESIG- chairman of the Senate Committee on TENDING BIRTHDAY GREETINGS NATING NOVEMBER 7, 2004, AS Indian Affairs and Senator INOUYE, the TO JOSEPH BARBERA ON THE ‘‘NATIONAL NATIVE AMERICAN distinguished vice chairman of the OCCASION OF HIS 100TH BIRTH- VETERANS DAY’’ TO HONOR THE committee, and others of my col- DAY AND DESIGNATING MARCH SERVICE OF NATIVE AMERICANS leagues in cosponsoring that resolu- 2005 AS ‘‘ANIMATED FAMILY EN- IN THE UNITED STATES ARMED tion. As the events of conflict in Iraq TERTAINMENT MONTH’’ FORCES AND THE CONTRIBUTION continue we all hope and pray for the OF NATIVE AMERICANS TO THE safe return of the men and women who Mr. HATCH (for himself and Mrs. DEFENSE OF THE UNITED are overseas, far from home protecting FEINSTEIN) submitted the following res- STATES our Nation and others. olution; which was considered and We continue to honor the memory of agreed to: Ms. MURKOWSKI (for herself, Mr. Army Private First Class Lori CAMPBELL, and Mr. INOUYE) submitted Piestewa, a Hopi woman, who fought S. RES. 467 the following resolution; which was re- valiantly and bravely to protect her Whereas Joseph Barbera is one of the pio- ferred to the Committee on the Judici- fellow soldiers during the invasion of neers of animated entertainment, having ary: created, with his partner, William Hanna, Iraq. This year we also remember other some of the world’s most recognizable and S. RES. 468 Native people who lost their lives in beloved characters, including Tom and Whereas Native Americans have served Iraq over the past year.
[Show full text]
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains.
[Show full text]
Cartoon Shows Brackets.Xlsx
FAVORITE CHILDREN'S CARTOON SHOWS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Jonny Quest 79 122 Looney Tunes 1 Jonny Quest 24 79 Looney Tunes 32 Jabberjaw 37 1 Clutch Cargo 32 Jetsons 71 71 Looney Tunes 16 Jetsons 105 King27 Leonardo & his Short Subjects 16 Jetsons 58 4 Heckle & Jeckle 17 Quick Draw McGraw 18 83 Heckle & Jeckle 17 Jetsons Looney Tunes 8 Space Ghost 61 44 GI Joe 8 Space Ghost 47 18 Fat Albert 25 Captain Caveman 51 70 Fat Albert 25 Space Ghost 18 18 Rocky & Bullwinkle 9 Great Grape Ape 69 118 Rocky & Bullwinkle 9 Great Grape Ape 29 63 Rocky & Bullwinkle 24 Perils of Penelope Pitstop 43 2 Roger Ramjet 24 5 Herculoids 64 36 Tennessee Tuxedo 5 Herculoids 22 56 Alvin & the Chipmunks 28 Help! It's the Hair Bear Bunch! 48 86 Alvin & the Chipmunks 28 Smurfs 50 45 Alvin & the Chipmunks 12 Smurfs 69 25 Battle of the Planets 12 Smurfs 59 27 Speed Racer 21 Huckleberry Hound 53 85 Speed Racer 21 Smurfs Alvin & the Chipmunks 4 Wacky Races 55 38 Voltron 4 Josie & the Pussycats 48 34 Inspector Gadget 29 Josie & the Pussycats 61 82 Inspector Gadget 29 Josie & the Pussycats 36 43 Peabody's Improbable History 13 Top Cat 59 77 Peabody's Improbable History 13 Top Cat 31 48 Peabody's Improbable History 20 Auggie Doggie 58 42 Woody Woodpecker 20 Hanna-Barbera Early TV Networks (to mid 80s) 6 Flintstones 109 118 Tom and Jerry 6 Flintstones 62 53 Tom
[Show full text]
25302 Hon. James A. Barcia Hon. Jack Quinn Hon. Jerry Lewis
25302 EXTENSIONS OF REMARKS October 13, 1999 with diagnostic screenings, nutrition informa- Journal he said, ‘‘We never really played down among program participants. Furthermore, tion, immunization and other services. to kids. We made what I call entertainment for youths whose mothers participated in the pro- Mr. Speaker, wish I could be in Milwaukee families. The kids got on board and the adults gram were 55% less likely to be arrested. today to shake Harry’s hand and thank him for came on board. We never really lost any of Mr. Chairman, as we debate juvenile crime, his gift of renewed hope. I wish I could join the them.’’ today, the Flinstones still rank as one our primary focus should be on child abuse. I excited people touring the new Center for the of the top-rated programs in syndication his- urge all of my colleagues to support these pro- first time. But I appreciate this opportunity to tory. visions that are put forth in the juvenile justice share their story with my colleague and to In addition to great talent, Mr. Barbera is bill. offer my most sincere appreciation to Harry blessed with a loving family. He and his wife, f Samson for this unparalleled devotion and Sheila, live in Studio City, CA, where Mr. generosity and my heartfelt congratulations to Barbera continues to serve as a creative con- CAPTAIN SANDRA REDDING Neighborhood House on the dedication of the sultant, most recently with the animated fea- MAKES HISTORY WITH CALI- Harry and Rose Sampson Family Resource ture film ‘‘Tom and Jerry—The Movie.’’ He is FORNIA HIGHWAY PATROL Center.
[Show full text]
Response to This Article About the Hasbro/Discovery Hub Shift In
Response to this article about the Hasbro/Discovery Hub shift in power...which turned into another my long-winded, thoughtful rants: http://online.wsj.com/articles/discovery-to-take-control-of-the-hub-network- 1410979842 Well, that's...somewhat shocking. From what I can tell, the Hasbro/Discovery partnership in The Hub has been an amazing success. I watch the channel almost every day. Most of its programming is--and has been, for the past 3.5 years--excellent. From the original series (FiM, Pound Puppies, Strawberry Shortcake, LPS, Dan Vs., Aquabats Super Show, Family Game Night, Care Bears, Transformers, Haunting Hour), to all the other wonderful shows/sitcoms (oh my goodness!! Tiny Toon Adventures, Animaniacs, Goosebumps, Laverne & Shirley, Happy Days, Mork & Mindy, Step By Step, Who's the Boss, Family Ties, The Facts of Life, Sister, Sister, Sabrina, Atomic Betty, etc.), to the extremely well-chosen family movies (I loved it when they aired the Homeward Bound films, All Dogs Go to Heaven 2...today I saw Spaceballs...and they've just made so many other great movie picks every season.) They've been an outstanding example of listening to your viewers and giving them what they want. Even their misfires and middle-of-the-road shows are more than bearable (SheZow, animated Sabrina, Teenage Fairytale Dropouts, Kid President, Parents Just Don't Understand, and such.) If Hasbro were to grow dissatisfied with controlling six hours of its toy-based cartoons daily on Hub (which seems like a fair deal they've cut, tbh), and moved them over to Cartoon Network or Disney...well, at least the shows would still continue on, and be a MASSIVE boon to either of those channels.
[Show full text]
429 11/16/2020 (#19 This Year)
Scooby-Doo Creator Dies Ken Spears, the creator of Scooby- 429 Doo died last week at the age of 82. I’m sure many of you have seen the Scooby-Doo 11/16/2020 (#19 this year) cartoon. I grew up with it. It was on TV every 1 We had quite an eventful week last week. You can say many things about 2020, but you Saturday morning. 2 can never say that it is boring. I’m hoping that things will start to settle down and get back to In the 19502, Ken Spears was 3 normal, but that doesn’t look likely in the near future. There is talk of a vaccination for the corona looking for a job and one of his friends, virus, and I’m hoping that will help us go back to the life we used to know. Do you remember last William Hanna, offered him a job in an January? Back when the pandemic hadn’t started, and we were just going about our daily lives? That animation studio. William Hanna is obviously seems like a lifetime ago. half of the Hanna-Barbera duo4 who made Something Interesting (Scooby-Doo) many of the cartoons we love, including Tom 1. Scooby-Doo’s full name is Scoobert-Doo. 2. In the original idea, the group were a rock band and Scooby-Doo played the bongos. 3. Scooby-Doo merchandize is everywhere and has made over $2 billion. and Jerry. The studio was trying to make a new 4. There have been 413 cartoons and movies since the series was created.
[Show full text]
Download but Allow In-App Purchases
FINDING CAMELITTLE: CHILDRENS TELEVISION IN A DIGITAL AGE ____________________________________________________ A Thesis Presented to The Honors Tutorial College Ohio University ____________________________________________________ In Partial Fulfillment Of the Requirements for Graduation From the Honors Tutorial College With the degree of Bachelor of Science in Media Arts and Studies ____________________________________________________ By Ryan H. Etter June 2011 FINDING CAMELITTE 2 This thesis is dedicated to all those who have worked in children’s entertainment before me. From the Saturday morning cartoons, to feature length movies, I would like to thank the people who not only gave me a childhood, but also gave me passion and direction as an adult. FINDING CAMELITTE 3 Table of Contents INTRODUCTION……………………………………………………………………4 CHAPTER 1: THE INDUSTRY………….………………………………………….8 CHAPTER 2: MAKING AN ANIMATED PROGRAM………………….………...16 CHAPTER 3: DEVELOPING CONTENT IN A DIGITAL AG…………………….24 CHAPTER 4: THE AUDIENCE………………..……………………………………43 CHAPTER 5: CAMELITTLE…………..……………………………………………51 REFERENCES………………….……………………………………………………73 CAMELITTLE PILOT DVD…………………………………………………Appendix FINDING CAMELITTE 4 Finding Camelittle: Children’s Television in a Digital Age Long ago and far away there was a land called Camelot. It was a kingdom ruled by the great king Arthur who was a virtuous and wise monarch. His reign was presented as idyllic and he was considered the model ruler. Many have used the imagery of Arthur’s Camelot to describe prosperous times in history, from the JFK presidency to the “Golden Age of Television.” For young children, the world is shaped by much smaller things than presidents or politics and, for myself; the world existed not only in my home or at school, but in the wonderfully imaginary places created in cartoons.
[Show full text]