KINGSWAY Conservation Area Statement
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Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
LTN Winter 2021 Newsletter
THE LUTYENS TRUST To protect and promote the spirit and substance of the work of Sir Edwin Lutyens O.M. NEWSLETTER WINTER 2021 A REVIEW OF NEW BOOK ARTS & CRAFTS CHURCHES BY ALEC HAMILTON By Ashley Courtney It’s hard to believe this is the first book devoted to Arts and Crafts churches in the UK, but then perhaps a definition of these isn’t easy, making them hard to categorise? Alec Hamilton’s book, published by Lund Humphries – whose cover features a glorious image of St Andrew’s Church in Sunderland, of 1905 to 1907, designed by Albert Randall Wells and Edward Schroeder Prior – is split into two parts. The first, comprising an introduction and three chapters, attempts a definition, placing this genre in its architectural, social and religious contexts, circa 1900. The second, larger section divides the UK into 14 regions, and shows the best examples in each one; it also includes useful vignettes on artists and architects of importance. For the author, there is no hard- and-fast definition of an Arts and Crafts church, but he makes several attempts, including one that states: “It has to be built in or after 1884, the founding date of the Art Workers’ Guild”. He does get into a bit of a pickle, however, but bear with it as there is much to learn. For example, I did not know about the splintering of established religion, the Church of England, into a multitude of Nonconformist explorations. Added to that were the social missions whose goal was to improve the lot of the impoverished; here social space and church overlapped and adherents of the missions, such as CR Ashbee, taught Arts and Crafts skills. -
Transport with So Many Ways to Get to and Around London, Doing Business Here Has Never Been Easier
Transport With so many ways to get to and around London, doing business here has never been easier First Capital Connect runs up to four trains an hour to Blackfriars/London Bridge. Fares from £8.90 single; journey time 35 mins. firstcapitalconnect.co.uk To London by coach There is an hourly coach service to Victoria Coach Station run by National Express Airport. Fares from £7.30 single; journey time 1 hour 20 mins. nationalexpress.com London Heathrow Airport T: +44 (0)844 335 1801 baa.com To London by Tube The Piccadilly line connects all five terminals with central London. Fares from £4 single (from £2.20 with an Oyster card); journey time about an hour. tfl.gov.uk/tube To London by rail The Heathrow Express runs four non- Greater London & airport locations stop trains an hour to and from London Paddington station. Fares from £16.50 single; journey time 15-20 mins. Transport for London (TfL) Travelcards are not valid This section details the various types Getting here on this service. of transport available in London, providing heathrowexpress.com information on how to get to the city On arrival from the airports, and how to get around Heathrow Connect runs between once in town. There are also listings for London City Airport Heathrow and Paddington via five stations transport companies, whether travelling T: +44 (0)20 7646 0088 in west London. Fares from £7.40 single. by road, rail, river, or even by bike or on londoncityairport.com Trains run every 30 mins; journey time foot. See the Transport & Sightseeing around 25 mins. -
The Custom House
THE CUSTOM HOUSE The London Custom House is a forgotten treasure, on a prime site on the Thames with glorious views of the river and Tower Bridge. The question now before the City Corporation is whether it should become a luxury hotel with limited public access or whether it should have a more public use, especially the magnificent 180 foot Long Room. The Custom House is zoned for office use and permission for a hotel requires a change of use which the City may be hesitant to give. Circumstances have changed since the Custom House was sold as part of a £370 million job lot of HMRC properties around the UK to an offshore company in Bermuda – a sale that caused considerable merriment among HM customs staff in view of the tax avoidance issues it raised. SAVE Britain’s Heritage has therefore worked with the architect John Burrell to show how this monumental public building, once thronged with people, can have a more public use again. SAVE invites public debate on the future of the Custom House. Re-connecting The City to the River Thames The Custom House is less than 200 metres from Leadenhall Market and the Lloyds Building and the Gherkin just beyond where high-rise buildings crowd out the sky. Who among the tens of thousands of City workers emerging from their offices in search of air and light make the short journey to the river? For decades it has been made virtually impossible by the traffic fumed canyon that is Lower Thames Street. Yet recently for several weeks we have seen a London free of traffic where people can move on foot or bike without being overwhelmed by noxious fumes. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Seven Dials Guidelines
Conservation area statement Seven Dials (Covent Garden) 7 Newman Street Street Queen Great akrStreet Parker Theatre London tklyStreet Stukeley New aki Street Macklin Drury Lane This way up for map etro Street Betterton Endell St hrsGardens Shorts Neal Street Theatre Cambridge ala Street Earlham Mercer Street omuhStreet Monmouth Dials page 3 Location Seven page 6 History page 10 Character page 19 Audit Tower Street page 26 Guidelines West Street hfebr Avenue Shaftesbury SEVEN DIALS (Covent Garden) Conservation Area Statement The aim of this Statement is to provide a clear indication of the Council’s approach to the preservation and enhancement of the Seven Dials (Covent Garden) Conservation Area. The Statement is for the use of local residents, community groups, businesses, property owners, architects and developers as an aid to the formulation and design of development proposals and change in the area. The Statement will be used by the Council in the assessment of all development proposals. Camden has a duty under the Planning (Listed Buildings and Conservation Areas) Act 1990 to designate as conservation areas any “areas of special architectural or historic interest, the character or historic interest of which it is desirable to preserve.” Designation provides the basis for policies designed to preserve or enhance the special interest of such an area. Designation also introduces a general control over the demolition of unlisted buildings. The Council’s policies and guidance for conservation areas are contained in the Unitary Development Plan (UDP) and Supplementary Planning Guidance (SPG). This Statement is part of SPG and gives additional detailed guidance in support of UDP policies. -
Liverpool Street Bus Station Closure
Liverpool Street bus station closed - changes to routes 11, 23, 133, N11 and N133 The construction of the new Crossrail ticket hall in Liverpool Street is progressing well. In order to build a link between the new ticket hall and the Underground station, it will be necessary to extend the Crossrail hoardings across Old Broad Street. This will require the temporary closure of the bus station from Sunday 22 November until Spring 2016. Routes 11, 23 and N11 Buses will start from London Wall (stop ○U) outside All Hallows Church. Please walk down Old Broad Street and turn right at the traffic lights. The last stop for buses towards Liverpool Street will be in Eldon Street (stop ○V). From there it is 50 metres to the steps that lead down into the main National Rail concourse where you can also find the entrance to the Underground station. Buses in this direction will also be diverted via Princes Street and Moorgate, and will not serve Threadneedle Street or Old Broad Street. Routes 133 and N133 The nearest stop will be in Wormwood Street (stop ○Q). Please walk down Old Broad Street and turn left along Wormwood Street after using the crossing to get to the opposite side of the road. The last stop towards Liverpool Street will also be in Wormwood Street (stop ○P). Changes to routes 11, 23, 133, N11 & N133 Routes 11, 23, 133, N11 & N133 towards Liverpool Street Routes 11 & N11 towards Bank, Aldwych, Victoria and Fulham Route 23 towards Bank, Aldwych, Oxford Circus and Westbourne Park T E Routes 133 & N133 towards London Bridge, Elephant & Castle, -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
Camberwell Grove Conservation Area Appraisal Part 3
Camberwell Grove Conservation Area The Character and Appearance of the Area Figure 9 Regency streetscape at Grove Crescent – designated under the London Squares Preservation Act Figure 10 Brick paving and good modern lighting - St. Giles Churchyard Building types 3.1.12 The great majority of buildings in the Conservation Area are residential, particularly in Camberwell Grove and Grove Lane., the predominant type is three and four storey brick or stuccoed terraces of houses, dating from the late 18th/early 19th century and designed on classical principles, In other parts of the area there are two storey brick or stucco villas or pairs from the 19th century. Later, there are many examples of two storey brick houses built with arts and crafts/English revivalist influence, as at Grove Park, for example. 3.1.13 These residential building types provide the basis of the character of the Conservation area. Against their background a few institutional and public buildings are landmarks that stand out in the local context. On Denmark Hill, there is the main frontage of the Maudsley Hospital in early 20th century classical styles using red brick and Portland stone. Giles Gilbert Scott’s 1932 Salvation Army College employs a neo-classical style in dark brown brick. The Mary Datchelor School is in a Queen Anne revival style using red brick and plain tiled roofs, and St. Giles Church is an 1840s Gothic revival design. 3.2 Sub-area 1 - Lower Camberwell Grove St. Giles Church 3.2.1 St. Giles Church is a very important landmark in the Camberwell area, marking the "gateway" to the centre of Camberwell from the Peckham Road. -
Legal Notices a Copy of the Petition Will Be Supplied by the Under- the COMPANIES ACT 1948 Signed on Payment of the Prescribed Charge
THE LONDON GAZETTE, SlsT MARCH 1981 4659 VALE ROYAL DISTRICT COUNCIL Copies of the Order, statement of reasons and relevant plans may be inspected free of charge, at all reasonable HIGHWAYS ACT 1980, SECTION 14 hours from 31st March to 16th May 1981 at the Council The District of Vale Royal (Northwich Internal By-Pass Offices, Church Street, Northwich, the Council Offices, A 559 Chesterway Phase III Classified Road) (Side Roads) Whitehall, School Lane, Hartford and also at the Depart- Order 1981. ment of Transport, North-West Region, Sunley Buildings. Notice is hereby given that the Vale Royal District Council Piccadilly Plaza, Manchester. hereby give notice that they have made and submitted Any person wishing to make representations or objections to the Secretary of State for the Enviroment and Trans- to the confirmation of the Order may do so in writing port for confirmation an Order under section 14 of the before 16th May 1981, to the Minister of Transport at Highways Act 1980 and of all other enabling powers the office of the Regional Controller (Roads and Trans- which will authorise the Council: portation), North-West Region, Sunley Buildings, Piccadilly (a) To carry out the improvement of highways. Plaza, Manchester Ml 4BE, stating the grounds of (b) To stop-up highways. objection. (c) To construct a new highway which shall be a road. W. R. T. Woods, Chief Executive Officer and Secretary (d) To stop-up a private means of access to premises. (e) To provide a new means of access to premises. Council Offices, All on or in the vicinity of the route of the classified Whitehall, School Lane, road which the Council are proposing to construct between Hartford, Northwich. -
ALBI CATHEDRAL and BRITISH CHURCH ARCHITECTURE TC Albi Cathedral 24/1/2002 11:24 Am Page 2 TC Albi Cathedral 24/1/2002 11:25 Am Page 3
Albi F/C 24/1/2002 12:24 pm Page 1 and British Church Architecture John Thomas TC Albi Cathedral 24/1/2002 11:24 am Page 1 ALBI CATHEDRAL AND BRITISH CHURCH ARCHITECTURE TC Albi Cathedral 24/1/2002 11:24 am Page 2 TC Albi Cathedral 24/1/2002 11:25 am Page 3 ALBI CATHEDRAL and British Church Architecture 8 The in$uence of thirteenth-century church building in southern France and northern Spain upon ecclesiastical design in modern Britain 8 JOHN THOMAS THE ECCLESIOLOGICAL SOCIETY • 2002 TC Albi Cathedral 24/1/2002 11:25 am Page 4 For Adrian Yardley First published 2002 The Ecclesiological Society, c/o Society of Antiquaries of London, Burlington House, Piccadilly, London W1V 0HS www.ecclsoc.org ©JohnThomas All rights reserved Printed in the UK by Pennine Printing Services Ltd, Ripponden, West Yorkshire ISBN 0946823138 TC Albi Cathedral 24/1/2002 11:25 am Page 5 Contents List of figures vii Preface ix Albi Cathedral: design and purpose 1 Initial published accounts of Albi 9 Anewtypeoftownchurch 15 Half a century of cathedral design 23 Churches using diaphragm arches 42 Appendix Albi on the Norfolk coast? Some curious sketches by Sir Giles Gilbert Scott 51 Notes and references 63 TC Albi Cathedral 24/1/2002 11:25 am Page 6 TC Albi Cathedral 24/1/2002 11:25 am Page 7 Figures No. Subject Page 1, 2 Albi Cathedral, three recent views 2, 3 3AlbiCathedral,asillustratedin1829 4 4AlbiCathedralandGeronaCathedral,sections 5 5PlanofAlbiCathedral 6 6AlbiCathedral,apse 7 7Cordeliers’Church,Toulouse 10 8DominicanChurch,Ghent 11 9GeronaCathedral,planandinteriorview -
Guide to Times of Hop-On Hop-Off Buses Stop No
Guide to times of Hop-on Hop-off buses Stop No. Boarding point and Location of stops First Bus Last Panoramic Last Bus Interchange (see map) Summer Winter Summer Winter Summer Winter Points 1 Victoria, Buckingham Palace Road, Stop 8. 09:00 09:00 17:00 16:30 20:15 19:45 2 Buckingham Gate, Tourist bus stop. 08:16 08:31 17:08 16:38 17:56 18:01 3 Parliament Street, stop C, HM Treasury. 08:23 08:38 16:03 16:08 18:03 18:08 4 Whitehall, Tourist stop, Horse Guards Parade. 08:28 08:43 16:08 16:13 18:08 18:13 5 Lower Regent Street, tourist bus stop, outside no. 11. 09:25 09:25 17:20 17:25 19:40 19:55 6 Piccadilly, Tourist stop, Green Park Station. 09:32 09:32 17:27 17:32 19:47 20:02 7 Piccadilly, Tourist stop, at Hyde Park Corner. 08:11 08:26 17:31 17:36 19:51 20:06 8 Knightsbridge, Lanesborough Hotel. Stop 13. 09:40 09:40 17:40 17:10 20:23 19:53 9 Knightsbridge, At Scotch House, Stop KE. 09:45 09:45 17:45 17:15 20:28 19:58 10 Kensington Gore, Royal Albert Hall, Stop K3. 09:49 09:49 17:49 17:19 20:32 20:02 11 Kensington Road, Palace Gate, bus stop no. 11150. 08:31 08:36 17:51 17:21 20:34 20:04 12 Gloucester Road, Kensington Plaza Hotel, tourist stop. 08:34 08:39 17:54 17:24 20:37 20:07 13 Cromwell Gardens, V & A Museum, tourist bus stop.