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reportage FUll •••••••••• •• • ••• • ••• •••••••••••••• • • • • • • • • • • • • • • • • • • • • • • • IIIIII Jim i vänder sig runt • mot högtalarna och • Jimi drar igång en sorts uppvärmningsöv• som han var vänsterhänt sedan vänt på hela drar upp en • ning bestående av ett solo över hela halsens ekipaget. H an använde också den där där helvetisk feedback på register som för att göra en extra soundcheck stenfräcka Flying V-gitarren han själv (?) • med publik på plats. Därefter börjar han hade målat på (custombyggd, från våren stört som han drar ut och Billy Cox att gemensamt köra det tunga 1970, red anm). och vrider på i en halv • riffet från Spanish Castle Magic och mitt gäng - !t's very far away - i t rakes about a half day • nickar g latt och igenkännande. Bra börj an to get there ... If you trave! by my dragon fly! minut. med en. sådan familjär låt. Och vilket gung Boink! - l wanna take you • sedan . .. Mi t ch Mi tchell var en trurl:lmis som J imi fullkomlig t omslöt oss med vassa • hette duga och hade varit med ända från bör­ gitarrpassager som man fullständig t häp­ home, l won't do you no jan 1966. En improvisationens mästare som nade över. Han såg ju så skön ut också. Vita harm .. Foxy Ladyyyyy!" • matchade H endrix perfekt när denne bör­ utställda byxor och en flowerpowerinspi­ • jade tänja på g ränserna och flyta ut i galax­ rerad, bjärt smyckad skjorta. Och så "bar­ ens snöiga vintergata. ret" naturlig tvis. dera sidan scenen pekande mot H endrix • Till vår glädje så showade Jim i också lite Vi kunde inte låta bli att prata med och Billy Cox. D essutom, p lacerad e • grann. Vi hade läst att han ville borr från det varandra under• låten om fö rstärkarna (och bakom Mitch Mitchell, ytterlig are fyra där m en här spelade han både g itarr med det hörs på den '36 år gam la bandinspel­ jättelika hög talare med ett horn nedtill . • tänderna och hukade sig ned till golvet och ningen). Tre stycken Marshallstackar med Billy Cox spelade på Marshallförstär­ • g jorde sina obscena tung rörelser samtidig t 100 watts Super Lead-toppar, det vill säga kare och dess extra stora kabinett som jag som han pekade ut i publiken - och drog 24 stycken tolvtumshögtalare i de sex kabi­ tror innehöll sex tolvor. Billy spelade på • pull offs på g i tar ren. netterna. (Vad många inte vet är att "stack­ en Fender J azz bas. • G itarren som J imi använde var en ny arnas" original Celestian G 12H 30 högtalare Mitch Mitchell å sin sida körde med strata (från 1968, red an m). En helt svart byttes ut tidig are under året och ersattes två bastrummor och hela setet var upp­ • sådan m ed det stora huvudet, den stora log­ med Lansing D l20F. Red anm). Deras m ikar igenom PA-system et. • gan och ljus lönnhals där han flyttat ned monitoranläggning var mycket underlig . Det var en mindre chock att se någon gitarrbandet till det lilla hornet och efter- Två stycken diskanthorn på stativ på var- använda så mycket utrustning , • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • OKT 06 1 FUZZ l 37 FUll reportage ...,. ]imi llenJrixe • • • • • • • • • • • • • • • • • • • • • • • • • • med gitarren. Billy Cox Nästa lår Fire tar tre och en halv minut pre­ bas lägger sig unisom i flera cis som på skivan och just där imponerade passager i Howlin' Wolfs Jimi med att spela låten nästan ton för ton, gamla blues tolva. vilket man inte var bortskämd med. Jimi - I should have quit you körde dock inte med den hypergrymma dist­ baby .. .long time agooo .... pedal som fanns på originalinspelningen, Jag borde gjort slut med utan här lät det mer tungt och separerad dig raring för länge s trängd ist. sedan ... Legenden kollar åter stämningen och tar Hendrix mixare hade god tid på sig att kolla oktaverna och inga balanserat ljudet mycket stämapparater fanns der heller - bara rena bra så att alla instrument öron. Och om man far spekulera så tror jag hördes väl, antagligen på att Hendrix hade "perfect pitch" och kunde order av Hendrix själv höra tonerna inombords. Och hur håller man som visste att låtarna en vanligstratta utan stränglås stämd utom­ bestod av mer än bara hus under en septemberkväll? gitarr. När Jimi tram­ Hear My Train A Coming är en långsam pade in fuzzpedalen så blueslåt med utrymme för klassiska, tradi­ höjdes bara volymen en tionella pentabluesgångar och här la man­ aning sedan styrde han nen till en massa goda glidningar över band själv mycket med volym­ och oktav så man nästan hissnade. Hans kontrollen och växlade självklara komroll över instrumentet gjorde ofta miklägen på den stort intryck på oss. svarta strattan. Inre undra på att han tagit London med Förmodligen var Mars­ storm och g jort stor succe fyra år tidigare. hallsrackarna inställda på Alla ville spela med Jimi för han hade en fullt blås för på det totalt egen stil vars make inte fanns att upp­ "rena" ljudet distade bringa varken ibland Englands vita blues­ girarren så där lagom och gitarrister eller originalen i USA. Jimi hade med fuzzen la han till plöjt upp en helt egen fara som han sått med lire grädde på moset och mognande frö vilka blommande extra fort. fick mer kompression "Wah wah-pedalen är ingen leksak", hade och susrain. Betänk Jimi sagt och han var mycket sparsmakad också att detta var tiden med denna effekt. Förutom denna Vox wah innan det fanns master­ wah, en Fuzz Face och en Univibe, tyckte jag Nu börjar det tjuta i hög talaren och man komroller på Marshallstärkarna' mig även höra en Roger Mayer Ocavia. kan höra en radiosignal (P l tror jag och det Någon lär ha påstått en gång att Hendrix Nästa stycke var en improvisation med var inte ovanligt förr i riden att förstärkaren ville ha så många högtalare som möjligt för en touch av Star Spangled Banner inklusive tog in radiovågor) han hade en teori om "köreffekten" det vill störtdykningar på svajarmen och dämpade Efter första låren som klockar in på sex säga desto fler högtalare desto mer "körak­ chacka chacka chaka över mikrofonerna. minuter säger Hendrix bara: tigr" bli soundet. En hög talare blir en voice, J imi går från en ide till en annan och gör - And now for our next number ... och 24 blir 24 voices, plus Leslie, etc. lire flådiga strängkonster med handflatan drar igång Killing Floor där han sjunger scat 38 l FUZZ l OKT 06 •••••••••••••••••••••••••••• .
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