Monterey Bay Black Folks Event Calendar
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The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
The Showstopper of the Festival Performed an 80-Minute Set, During Which Zal Yanovsky, Former Lovin’ Spoonful Guitarist, Made a Surprise Guest Appearance
1 iislesle ooff wwightight ffestivalestival 11970970 2 3 photo essay by michel arnaud p u b l i s h e r ssettingetting tthehe sscenecene In 1968, the Beatles closed their Apple Boutique at 94 Baker Street. Perhaps it was a sign of things to come. BY April 1970, the Fab Four had disbanded. Both Paul 4 and John were married. The ultimate “boy band” 5 had grown up. The Swinging Sixties had come to a end. pop music which had emerged and developed during the decade was in a state of transition. Influences of Hippie Culture, Folk Music, psychedelic drugs, and the anti-war movement in America had seeped into left: London was abuzz fashion, music, art and design. with activity giving a sign of things to come at the Isle of Wight Festival. This was the scene that welcomed above: The official festival poster. right: Michel Arnaud the 1970 Isle of Wight Pop Festival. in 1970 ready to go. 6 7 8 9 the line-up 10 wwese ddnenesdayday 226t6thh judas jump, Kathy smith, Rosalie soRRels, david BRomBeRg, RedBone, KRis KRistoffeRson, mighty BaBy tthursdayhursday 227th7th gR aR y faRR, supeRtRamp, andy RoBeRts eveyone, howl, BlacK widow, gRoundhogs, teRRy Reid, gilBeRo gil ffridayriday 228th8th fi a Rfield paRlouR, aRRival, lighthouse, taste, tony joe white, chicago, family pRocol haRum, the voices of east haRlem, cactus ss aatturdayurday 229th9th john seBastian, shawn phillips, lighthouse, joni mitchell, tiny tim, miles davis, ten yeaRs afteR, emeRson laKe and palmeR, the dooRs, the who, melanie, sly and the family stone, tiny tim with islandeRs ssundayunday 330th0th good news, KRis KRistoffeRson, Ralph mctell, heaven, fRee, donovan, pentangle, moody Blues, jethRo tull, jimi hendRix, joan Baez, leonaRd cohen, Richie havens, haw11 Kwind 12 13 14 15 john sebastian the showstopper of the festival performed an 80-minute set, during which Zal yanovsky, former lovin’ spoonful guitarist, made a surprise guest appearance. -
EXPERIENCE HENDRIX TOUR RETURNS to FLORIDA THEATRE with JOE SATRIANI, DAVE MUSTAINE & MANY MORE General Public Tickets on Sale Friday, Oct
For Immediate Release Contact: Kathryn Wills, Director of Marketing [email protected] EXPERIENCE HENDRIX TOUR RETURNS TO FLORIDA THEATRE WITH JOE SATRIANI, DAVE MUSTAINE & MANY MORE General Public Tickets on sale Friday, Oct. 19th at 10am The Experience Hendrix Tour, the critically acclaimed multi-artist celebration of Jimi Hendrix's musical genius returns the historic, nonprofit Florida Theatre on March 6, 2019 with its biggest ever tour! Tickets for Florida Theatre Friends at the Ensemble Level and above are on sale now. Eclub members can use their code word to purchase tickets at 9am on Thursday, Oct. 18. Tickets for the general public go on sale Friday, Oct. 19 at 10am and can be purchased at floridatheatre.com, the official online site for Florida Theatre tickets, by calling the box office at 904.355.ARTS(2787) or in person at the box office. This latest edition of the much anticipated tour once again emphasizes the influence Hendrix has made on a diverse group of artists. The concerts will bring together artists as disparate as guitar wizard Joe Satriani, blues great Taj Mahal, Ernie Isley and Dweezil Zappa. Megadeath's Dave Mustaine will make his Experience Hendrix Tour debut while mainstays such as Billy Cox, Jonny Lang, and Eric Johnson will also be on board for the expedition. The Experience Hendrix Tour offers fans a rare opportunity to see many highly regarded players performing together in a unique setting. 15-time Grammy Award nominee Joe Satriani will make his long-awaited return when the tour kicks off March 3 kickoff in Pompano Beach, FL. -
Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings. -
Hendrix Hits London Educator Gallery Guide
Table of Contents: Background Information Education Goals Exhibition Walkthrough Extension Resources Background Information Hear My Train a Comin’: Hendrix Hits London The purpose of this guide is to present questions and offer information that help lead students through the exhibition and instigate a conversation about the dynamic themes highlighted therein. Hear My Train a Comin’: Hendrix Hits London delves deep into one of the most important and formative time periods in Jimi Hendrix’s career. During a nine-month period beginning in September 1966, Hendrix released three hit singles, an iconic debut album, and transformed into one of the most popular performers in the British popular music scene. In June 1967 he returned to America a superstar. This new exhibition furthers EMP Museum’s ongoing efforts to explore, interpret, and illuminate the life, career, and legacy of Jimi Hendrix. Before its installation in Seattle, Hear My Train a Comin’: Hendrix Hits London debuted at the Hospital Club, a creative exhibition facility and private club located in the heart of London. The show was on view in the UK for two months before returning to the US. While the overall theme remains the same, EMP sought to convey the look and feel of swinging London with the addition of richly patterned wall fabrics evocative of the era, interactive elements, and a chronological large-scale concert map. Hendrix: Biographical Information Students may benefit from a discussion of Hendrix’s personal history prior to the period covered in the exhibition. Born -
32.-Brown-2013-Little-Wing.Pdf
Understanding Rock This page intentionally left blank Understanding Rock ESSAYS IN MUSICAL ANALYSIS Edited by JOHN COVACH & GRAEME M. BOONE New York Oxford Oxford University Press 1997 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1997 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Understanding rock : essays in musical analysis / edited by John Covach and Graeme M. Boone. p. cm. Includes index. Contents: Progressive rock, "Close to the edge," and the boundaries of style / John Covach — After sundown : the Beach Boys' experimental music / Daniel Harrison — Blues transformations in the music of Cream / Dave Headlam — "Joanie" get angry: k. d. lang's feminist revision / Lori Burns — Swallowed by a song: Paul Simon's crisis of chromaticism / Walter Everett — Little wing: a study in musical cognition / Matthew Brown — Tonal and expressive ambiguity in "Dark star" / Graeme M. Boone. ISBN 0-19-510004-2; ISBN 0-19-510005-0 (pbk.) 1. Rock music—History and criticism. 2. Rock music—Analysis, appreciation. -
America's News English
10/10/13 Experience Hendrix at the Fabulous Fox America's News English Experience Hendrix at the Fabulous Fox Forsyth County News (Cumming, GA) - Sunday, March 21, 2010 Readability: >12 grade level (Lexile: 1310L) Author: Ira Miller; Columnist, [email protected] Jimi Hendrix died on Sept. 18, 1970. I remember the date because that was my first birthday. And even though I can't play a lick of guitar, I have inherited a love of music. If you love music, you will love being at the Fabulous Fox on Saturday night as "Experience Hendrix" heads to Atlanta. This is the fourth edition of the biennial concert tour paying homage to the music and legacy of Jimi Hendrix. Joe Satriani, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, Brad Whitford (of Aerosmith), Doyle Bramhall II, Ernie Isley, Living Colour, Susan Tedeschi, Double Trouble's Chris Layton, Robert Randolph, along with original Hendrix bassist Billy Cox will be performing music written and inspired by the legend. Cox, who first befriended Hendrix when the two were in the 101st Airborne division of the US Army, played in both the Jimi Hendrix Experience and Band of Gypsys. "It's a thrill for me to play Jimi's music for audiences now as it was in the 1960s. The Experience Hendrix tours have shown how timeless this music really is," Cox said. Featured in every show are signature songs including "Purple Haze," "Voodoo Child (Slight Return)," "The Wind Cries Mary," "Little Wing" and "Red House." Kenny Wayne Shepherd, a veteran of several Experience Hendrix tours remarked: "Jimi Hendrix's music has really inspired [me] to push the limits of my own music. -
Dionysian Symbolism in the Music and Performance Practices of Jimi Hendrix
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Dionysian Symbolism in the Music and Performance practices of Jimi Hendrix Christian Botta CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Christian Botta Submitted in partial fulfillment of the requirements for the degree Master of Arts in Musicology At the City College of the City University of New York May 2013 Table of Contents Introduction 1 Chapter One – Hendrix at the Monterey Pop and Woodstock Festivals 12 Chapter Two – ‘The Hendrix Chord’ 26 Chapter Three – “Machine Gun” 51 Conclusion 77 Bibliography 81 i Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Introduction Jimi Hendrix is considered by many to be the most innovative and influential electric guitarist in history. As a performer and musician, his resume is so complete that there is a tendency to sit back and marvel at it: virtuoso player, sonic innovator, hit songwriter, wild stage performer, outrageous dresser, sex symbol, and even sensitive guy. But there is also a tendency, possibly because of his overwhelming image, to fail to dig deeper into the music, as Rob Van der Bliek has pointed out.1 In this study, we will look at Hendrix’s music, his performance practice, and its relationship to the mythology that has grown up around him. -
March Programming
Norah Jones first emerged on the world stage with the February 2002 release of Come Away With Me, her self- described "moody little record" that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 Grammy Awards and signaling a paradigm shift away from prevailing pop music of the time. Since then Norah has sold 45 million albums worldwide and became a 9-time Grammy-winner. Now Norah has come full circle with Day Breaks, her remarkable sixth album which finds her returning to her jazz roots while also proving her to be this era's quintessential American artist, the purveyor of an unmistakably unique sound that weaves together the threads of several bedrock styles of American music: country, folk, rock, soul and jazz. Day Breaks is a kindred spirit with Come Away With Me, though it is unquestionably the work of a mature artist who has lived life and grown immensely in her craft. Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah. She fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dreams and a flourishing career writing hits for the biggest acts in rock ‘n’ roll. But it wasn’t until her personal life began to crack that she finally managed to find her true voice. BEAUTIFUL – The Carole King Musical tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. -
2021 Induction
2021 Induction September 10 During the early planning stages for the Wheeling Civic Center, one of the The preamble from the Ordinance establishing the Hall of Fame Board reads members of the committee suggested that a “Hall of Fame” should be included as follows: in the Center to give recognition to former residents and present residents who “A Hall of Fame to honor Wheeling citizens and former citizens for outstanding had attained considerable distinction in some specific field and thus brought accomplishments in all walks of life shall be established in the halls of the honor to their home city. Wheeling Civic Center. While outstanding public services were rendered by The City Council studied the matter and solicited suggestions for guidelines our founding fathers and early citizens, these worthy deeds are recognized by and procedures. historical publications and appropriately honored in other halls, museums, and On February 3, 1977, council passed an ordinance (No.6179) creating the memorials. Therefore, honorees in the Wheeling Hall of Fame shall be selected Hall of Fame Board. In July 1977 the Mayor, with the approval of Council, on the basis of accomplishments after 1863 (later amended to 1836). For appointed 18 citizens to serve on the Board with designated terms of two, four, purposes of selection and designation, the human endeavors of the honorees and six years. The Board also includes a representative of City Council and the shall be divided into the following six major categories: chairman of the Civic Center Board as an ex-officio member. (1) Music and Fine Arts (4) Sports and Athletics The membership of the Board has changed as new appointments have been (2) Business and Industry* (5) Public Service made by the Mayor and Council from time to time. -
Voodoo Child
the most impactful periods of Hendrix’s career. Fans have called out for their induction into the Rock and Roll Hall of Fame. Just this year, the group with inducted into the Rhythm and Blues Hall of Fame. And authors Corey Washington and Nelson George have VOODOO written volumes on how the group has impacted generations of predominately black-oriented audiences and musicians alike. So it with great fanfare that Experience Hendrix has compiled the four shows in the new box set, being released as both a 5-CD and 8- LP package, Songs for Groovy Children. The name of the album comes from a remark Hendrix made right before they break into CHILD “Power of Soul” in their final show. The package comes complete with the band’s story told by Billy Cox, along with an essay by Nelson George demonstrating the impact it had on him and black JIMI HENDRIX INFORMATION MANAGEMENT INSTITUTE audiences. [email protected] Over the years, bits and pieces of these concerts have been www.facebook.com/groups/251427364936379/ released, this being the first comprehensive, albeit still incomplete, package of the four iconic concerts. There are 13 new, never before ISSUE 112 FALL 2019 commercially released songs, as well as two songs which have never appeared either commercially or through collector unauthorized This may be one of the most exciting, and the most frustrating editions. Overall, there are over two dozen tracks “that have either periods for Jimi Hendrix fans. On one hand, Experience Hendrix has never before been released commercially or have been newly pressed announced the release of the Band of Gypsys concerts at the Fillmore and newly remixed,” according to the project press release. -
Hear My Train a Comin' ...9 Capitolo 1 Spanish Castle
SoMmArIo INTRODUZIONE: HEAR MY TRAIN A COMIN’ .............. 9 CAPITOLO 1 SPANISH CASTLE MAGIC DAYS ......... 15 CAPITOLO 2 DA BIG APPLE A BIG SMOKE ............. 35 CAPITOLO 3 SUPERSTAR .......................... 57 CAPITOLO 4 YOU GOT ME FLOATIN’ .................. 95 CAPITOLO 5 CASTLES MADE OF SAND .............. 123 CAPITOLO 6 THE WINK OF AN EYE ................. 155 CAPITOLO 7 THE NEW RISING SON ................. 185 ESIBIZIONI DAL VIVO SELEZIONATE, 1966–1970 .......... 210 DISCOGRAFIA SELEZIONATA .......................... 215 BIBLIOGRAFIA .................................... 218 INDICE ANALITICO ................................. 221 Hendrix_001-224_CX.indd 6-7 14/07/17 15:19 CaPiToLo 1 SPANISH CASTLE MAGIC DAYS Quando Johnny Allen Hendrix nasce il 27 novembre 1942, a Seattle, nello stato di Washington, la sua famiglia è già precaria. Sin dall'inizio, il futuro guitar hero è alla deriva in un mondo instabile. È una cosa che lo seguirà nel corso della sua breve vita. Sua madre, Lucille Jeter, ha incontrato il marito, James Allen Ross Hendrix (Al), solo il novembre precedente a casa di un amico, prima di un concerto di Fats Waller alla Washington Hall (dove lo stesso Jimi suonerà in seguito). Nata nel 1925, Lucille ha sedici anni e va ancora a scuola. Al ha sei anni in più, è nato nel 1919 a Vancouver, nella British Columbia, in Canada, 228 km a nord di Seattle. Entrambi sono di sangue misto: c'è sangue afroamericano, nativo americano e caucasico in entrambi i lati della famiglia. Al Hendrix col figlio di tre anni, James (all'epoca è per tutti Johnny), nel 1945.Apic/Getty Images 15 Hendrix_001-224_CX.indd 14-15 14/07/17 15:19 Washington Hall, dove i genitori di Jimi ha dato al bambino il nome di Johnny, però, sospetta che possa essere a causa di assistono a un concerto di Fats Waller la sera John Page, che alloggia in casa Harding, e che Al pensa abbia una relazione con del loro primo incontro, nel novembre 1941.