70'S Disco Fashion

Total Page:16

File Type:pdf, Size:1020Kb

70'S Disco Fashion 70’s Disco Fashion Bell bottoms, polyester, platform shoes, jumpsuits, halter dresses, hot pants, colourful leisure suits, loud patterns, sequins and glitter. In the 1970s, fashion reached new levels of creative expression and, some might say, ostentation for men and women. It was an era when women, no longer limited to strict fashion industry dictates, could choose a variety of hemlines, wear pants in nearly all situations, and discard the restrictive undergarments of the past. The heyday of disco fashion blossomed from the music played at gay underground New York clubs such as the Loft, Tenth Floor,and 12 West in the early 1970s. Studio 54 became the place to be seen in disco clothing such as boob-tubes, platform shoes, flared trousers and body-conscious shapes dressed in lurex, glitter and crazy patterns or colours. Studio 54 played an essential role creating the nightclub scene that is still with us today – a place where people dress to be noticed and in the latest fashion. The successful movie Saturday Night Fever ensured that disco hung around for a few years. Disco fashions are very popular by the mid-1970s. Discotheque-goers of New York are wearing expensive and extravagant fashions for nights out: slinky, wrap dresses by Diane von Furstenberg; flowing Halston dresses for women and polyester, patterned Qiana shirts for men with pointy collars, preferably open at the chest. The leisure suit becomes popular with double- knit polyester shirt jackets and matching trousers. Men become peacocks displaying bright colours, flamboyant patterns and showy jewellery. For women, 1970s fashion began with a continuation of the mini skirts and bell- bottoms. These styles become part of popular culture until everyone and their grandma is wearing them. Some of the must-have items that have come to define the disco era of the 1970s are, Hot pants , they were popular among young women since 1971. These shorts were very tight and very short Originally designed to be worn with thick opaque tights, the anything-goes attitude meant that hot pants would get worn any way possible – tights or no tights, Platform shoes, appearing in fashion in 1971 platform-soled shoes elevated both men and women at least 2-4 inches from the ground, Flared trouser, Trousers were fast becoming a more popular choice for women in the early 70s. Labels became important as a fashion status symbol with Vanderbilt and Fiorucci jeans becoming must-have items. Trousers are practical and freeing for the liberated working woman. The styles were high-waisted and tight-fitting around the hips and thighs, flaring out to cover those lofty platform shoes. Flared trousers lost their fashion edge in the mid 1970s, however, and skin-tight trousers became a necessity for every woman, Three piece suit, Popularised by John Travolta in Saturday Night Fever, the white polyester suit with matching waistcoat was a new style choice for men. It was often teamed with costume jewellery such as an identity bracelet or medallion pendant worn under an open-to-the-navel shirt. Wide lapels, wide legs and high waists were required and suits could also come in various bright colours to suit the dance floor hues. White also looked great under the ultra-violet lighting that became popular in discos, Wrap dress, The simple stretch-jersey polyester wrap dress was introduced by Diane von Furstenberg in 1972. It was worn with slingback sandals or knee-high boots with chunky heels. It could be worn to the office by day in a plain colour and transformed into a sexy shape by night, Glitter, It was the decade known for introducing glam and glitter to the masses. Metallic threads, satin-look, sequins, anything with sparkle and shine was great. Glitter also appeared in the make-up, with girls spreading a glitter gel on their cheeks, lips, eyes. Lip gloss was essential, Boob Tube, Often sequined, the boob-tube was a stretchy strapless tube worn around the chest and torso, or baring the midriff. Halter neck tops were also a fashion staple at the disco, Leotard, became a popular fashion item for the discotheque. Body-conscious silhouettes and a sign that you are serious about disco-dancing and learning the latest moves. You could dress it up with a scarf wrapped around your hips or layer it up with contrasting colours. Its flexibility was useful for rigourous moves and hot nights on the dance floor, Accessories, Feather boas, slinky scarfs, turbans. Hair: think afro, shaggy and feathered layered looks and that’s just the men! Hair was easy going and loose or tight and curly with just some tonging, hairspray or gel and maybe some glitter gel for the girls. Influenced by the popularity of aviator sunglasses in disco many wore glasses in the shape of aviators but with clear prescription lenses. Flirty, feminine, swirly skirts and wrap dresses in cuts and fabrics that flowed with the dancer’s movements and shimmered under the disco lights were very popular looks for women as were blouses and pants worn billowy, flared, or skin-tight. Body wear, which featured pieces made of spandex and Lycra that emphasised a woman’s figure—from leotards under wrap skirts to colourful catsuits---was also popular. Many women further completed their outfits with high heels and make-up that included bold colours, glitter, even feathers. But above all, disco fashion was about wearing clothes that complemented the glamour and drama of disco dancing. These memorable looks of the recent past came to mark the decade of the 1970s. .
Recommended publications
  • The Fashion Runway Through a Critical Race Theory Lens
    THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION ..................................................................................................................
    [Show full text]
  • 49Th USA Film Festival Schedule of Events
    HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck
    [Show full text]
  • Halston, Netflix's New Series, Imagines How the Designer Created Halston
    Halston, Netflix’s new series, imagines how the designer created Halston, his spectacularly successful 1975 fragrance. Grin or groan at the screenwriter’s fiction, the truth is much more interesting. Here is the real Halston story, an excerpt from AMERICAN LEGENDS, Michael Edwards’ new book coming out in Fall 2023. Twenty years in research, it traces the evolution of American perfumery thru forty legendary fragrances. By 1972, Halston’s business was grossing nearly $30 million in retail sales. That year, he won his fourth Coty Award and was acclaimed by Women’s Wear Daily as “one of the greats”. The elegance of the new American style was never more evident than at the couture show mounted in November 1973 to raise funds for the restoration of the Palace of Versailles. Five American designers - Bill Blass, Stephen Burrows, Halston, Anne Klein and Oscar de la Renta - joined five French couturiers in presenting their collections. The French used elaborate backdrops and props. The Americans used a bare stage and ten Black models. Their spare elegance put the French to shame. In late 1973, in a move that stunned the fashion industry, Halston sold his name, his company and his design services to David Mahoney of Norton Simon for sixteen million dollars. Norton Simon Inc. was one of the conglomerates stitched together in the 1960s. It owned such diverse interests as Hunt Food, Somerset Liquor, Avis Car Rental, Hartman Luggage and McCall Patterns. “We had also just bought the Max Factor cosmetic company,” said Dan Moriarty, then assistant to chairman of the board David Mahoney.
    [Show full text]
  • Lucy F. Kweskin Matthew A. Skrzynski PROSKAUER ROSE LLP Eleven
    20-12097-scc Doc 505 Filed 01/22/21 Entered 01/22/21 18:51:52 Main Document Pg 1 of 186 Hearing Date: February 12, 2021 at 10:00 a.m. (Prevailing Eastern Time) Objection Deadline: February 5, 2021 at 4:00 p.m. (Prevailing Eastern Time) Lucy F. Kweskin Jeff J. Marwil (admitted pro hac vice) Matthew A. Skrzynski Jordan E. Sazant (admitted pro hac vice) PROSKAUER ROSE LLP Brooke H. Blackwell (admitted pro hac vice) Eleven Times Square PROSKAUER ROSE LLP New York, New York 10036 70 West Madison, Suite 3800 Telephone: (212) 969-3000 Chicago, IL 60602 Facsimile: (212) 969-2900 Telephone: (312) 962-3550 Facsimile: (312) 962-3551 Peter J. Young (admitted pro hac vice) PROSKAUER ROSE LLP 2029 Century Park East, Suite 2400 Los Angeles, CA 90067-3010 Telephone: (310) 557-2900 Facsimile: (310) 557-2193 Attorneys for Debtors and Debtors in Possession UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK In re Chapter 11 CENTURY 21 DEPARTMENT STORES LLC, et al., Case No. 20-12097 (SCC) Debtors.1 (Jointly Administered) NOTICE OF APPLICATION OF DEBTORS FOR ENTRY OF AN ORDER AUTHORIZING THE EMPLOYMENT AND RETENTION OF BERDON LLP AS TAX PREPARER AND CONSULTANT EFFECTIVE AS OF THE PETITION DATE PLEASE TAKE NOTICE that a hearing (the “Hearing”) will be held on the Application of Debtors for Entry of an Order Authorizing the Employment and Retention of Berdon LLP as 1 The Debtors in these chapter 11 cases (the “Chapter 11 Cases”), along with the last four digits of each Debtor’s federal tax identification number, as applicable, are Century 21 Department Stores LLC (4073), L.I.
    [Show full text]
  • (Roy Halston Frowick) (1932-1990) by Shaun Cole
    Halston (Roy Halston Frowick) (1932-1990) by Shaun Cole Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The first international fashion superstar, Halston was a master of cut, detail, and finish. He dressed and befriended some of America's most glamorous women. Jackie Kennedy Onassis, Elizabeth Taylor, Babe Paley, Barbara Walters, Lauren Bacall, Bianca Jagger, and Liza Minnelli were just some of the women who wore Halston. Roy Halston Frowick was born on April 23, 1932 in Des Moines, Iowa, the second son of a Norwegian- American accountant with a passion for inventing. Roy developed an interest in sewing from his mother. As an adolescent he began creating hats and embellishing outfits for his mother and sister. Roy graduated from high school in 1950 then attended Indiana University for one semester. After the family moved to Chicago in 1952, he enrolled in a night course at the Chicago Art Institute and worked as a window dresser. Frowick's first big break came when the Chicago Daily News ran a brief story on his fashionable hats. In 1957 he opened his first shop, the Boulevard Salon, on Michigan Avenue. It was at this point that he began to use his middle name as his professional moniker. With the help of a lover twenty-five years his senior, celebrity hair stylist André Basil, Halston further developed his career by moving to New York later in 1957. Basil introduced Halston to milliner Lilly Daché, who offered him a job. Within a year he had been named co-designer at Daché, become the new best friend of several fashion editors and publishers, and left Daché's studio to become head milliner for department store Bergdorf Goodman.
    [Show full text]
  • White Webb Creates VIP Lounge at Studio 54
    New York, NY (PRWEB) September 30, 2007 White Webb creates VIP lounge at Studio 54. Who said disco is dead? Thanks to those superfly guys at White Webb, it lives again at Studio 54. The former digs of the infamous dance club have been reborn as one of the funkiest theaters on Broadway thanks to the creative imaginings of The Roundabout Theatre Company. Originally an opera house, the building became notorious for its second life as the Big Apple’s most happening nightspot, Studio 54. Today, the Roundabout has replaced the dance floor debauchery with some of the world’s finest theater, but it hasn’t forgotten the building’s special history. In memory of the funk ‘n fantasy that cavorted within its walls, the Roundabout commissioned White Webb to bring back the disco beat. Seeking to create a lounge for its patrons, the Roundabout asked the design team to turn a long-forgotten basement space into Broadway’s classiest VIP room. Blending 70’s swank with modern luxe, White Webb’s design winks at Studio’s glory days while making every visitor feel like a coddled celebrity. Among the room’s ostrich walls, leopard carpeting, and luxurious velvet-covered banquettes, one wouldn’t be surprised to see Bianca Jagger (well, maybe Lindsay Lohan) riding in on a white horse. As the piece-de-resistance, White Webb designed a resplendent sculpture made of forged iron, gold balls and magnifying glasses. Commanding center stage in the room, the artwork evokes a huge sunburst – just what every room needs to be a true disco inferno! So how do you get past the velvet ropes? It’s not hard at all.
    [Show full text]
  • Bare Witness
    are • THE METROPOLITAN MUSEUM OF ART "This is a backless age and there is no single smarter sunburn gesture than to hm'c every low-backed cos­ tume cut on exactly the same lines, so that each one makes a perfect frame for a smooth brown back." British Vogue, July 1929 "iVladame du V. , a French lady, appeared in public in a dress entirely a Ia guil­ lotine. That is to say ... covered with a slight transparent gauze; the breasts entirely bare, as well as the arms up as high as the shoulders.... " Gemleman's A·1agazine, 1801 "Silk stockings made short skirts wearable." Fortune, January 1932 "In Defence ofSh** ld*rs" Punch, 1920s "Sweet hem·ting matches arc very often made up at these parties. It's quite disgusting to a modest eye to see the way the young ladies dress to attract the notice of the gentlemen. They are nearly naked to the waist, only just a little bit of dress hanging on the shoulder, the breasts are quite exposed except a little bit coming up to hide the nipples." \ Villiam Taylor, 1837 "The greatest provocation oflust comes from our apparel." Robert Burton, Anatomy ofi\Jelancholy, 1651 "The fashionable woman has long legs and aristocratic ankles but no knees. She has thin, veiled arms and fluttering hands but no elbows." Kennedy Fraser, The Fashionahlc 1VIind, 1981 "A lady's leg is a dangerous sight, in whatever colour it appears; but, when it is enclosed in white, it makes an irresistible attack upon us." The Unil'ersol !:lpectator, 1737 "'Miladi' very handsome woman, but she and all the women were dccollctees in a beastly fashion-damn the aristocratic standard of fashion; nothing will ever make me think it right or decent that I should see a lady's armpit flesh-folds when I am speaking to her." Georges Du ~ - laurier, 1862 "I would need the pen of Carlyle to describe adequately the sensa­ tion caused by the young lady who first tr.od the streets of New York in a skirt ..
    [Show full text]
  • Mayor Giuliani, Yahoo! Auctions and Macy's Unveil the NYC 2000 Fashion Auction Top Models -- Ling and Michelle B
    Mayor Giuliani, Yahoo! Auctions And Macy's Unveil The NYC 2000 Fashion Auction Top Models -- Ling and Michelle B. -- Help Kick Off One-of-a-Kind Millennial Fashions from World-Renowned Designers NEW YORK, New York -- June 1, 2000 -- Yahoo! Inc. (Nasdaq: YHOO), NYC 2000 and Macy's Herald Square want to help you dress like a supermodel - exactly like a supermodel with the same dresses, fine jewelry and accessories worn on the runway during the NYC 2000 Fashion Show - one of the largest fashion shows ever held in New York. From June 1 through June 15, the NYC 2000 Fashion Auction, hosted by Yahoo! Auctions (http://auctions.yahoo.com), the fastest-growing, globally-branded free auction site on the Internet, puts more than 90 designer dresses and 38 pieces of fine jewelry up for virtual auction. (Overview at http://auctions.yahoo.com/) The bidding will kick off today at Macy's 34th street window during a 2:00 p.m. EST press conference with New York City Mayor Giuliani. All proceeds raised from the charity auction go to benefit The Center for Arts Education, a non-profit organization whose goal is to provide every student in New York City public schools with increased exposure to the arts. Yahoo! on 34th Street Through a uniquely-designed Internet kiosk at the famous 34th Street windows of Macy's Herald Square, New York City residents and visitors can view items and bid along with online bidders around the world on one-of-a-kind dresses and jewelry created by some of the world's most-renowned designers such as Oscar de la Renta, Halston, Tommy Hilfiger, Donna Karan, and Calvin Klein.
    [Show full text]
  • Every Fur Coat Hurts!
    Whims of Fashion Fatal to Furbearers What's it Like to be Trapped? Economics of the The raccoon on the cover of this report is Are young children taught to be insensi­ A fox emerges from the swamp grass and chews off his foot. The terror-stricken fox U.S. Fur Trade only one of about 17 million U.S. furbear­ tive to pain and suffering when there's a moves along its usual path of travel. limps off into the swamp grass leaving a ers killed each year. Most have been made trapping tradition in their homes? When WHAM! The jaws of the trap slam shut on trail of blood. The HSUS estimates that there are about to suffer the agony of the steel jaw trap. they see row upon row of fur coats in the the fox's right rear leg. The startled and ter­ This event, commonly called "wring 300,000 trappers in the United States, the The trapper's coup de grace is often admin­ department stores? rified fox struggles to break free. The off" by trappers, could have taken two vast majority of whom do not derive a sub­ istered with a club, a noose, or a boot heel. Parents are always confronted with ques­ smooth jaws of the trap bite into flesh caus­ hours, two days, or maybe even two weeks. stantial portion of their income from trap­ And let us not forget the millions of other tions such as: "How did they kill it Daddy? ing traumatic injury to skin, ligaments, and ping.
    [Show full text]
  • Fashion from the 1970S
    Press Release A Matter of Taste – Fashion from the 1970s Exhibition at the Münchner Stadtmuseum January 25 – September 15, 2013 Looking back on the mishmash of styles that characterized the 70s, many people today would simply shake their heads and smile fondly. In the world of fashion, the 70s were a decade that spawned a whole host of original style experiments, including hippie flower power, blue jeans, the folklore look, the mini and maxi styles, platform shoes, hotpants, flares, polyester shirts, pinafore dresses, psychedelic floral prints, disco glam and punk/New Wave. Geometric patterns and garish colors such as orange, green, turquoise, yellow, pink and red were very much the order of the day. The straight lines and conformist look that had previously been the norm were out, replaced by a mishmash of different styles, post-modern included, all of them treated to a fresh twist. Fashion de- signers drew on a vast array of styles to come up with incongruous creations and outrageous com- binations that quickly found their way into the world of haute couture, while off-the-peg versions flew off the shelves in the boutiques. The 1970s haute couture pieces of international household names like Yves Saint Laurent, Emilio Pucci, Missoni, Ossi Clark, Jean Muir, Gina Fratini, Bill Gibb, Giorgio di Sant’Angelo, Zandra Rhodes, Roberta di Camerino, Biba, Stephen Burrows and Halston became highly coveted collectors’ items as designer labels experienced an unprecedented surge in popularity. In Munich, fashion designers such as Heinz Schulze-Varell, Winfried Knoll, Werner Wunderlich, Rena Lange, Heinz Oestergaard, Max Dietl, Willy Flingelli, Willi Bogner and Lavicka cemented the Bavarian capital’s reputation as an international fashion metropolis.
    [Show full text]
  • Jeremy Renner Wears Dior Homme’S Wool Suit and Armani’S Cotton Shirt, Thom Browne’S Pocket Square
    FALL 2010 / SPRING 2011 FirstWWD Look THEThe NEW SUITS: Magazine SLIM SHAPES, NEUTRAL PALETTE RAF SIMONS FROMHEADLINE AVANT-GARDE TO CENTER STAGE Super Manny EMANUELGOES CHIRICO’S GLOBALHERE VISION FOR CALVIN & TOMMY ZEGNA AT 100 PLUS RETROSEXUAL REVOLUTION MISTAKES MEN MAKE LUXURY REDEFINED JAPAN’S NEXT WAVE THE J. CREW FACTOR Display untilTHE XXXXXX LOOK 00, 2006 OF $10.00 WALL STREET DENIM ON THE BEACH JEREMYSPRING RENNER The Toast of the Town 0621.MW.001.Cover.a;23.indd 1 6/7/10 10:36:57 PM FABRIC N°1 A re-edition of the 1910 original, for the modern man AN ENDURING PASSION FOR FABRIC AND INNOVATION SINCE 1910 zegna.com FABRIC N°1 A re-edition of the 1910 original, for the modern man AN ENDURING PASSION FOR FABRIC AND INNOVATION SINCE 1910 zegna.com American Style. Ame rican Made. American Style. Ame rican Made. contents IN THE KNOW 15 People, places and things—talking points from the world of Menswear. RISING IN THE EAST Five Tokyo-based designers of the moment aim to build an international presence. 18 By Amanda Kaiser LET’S BE FRANK J. Crew’s Frank Muytjens has emerged as one of the most infl uential designers in 20 men’s fashion. By Jean E. Palmieri GREED LOOKS GOOD As Gordon Gekko resurfaces in the hedge fund era, Oliver Stone’s sequel tracks 22 the evolution of Wall Street style. By Brenner Thomas ON THE GRID 24 Highlights of fall culture and commerce. By Brenner Thomas MISTAKES MEN MAKE 26 The experts weigh in on the worst blunders in men’s fashion.
    [Show full text]
  • Fragrances the New Corporate Identity of French Fragrances, Inc
    fragrances The new corporate identity of French Fragrances, Inc. With a portfolio of over 230 fragrance brands and proven retail marketing and merchandising programs, FFI Fragrances has emerged as one of the leading fragrance companies in the world. Annual Report 2000 fragrances To our shareholders JCPenney Vendor of the Year cosmetics French Fragrances, Inc. has updated its corporate and fragrance Nominee. FFI won identity to FFI Fragrances to better reflect the this award last year. significant transformation of its business since its inception in 1992, and to modernize its image. With a portfolio of over 230 brands, and sales topping Fiscal Year 2000 $360 million for fiscal year 2000, FFI Fragrances Accomplishments has become one of the leading fragrance companies ■ in the world. Record levels of sales, EBITDA and net income (see chart on facing page). We are pleased to be able to share with you some Wal-Mart Vendor ■ Awarded Vendor of the Year for the cosmetics of the Year of the success FFI achieved in fiscal year 2000. We for cosmetics and fragrance category by Wal-Mart, the world’s and fragrance believe that these accomplishments, along with other initiatives for fiscal 2001, will provide the foundation largest retailer. for continued success and a corresponding increase ■ Nominated as Vendor of the Year for the cosmetics in shareholder value in fiscal 2001 and beyond. and fragrance category by JCPenney. FFI won this award last year. ■ Increased FFI’s role as a prestige fragrance category manager for additional major retailers. FFI now acts as category manager for Target, Rite Aid, American Stores, Albertson’s and Duane Reade.
    [Show full text]